Naathen… I’d give you the directions of how to find this stone, but I’m not sure of its precise location. Just get to the top of Reva Hill, on its more westerly side, and it’s somewhere on its upper slopes. I was up here again recently and hoped to find it, but the grasses might have grown back over it. If one of you petroglyph fans manages to locate it, please can you send me its exact grid-reference, so I can update the site profile.
Carving when wetFaint Reva Hill carvingCarving when wet
Archaeology & History
This was one in a cluster of carvings that were rediscovered in 2011 and which I’ve not managed to re-locate (bad boy). It’s very plain and simple, as you can see. Indeed, I was lucky to even notice it, as the central photograph above shows how faint and eroded the cup-marks are in normal light. Thankfully with a bit of water, what I initially thought may have been two cup-marks, turned into three or four of them. So the next time you’re having a look at the Fraggle Rock carving and its companions, remember that this little fella is hiding somewhere close by…
From Cow & Calf Rocks, walk up the steep footpath and turn left (southeast) when it levels out on the edge of the moor. Walk 250 yards along and, where the main path veers down to the road, just keep walking along in the same direction along the footpath that runs gradually uphill until, after 650 yards (595m) you’ll eventually meet up with the footpath that runs along the moorland proper. Where these two paths meet-up, then head upwards (south) into the heather for 55 yards (50m) until you see a good-size sloping block of stone with a crack roughly down the middle. If you hit the Little Haystack Rock (a big conspicuous stone) you’ve gon too far!
Archaeology & History
Shallow cupmarks visible
This is one of the many basic cup-marked stones you’ll find scattered all over these moors possessing (as it does) only two distinct cup-marks on its more northern half, although a possible faint third one needs looking at in better light. When we were kids exploring this and other areas, single and double cup-marked stones like this seemed ten-a-penny and we’d flippantly pass them by after quick perusal, looking for more impressive designs.
The carving here seems to have been missed in the surveys of Hedges (1986) and Boughey & Vickerman (2003), despite the rock standing out quite distinctly. I can only assume that they checked it out when the skies were grey and dull, making the cup-marks difficult to see. A number of other prehistoric remains can be found close to this carving, including cairns and sections of enclosure walling.
Folklore
Tradition tells that the indigenous Britons had a battle with the Romans on the plain where this carving is found.
Two main routes to get here: i) from Dick Hudson’s public house, head left (east) along Otley Road (passing Weecher reservoir) for 1.9 miles (3.1km) until you reach Reva reservoir where a track leads you to the waters, and there’s a small parking spot on the left-side of the road. Stop here. (ii) coming from Hawkworth and Guiseley, head west along Hawksworth Lane which runs into Goose Lane and, at the T-junction at the end, turn right and nearly 500 yards along on the left-side of the road is the same small parking spot. From here, walk uphill for nearly 150 yards and then look at the walling to your left.
Archaeology & History
Reva Cross on 1851 map
This relic can be found on the far eastern edges of Hawksworth Moor, near Guiseley, and was said by the historian Eric Cowling to have originally stood upon a large rock nearby. It has an odd history. Initially, the cross was an ancient boundary or mark stone, referred to in a 15th Century document and outlined by William Preston in 1911, that marked the limit of the southern township of Burley township. Local historian C.J.F. Atkinson asserted that this cross in fact came from Otley, although his ideas were considered somewhat “fanciful” by archaeologists and other historians.
Its present position by the roadside is relatively new as it stood, not too long ago, a short distance away in the field to the rear, as highlighted on the early OS-map of this area. E.C. Waight of the archaeology division to Ordnance Survey wrote:
“Situated at SE 1530 4297 on the western side of the gate from the road into the field containing the remains of Reva Cross is a cross base (apparently in situ) serving as a bolster stone to the wall head at the gate opening.”
He described the dimensions of the base and the remainder of the cross, both of which “are contemporary with one and other,” he told. In the 1960s, the local council moved the cross to its present position.
Tradition told that despite its religious symbolism, it was also used as a market cross in bygone times. A certain Mrs Fletcher (1960), writing to the Cartwright Hall Archaeology Group, narrated that,
“Mrs Turner Greenwood….tells me that her mother, who, if living, would be in her nineties, lived at Gaping Goose Farm on the western side of Reva Hill… Mrs Greenwood’s father.. .remembered the cross erected on this hill, and related seeing the roads black with people climbing to it from Otley and Bingley, for the market held there.”
Despite this, Sidney Jackson was somewhat sceptical of it being the site of a market. Weather conditions and the bleakness of the spot would have made this site somewhat intolerable, he thought. However, people in previous centuries were much hardier than modern people and so it’s not as unlikely as you’d initially think.
Close-up of cross
Sid Jackson’s sketch
A much more interesting tradition of the cross was its use in times gone by as a Plague Stone. However, this name only applied to the cross-base at the time as no cross was stood upon it; merely a natural rock laid upon the moorside with a basin cut into it. It gained this name around the time of the great plague of 1660. During the plague, food was left on this table-like rock and money in return was placed in a basin full of vinegar. This tradition may have originated at the large natural rock bowl on one of the earthfast stones near the very top of Reva Hill a short distance to the west (also a number of cup-marked stones are close by and folklore records show that some cup-marks had healing properties). One account tells that it was Sir Walter Hawksworth (of the legendary Grand Lodge of ALL England masonic lodge) who was responsible for the siting of the cross as a Plague Stone.
References:
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Cowling, Eric T., ‘Letter,’ in Cartwright Hall Archaeology Group Bulletin, 5:5, May 1960.
Fletcher, Elsie, “Letter,” in Cartwright Hall Archaeology Group Bulletin, 5:5, May 1960.
Jackson, Sidney, “Ancient Crosses,” in Cartwright Hall Archaeology Group Bulletin, 1:12, 1955.
Jackson, Sidney, “Cross on Reva Hill,” in Cartwright Hall Archaeology Group Bulletin, 5:1, p.2, 1960.
Jackson, Sidney, “Reva Hill Cross Base Found,” in Cartwright Hall Archaeology Group Bulletin, 9:9, September 1964.
Jackson, Sidney, “Fresh Site for Reva Cross,” in Cartwright Hall Archaeology Group Bulletin, 11:7, July 1966.
Preston, William Easterbrook, “On an Ancient Stone Cross on Riva Hill,” in Bradford Antiquary, New Series 3, 1911.
Acknowledgements:Huge thanks for use of the Ordnance Survey map in this site profile, reproduced with the kind permission of the National Library of Scotland.
Take the Wells Road from Ilkley centre up towards White Wells, bending to the right as you hit the edge of the moor. Keep along the road, past the old college building with its lake and turn right up Westwood Drive. Keep going all the way up (it becomes Panorama Drive) till you hit the small woodland on your right. Where the woodland ends – stop! Walk into the trees about 10-15 yards and you’ll see the large rocks ahead of you. Brush back the vegetation and you’ll find it.
Archaeology & History
This large flat rock surface has a scattering of archetypal deep cup-markings, with other fainter marks scattered over most of its surface. It sits right next to carving no.232, with its own equally large, naturally worn basins.
Faint cup&ring just visible
It was visited in the 1870s (along with the other Panorama Stones) and subsequently illustrated in the personal sketch-pad of Mr Thorton Dale (we’re hoping to have them scanned in due course for open Creative Commons use) who showed the basic cup-marks and shaped “lines” or footsteps that give this petroglyph its name. Little more was said of it until Hedges (1986) described it in his survey, whose notes were subsequently repeated in Boughey & Vickerman’s (2003) work as being a “medium-sized flat-topped, upstanding rectangular rock. Eight cups, six deep ovals, faint circles and lines on SW end.” One of the most notable cup-and-rings can just be made out near the middle of the stone, on the left-side of one the footprints.
The depth of these incisions in this design strongly suggests that the carving was worked and reworked over many centuries, suggesting utilitarian usage of some kind, be it ceremonial or otherwise. It’s also very unusual inasmuch as elongated footstep-like cuttings are scarcities, not just in Yorkshire petroglyphs, but in prehistoric carvings across Britain. Check it out when you’re next walking up to the Swastika Stone.
References:
Bennett, Paul, The Panorama Stones, Ilkley, TNA: Yorkshire 2012.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
For those who like a walk: take the route to reach the Swastika Stone and keep walking west along the Millenium Way footpath, past the Piper’s Stone carving and over the next two walls. Then, stagger down the steep hill and head for the large upright near-cuboid block of stone and, once here, walk 30 yards to your east! Alternatively, from the Silsden-side, go along Brown Bank Lane up and past Brown Bank caravan park, and at the second crossroads turn right and travel for exactly 1¼ miles (2km) along Straight Lane (from hereon there’s nowhere to park!) which runs naturally into Moorside Lane, and notice the raised gate entrance into the field on your right. Walk to the top of this field, go through the next gate and, less than 100 yards uphill (south) you’ll find the stone in question.
Archaeology & History
Cup, incomplete ring & line
Rediscovered by Paul Bowers in 2011, this is another one of those petroglyphs that’s difficult to make out unless the light is falling just right across the surface of the stone. Two distinct cup-marks can be seen near the more southern-edge of the stone, one of which has a near-complete, albeit unfinished ring around it, and from this a seemingly carved line runs roughly parallel with the edge of the stone, down towards another equally distinct cup close to the southwestern edge of the rock. Most of the stone is nicely covered in a decent lichen cover, so the design’s a bit difficult to see when the light’s not right. But, if you’ve made it this far, the petroglyph 30 yards to the west will make up for any disappointment you may have!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding Supplement, 2018.
Get up to the Swastika Stone, then head west along the footpath towards the Piper Stone. Shortly before there, you’ll see the small cup-marked Piper’s Crag (3) carving, just by the walling. From this carving, just step a few yards down the slope and on the smooth sloping rock face is this faded carving. You’ll see it.
Archaeology & History
A larger than normal single cup-mark near the bottom slope of this rock has an incomplete ring around its east and southern edges, possibly with another broken element of it on its northern edge. It’s difficult to work out whether or not this is one of Nature’s curious markings and so needs looking at in different lights to work it out, one way or the other. It’s included in Boughey & Vickerman’s (2018) updated rock art survey, but there are a number quite natural cup-marks in that tome, so we need to exercise a little bit of caution here. However, it does seem to have a greater degree of authenticity than some of the other dubious single cup-marked stones in their book. Check it out on your way to the Piper’s Stone.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding Supplement, 2018.
Heading up from Ilkley, follow the directions to reach the Swastika Stone, then keep walking (west) along the footpath to the small clump of trees, and keep walking past them too and keep going along the same path as if you’re heading toward the Piper’s Stone. About 200 yards before reaching it, just where the gate and boundary stone is in the old walling, there’s a small line of crags to the right of your feet and there, at the edge of the path, is the stone in question. You’ll see it (unless it’s a cloudy gray day, in which case you might struggle).
Archaeology & History
The two cup-marks
This is one of a number of cup-marked stones that you’ll find scattering this part of the moor, almost all of which are Nature’s handiwork (a few of these natural carvings have somehow found their way into Keith Boughey’s [2018] updated West Riding rock art book). I’m not 110% certain that this doesn’t have Nature’s name on it either, but it’s got a greater degree of probability to it than some of the others. It’s a simple little thing, as y’ can see, consisting of just the two cup-marks, smaller than usual, living next to each other. If it’s the real deal, we can surmise that it may have been carved by a young person back-in-the-days. In the walling just above this stone you can see the medieval boundary stone, which might—just might—have a prehistoric pedigree to it….
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding Supplement, 2018.
This is an outstanding site visible for miles around in just about every direction – so getting here is easy! If you’re coming from Harrogate, south down the A658, turn right and go thru North Rigton. Ask a local. If you’re coming north up the A658 from the Leeds or Bradford area, do exactly the same! (either way, you’ll see the crags rising up from some distance away) As you walk to the main crags, instead of going to the huge central mass, you need to follow the line of walling down (south) to the extended cluster of much lower sloping rocks. Look around and you’ll find it!
Archaeology & History
On the evening of May 27, 2024, I received a phone call from a Mr James Elkington of Otley. He was up Almscliffe Crags and the wind was howling away in the background, taking his words away half the time, breaking the sentences into piecemeal fragments. But through it all came a simple clarity: as the sun was setting and the low light cut across the rocky surface, a previously unrecorded cup-and-ring design emerged from the stone and was brought to the attention of he and his compatriot Mackenzie Erichs. All previous explorations for rock art here over the last 150 years had proved fruitless—until now!
Looking northwest
Central cup-&-ring
On the east-facing slope of the stone, just below the curvaceous wind-and-rain hewn shapes at the very top of the boulder, is a singular archetypal cup-and-ring. It’s faint, as the photos show, but it’s definitely there. What might be another cup-and-ring is visible slightly higher up the sloping face, but the site needs looking at again when lighting conditions are just right! (you can just about make it out in one of the photos) But, at long last, this giant legend-infested mass of Almscliffe has its prehistoric animistic fingerprint, bearing fruit and giving watch to the countless heathen activities going back centuries. Rombald’s wife Herself might have been the mythic artist of this very carving! (if you want to read about the many legends attached to the major Almscliffe rock outcrop, check out the main entry for Almscliffe Crags)
On the moorland road from Dick Hudson’s pub, head east along the Otley Road for more than 1½ miles, past the T-junction right-turn at Intake Gate (to Hawksworth) and just a quarter-mile further on park-up at the roadside (opposite Reva Reservoir). Walk (north) thru the gate into the field and after 300 yards through another gate into the next field. From this gate, walk straight north to the Fraggle Rock cup-and-ring stone, then go down the slope NNW for nearly 50 yards and just above the old track you’ll see the edge of this stone peeking out!
Archaeology & History
One of a number of previously unrecorded carvings in these fields, this is a pretty simplistic but unique design. The first thing you’ll notice is at the top-corner of the stone where, like many rocks on these moors, a nicely-worn cup stands out. Erosion obviously…. or so it first seems. This cup-mark has another two by its side, along the top edge of the stone which, again, initially suggested them to be little more than natural. But in rolling back the turf this assumption turns out to be wrong; for, along the west-side of the rock you’ll see a notable pecked groove running down to another cup-mark about twelve inches below, kinking slightly just before it reaches that cup. You can see this in the photo. Now, if we return to the prominent cup-mark at the top corner of the stone, in certain light there seems to be a very faint incomplete ring around it – but we can’t say for certain and it needs to be looked at again in better light.
Cups & line clearly visible
Main carved section
The name given to this carving (thanks to Collette Walsh) comes from the wavy lines that go into the middle of the stone from the long pecked line. These wavy lines are natural, although one portion of them might have been artificially enhanced. It’s difficult to tell one way or the other and we’ll have to wait for the computer boys to assess this particular ingredient. Just above these “waves” is a single eroded cup-mark nearly 2-inch across. And that’s that!
Numerous ways to get here, it’s probably the easiest (direction wise) to reach here starting from Dick Hudson’s public house on the southern road surrounding Rombalds Moor. From the pub, head left (east) along Otley Road (passing Weecher reservoir) for 1.9 miles (3.1km) until you reach Reva reservoir where a track leads you to the waters. A small parking spot is on the left-side of the road. From here, go through the gate and up the footpath (north) for about 200 yards then turn right and go up the field towards the wall where, about 20 yards before it, you’ll see find the stone in question.
Archaeology & History
This long earthfast stone has two distinct cup-markings: one near its northern upper end, and the other near the lower southern end, as highlighted on the above photo. (forgive the poor image, but we took it when the sun was pretty high in the sky) It seems as if there are two or three other very faint cup-marks on the upper end of the stone, close to the most distinct one, but none of our photos show them with any clarity.
Acknowledgements: Huge thanks to Sarah Walker and Thomas Cleland for help with location and imagery for this stone.
