A couple of miles east of Crieff, take the A822 road from the Gilmerton junction and head up towards the Sma’ Glen. After literally 1¾ miles (2.8km), on the right-side of the road, you can park-up right opposite the dirt-track that leads up to Connachan Farm a half-mile away. Walking up and then past the farm, go past the Connachan (2) petroglyph, keeping on the same track uphill and just past the (Connachan 4) carving the land levels out where the track curves. From here, walk to your right, into the grasses, and about 90 yards along you’ll see a small rise in the ground with two or three fallen stones in the middle.
Archaeology & History
There’s nothing truly notable about this much-overgrown cairn and you could very easily walk past it without noticing it was even there! Much of its original mass has been removed and, no doubt, its stones reused in the old walling a few yards to the north (a long section of that walling appears to have a prehistoric provenance). It measures roughly 10 yards across and its outer edges are clearly visible as a raised grass-covered mound all round, just one or two feet high at the most. Obviously it was much larger when first built, but all that we see now are its final ruins, four or five thousand years after its birth… The one thing of great note here is the view: you’re looking from east to south to west across an awesome landscape for many many miles. Check it out!
References:
Stewart, Margaret E.C., “Connachan, Crieff – Cup Marks and Hut Circle,” in Discovery & Excavation, Scotland, 1967.
Cup-Marked Stone (lost): OS Grid Reference – NO 262 503
Archaeology & History
In an excursion to the Iron Age Hillfort on Barry Hill in the early 1960s by some members of the Perthshire Society of Natural Science, near the very top on its southwestern side they discovered “a small cup marked stone.” (Longworth 1962) It hasn’t been seen since. And whether it was in the walling of the fort, or was a carved earthfast rock, they neglected to tell. When I visited here several years ago I couldn’t find the damn thing and presume that it’s simply been overgrown by the vegetation. In the event that you manage to rediscover the carving, see if you can catch us a good photo or two and stick ’em on our Facebook group.
References:
Longworth, Ian, “Dundee, Angus,” in Discovery & Excavation, Scotland, 1962.
A couple of miles east of Crieff, take the A822 road from the Gilmerton junction and head up towards the Sma’ Glen. After literally 1¾ miles (2.8km), on the right-side of the road, you can park-up right opposite the dirt-track that leads up to Connachan Farm a half-mile away. Keep walking up past the farm to the Connachan (2) petroglyph, and keep to the track uphill for another 600 yards keeping your eyes peeled for a notable singular rock on your left, about 10 yards into the heather. It’s pretty easy to see. If the track’s levelled out, you’ve gone too far!
Archaeology & History
Perhaps the most attractive of the Connachan petroglyphs is this curvaceous stone with its archetypal double-ringed motif. It seems to have been described firstly by Margaret Stewart (1967), whose description (to me at least) doesn’t quite do it justice; but then, they are somewhat troublesome abstract creations most of the time. She told it to it be,
“a boulder 4’10” x 3’10 x 2′ in height with 6 cups and a grooved circle, which incorporates two more cup marks on its outline. The grooved circle encloses a gapped circle with another cup mark at its centre.”
So, nine cups in all: one with the double-ring around it, and two of the cups touching the outer ring. The cup-marks are ostensibly as Stewart described them, but there are another two or three which I was unable to capture in the photos, as the daylight wasn’t good when we came here. They’re shallow but very distinct when you see and feel them in the flesh, so to speak, and are closer to the top- and bottom-centre of the stone in the photos here. Well worth checking out if you’re in the area!
References:
Stewart, Margaret E.C., “Connachan, Crieff – Cup Marks and Hut Circle,” in Discovery & Excavation, Scotland, 1967.
Acknowledgements:Huge thanks for use of the Ordnance Survey map in this site profile, reproduced with the kind permission of the National Library of Scotland.
Cup-and-Ring Stone (lost): OS Grid Reference – SE 0965 4797
Archaeology & History
In Ronald Morris’ (1989) gazetteer of British petroglyphs, he included this curious entry but gave no real details regarding its appearance or history. Listed by the Royal Commission lads, it would seem to have been located immediately south of the dismantled railway where it used to cross the Addingham-Ilkley road, but no one seems to have seen it either before or since Morris’ description. Any help regarding its whereabouts would be appreciated.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Morris, Ronald W.B., “The Prehistoric Rock Art of Great Britain: A Survey of All Sites Bearing Motifs more Complex than Simple Cup-marks,” in Proceedings of the Prehistoric Society, volume 55, 1989.
Cup-Marked Stone (lost): OS Grid Reference – NO 074 458
Archaeology & History
In J. Romilly Allen’s (1882) lengthy essay on rock art in Scotland, he mentions a singular boulder that was “found by Dr Rattray” at Laighwood, near Butterstone—but, unlike him, he gave no further details regarding its appearance or exact whereabouts. It was included in the Royal Commission (1990) survey of the area, with no additional details. It remains lost. In the event that you manage to rediscover it, grab some good photos of it and stick ’em on our Facebook group. (the grid-reference to this site is an approximation)
Royal Commission on the Ancient & Historical Monuments of Scotland, North-East Perth: An Archaeological Landscape, HMSO: Edinburgh 1990.
Acknowledgements:Huge thanks for use of the Ordnance Survey map in this site profile, reproduced with the kind permission of the National Library of Scotland.
Healing Well (destroyed): OS Grid Reference – NO 4032 3025
Archaeology & History
This old water supply had no direct ‘holy’ nature, despite its proximity to the cathedral, the old market cross and St Clement’s Well some fifty yards away! Most odd. A much more mundane story lies behind this long lost water source. The Dundee historian William Kidd (1901) told us,
“When the public wells were erected, about the year 1749, to supply the town with water from the Lady-well reservoir at foot of Hilltown, one was placed on the High Street, on the east side of the Cross, and was called the Cross Well.”
It didn’t have too long a life either—much like the old Market Cross, for,
“In the year 1777 that quaint structure was demolished. The platform and octagonal tower were carted away as rubbish, the least decayed stones being selected to be used in other buildings. The stone shaft, also, was preserved, and placed beside the Old Steeple. With the demolition of the Cross, the Cross Well was cleared away from the High Street, but, as water was an essential to the people, the well was re-erected behind the Town House in St. Clement’s Lane. In that situation it remained for nearly one hundred years, when, being rendered unnecessary by the introduction of the Lintrathen water supply, it was also demolished, along with the old buildings in the Vault and St. Clement’s Lane, to make room for the additions to the Town House.”
References:
Colville, A., Dundee Delineated, A. Colville: Dundee 1822.
Cup-Marked Stone (lost): OS Grid Reference – NO 186 480
Archaeology & History
When J. Romilly Allen (1881) wrote about the megaliths and petroglyphs of Glenballoch, the owner of the property—a Mr George Harris—informed him of other archaeological finds in the locale: one of which was a cup-marked stone with distinct linear elements, whose description reminded me, slightly, of Ilkley’s Idol Stone. It was found a short distance east of the Glenballoch (or Craighall Mill) stone circle. Allen told how,
“Mr Harris…informed me that about twenty years ago he had dug up a stone with cup-markings upon it, on the opposite side of the valley to the south-east of the Glenballoch stone. The stone lay horizontally with the cups uppermost. It was split up and is now built into the out buildings of Glenballoch Farm. The two largest fragments form the cover and sill of the hole through which the shaft of the threshing machine passes through the wall of the horse-mill, into the house. A third fragment is built in above the window at the opposite side of the house, and is of greenish hue. Mr Harris expressed his great regret at not having known the value of this stone when he broke it up, and he is evidently proud of the stone which remains, and is determined that no ill shall befall it as long as he remains its guardian. The cup marks on the stone which was broken appear to have been arranged symmetrically in two rows, and Mr Harris affirms distinctly that they were alternately circular and rectangular.”
These three stone fragments have not been seen since. They may still be covered over in the spot Mr Harris described, but no one seems to have found them. In the event that someone manages to find them, see if you can get a few good photos and stick ’em on our Facebook group.
Follow the directions to reach our superb Swastika Stone from Ilkley, visible due to the iron railing that surround and protect the carving on the cliff edge. From here, keep walking west along the Millenium Way footpath, over the stile of the first wall, then the second wall—six in all—for ⅔-mile (1km), where you’ll see another small crag of rocks on your right, just yards from the footpath. You’re damn close!
Archaeology & History
When the great J. Romilly Allen (1882) visited the Ilkley petroglyphs in 1878, the Piper Stone was one that he wandered over to see—and he had this to say of it:
“At the edge of Piper’s Crag is a horizontal rock-surface, and on a portion of it, measuring 5ft by 7ft, are carved a series of fifteen cups varying in diameter from 2 to 3 ins. Of these, one is surrounded by a single ring, four by a double ring, and one by a triple ring.”
This type of description, whilst accurate on the whole, rarely does justice to the carving. It was echoed more than 100 years later in John Hedges’ (1986) survey, when he described the large rock jutting out to possess merely, “a complicated design of cups, rings and grooves.” When Boughey & Vickerman (2003) did their follow-up survey, they added nothing more.
In an attempt to give some sort of meaning to the carving (and many others), the late great Eric Cowling (1940; 1946) placed it within Henri Breuil’s (1934) classification system, which assigns all carvings different degrees of complexity and form, from Classes 1-4. The Piper Stone entered Breuil’s Class 3A, being one “with deeply cut and smoothed down grooves.” Whilst this may sound good on the surface, in truth such classifications are utterly meaningless outside of the tables and graphs of statisticians and the boring. They give the appearance of quantitative research, but they have as much bearing on the nature of the carvings as an energy dowser healing the place with crystals.
In the flesh, in the real world—so to speak—from the Piper Stone we are looking, not just at the carving, but its place in the landscape: an ingredient that more and more emerging archaeologists are recognizing has a synergistic relationship with some petroglyphs. And here we have an impressive landscape that reaches out ahead of us for many miles. We look primarily to the north: the Land of the Dead in many traditional northern cultures. But our panorama here is 180º, with east and west horizons having the potential for measuring equinoctial periods in the cycle of the year. But in truth this is sheer speculation.
It’s a worthwhile carving to see, both for its views and its excess of non-linearity. In its form, Rorscharch impressions of early humans emerge; the usual solar and lunar symbols can be seen; star systems seem apparent; maps or settlement ground-plans could be there. We know that somewhere within it is the animistic ‘spirit’ of the rock itself, but the forms it exalts are, once again, all but lost on us modern folk…
References:
Allen, J. Romilly, “Notice of Sculptured Rocks near Ilkley,” in Journal of the British Archaeological Association, volume 38, 1882.
Allen, J. Romilly, “Cup and Ring Sculptures on Ilkley Moor,” in The Reliquary and Illustrated Archaeologist, volume 2, 1896.
Anonymous, Walks around Cup and Ring Stones, TIC: Ilkley n.d. (c.1990).
Baildon, W. Paley, “Cup and Ring Carvings: Some Remarks on their Classification and a New Suggestion as to their Origin and Meaning,” in Archaeologia, volume 61, 1909.
Bennett, Paul, “Cup-and-Ring Art”, in Towards 2012, volume 4, 1998.
Bennett, Paul, The Old Stones of Elmet, Capall Bann: Milverton 2001.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Breuil, Henri, “Presidential Address for 1934,” in Proceedings Prehistoric Society East Anglia, 7:3, 1934.
Collyer, Robert & Turner, J.H., Ilkley: Ancient and Modern, William Walker: Otley 1885.
Follow the directions to reach the faint but impressive Allt a’ Choire Chireinich (04) petroglyph. Standing here, you’ll notice the large boulder that looks as if it’s fallen down the slope immediately to your left. You can’t really miss it.
Archaeology & History
Beneath the gorgeous excess of ancient lichens you can make out at least three cup-marks on the south-facing sloping rock-face in the top-half of the boulder. There may be some other faint cups on here, but due to the lichens they are very difficult to see, so I’m erring on the side of caution regarding their veracity. This is another one of those carvings likely to be interest only to the most ardent petroglyphic nuts amongst you.
Follow the directions to reach the faint but impressive Allt a’ Choire Chireinich (04) petroglyph. Standing here, look straight down at the dried-up burn barely ten feet below you, where you’ll see a small sloping rock. That’s it!
Archaeology & History
Nothing much to see here apart from a single shallow cup-marking. Most likely of interest only to the most ardent petroglyphic explorer.