Almscliffe Crags, North Rigton, North Yorkshire

Legendary Rocks:  OS Grid Reference – SE 2681 4900

Also Known as:

  1. Ormscliffe Crags

Getting Here

This is an outstanding site visible for miles around in just about every direction – so getting here is easy! If you’re coming from Harrogate, south down the A658, turn right and go thru North Rigton.  Ask a local.  If you’re coming north up the A658 from the Leeds or Bradford area, do exactly the same! (either way, you’ll see the crags rising up from some distance away)

Archaeology & History

Almscliffe Crags – looking east

This giant outcrop of rock rises out from the meadowlands here like a miniature volcano, visible for many miles all round.  The history and legends surrounding the aged edifice are prodigious and the view from its tops on a fine day is one to be remembered.   It is likely, although there is little corroborative historical evidence, that is was an “omphalos”, or navel centre of the universe for the local people many centuries ago.  A great cutting runs through its centre and “runs from nearly north to south, and forms the boundary between the townships of Rigton and Stainburn, so that a portion of the rock is in each township.”  On the respective sides of this division are carved the letters “T.F.” and “E.L.”, being the initials of the families who owned the land here in olden days, Thomas Fawkes [of the legendary Guy Fawkes’ family] and Edwin Lascelles, of the ancient Harewood family.

Although Almscliffe Crags have been described in a great many local history books, it almost beggars belief to find it omitted from all the ancient mystery or “sacred sites” books ever written.  Curious…  Such lesser sites as Alderley Edge, the Cow and Calf rocks, Kilburn’s White Horse, Twelve Apostles stone circle, and many more, whilst having their respective virtues, don’t touch this place for ritual or sacred intent.

First described in the early 13th century records of Fountains Abbey, A.H. Smith (1961) thought the name of Almscliffe itself originally came from a hypothetical lady’s name, which seems an all-too-easy proclamation to make, instead of the humble option of  “I don’t know”!  But Smith wasn’t the only one to throw some curious ideas up about the etymology of Almscliffe.  Said by some local etymologists to derive from the Celtic Al-, a rock or cliff, and mias, an altar, there are other attempts to bring its rocky form into a consensus meaning.  The anglo-saxon Ael or El, being fire, and messe, or mass; and the Scandinavian Ormcliff, being the “cliff of the serpent”.  In Jones’ History of Harewood (1859), he tells

“it to have derived its name from the distribution of almes, at certain times, agreeably to the tenor of legacies left to the chapel which stood there in the sixteenth century, and was at that time dedicated to the Virgin Mary.”

It’s difficult to say which one tells its true title.  Many a druidic tale has also been carved into its form.  Such is the nature of this site that Grainge (1871) wrote how,

“it would not be difficult to show, with the exception of the artificial temple or circle of stones, this place possesses all the accessories of that ancient worship as…typical of the worship of the sun.”

Simpson’s 1879 drawing of the Almscliffe ‘cromlech’

A remark that was even echoed by one of Yorkshire’s finest and most sober historians, Harry Speight. (1903)  Grainge also pointed out that in his day there were three standing stones by the great Crags, one fallen, but “two of these rocks yet stand upright.”  A few years later we find that the ranting christian writer,  Henry T. Simpson (1879), described similar megalithic remains here, though his description was of a “cromlech.” (illustrated here)  I can find no trace, nor further references to these relics; but think it reasonable to suggest that, perhaps, Simpson’s cromlech and Grainge’s standing stones may have been one and the same monument.

In the field 100 yards immediately north of the Crags (the one with the two rocks in it) there used to be seen the remains of some primitive early walling, suggestive of a small, early settlement site.  Very little can be seen of these remains today and, as far as I’m aware, no archaeological survey was ever done of them. In all honesty, it’s highly probable that a number of other important prehistoric sites were once in evidence at varying distances around Almscliffe Crags…

Folklore

The creation myth of Almscliffe tells that, long long ago, the great giant Rombald — whose main place of residence tended to be Ilkley Moor — was having a fight with the devil upon his homeland heath.  As is common in the myths of giants, the ‘devil’ picked up a great boulder and threw it at Rombald, but it missed and fell just short of the village of North Rigton, creating Almscliffe Crags. A variation of this tale tells that it was Rombald and his wife having the argument and she threw the stones to create the place.  Several sites have been named as the place where the mythological argument occurred: the Cow and Calf rocks, the Great Skirtful and Little Skirtful of Stones all cited in the folktales of our Yorkshire peasants.  Another variation of the tale tells that the devil was simply carrying some stones (as devils and giants are renowned to do in the folk-tales of the world) and he accidentally dropped them where the Crags now stand.  Such rock-throwing tales are, once more, symptomatic of cailleach tales more commonly found in Ireland and Scotland.

There are a great many cup-markings on the top surface of these Crags, most of which seem natural, but it is not unreasonable to think that, perhaps, some may have been carved by human hands? (not sure misself)  Eric Cowling (1946) sincerely believed the antiquity of some carvings here.  One of them particularly, three feet across and eighteen inches deep, though seemingly natural, has for several centuries been known as  the “Wart Well.”  Its name is attributed to folklore that is more commonly found in Ireland and the Scottish highlands; that is, should you have a wart, prick it with a pin until a drop or two of blood drips into the water that gathers in the stone bowl, then dip your hand in afterwards.  The wart is sure to vanish.  Another method to achieve the same end is to merely wash the skin affliction in the water, and it will soon fade. (Interestingly, an old psychotherapist friend, afflicted with the damned things, did just this and they promptly vanished.)

A more minor creation myth tells that the stone bowls we see on top of the Crags here – including the Wart Well – was actually made when the giant Rombald stepped from his home onto the Crags and left his footprint embedded in the rock face.  He was said to have made it in just one step, from the Giant Skirtful of Stones prehistoric cairn [where one legend reputes him buried].

Faerie folk were also long held to live here.  On the northwest side of the Crags is the entrance to a small cave that was always known as the Faerie’s Parlour, as it was said to be an entrance to their supernatural world.  In times past, many people have scrambled down into the cave, but never reached their Otherworldly paradise.  William Grainge (1871) wrote how the little people “were all powerful on this hill and exchanged their imps for children of the farmers round about.”  This is typical of old changeling lore!  In outlying villages surrounding the Crags there is a particular excess of faerie and old heathen lore.

One very curious-sounding tale tells how a goose was sent down the hole and, after some considerable time, re-emerged 3½ miles away out from a well near Harewood Bridge.  The goose is one of the many symbols of the sun and one of its primary symbolic attributes is that of winter.  Interestingly perhaps, as the rock art writer Graeme Chappell has pointed out, the underground journey of the goose from Almscliffe to Harewood Bridge coincides closely with the rising of sun on morning of the winter solstice.  This tale may simply be a folk remnant — and an archaic one at that — of just that event: ritualising winter solstice from these Crags.  In Norse lore, shamans tell of geese carrying the great god Wotan across the skies at the coming of the Yule period.

Another ritual date that was celebrated here was Beltane, or May 1.  Not only do we find many of the outlying villages possessed their own maypoles, but in 1879 Mr Simpson of Adel reported seeing Beltane fires atop of these rocks.  Other meetings were made here as the Crags are spliced in half by the local boundary line, and perambulation records show that people came here during the ‘beating of the bounds’, as they used to be called.  This boundary perambulation moot ingredient is what strongly implies the site to have had ritual importance.  And the fact that a mass of folktales emerge from here adds to this.  Then of course we have the physical situation of the Crags at the heart of the mid-Wharfedale landscape.  All these ingredients combined, strongly suggest the site would have been, not just the ritual meeting place of tribal elders in pre-christian times, but an omphalos: it rises majestically from the land and all monuments gaze towards its giant form.  Important giant prehistoric monuments from the hills miles away tell of myths that come and go from this proud mass of stone.  Although we have other omphali just over the extended horizons from Almscliffe, this is where the World began in the creation myths of ancient times in mid-Wharfedale, at the heart of the ancient kingdom of Elmet.

But there is still more lore to be told of these rocks…

The centre piece of the Crags is known as the Altar Rocks.  Upon its western side is carved the “figure of a large tree, which we take to be the monogram of the Celtic Jupiter,” says Grainge.  This assumption is derived from an eighteenth century writer who, said Speight (1903), told that “Almnus and Alumnus are titles of Jupiter, to whom this high altar was dedicated.”

The highest part of the Crags, to the west, is known as Lover’s Leap where, in 1766, a daughter of a respectable Rigton farmer of the name Royston, having been disappointed in love, decided to kill herself.  She jumped, so legend reputes, from a point some sixty feet above ground, but a strong wind blowing at the time caught hold of her dress and carried her through the air until she landed safely in an adjoining field with naught but a sprained thumb!  The said lady realised the stupidity of her ways and was said to have lived out a long and fine life.

In recent years earthlights (UFOs) have been seen floating above and around the great outcrop.  It is likely that these were the same things which, in days of olde, the people would call the faerie.  I highly recommend visiting the place!

References:

  1. Bennett, Paul, The Old Stones of Elmet, Capall Bann: Milverton 2001.
  2. Bogg, Edmund, From Eden Vale to the Plains of York, James Miles: Leeds 1895.
  3. Bogg, Edmund, Higher Wharfeland, James Miles: Leeds 1904
  4. Cowling, E.T., Rombald’s Way, William Walker: Otley 1946.
  5. Eliade, Mircea, Patterns in Comparative Religion, Sheed & Ward: London 1958.
  6. Grainge, William, History & Topography of Harrogate and the Forest of Knaresborough, J.R. Smith: London 1871.
  7. Jones, John, The History and Antiquities of Harewood, Simpkin Marshall: London 1859.
  8. Simpson, William, Archaeologia Adelensis, W.H. Allen: London 1879.
  9. Smith, A.H., The Place-Names of the West Riding of Yorkshire – volume 5, Cambridge University Press 1961.
  10. Speight, Harry, Kirkby Overblow and District, Elliott Stock: London 1904.

© Paul Bennett, The Northern Antiquarian


Counter Hill, Addingham, West Yorkshire

Enclosure:  OS Grid Reference – SE 051 501

Getting Here

Counter Hill, looking north

You can come from various angles to approach this site, but I reckon the best is from along the old trackway of Parson’s Lane, between Addingham and Marchup.  From Silsden go up the long hill (A6034) towards Addingham until the hill levels out, then turn left on Cringles Lane (keep your eyes peeled!) for about 500 yards until you reach the Millenium Way or Parson’s Lane track, to your right.  As you walk along this usually boggy old track, the rounded green hill ahead, to the left, if where you’re heading.  Less than 100 yards past the little tumulus of High Marchup there’s a stile on your left that takes you into the field.  You’ll notice the depression that runs across near the top, at an angle.  That’s part of the earthworks!

Archaeology & History

The Counter Hill earthworks just over the far western edge of Rombald’s Moor – thought to be Iron Age – are truly gigantic.   More than ¾-mile across along its longest NW-SE axis, and a half-mile from north-south at its widest point, this huge ellipse-shaped earthwork surrounds the rounded peaked hill that gives the site its name: Counter Hill.  And although Harry Speight (1900) thought the hill got its name from the old Celtic conaltradh, or Irish conaltra, as in the ‘hill of debate or conversation’ — a possibility — the place-name master Mr Smith (1961) reckoned its name comes from little other than ‘cow turd hill’!  We may never know for sure…

Earthworks south of Counter Hill
Cowling’s 1946 plan

The Lancashire historian Thomas Dunham Whitaker (1878) appears to have been one of the first people to describe the Counter Hill remains, though due to the sheer size of the encampment he thought that it was Roman in nature.  Within the huge enclosure we also find two large inner enclosures, known as the Round Dikes and the Marchup earthworks.  Whitaker’s description of Counter Hill told:

“There are two encampments, on different sides of the hill, about half a mile from each other: one in the township of Addingham, the other in the parish of Kildwick; the first commanding a direct view of Wharfedale, the second an oblique one of Airedale; but though invisible to each other, both look down aslant upon Castleburg (Nesfield) and Ilkley.  Within the camp on Addingham Moor are a tumulus and a perennial spring; but by a position very unusual in such encampments, it is commanded on the west by a higher ground, rising immediately from the foss.  The inconvenience, however, is remedied by an expedient altogether new, so far as I have observed, in Roman castramentation, which is a line of circumvallation, enclosing both camps, and surround the whole hill: an area, probably, of 200 acres.  A garrison calculated for the defence of such an outline must have been nothing less than an army.  But it would be of great use in confining the horses and other cattle necessary for the soldiers’ use, which, in the unenclosed state of the country at the time, might otherwise have wandered many miles without interruption.  The outlines of these remains is very irregular; it is well known, however, that in their summer encampments the Romans were far from confining themselves to a quadrangular figure, and when we consider their situation near the Street, and the anxious attention with which they have been placed, so as to be in view of Ilkley or Castleburg, there can be little danger of a mistake in ascribing them to that people.”

Counter Hill earthworks, looking west

And though Whitaker’s sincerity and carefully worded logic for the period is quite erudite (much moreso than the greater majority of historians in modern times), his proclamation of the Counter Hill earthworks as Roman is very probably wrong (soz Tom).  The embankments are much more probably Iron Age in nature and are very probably the result of indigenous tribal-folk than that of the incoming Romans.  Most modern archaeologists and historians tend to see the entrenchments as being from such a period and I have to concur.

Folklore

The old antiquarian Edmund Bogg (1904) wrote that the Counter Hill earthworks were built as a result “of the struggle between the Anglians and the Celt,” long ago.  The great Yorkshire historian Harry Speight (1900) narrated similar lore just a few years earlier, but told that the tradition was  “of how the Romans drove the natives from this commanding site of Counter Hill.”

References:

  1. Bogg, Edmund, Higher Wharfeland: The Dale of Romance, James Miles: Leeds 1904.
  2. Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
  3. Fletcher, J.S., A Pictureseque History of Yorkshire – Part IX, J.M. Dent: London 1901.
  4. Smith, A.H., The Place-Names of the West Riding of Yorkshire – volume 6, Cambridge University Press 1961.
  5. Speight, Harry, Upper Wharfedale, Elliott Stock: London 1900.
  6. Whitaker, T.D., The History and Antiquities of the Deanery of Craven, 3rd edition, Joseph Dodgson: Leeds 1878.

© Paul Bennett, The Northern Antiquarian


High Marchup, Silsden, West Yorkshire

Tumulus:  OS Grid Reference – SE 0501 4949

Also Known as:

  1. Parson’s Lane Tumulus

Getting Here

High Marchup tumulus

From Silsden go up the long hill (A6034) towards Addingham until the hill levels out, then turn left on Cringles Lane (keep your eyes peeled!) for about 500 yards until you reach the Millenium Way footpath, or rather, green lane track, to your right.  Walk along this usually boggy old road for another 400 yards until you’re level with the small copse of trees below the field (about 100 yards away).  The slightly raised ditched mound on the left side of the track ahead of you is what you’re after!

Archaeology & History

Unless this old tomb was pointed out, you probably wouldn’t give the place a second glance.  It’s a seemingly isolated singular round tomb, subsided on top and surrounded by a small ditch, running into the edge of the walling.  Gorse bushes and a few rocks are around the edges of the site.  Harry Speight (1900) described this old tomb as a

“lonely isolated mound, to be seen in Parson Lane about a hundred yards west of the Celtic boundary, Black Beck, where some old dying chief has called his friends around him bidding them, “heap the stones of his renown that they may speak to other years.”  It is a tumulus 80 feet in circumference and does not seem to have been disturbed.”

In Faull and Moorhouse’s (1981) magnum opus they describe the site as “the denuded remains of a ditched round barrow,” but say little else.  It may have had some relationship with the settlement remains in and around the huge Counter Hill complex, immediately north.

References:

  1. Cowling, E.T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.
  2. Faull, M.L. & Moorhouse, S.A. (eds.), West Yorkshire: An Archaeological Guide to AD 1500 (4 volumes), WYMCC: Wakefield 1981.
  3. Speight, Harry, Upper Wharfedale, Elliott Stock: London 1900.

© Paul Bennett, The Northern Antiquarian


Caspar Stone, Middleton Moor, North Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 10879 51405

Archaeology & History

Caspar Stone drawing © M.Short & R.Stroud
Caspar Stone unearthed © M.Short & R. Stroud

This carving was discovered very recently following an exploration of recognised sites on Middleton Moor by rock art student Mike Short on March 28, 2010.  Found amidst a cluster of other carved rocks, it was located after he noticed a small piece of stone poking out of the peat and — as happens to those folk obsessed by these ‘ere carvings — he decided to dig round the stone and cut the turf back to see if there was anything carved on the rock, as there are other cup-and-rings are close by.  Thankfully, after a bit of effort digging round the stone, Mike found the carving we see in the images here! (courtesy of Mike and Richard Stroud).   With a distinctly ‘facial’ appearance (hence the name), the following notes were written describing the new find:

“Small roughly oval dome-shaped medium grit rock approx. 49cm X 36cm, at and below soil level. Two cups, one of which is conical and deep (55mm deep and 65-75mm diameter) and of similar profile to one of the cups on No. 458; small shallow bowl-like depression with possible peck marks; curving groove on northern edge.”

When Mike finished with their drawings and measurements, the stone was covered back over and left in situ.  Although I aint seen the carving ‘in the flesh’ misself yet (we’re gonna have a look next week) it gives me the impression it had some association with burials.

References:

  1. Short, Mike & Stroud, Richard, “Report of New Carved Rock (‘Caspar’) on Middleton Moor,” April 2010.

© Paul Bennett, The Northern Antiquarian


Wray Stone (314), Ilkley Moor, West Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 13173 46585

Also Known as:

  1. Carving no.150 (Hedges)
  2. Carving no.314 (Boughey & Vickerman)

Getting Here

Take the road up across from Ilkley train station uphill towards the moor until you reach great rocks on your right.  From here, the Cow & Calf Stones car park (packed with tourists and litter everywhere these days), go up the steep footpath onto the moor.  As you level out looking across the first moorland ridge, to your left is a rounded hillock.  Go into the heather there and near its small peak and you’ll find what you’re looking for.

Archaeology & History

This is a nice big stone, found amidst a clump of other stones, that gives the distinct impression of once being a large cairn or similar artificial prehistoric feature.  But that’s wishful thinking on my behalf…  This long fat 10-foot long rock has the distinct signature of someone who thought it a good idea to carve his little name on the carving in 1978, as the name of the rock tells: “Wray Nov 78” — vandalism which the local Ilkley Parish Council and local businessman Tom Lonsdale validate as little more than “twenty-first century informal unauthorised carving.”  Beneath the great artist’s signature we find two distinct cup-marks above a large rounded bowl, inside of which seems to be the impression of an old ring, but this seems due to the actions of water and lichen.  There are perhaps another two faded cup-markings alongside those distinctly visible.  In Hedges (1986) survey he described the “top flat surface has three cups and one basin” — so let’s play safe and go with that!

Close-up of cups, bowl & modern etching

It’s a good stone, sat upon a fine ridge with distinctive views for miles both east and west along the valley of the Wharfe, and north to the ancient settlements and burial grounds of Middleton Moor on the other side of the River Wharfe.  From here, behind and up onto Ilkley Moor, unfolds its greater mythic history, scattered and hidden over differing ages.  In years past, this site was a fine one for reflection and insight.  Today, one must venture further and to other sites for such quiet realities. Close by you can find the double-ringed carving of stone 318 and other faded cup-mark stones nearby.

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
  2. Cowling, E.T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.
  3. Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.

© Paul Bennett, The Northern Antiquarian


Counter Hill Carving, Silsden, West Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 0463 4995

Also Known as:

  1. Carving no.31 (Boughey & Vickerman)

Getting Here

Cowling’s 1946 drawing

From Silsden go up the long hill (A6034) towards Addingham until the hill levels out, then turn left on Cringles Lane (keep your eyes peeled!) for a half-mile where you need to veer right along Banks Lane and go 100 yards past Moorcock Farm Hall where the footpath takes you into the fields on your right.  Walk down the line of the wallings, thru the gate, and keep following down until you reach a cluster of large rocks.  Stop here and look over the wall where you’ll see one of the boulders poking its head out on the other side.  That’s it!

Archaeology & History

First discovered by Eric Cowling in the late 1930s during one of his explorations of the immense Counter Hill earthworks (thought to be Iron Age), whose remains can still be seen encircling the peaked hill close by.  The stone is found in the edge of the walling halfway down the field towards the Marchup enclosure and is just inside the outer edge of the Counter Hill ditched enclosure surrounding the hill above you. (on the other side of the wall from the carving, you can make out the remains of the faint line of the ditch running pretty straight up towards the next wall)

Cluster of cups by walling
Counter Hill carving from above

At the top eastern edge of the stone is a clear cluster of 3 cup-markings, just as the rock meets the walling.  A much more faint group is visible to the left.  Cowling (1946) suggesting that the three-cup-cluster “shows the final form of the fylfot symbol,” i.e., the three-armed swastika.  Boughey & Vickerman (2003) meanwhile suggest that one of the two clusters are “doubtful (possibly recent?).”

When we came to this site yesterday, the day was overcast and cloudy.  But it seemed there may be more to this carving than has previously been recorded.  What may be a faint ring seemed possible near the middle of the stone, with a natural crack running through it (you can just about make it out in the photo on the right).  There also seemed to be other faint lines on the rock, but until we’ve been here again with better lighting conditions, the two groups of 3-cups is the symbolic state of play for this stone!

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
  2. Cowling, E.T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.
  3. Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.

© Paul Bennett, The Northern Antiquarian


Middleton Moor Carving (006), North Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 12292 52144

Getting Here

Middleton Moor CR-006
Middleton Moor CR-006

Another off-the-beaten track site!  Follow the directions to reach the Middleton Moor 001 carving, then walk due east for about 500 yards until you reach the distinct footpath that’s the Roman Road.  Once here, zigzag along its edge on the western side, up and down hereabouts.  Keep looking around till you see the stone shown in Richard’s photo here!

Archaeology & History

First found in April 2005, this medium-sized flattish stone is just 10 yards west of the prehistoric trackway which cuts across the moors  — later used as a Roman road — on Middle Gill Bents.  A somewhat simplistic design, it was found by Richard Stroud when we were exploring some of the many other carvings up here, and looking for previously unrecorded ones hiding in the heather.  Carved onto this stone are eight, perhaps nine cup-markings, with grooved lines connecting at least two of them.  That’s it!

© Paul Bennett, The Northern Antiquarian


Middleton Moor Carving (441), North Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 10887 51381

 

Getting Here

From the back of Moor End Farm on the south-side of Langbar village, follow the Long Ridge footpath up onto the moor. Walk along the path until its starts dipping down again, onto the moor proper and where another footpath crosses and goes down into the small valley of the Dryas Dike stream, follow it – though only for about 75 yards, heading diagonally into the heather slowly towards the stream.  You’re getting close!

Archaeology & History

Crude drawing of CR441

Yet another small carving found amidst a decent cluster of cup-and-rings and other archaeological remains near the top of Dryas Dike, this stone was first described in the Boughey & Vickerman (2003) survey.  It’s located about 10 yards below Middleton Moor CR-440, above the stream of Dryas Dike.  It’s a simple design, comprising of a central groove with a cup at either end and several other cups either side of this central line.  (cheers to Richard Stroud for use of his photo).

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.

© Paul Bennett, The Northern Antiquarian


Middleton Moor Carving (482), North Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 11600 51455

Also Known as:

  1. Owl Carving

Getting Here

Multiple-ringed carving (© Richard Stroud)
Multiple-ringed carving (© Richard Stroud)

Best approached from the south, up Hardings Lane, then where its bends and the track of Parks Lane goes onto the moor, follow it.  Onto the moor, keep on the track as it follows the walling until you reach the gate on your right.  From here you’re close: head into the grasses and heather (left) not far off the western edge of the footpath at the eastern end of Dryas Dike.  Look around!

Archaeology & History

This lovely looking carving “quite near to the footpath and enclosed fields above March Ghyll reservoir,” was first described by Stuart Feather. (1965)  It can be found on a small flat stone and is easily obscured if the grasses are long – but it’s worth searching for.  It’s an archetypal cup-and-ring stone, consisting of a cup-and-five rings, a cup-and-ring, and a cup-and-three rings — though they are rather faint and can be missed in bad light.  As with other carvings, it’s best to splash water over it (as me & Richard did in the photo above) so you can see it a bit clearer.  Feather (1965) told us:

“The symbols are very fine, consisting of three cup-and-rings.  One of them, a quadruple, concentrically-circled cup with part of a fifth, unfinished ring.  The cup is very shallow, 1 inch across, and the circles…½ inch wide and shallow, with an overall diameter of 8 inch for the four circles; 9 inch with the other unfinished section.  The single cup-and-ring has a cup ¾-inch in diameter, ½-inch deep and a 4-inch diameter ring somewhat broader than the other rings on the rock and abutting on the north side against a slightly raised part of the rock surface.”

Sidney Jackson’s drawing
Boughey & Vickerman’s drawing

The triple-ringed cup is of similar dimensions to the larger example, with the cup being 1½ inch across and deep, with the circles being 7 to 7½-inch across.

About a half-mile northeast of here is the old Langbar Stone where I got the distinct impression that the same person was responsible for both of these carvings.  God knows why!

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
  2. Feather, Stuart, ‘Mid-Wharfedale Cup-and-Ring Markings: No.32-3, Middleton Moor,’ in the Cartwright Hall Archaeology group Bulletin, February 1965.

© Paul Bennett, The Northern Antiquarian 


Smiley Stone Carving, Middleton Moor, North Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 10923 51269

Also Known as:

  1. Carving no.446 (Boughey & Vickerman)

Getting Here

Near the western end of the Middle Ridge, south of Dryas Dike, it’s probably best reached following the same directions to find carving no.435, walking past it but then following the footpath down onto the moor 100 yards further down the slope. Walk along here for about 200 yards till you get to the boundary stone.  You’re close!

Archaeology & History

Sketch of carving 446
Smiley Stone carving

First described by Stuart Feather and described by him in 1966, this small rounded stone comprises of nine or ten cup-markings with a long, enclosing line that circuitously goes around four or five of them.  It’s a curious-looking design which, from one angle, gives the impression of a smiley face — hence the name (this is Boughey & Vickerman’s name for it — not mine!).

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
  2. Feather, Stuart, ‘Mid-Wharfedale Cup-and-Ring Markings – no.43 and 44: Middleton Moor, Ilkley,’ in Cartwright Hall Archaeology Group Bulletin, 11:4, 1966.

© Paul Bennett, The Northern Antiquarian