Now I aint been here for a few years, but it’s hopefully still where I last left it! You need to get into the trees behind the Christ’s Church just out of the town centre, along the south-side of the Burnley valley road. (A646) When you get to the footpath which runs just above the tree-line in the woods (it’s known locally as the ‘Lover’s Walk’ path), wander along for just a couple of hundred yards. You’ll eventually get to the small spring of water and the tiny stream which runs down the slope, just to the left of the path. According to the old map I’ve got – that’s it!
Archaeology & History
This long-lost sacred well originally emerged a little bit further up the hill from where it is today. Almost nothing is known about it. Seemingly first highlighted in 1852, my first “discovery” of the place came as a result of going through some local old maps I’d had the fortune of obtaining. In Victorian days when the site was much more prominent, the old road that took you into the woods was called Holy Well Lane. Now, its memory has been subdued, and the old road is known simply as ‘Well Lane.’
A local writer, J.W. Crowther, mentioned the site in his local place-name survey, where he told that the Holy Well was a “name given to a well of excellent spring water” — but nothing more. It was later mentioned in an article by J.A. Heginbottom [1988] who wrongly reported it as being “destroyed.”
Folklore
Local tradition told that ‘memaws’ (offerings such as rags, coins, flowers, etc) used to be left here by local people in olden times, as offerings to pacify or give respect to the waters; although what time of the year these were left, and the nature of the resident deity, has all been forgotten. In very recent years however, it seems that some modern NewAge-types are now visiting the place once again.
References:
Crowther, J.W., Place Names of Todmorden, privately printed: Todmorden (n.d.)
Heginbottom, J.A., ‘Early Christian Sites in Calderdale’, in PHAS 1988.
Take the directions to reach the Haystack Rock, then head onto the moor following the southeast footpath for a few hundred yards, towards where the moor slopes uphill. 20-30 yards before the uphill slope, a yard to the right of the path. It accompanies the Young Idol Stone with its two small cups, just a few yards away. Keep your eyes peeled and y’ can’t really miss it! If you hit the large slightly-pyramidal-shaped boulder with its well-worn lines running from its top (the Idol Rock), you’ve gone past it.
Archaeology & History
An intriguing carving this, and one which has always had me edging towards a manifest linear or logical myth underscoring its form. It’s the almost binary or primal numeric system in the lay-out of the cups which seems to do it. Few other carvings in the region exhibit this tendency.* If you aint seen it ‘in the flesh,’ check it out.
First described by that old Victorian J. Romilly Allen (1882), he seemed equally impressed by it, calling it “the most beautiful specimen of prehistoric sculpture,” continuing:
“The stone is of grit, and measure 3ft 2ins, by 2ft 6ins. Its upper surface is nearly horizontal, and has carved upon it cups varying in diameter from 2ins to 3ins. A row of cups in the middle of the stone are entirely surrounded by a groove. There is also a channel running round the outside. Single cups are often found encircled by one or more concentric rings; but it is very exceptional indeed to find several cups surrounded by a single groove, or to find the cups so symmetrically arranged as in the present instance.”
Prehistoric walling runs very close to this and the adjacent rock carvings, with the well-known ‘enclosure’ just a short distance to the east on the same moorland plain. This carving is very much on the edge of, or within, Green Crag Plain’s ‘Land of the Dead.’
This carving was one of several that Alan Davis (1983) measured in his exploratory survey on the validity of Alexander Thom’s ‘megalithic inch’ unit. This issue absolutely fascinated me as a boy, as it brought the attention of these curious non-linear images into the domain of mathematics and the higher sciences, instead of the lowly social sciences within whose domain archaeology is embedded, with its many inaccuracies and falsehoods. A number of astronomers and other academics did a great number of papers exploring potential units-of-length, surveying the carvings (and megalithic rings) in much greater detail than any previous archaeologist. Much of it was excellent work. However, the mythos of our ancient ancestors possessing great technical knowledge and mathematical ability was unfounded. In Davis’ (1983) paper — edited and expanded a few years later (1988) — he found no evidence of mathematical units of measurement here; though left the option ‘open’ for further discussion and analysis on several others, where multiple units of megalithic inches were measured. These findings however, are more likely the result of mere chance.
In 2011 some unnamed people visited the Idol Stone carving and vandalized it (this sadly happens more and more up here); but this form of vandalism is now being termed “twenty-first century informal unauthorised carvings” and is actually sanctioned by Ilkley Parish Council members, local businessman Tom Lonsdale and his affiliates as artistic “tradition”! Indeed, the damage done here and vandalism done on some other ancient carved stones that have been redesignated by Tom Lonsdale and friends as “twenty-first century informal unauthorised carvings”, legitimizes and encourages others to follow in their shallow-minded ignorance, enabling others to add their own form of ‘art’ on these supposedly protected monuments, on a region with an alleged SSSI status. They even encourage supposedly ‘nice’ people — y’ know the sort — to etch poems and such things onto the stones on the moors, in violation of regulations that apply to the general public. As a result, expect more vandalism — sorry…arty “twenty-first century informal unauthorised carvings” both here and elsewhere. This same appalling debacle — sorry, “tradition” — has been encouraged on the Haystack Rock, Hanging Stones and other prehistoric carvings on the moor.
Folklore
The name ‘Idol Stone’ was an invention of one of the Victorian romanticists, who saw heathen idolatry and perversion all over these moors (you’ve gotta ask y’self, what the hell were these people up to!?). Our old friend Nicholas Size (1934) told there to have been ghostly figures and druidic activities occurring at this site.
References:
Allen, J. Romilly, ‘Notice of Sculptured Rocks near Ilkley, with some Remarks on Rocking Stones,’ in Journal of the British Archaeological Association, volume 38, 1882.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Davis, Alan, ‘The Metrology of Cup and Ring Carvings near Ilkley in Yorkshire,’ in Science and Archaeology, 25, 1983.
Hedges, John, The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Hotham, John Paul, Halos and Horizons, Hotham Publishing: Leeds 2021.
Jennings, Hargrave, Archaic Rock Inscriptions, A. Reader: London 1891.
Size, Nicholas, The Haunted Moor, William Walker: Otley 1934.
Speight, Harry, Upper Wharfedale, Elliott Stock: London 1900.
We were up here again the other week: wind, hail and snow blowing like hell, thankfully keeping the place to ourselves! To get here, head up Cow Pasture Road from the train station and up to the Cow & Calf Hotel near the famous rocks. Go past it a 100 yards or so and look up onto the moors from here. You’ll see a great over-hanging rock on the slope above you which looks as though its gonna fall off at any moment. That’s the one!
Archaeology & History
Highlighted on the first Ordnance Survey map of the region in 1851, this prehistoric carved stone had been known as the Pancake Stone by local people long before any of the antiquarians brought literary attention to the site. Much has subsequently been written about this great petroglyph — more of a rocking stone than a boulder — seemingly hanging onto the edge of the geological ridge awaiting its fall down the slope; but I reckon it’s gonna be many more centuries before such a fate befalls it!
Although a Mr J. Thornton Dale did a fine series of quite accurate drawings of this stone (and others on the moors) between 1878 and 1880, the first literary description of the Pancake rock carving appears to have been by the renowned J. Romilly Allen in 1882 (who evidently visited the stone on a cloudy or overcast day), saying that:
“On its upper surface are several cup-markings much obliterated by the actions of the weather, but some of them sufficiently distinct to prove their origin artificial, and to show that this rock was noticed in ancient times, and very possibly considered an object either of worship or superstition.”
This latter assumption is highly probable. Strong animistic notions (moreso than usual) would be very evident here. Its position on the land with its outward focus from here towards other notable points in the landscape (Almscliffe Crags is one obvious focus); as well as looking at the rock itself from other viewpoints, give the stone considerable ritual importance. Sections of the moorland plain behind it—known as Green Crag—was the Land of the Dead in ancient times, and it is more than likely that death rites would have been enacted here — though we may never know what form they took.
The stone has what seems to be at least 54 cup-markings on its upper face, with numerous grooves meandering and connecting other points. In J. Thornton Dale’s 1879 drawing of the upper surface, you will note that a couple of the rings he included have all-but faded away and are not included in the more recent surveys. Of the primary design, rock art students Boughey & Vickerman (2003) described there being “six complete and five partial rings” amidst the morass, but much of the design is very worn and, originally, there was probably a bit more to it all. The rock upon which the main Pancake Stone rests also has some worn cup-marks etched on its surface, a couple of which can be made out in the top photo.
Folklore
Good old Nicholas Size (1934) added this site to his list as a place where he had visions of the old christian cult, upon whose bare face were enacted blood rites and sacrifice. One Beltane Eve when he decided to amble up onto the moor edge, he could see a strange glow coming from behind the rock. He continues:
“Then suddenly I noticed there was a figure dancing upon it. The figure seemed to swirl round and round with floating draperies, grey or white, and I can only say that it looked very uncanny. Stupidly, I wondered that anybody could be such a fool as to dance in the darkness upon that precarious footing…”
But such activities on these moors, at certain times of the year, have been enacted for many centuries. It’s just kept quiet and, as more modern pagans (as they like to call ’emselves) keep coming up here and to other places, so the original folk move to their older and increasingly more secluded spots… In the latter half of the 20th century the site was used as a focus by chaos magickians, shortly after the inception of that Current.
References:
Allen, J. Romilly, ‘The Prehistoric Rock Sculptures of Ilkley,’ in Journal of the British Archaeological Association, volume 35, 1879.
Allen, J. Romilly, ‘Notice of Sculptured Rocks near Ilkley, with some Remarks on Rocking Stones,’ in Journal of the British Archaeological Association, volume 38, 1882.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Hedges, John, The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Jennings, Hargrave, Archaic Rock Inscriptions, A. Reader: London 1891.
Size, Nicholas, The Haunted Moor, William Walker: Otley 1934.
Speight, Harry, Upper Wharfedale, Elliott Stock: London 1900.
Dead easy to find this one! Get to the Cow & Calf Hotel and walk up the slope onto the moor ahead of you. If you want a direction-pointer, head for the large, seemingly overhanging rocks which are the Pancake Stone, at the top of the ridge, but a few hundred yards to the right (west). Once you reach the level on the moor proper, you’ll see this large haystack-shaped boulder close by. That’s it!
Archaeology & History
This tends to be one of the spots I stop at when doing my tourist walks, to i) let folk get their breath back after ambling from the car park, via Hanging Stones and Map Stone; ii) to drink in the view, and, iii) to begin acquainting themselves with the landscape as it was when this stone was carved (over many decades, perhaps longer), and the animistic cosmology underlying people’s notions of their land. It can be quite an education…
The Haystack Rock was a very important boulder in the mythic landscape on this plain. It stands near the western end of the Green Crag Necropolis: a huge area of land on these moors where, quite simply, the people of these hills laid their dead. Effectively, the Haystack Rock stands on the edge of Ilkley Moor’s “Land of the Dead”.*
Highlighting this quite firmly, we find that prehistoric walling ‘separates’ this great boulder from the other part of the Plain close to its east and southern sides (walling on its western side is as yet unproven). It was a boulder that was specifically sectioned-off, away from any tombs. All along this Plain are numerous small cairns, many with rock-art nearby, and certain parts of the Plain are split into sections by ancient walling (though a precise map of the walling, tombs and rock-art on this moorland ridge has yet to be done).
As far as the textbooks are concerned, we find the first mention of this great carved boulder came from J. Romilly Allen at the end of the 1870s. By 1900, a number of people had been here and written of its grandeur; but, as with cup-and-rings in general, its non-linear form and design elicited the usual notions of bewilderment, druids and puzzled ideas. Much like today really!
But this is a big and decent carving, with about 60 single cup-markings, 10 cup-and-rings, and various twizzly grooves and lines linking cups to others, and others going to seemingly nowhere. Some of these lines, of course, may be weathering, or weathered channels emerging from once shorter lines. We might never really know for sure what the original carving actually looked like. On the north-facing side is what looks like a decidedly human figurine etched onto this great boulder, in good old cup-and-ring style. I’ve shown this to a few hundred people and they all seem to make the same remark: it’s a woman with her legs wide open — an early form of sheela-na-gig on Ilkley Moor no less! But whether this was intentional (many folk think so), or just us seeing something we want to see (men in particular!), we might never know.
The black-and-white illustration above that shows what seems to be just about all elements of the carving in considerable detail, may well be accurate, but it’s nothing compared to seeing the carving first-hand. When it comes to ancient rock-art, detailed drawings are one thing, but the real thing is altogether much much better! Check it out and see for yourself…
Folklore
I’m not too sure what credibility we should give to Nicholas Size’s (1934) extravagant claims, but this was one of the sites he alleged to have seen visions of druidic rites and ghostly figures!
References:
Allen, J. Romilly, ‘The Prehistoric Rock Sculptures of Ilkley,’ in Journal of the British Archaeological Association, 35, 1879.
Bennett, Paul, The Old Stones of Elmet, Capall Bann: Chieveley 2001.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock art of the West Riding, WYAS: Wakefield 2003.
Hedges, John, The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Size, Nicholas, The Haunted Moor, William Walker: Otley 1934.
* It’s gotta be pointed out that Ilkley Moor’s ‘Land of the Dead’ extends much further than just the Green Crag. Much of the extended land above here to the south was an important area, where at some places rites of the dead were performed. The supposed ‘settlement’ nearby (as well as the lesser known one on the moor west of here, on the moor above Ilkley Crags, near Cranshaw Thorn Hill) was likely to be a place where the dead were rested for a period. But more about that in the section on the Green Crag Settlement…
Go west through Stanbury village towards Lancashire for a mile till you reach the end of Ponden Reservoir. Where the water ends, follow the small track up to, and past, Whitestone Farm, till you reach the stream. Follow the valley up…
Archaeology & History
As the great Yorkshire historian J. Horsfall Turner (1879) told, “Ponden Kirk consists of a ledge of high rocks, dry in summer, but forming a stupendous cataract after heavy rain. It was here that Mrs Nicholls (Currer Bell) caught a severe cold shortly before her death.” The site is a fine one – not to be attempted from the base by unfit doods, unless you’re really serious about your climbing! But to those of us who like clambering up rocks and wholesome scenery, walk to the site via the stream (Ponden Clough Beck) and get to the cleft in the rock face. Tis a truly fine place!
In 1913, one writer posited the notion that the opening in the rocks through which local folk crawl (see Folklore, below) “is seemingly artificial” – which aint quite true, sadly.
Once on the tops above the Kirk, you’ve one helluva decent view, be it raining or sunny. On the far northeastern horizon arises the great omphalos of Almscliffe Crags; and next to that is the elongated top of Baildon Hill; and a little further northeast is Otley Chevin. It would be good to visit here on a few of the old heathen days and watch the sunrise, just to see if there are any intriguing solar observations to be made! (take a tent though – or p’raps, if you’re like us, don’t bother, but you’ll be bloody cold for the night!) The only potential sunrises of heathen significance appear to be midsummer and Beltane….
For me at least, one of the things which gives this site an intriguing form of sanctity is the fact that the Kirk itself forms the head at the end of the valley. It is a very fine ritual site and would obviously have had much more to be said of it than just the heathen marriage rites which are left today. The forces of wind and rain scream from its height, and in the valley beneath the chime of the gentlest echoes resonate, giving an altogether different ‘spirit’ amidst the same land. Those old cherubs of ‘male’ and ‘female’ spirit commune potently here – no doubt being the ingredients which gave form to the marriage customs… Those of you into feng-shui (the real stuff, not the modern bollox) and genius loci should spend time with the water and rocks here and you’ll see what I mean. Archaeologists amongst you, if you dare, should amble aimlessly here for sometime…for many hours, a few times, and give yourselves a notion of the ‘ritual landscapes’ you like to write about from the safety of your textbooks, to get a bittova better notion of what ‘experiencing the land’ is actually about.
This rocky outcrop was also said to be the place that Emily Bronte used in her Wuthering Heights novel as the place called Penistone Crags. A couple of other local writers have also added this legendary place in their tales aswell.
Folklore
Alleged by Elizabeth Southwart (1923) “to be of druidical origin,” the first literary note of this great rock outcrop appears to come from the reverend James Whalley (1869) of Todmorden, who in his romantic amblings over the moorlands here, told that if any gentleman wants to get married,
“he must by all means pay a visit to Ponden Kirk… Here ‘they marry single ones!’ Any lady or gentleman who can successfully ‘go through one part of the rock’ (which is quite possible) is declared to all intents and purposes duly married according to the forms and ceremonies of Ponden Kirk.”
His wording here seems to imply that the event of passing through the rocky opening, is in itself a confirmation of the ceremony of marriage, not needing the blessing of some strange christian rites. If so, this tradition would be a very ancient one indeed, making the stone the witness to the marriage event. This would be a rite witnessed by the stones themselves: a universal heathen attribute found in most of the ancient traditional cultures. But this curious unwritten history was to be echoed a decade later by that great Yorkshire historian, J. Horsfall Turner (1879), who told us that,
“at Ponden Kirk, as at Ripon Minster, a curious wedding ceremony is frequently observed. It consists in dragging one’s-self through a crevice in the rock, the successful performance of which betokens a speedy nuptial… The place is now frequently called ‘Wuthering Heights. Apart from the association of such names as Crimlesworth and Oakden (see the Alcomden Stones), fancy easily ascribes a druidical settlement at the Kirk.”
A not unreasonable assumption – though nothing of this nature, of yet, has been found.
That other great Yorkshire writer, Harry Speight — aka Johnnie Gray (1891) — echoed the same folklore telling how,
“The natives of these parts have a saying, ‘Let’s go to Ponden Kirk where they wed odd ‘uns,’ which has its origin in an old custom of passing through an enormous boulder… The belief is that if you pass through it, you will never die single. No one knows how the rock acquired its name, but the Saxon kirk suggests a temple of worship, possibly extending back to the druidical times.”
A few years later, Mr Whiteley Turner came here and he too affirmed the old wedding rites, also telling that “according to tradition, maidens (some say bachelors too) who successfully creep through the aperture will be married within the year.” This bit of info also shows that the rocks also had oracular properties – a function known at countless other sites.
The proximity of Robin’s Hood Well, just a couple of hundred yards away, beckons for association with the Ponden Kirk – which it obviously had… But that’s a tale to be told elsewhere…
Get to the Twelve Apostles stone circle, then walk just 100 yards down the main footpath south, towards Bingley, and watch out for a small footpath immediately to your left. Walk on here and head for the rocky outcrop a half-mile ahead of you. Once past the outcrop, take the first footpath right and walk down for another 100 yards. Stop! – and walk into the heather. The circle’s about 50 yards away! You can of course come from the Menston side of the moor, following the same directions for the Great Skirtful of Stones, but keep walking on for another 200 yards, towards the rocky outcrop again, turning left down the path for 100 yards, before stopping and walking 50 yards into the heath again!
Archaeology & History
This is one of my favourite sites on these moors. I’m not 100% sure why – but there’s always been something a bit odd about the place. And I don’t quite know what I mean, exactly, when I say “odd.” There’s just something about it… But it’s probably just me. Though I assume that me sleeping rough here numerous times in the past might have summat to do with it, playing with the lizards, and of course…the sheep… AHEM!!! Soz about that – let’s just get back to what’s known about the place!
Grubstones is an intriguing place and, I recommend, recovers its original name of Roms or Rums Law. It was described as such in the earliest records and only seems to have acquired the title ‘Grubstones’ following the Ordnance Survey assessment in the 1850s. The name derives from two compound words, rum, ‘room, space, an open space, a clearing’; and hlaw, a ‘tumulus, or hill’ – literally meaning here the ‘clearing or place of the dead,’ or variations thereof. But an additional variant on the word law also needs consideration here, as it can also be used to mean a ‘moot or meeting place’; and considering that local folklore, aswell as local boundary records tell of this site being one of the gathering places, here is the distinct possibility of it possessing another meaning: literally, ‘a meeting place of the dead’, or variations on this theme.
The present title of Grubstones was a mistranslation of local dialect by the Ordnance Survey recorders, misconstruing the guttural speaking of Rum stones as ‘grub stones.’ If you wanna try it yourself, talk in old Yorkshire tone, then imagine some Oxford or London dood coming along and asking us the name of the ring of stones! It works – believe me….
The site has little visual appeal, almost always overgrown with heather, but its history is considerable for such a small and insignificant-looking site. First described in land records of 1273 CE, Roms Law was one of the sites listed in the local boundary perambulations records which was enacted each year on Rogation Day (movable feast day in Spring). However in 1733 there was a local boundary dispute which, despite the evidence of written history, proclaimed the Roms Law circle to be beyond the manor of Hawksworth, in which it had always resided. But the boundary was changed – and local people thenceforth made their way to the Great Skirtful of Stones on their annual ritual walk: a giant cairn several hundred yards east to which, archaeologically, there is some considerable relationship. For at the northern edge of the Roms Law circle is the denuded remnants of a prehistoric trackway in parts marked out with fallen standing stones and which leads to the very edge of the great cairn. This trackway or avenue, like that at Avebury (though not as big), consists of “male” and “female” stones and begins – as far as modern observations can tell – several hundred yards to the west, close to a peculiar morass of rocks and a seeming man-made embankment (which I can’t make head or tail of it!). From here it goes past Roms Law and continues east towards the Great Skirtful, until it veers slightly round the southern side of the huge old tomb, then keeps going eastwards again into the remnants of a prehistoric graveyard close by.
In my opinion, it is very likely that this trackway was an avenue along which our ancestors carried their dead. Equally probable, the Roms Law Circle was where the body of the deceased was rested, or a ritual of some form occurred, before taken on its way to wherever. It seems very probable that this avenue had a ceremonial aspect of some form attached to it. However, due to the lack of decent archaeological attention, this assertion is difficult to prove.
A previously unrecognised small single tomb is in evidence to the immediate southeast (5 yards) of the circle. There is also another previously unrecognised prehistoric trackway that runs up along the eastern side of the circle, roughly north-south, making its way here from Hawksworth Moor to the south. The old legend that Roms Law was a meeting place may relate to it being a site where the dead were rested, along with it being an important point along the old boundary line. Records tell us that the chant, “This is Rumbles Law” occurred here at the end of the perambulation – which, after the boundary change, was uttered at the Great Skirtful. This continued till at least 1901.
Modern archaeological analysis of the site is undecided as regards the actual nature of Roms Law. Ordnance Survey maps show it as an “enclosure” (which is vague); Faull & Moorhouse’s survey (1981) erroneously tell us it had no funerary nature, contrary to Eric Cowling’s (1946) report of finding bones and ashes from the small hole in near the centre of the ring, aswell as the 1880 drawing of the site in Collyer & Turner’s survey (above). And we find the single cairn on the south-eastern edge of the ring indicating burial rites of sorts definitely occurred here. Described variously by previous archaeologists as a stone circle, a ring cairn, cairn circle, an enclosure, aswell as “a rubble-fill wall of a circular house” (by some anonymous member of the West Yorkshire Archaeology Service, who didn’t respond to my queries about this curious assumption), the real nature of Roms Law leans more to a cairn circle site. A fine example of a cup-and-ring stone — the Comet Stone — was found very close to the circle, somewhere along the Grubstones Ridge more than a hundred years ago, and it may have had some relevance to Roms Law.
This denuded ring of stones is a place that has to be seen quite blatantly in a much wider context, with other outlying sites having considerable relationship to it. Simple as! (If you wanna know more about this, check out my short work, Roms Law, due out shortly!)
Describing the status and dimensions here, our great Yorkshire historian Arthur Raistrick (1929) told that:
“The larger stones still standing number about twenty, but the spaces between them are filled with stones of many intermediate sizes, so that one could with only considerable detail of size, etc, number the original peristalith.”
…Meaning that we’re unsure exactly how many stones stood in the ring when it was first built! Although a little wider, the Roms Law is similar in form to the newly discovered ‘Hazell Circle‘ not far from here. The site has changed little since Raistrick’s survey, though some halfwits nicked some of the stones on the southwestern edge of the site in the 1960s to build a stupid effing grouse-butt, from which to shoot the birds up here! (would the local council or local archaeologist have been consulted about such destruction by building the grouse-butt here? – anyone know?) Thankfully, this has all but disappeared and the moorland has taken it back to Earth.
There is still a lot more to be told of Roms Law and its relationship with a number of uncatalogued sites scattered hereby. Although it’s only a small scruffy-looking thing (a bit like misself!), its archaeology and mythic history is very rich indeed. “Watch This Space” – as they say!
Folklore
Alleged to be haunted, this site has been used by authentic ritual magickians in bygone years. It was described by Collyer & Turner (1885) “to have been a Council or Moot Assembly place” — and we find this confirmed to a great extent via the township perambulation records. Considerable evidence points to an early masonic group convening here in medieval times and we are certain from historical records that members of the legendary Grand Lodge of All England (said to be ordained in the tenth century by King Athelstan) met here, or at the adjacent Great Skirtful of Stones giant cairn 400 yards east.
The boundary perambulations which occurred here on Rogation Day relate to events just before or around Beltane, Mayday. Elizabeth Wright (1913) said of this date:
“These days are marked in the popular mind by the ancient and well-known custom of beating the parish bounds, whence arose the now obsolete name of Gang-days, and the name Rammalation-day, i.e., perambulation-day, for Rogation-Monday. The practice is also called Processioning and Possessioning… The reason why this perambulation of the parish boundaries takes place at Rogationtide seems to be that originally it was a purely religious observance, a procession of priest and people through the fields to pray for a fruitful Spring-time and harvest. In the course of time the secular object of familiarizing the growing generation with their parish landmarks gained the upper hand, but the date remained as testimony to the primary devotional character of the custom.”
And the calling of, “This is Rumbles Law” maintained this ancient custom when it used to be uttered here.
Go to the Cliffe Castle Museum on the outskirts of Keighley town centre (dead easy to find with car park to rear) and explore the museum! You’ll find it eventually!
Archaeology & History
This lovely-looking carving has been on a bit of walkabout over the last hundred years or so! We’re not quite sure exactly where it first lived, but old records tell that it was found upon the Grubstones Ridge, which is a small section of the moor around and/or between the Great Skirtful of Stones giant cairn and the curious Roms Law, or Grubstones Circle, both on the very tops of Burley Moor (most folk call think of it as just another section of Ilkley Moor). Here it lived (approx grid reference SE 138 446) for several thousand years until, many centuries later, in the mid-19th century, one of them there christian chaps came along – y’ know the sorts. He was the reverend J.A. Busfield and came to live upon the heathen edge of our Rombald’s Moor at a great house called Upwood. Like many of these weird people, he took a bit of a shine to our ancient relics and, amidst one of his sojourns to the Grubstones one day, came upon this multiple-ringed stone lying amidst the heather, close to the old circle of Roms Law. Liking it so much, he thought he’d have it as an ornament in the grounds of his hall at Upwood, on the southern edges of the moor overlooking Riddlesden and Keighley — and there it stayed, living quite comfortably, until 1925.
It then spent nearly fifty years living enclosed in the huge abode of Keighley Museum until, in 1971, it was presented by a certain Mr. R.W. Robinson of the same establishment, to Keighley Council, who thought in their weird ways to lean “it against a pile of rocks on the pavement of Bow Street, near Keighley Bus Station, with a small plaque,” telling of its tale and of other cup-and-rings nearby. And there it stayed until more recent years, when it was returned back to the Cliffe Castle Museum – safe, quiet and looked after each night!
It’s a lovely, almost archetypal carving: a simple cup surrounded by four complete rings, with a ‘tail’ coming off the edge, similar to the image of a comet flying through the skies – which is, perhaps, what this carving represented. Of course, it could have been something completely different!
The region where this stone was located was an important area for the dead in ancient times – a motif that’s common to many cup-and-rings – and it seems probable that the stone itself was once part of a tomb, though we seem to have no record substantiating this. The carving was highlighted by William Cudworth as being in Upwood on a map dated 1847-51. The next description of it was by Arthur Raistrick in 1936. John Hedges (1986) listed it as stone-216 in his survey; then Boughey & Vickerman (2003) re-list it as stone 351.
NOTE – Don’t confuse this carving with another that is held in the same museum here, the Cliffe Castle or Baildon Moor 144 carving. Well worth having a look at!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Cowling, Eric T., Rombald’s Way, Otley 1946.
Hedges, John, The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Raistrick, Arthur, ‘Cup-and-Ring Marked Rocks of West Yorkshire,’ in YAJ, 1936.
Healing Well (destroyed): OS Grid Reference – SE 0479 4179
Archaeology & History
The Whin Knoll Well, once found bursting into life at the top of Black Hill, Keighley, got its name from the old word ‘whin,’ or gorse bushes (Ulex Europaeus)—also known in Yorkshire as the ‘Spindly Killer Bush’: a most apt title! These great spindly killer shrubs once profused where the waters of this old well used to bubble into view – indeed, there are still quite a few great old spindlies still scattered here and there!
The site was shown on old maps as being just two fields east of the more renowned Jennet’s Well, but this old public water supply that once fed the local people, was covered by a reservoir many moons ago. However, a wander up here recently found the reservoir empty, but a water supply was still bubbling out of the ground into the great concrete hollow. The last remnants of the Whin Knoll Well perhaps…?
Pretty easy really. From the town centre, head up the B6143 Oakworth Road for barely 100 yards then turn right up the long steep West Lane. Just keep going. Near the very top turn sharp right onto Shann Lane. And there, on the left-hand side of the road, right next to the solitary old-looking house just 100 yards along, is our little well! (if you end up with fields either side of you, breaking into hills, you’ve gone too far)
Archaeology & History
The history of this site is very scant. It was written about by local historian William Keighley (1858) as a holy well dedicated to an obscure saint, St. Jennet, although early place-name evidences don’t tell as much. Some have even suggested that the same ‘Jennet’ was the tutelary saint of Keighley and district itself. Local historian Ian Dewhirst (1974), writing about the town’s local water supply, thought that “water from a spring ‘a mile to the west’ above the town…was conveyed by stone troughs through the chief street for the convenience of house-holders,” was probably Jennet’s Well.
Folklore
Described by Will Keighley (1858) as having “great healing abilities,” its specifics were undefined. And when the great Yorkshire writer Harry Speight (1898) came here forty years later, he told of the site “having a great repute, though no one seems to know why.” Mr Keighley was of the opinion that Jennet’s Well may have been the christianized site which overcame the local people’s earlier preference of dedication at the True Well, more than a mile west of here, between the gorgeous hamlets of Newsholme and Goose Eye; but this would seem unlikely, if only by distance alone.
The name ‘Jennet’ itself initially seemed somewhat obscure. It is not recognised by the Catholic Church as a patron saint. The word could be a corruption of the personal name Jenny, perhaps being the name of a lady who once lived hereby. There’s also the possibility that the title may infer the well’s dedication to the bird – a not uncommon practice. And we also have the modern folklorists who could ascribe it to the fairy-folk, as Jennet and Jenny are common fairy names, and old wells have much lore linking the two. But as Michala Potts pointed out, bringing us back to Earth once again, a ‘jennet’ is an old dialect word for a mule. I rushed for my Yorkshire dialect works and, just as Mikki said, the old writer John Wilkinson (1924) told simply, ‘Jennet – a mule.’
References:
Dewhirst, Ian, A History of Keighley, Keighley Corporation 1974.
Keighley, William, Keighley, Past and Present, Arthur Hall: Keighley 1858.
Speight, Harry, Chronicles and Stories of Bingleyand District, Elliott Stock: London 1898.
Wilkinson, John H., Leeds Dialect Glossary and Lore, James Miles: Leeds 1924.
Dead easy! Get to Ilkley train station and look across the road to your left, cross it and walk along. 100 yards on is Cowpasture Road. Walk up it! You’ll be at the rocks in 10-15 minutes.
Archaeology & History
There’s nowt specifically archaeocentric directly relating to these great rocks — well, nowt that’s been found out about anyway! — though all around here over the last coupla centuries people have found numerous flints, and we have various examples of rock-art (cup-and-rings) carved on rocks close by. There have been attempts to verify what may be cup-marks on both the Cow and the Calf — with the old master, Harry Speight (1900) telling how there used to be remains of cups and lines on the rocks, but apart from some well-worn ‘cups’ on some of the edges, these seem hard to find. For worrits worth: if Speight said there were some carvings here, its more than likely true.
I think the main relationship ancient man would have had with this great rock outcrop would have been a ritual one: the rocks themselves had no need of human imprints: their size and nature would deem them of great spirit indeed, to anyone with an ounce of feeling. Not sure that’s the way most modern folk would see things – but that’s to be expected I s’ppose!
Folklore
These grand rocks once had the even greater Bull Rock as a close companion. It was on top of this, wrote Eric Lodge (1939:40), that,
“the only point in the immediate vicinity of Ilkley from which a view of York Minster was obtainable. ‘Tis some sixty years ago, however, that a local tradesman recognised its value in building stone, and despite strong protests, quarried it for the construction of the Crescent Hotel, situated at the corner of Brook Street and Leeds Road in Ilkley.”
The matter was described in the Leeds Mercury in 1899, thus:
“About the year 1850 an act of vandalism was perpetrated at Ilkley, which would have been impossible in these days, when the Ilkley Local Board watches with such a keen eye anything that may enhance the historical interest of this rapidly increasing watering-place.
“Below the two huge rocks known as ‘The Cow and Calf,’ which have attracted thousands of visitors and invalids on to the breezy heights whereon they stand, stood a rock larger than the Calf, which was known as the ‘Bull.’ It was much nearer the highway than the Calf…
“The ‘Bull’ rock had its name cut in large letters on the side that lay nearest the road, and it is much to be regretted that an unfortunate dispute between the owners of the free-hold and the lord of the manor, in which the former won the day, gave them the right to break up this noble rock and cart it away for building purposes. It is said that the Crescent Hotel was mainly built from this stone, so some idea may be formed of its vast size and proportions.”
Incredible – they’ve turned a gigantic sacred rock into a large hotel! (and I’ve never been in it) Let’s hope it’s haunted to buggery! Does anyone know any Fortean history about the place?
Another legend tells that one day the local giant, Rombald (who gave his name to these moors and lived up here, somewhere, with his even greater but unnamed wife), decided to meet a friend a few miles away to the east, at Almscliffe Crags. So in just one step he strode over the Wharfe valley right across to the legendary crags, but he slightly stumbled and in doing so, left he footprint embedded on the face of the Cow Rock, which can still be seen today.
In modern times, the Cow & Calf have been the centre for occasional UFO, or earthlight sightings. But this appears to go back a bit earlier than when such curious light-forms were thought of as visiting ETs; for good old Nicholas Size (1936) reported seeing burning lights and curious figures up here — but when he saw these lights they took the form of druids and pagan spirits. One wonders what they’ll morph into next!