From the Askwith Moor car-park (SE 1757 5067), walk along the road north for a few hundred yards until you reach the gate on your right and head through the heather to the Death’s Head carving. From here walk in a northwesterly direction up the gentle slope for 50-60 yards and, before reaching its crown, keep your eyes peeled for a low flat stone with a curvaceous crack running roughly halfway across it. If the heather’s deep, you might not have a cat in hell’s chance of finding it!
Archaeology & History
This carving isn’t much to look at on two levels: i) it’s a pretty simplistic design with no rings, and (ii) it’s very faint and almost impossible to see until the light is just right—except for one of the cups, which itself might be natural (there are a few like that amidst the Askwith complex). It’s very much a carving for the purists among you, as I always say. Nonetheless, for the record:
Crap sketch of designFaint cups visible
The most notable element is the single “cup mark” on the more easterly section of the stone, on one side of the natural crack. It catches your eye and is what makes you give the stone a little more attention, although I couldn’t make up my mind whether this was Nature’s handiwork or humans. It may be a bit of both. On the other side the crack we can see a small group of very faint eroded cup-marks — just! What seems to be three of them cluster in a small triangle formation, but one of these may be natural (tis hard to say for sure), with another isolated cup closer to the crack, and a final one further to the outer edge of the stone. All are very faint but stood out when the sun was low on our recent visit here. Give it your attention when you’re next having a look at the settlement and cairnfield close by.
From the Askwith Moor car-park (SE 1757 5067), walk along the road north for several hundred yards and go through the gate on your right. Head northeast through the heather to the Death’s Head carving and keep along the same direction for barely another hundred yards onto the ever-so-slight crown of a small hillock. This is a hut circle you’re standing in/on. A few yards away just to the southeast of where you’re standing is the very denuded remains of this ring cairn.
Archaeology & History
Low remains of rubble wall
Not visible when the heather’s in full growth, it’s nonetheless worth visiting if you’re trying to get a picture of the prehistoric landscape hereby. Less than 10 yards southeast of the notable hut circle on the small crown of a hill, it was first noticed by Sarah Walker on a group visit here recently. Roughly 12 yards across, the most notable section of the circle is the remains of the rubble bank on its east and southeastern sides, raised a few feet above ground level. The majority of the monument comprises of a scatter of various rocks and small stones within and round the edges of the circle. There’s a lot of scattering from other adjacent remains, such as the hut circle and nearby walling, that give the initial impression of it being little more than a spurious mess of stone; but the more you walk around and inside it, the more you come to recognize its structure.
It has that Bronze Age hallmark look about it, but without an excavation this is just educated guesswork. It might actually be older. The widespread mass of prehistoric remains all round here shows that it was once a mass of activity in prehistoric times. It’s a brilliant area, even if you can’t find this particular site!
Easiest way is to park up at the Askwith Moor car-park spot, turn right and walk along the road for about 350 yards until you reach the gate on the right (not the one across the road!). You then need to head to the Death Head’s Stone carving about 450 yards across the moor to the east. It’s pretty conspicuous. From here, walk through the heather 80-odd yards northwest. You’ll walk past some extensive rubble walling (whose nature yet eludes us) before you get there.
Archaeology & History
Looking down at the cups
Discovered recently by Sarah Walker on a venture to see the extensive settlement and graveyard around Snowden Crags, this petroglyph is a simple basic design cut into a relatively large flat stone just above ground level. Found less than 100 yards east of the dubious Snowden Carr (565)carving, there are two large cup-marks on this one: one of them is an inch deep and two-inches across and may originally have been geophysical in nature, but has subsequently been worked by human hands. To its side is another much fainter and shallower cup-mark about the same width. On some photos there’s what appears to be a very faint large ring surrounding the faint cup, but until visits are made at low sun and the stone brushed with water, we cannot be sure whether it’s real or just a trick of the light. There may be more cups on this stone beneath the peat. We didn’t brush it all off.
Some 30-40 yards to the east is the rubble of an extensive prehistoric man-made structure, the nature of which has yet to be discerned. The Snowden Moor cairnfield begins immediately to the northwest, with the first tomb barely 50 yards away.
Take the A59 road from Harrogate and Skipton and at the very top of the moors near the Gill Head Enclosures, take the small Kex Ghyll road up past the disused quarry works north for a mile or so. At the junction go left for about 1½ miles where, on your left, is Burnt House farm. A hundred yards past here is a small spot to park on the right-hand side of the road, opposite the gate to Rocking Hall House (make sure you leave enough room for tractors to pass you!). Across the road is the track to Rocking Hall and, 2 miles along the track, look out for the copse of trees ½-mile NE. Head towards it and, as you get close to the wall, walk slowly downhill towards the stream where a single block of stone lives. You’ll find it!
Archaeology & History
Design from above
Rediscovered on Rocking Moor by Rod Chambers on August 15, 2023, this reasonably large sloping block of stone has between 21 and 24 cups cut quite deeply and scattered erratically into it, very similar to one some 200 yards to the northwest (Raven Stones carving 559). It seems pretty obvious that some of these cups were Nature’s handiwork, but have been modified by human hands. There’s nothing complex about it, but there may be a semi-circular arc around one of the cups, centre-left of the natural crack that cuts across the top of the stone, but this is very faint and could be just a trick of the eyes. Going there at sunrise and wetting the stone might tell us for sure.
Acknowledgements: Big thanks to Rod Chambers for use of his photo in this site profile.
Cup-Marked Stone: OS Grid Reference – SE 1194 5810
Getting Here
The Raven stone setting
Take the A59 road from Harrogate and Skipton and at the very top of the moors keep your eyes peeled for the small Kex Ghyll Road on your left(it’s easy to miss, so be diligent!). It goes past some disused disused quarry and after a mile or so where you hit a junction, turn left, past the Outdoor Centre of West End and straight along Whit Moor Road. About a mile past the Outdoor Centre go left down to Brays Croft Farm and over the ford, then keeping to the footpath up to the right (west) and note the clump of trees on the moors above you to the west. That’s where you need to be.
Archaeology & History
Several of the cupmarks
Several natural basins that might have been worked in prehistoric times are accompanied by several distinct cup-marks near the middle-edge of the stone, in a rough triangular formation, with two others slightly more eroded a little further down the same side. Boughey and Vickerman (2003) noted several other cupmarks on the rock, some distinct, some not so.
Adjacent to this carved stone is another naturally worn stone of some size, with incredibly curvaceous ripples over the top of the rock which, in all probability, possessed some animistic property to the people who carved this and other nearby carvings. Check the place out. It’s a gorgeous setting!
References:
Armstrong, Edward A., The Folklore of Birds, Collins: London 1958.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Follow the directions to reach the Ancestors’ Stone and the Sunrise Stone; and there, roughly halfway between them, right by the edge of the old collapsed walling, you’ll see this rise of a stone with a large ‘bowl’ on top. That’s it!
Archaeology & History
Mixing Stone, looking E
Laid upon the same geological ridge as our Ancestors’ and Sunrise carvings, there are one, possibly two faint cup-marks visible on the low flat surface near the edge of this rock, barely visible unless the light’s right. But the important element here, perhaps regardless of the cup-marks, is the ‘bowl’ or rock basin on top of the stone. Internally, it’s smoothed equally on all sides and, due to being in-between the two impressive petroglyphs, may well have had a practical function to it. Bear with me on this one…
The Mixing Stone’s bowl
Stone ‘bowls’ or cavities—natural and otherwise—have been made use of in many cultures for simple functional purposes, such as grinding flour, herbal mixes, etc. We find such traditions in some of the bullauns of Ireland and Scotland; whereas in similar stone bowls known as cat troughs in nearby Haworth, milk was poured to appease the spirits of the land (this tradition was still being maintained in 2001!). Folklore and traditions of such rock basins spread far and wide beyond the UK: one of the German terms for rock basins is Opferkessel, meaning ‘sacrificial basin’ and suggests ritualistic usage by early societies. Elsewhere on Earth there are numerous accounts of the ritual use of petroglyphs in which indigenous peoples tell of their use of plant- or rock-based paints (in many cases red ochre) to decorate the carvings. And it’s this element that I’m interested in here.
Water-painted cupmarks
The Sunrise and Ancestors’ Stones 10-15 yards either side of this Mixing Stone are ideal candidates for such petroglyphic paintings using early ochre and other stone or plant-based agents. Such activities would always have been ritualised, either in honour of ancestors, genius loci, calendrical rites, or whatever the pertinent ingredient was at that place and time. I’m suggesting simply that the rock basin on the Mixing Stone was used for just such purposes. This is no spurious suggestion, but at the same time it’s important to recognise that my thoughts here represent merely an idea, nothing more—not a fact. Whilst we know full well that these carvings were imbued fundamentally with animistic properties—a simple ‘fact’—this functional idea is just that—an idea. Students and petroglyph-nuts need to understand this. And the faded cup-marks at its edge are perhaps merely incidental…. though I don’t buy that misself!
If you’re coming up from Otley or Askwith, take the same directions as if you’re going to visit the impressive Naked Jogger Carving (stone 612), not far from the well-known Tree of Life Stone. From the Naked Jogger carving, walk up to the small outcrop of rocks that bends above you. There’s a small collapsed line of walling just behind the outcrop. Walk along this up the slope as if you’re heading for the Sunrise Stone carving, but only 30 yards along, low down and right into the edge of the wall itself, you’ll see this elongated piece of stone. That’s the spot!
Archaeology & History
If you’ve caught the petroglyph-bug, you’ll like this one! It received its name from the curious fusion of natural cracks with the man-made pecked lines that shows, quite distinctly when the light is right and the stone is wet, the outline of two humanesque forms joined to each other. Figurative rock engravings of ancestors in the UK are extremely rare and when we came across this example, we noticed how the design could be interpreted as two Askwith Moor ancestor figures. Figurative rock art images elsewhere in the world such as the magnificent Wandjina paintings and the extensive galleries of figures engraved at Murujuga (Burrup Peninsula) in Western Australia, might provide an initial comparison, though more specific work needs to be done to better understand this unique petroglyph.
Sketch of the carving
You can almost make out the figures in the above photo: the upper torsos of two beings on the right-hand side of the rock, almost fused together. And the carved shapes of these “ancestral beings” are morphically similar to some elements in the Sunrise Stone just 50 yards away – which themselves remind me of a Northumbrian carving near Doddington known as West Horton 1a. (Beckensall 1991) But we should’t get too carried away by the idea because—as we can see here in the sketch of the carving—when looked at from a different angle above, we could infer the right-hand carved elements to be representative of an animal: a deer, perhaps. Rorscharch’s once more tickle the exploring mind….
The rock has been quarried into at same time in the past (just like the nearby Sunrise Stone), leaving us to wonder what the complete carving might have looked like. No doubt some pieces of it will be in the collapsed walling either side of the stone. All we have left to see are the two unfinished cup-and-rings above the natural cracks that give rise to the “ancestral being” appearance. The faint double cup-and-ring has curious linear arcs to its side, with two well-defined cups enclosed by two of them. It’s a nice-looking carving when the light is good. The petroglyph was carved over a long period of time, as evidenced by the differing levels of erosion in different sections of the design. It’s a common attribute. The oldest section is the faint double cup-and-ring, whose mythic nature was added to / developed at a much later date, perhaps even centuries later.
In the always-expressive archaeocentric description of Boughey & Vickerman’s (2003) otherwise valuable tome, they told this carving to be,
“Long, narrow, thick rock of medium grit. Six cups, one with a double ring with a tab out and two with at least partial single rings, grooves.”
Evocative stuff!
It’s very likely that this carving had some mythic relationship with its close neighbours either side of it, probably over a very long time period and I’m inclined to think it somehow related to the rising of the sun, just like its solar companion further up the slope. Please note how I emphasize this ingredient in the site profile of its neighbour, the Mixing Stone 10-15 yards away—roughly halfway between this and the Sunrise Stone. A distinct place of ritual was happening in this close-knit cluster of carvings…
References:
Beckensall, Stan, Prehistoric Rock Motifs of Northumberland – volume 1, 1991.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Reeder, Phil, “Snowden Carr Rock Carvings,” in Northern Earth Mysteries, no.40, 1990.
Along the only road that crosses Askwith Moor, park up at the single carpark on the east-side of the road. Walk up the road for 350 yards and through the gate on the left-hand (west) side of the road onto the moorland. Once through the gate, walk directly west into the heather immediately below the path for some 25-30 yards. Look around!
Archaeology & History
Rediscovered by Helen Summerton in May 2022 are at least two simple hut circles on this level piece of land close to the roadside, amidst this much wider and impressive prehistoric landscape.
The small ring of stones (SE 17430 50978) closest to the road is slightly more troublesome to make out due to it being more deeply embedded in the peat than its companion about 30 yards away. Comprising of typically small rubble walling, this first circle is only 4 yards across and would certainly have been fine for one person or, at a push, perhaps a small family.
Askwith Moor hut circle (2)Askwith Moor hut circle (2)
Its companion immediately west (SE 17401 50953) is somewhat larger and slightly more elongated in shape, being 10 yards along and 5-6 yards across, as well as being in a better state of preservation. This larger hut circle has been raised on a notable artificial earth-and-rubble plinth, being one or two feet higher than the surrounding peatland. A notable internal stretch of walling only a yard or two in length exists within the southeastern side of the construction, whose nature can only be discerned upon excavation: an issue we can say applies to the many prehistoric settlements and tombs across this small moorland. It’s very likely that other settlement remains will be found close to these two hut circles.
The remains of another hut circle can be found closer to Shooting House Hill, several hundred yards away; whilst five hundred yards southwest we find a small but impressive cairnfield. There are also a good number of petroglyphs close by and on much of the surrounding landscape.
Acknowledgments: Huge thanks to Helen Summerton (not Winterton) for finding these ‘ere remains – and for the photos accompanying this site profile.
Follow the same directions as if you’re visiting the James Stone monolith. From here, walk about 60 yards southeast and zigzag about in the heather until you find a small squarish-shaped earthfast rock, barely 6 inches above ground-level (might be hard to find when the heather’s fully grown). If you’ve got a petroglyphic nose, you’ll find it!
Archaeology & History
A simple faded cup-marked stone, roughly 2½ feet by 2 feet across, can be found about 65 feet southeast of the James Stone and 40 yards west of the Benty Gate prehistoric enclosure. Sadly when we visited the place a few days ago, the sky was grey and the conditions for good photos were poor.
Line of faint cups from centreExtra faint cup near centre left
At least five cup-marks have been etched onto the stone, with the main element being a row a three cups in a straight line from the centre of the stone to its SE edge. The central cup-mark has been carved where a natural crack in the rock, running from the edge of the stone, terminates. There also seemed to be a carved faded line running along the bottom edge of the stone—but it was unclear and another visit is needed in better light to see if there’s more on the stone.
From the Askwith Moor Road parking spot, head across the road and take the directions to the Woman Stone carving about 510 yards (467m) across the moors to the west. From here, look straight down the slope and head towards the largest boulder at the bottom, 20-30 yards away. About 10-20 yards to the right of this, zigzag about in the vegetation until you find the small stone amidst the bracken. You’ll find it!
Archaeology & History
This small stone, whose natural contours and cracks have been utilised in the design of the petroglyph, may once have been part of a prehistoric tomb, perhaps rolled or thrown downhill from the nearby Askwith Moor Cairnfield. I say this due to the size and portability of the stone, i.e., it’s small and barely earthfast, giving an increased likelihood that its present position was not its original one. But we might never know…
Rough sketch of the designClose-up of the carving
It’s almost archetypal in design, being a primary cup-and-ring, with what appears to be a faint inner ring etched marginally within the larger notable incomplete circle, just an inch beyond the inner central cup. From this same cup runs a carved line, out to the near edge of the small stone. Single cup-marks occur on the edges of the rock, as can be seen in the photos: three, possibly four of them. One of the cups, where the stone narrows to a rounded point, may also have had a partial ring around it. When we found this stone a few weeks ago, the day was grey and overcast and the light was poor, so our photos do not highlight the carving too well.
(Note: the OS grid-reference for this stone is an approximation: pretty damn close, but not close enough. If someone ventures here and can get the exact grid-ref, we’d be most grateful.)
