Tag: Tinshill

Gab Wood (2), Cookridge, Leeds, West Yorkshire

megalithix

Cup-and-Ring Stone:  OS Grid Reference – SE 24602 40614

Getting Here

Gab Woods (2) carving

Follow the same directions as if you’re visiting the Gab Woods (1) carving—which you’re probably visiting if you’re checking this one out.  Walk south into the middle of the woods and you’ll soon notice the road/houses on the other side of the trees.  Once here, staying in the woods, follow the walling down for about 100 yards, keeping your eyes peeled for a reasonably large flat stone about 15 yards from the wall in the trees.  If you can’t find it at first, patiently zigzag back and forth until it eventually appears!

Archaeology & History

One of two known petroglyphs in this woodland (there may be more hidden away) that was first found in the 1940s by Dan Cole.  The main feature here consists of a cup-mark encircled by two large, well-defined oval-shaped “rings”, a bit like a large eye.  From the central cup, a long carved line runs down the gently sloping surface of the stone and, roughly halfway down from the cup-and-ring to the edge of the stone, another carved line cuts across at rough right-angles, giving the carving a slight anthropomorphic (human-like) appearance when looking up the stone.  This humanesque figure may have been the intention—though for my part I have to say that I’m slightly skeptical about it.  We may never know either way.  Several other single cups are on the stone: one to the side of the large “eye” and two or three below the elongated “arms.”

Vague humanesque figure
Large eye-shaped element

An additional, interesting non-petroglyphic feature is the name of the woodland in which the stone resides.  In Thomas Wright’s massive dialect work, Gab is a northern dialect word meaning “to talk”, or “idle chatter” (and variants thereof); this is echoed in Blakeborough’s (1911) Yorkshire survey; and Wilkinson’s (1924) local study tells simply it’s “idle talk…able to talk glibly and with much plausibility—a Town Hall Square orator for instance.” This makes the place as something akin to being “the woodland that talks”, “the chattering woods” or “the talking woodland”, etc.  You can make up your own mind as to what this might mean… *

References:

  1. Blakeborough, Richard, Wit, Character, Folklore and Customs of the North Riding of Yorkshire, W. Rapp: Saltburn 1911.
  2. Wilkinson, John H., Leeds Dialect Glossary and Lore, privately published: Leeds 1924.
  3. Wright, Joseph, English Dialect Dictionary – volume 2, Henry Frowde: London 1900.

Links:

  1. Dan Cole’s Image Archive, The Thoresby Society

Acknowledgements:  Huge thanks must go to Peter Murphy for recovering this impressive carving from the archives, and from beneath the carpet of soil and vegetation, so enabling it to see the light of day once again.  Also big thanks to the usual culprit of James Elkington, as well as Sarah Walker and Sarah Jackson.

* a Scottish dialect variant of gab relates to the mouth, tongue, taste.

© Paul Bennett, The Northern Antiquarian

Gab Wood (1), Cookridge, Leeds, West Yorkshire

megalithix

Cup-and-Ring Stone:  OS Grid Reference – SE 24610 40721

Getting Here

Gab Wood (1) stone

On the north side of Cookridge, find Smithy Lane and go to the western-end, where it meets up with a dirt-track.  Walk straight along here by the side of the cricket-pitch and then take the first turn left where you walk along the other edge of the cricket pitch.  About 150 yards along, the track hits the woods; keep along here for about another 200 yards where you’ll find a small footpath on your left goes into the woods. Once you’re in in the trees, walk to your right, following the wall, for about 50 yards where you’ll see a large flat stone by the holly trees.  That’s it!

Archaeology & History

Rediscovered by the Leeds historian Don Cole in the 1940s, this complex multi-period carving etched onto a flattened rock surface is an unusual outlier from the Rombalds Moor complex several miles to the west.  At its heart, around the semi-natural deep “cups” near the middle of the southern side of the stone, is the oldest part of the carving comprising a very faint incomplete triple-ring design which, as we move around it, almost has the look of a Newgrange-lozenge form to it.  But I’m unsure…

Very faint incomplete triple-ring at top-middle
Waves & cups and rings

More obvious (apart from the deep “cups”), and the first thing you notice as you approach the stone, are the later and much more well-defined elements on the east side of the stone: a curious wave-form writhes from the edge of the rock across its smooth surface, beneath which we find a cup-and-ring and a number of single cup-marks, some enclosed inside a rounded box, with others sat between the curved carved line and the stone’s edge.  The “rounded box” with its three cups at first seems to be on its own, but as the light changes you’ll notice a much fainter (possibly older) rectangular box attached to it; no cups are visible inside this.

A hundred yards due south in the same woodland you’ll find the Gab Woods (2) carving.

One interesting feature is the name of the woodland in which the stone resides.  In Thomas Wright’s massive dialect work, Gab is a northern dialect word meaning “to talk”, or “idle chatter” (and variants thereof); this is echoed in Blakeborough’s (1911) Yorkshire survey; and Wilkinson’s (1924) local study tells simply it to be “idle talk…able to talk glibly and with much plausibility—a Town Hall Square orator for instance.” This makes the place as something akin to being “the woodland that talks”, “the chattering woods” or “the talking woodland”, etc.  You can make up your own mind as to what this might mean… *

References:

    1. Blakeborough, Richard, Wit, Character, Folklore and Customs of the North Riding of Yorkshire, W. Rapp: Saltburn 1911.
    2. Wilkinson, John H., Leeds Dialect Glossary and Lore, privately published: Leeds 1924.
    3. Wright, Joseph, English Dialect Dictionary – volume 2, Henry Frowde: London 1900.

Acknowledgements:  Huge thanks must go to Peter Murphy for recovering this impressive carving from beneath the carpet of soil and vegetation, and so enabling it to be seen by others once more. Also big thanks to the usual culprit of James Elkington, as well as Sarah Walker and Sarah Jackson.

* a Scottish dialect variant of gab relates to the mouth, tongue, taste.

© Paul Bennett, The Northern Antiquarian