Cup- Marked Stone: OS Grid Reference – NN 65305 39555
Follow the directions to reach the faint but impressive Allt a’ Choire Chireinich (04) petroglyph. Standing here, look straight down at the dried-up burn barely ten feet below you, where you’ll see a small sloping rock. That’s it!
Archaeology & History
Nothing much to see here apart from a single shallow cup-marking. Most likely of interest only to the most ardent petroglyphic explorer.
© Paul Bennett, The Northern Antiquarian
Cup-Marked Stone: OS Grid Reference – NS 85584 88087
Archaeology & History
As with other carvings in this locale, the name of the stone is based on a survey done by Maarten van Hoek. (1996) It’s a pretty simplistic design within the impressive Castleton complex, found at the southeastern end of the gorse-covered rocky ridge, about 70-80 yards west of the farmhouse. It was uncovered on a visit here by Nina Harris, Paul Hornby, Frank Mercer and Lisa Samson on Sunday 19 November, 2018.
Unlike the others in the Castleton complex, this carving is probably of interest only to the hardcore petroglyph hunters. The design consists of at least ten cup-marks on the uncovered section of the rock, one of which appears to have a broken circle with two ‘entrances’ either side of it, so to speak. The most notable element in the design is close to the edge, where an arc of three cups almost corners a larger cup right at the edge. There may be more carved elements to be found on the westerly side of the stone, which was covered in deep vegetation when we came here.
References:
© Paul Bennett, The Northern Antiquarian
Cup-and-Ring Stone: OS Grid Reference – NO 25290 37378
MacRitchie’s 1900 groundplan
Follow the same directions as if you’re visiting the Pitcur (3) souterrain. Once here, you’re standing at the southernmost uncovered section of the monument, where one uncovered passageway bends round and meets up with another open section (“m” on MacRitchie’s plan, right). From here, just to your right, a single large roofing stone joins one side of the open passageway with the other, enabling you to walk across it—and the stone you’d walk across has these very faint carvings on it.
Archaeology & History
Shortly before darkfall a few weeks ago, Nina Harris, Frank Mercer, Paul Hornby and I were just about ready to pack-up and leave the brilliant Pitcur souterrain with its underground chambers and various petroglyphs when, as I walked along one of the open passages beneath one of the monument’s many large capstones, my fingers gently stroked the rock above me, almost unconsciously.
First photo of the carving (by Paul Hornby)
“Was that a faint cup-mark?” I asked myself, fondling gently the smooth stone once more.
Standing eight-feet above me in the long grasses, Mr Hornby was gazing around in his usual way.
“Paul – can you see from up there if this is a cup-marking I’m feeling here?”
Walking onto the edge of the rock itself, he proclaimed, “it looks like it!”
It was indeed! And during the remaining 30 minutes of daylight we found that the single cup-mark had a number of companions on the same stone. With multiple rings! Twas another good day out.
Carving when wet (photo, Frank Mercer)
Looking straight down
Previously unrecorded, this large rounded stone just about covers the space across from one side of the souterrain passage to the other, measuring roughly 6 feet by 4 feet, with its longer axis positioned roughly east-west. It was on the westernmost edge of the stone where I located the first single cup-mark, close to the edge, but there are perhaps 12 others: three of which, as the photos show, are in a straight line from near the west-side of the stone to the upper-middle. On its far eastern edge, another cup-mark is clearly evident; whilst on its southernmost edge is another. It’s the middle and eastern section of the rock that grabs most of the attention. Here we found the very faint rings becoming clearer and clearer as the dust of ages was carefully swept away, eventually giving us vision of carvings that were, in all likelihood, first pecked into the rock in the neolithic period, 4-6000 years ago.
Close-up of the 2 triple-rings
Cup-and-rings at an angle
As we can see, two faint triple-rings exist, each with lines running in/out of them. The eastern concentric system is just about complete and has a small cup-mark on the NW edge of the outer ring. A line that runs out from the central cup meets another carved line which, from some angles, appears to look almost like a bowl beneath the triple rings—but this is unclear. The other triple cup-and-ring, slightly closer to the middle of the stone, has an incomplete outer ring, with evidence of another line running outwards from its central cup. There seems to be a slightly-pecked outline of a single cup-and-ring on the north side of the stone, but this is also unclear.
In truth we need to revisit the site soon, when the lighting gives us a clear idea of what we actually found, because our visit here was cut short by encroaching night and a grey cloudy evening—which are not the best conditions for isolating new petroglyphs!
At least six other petroglyphs exist within the Pitcur Souterrain (3), with the one closest to this (Pitcur 3:3) also used as a roofing stone, covering the deep trench from one side to the other. However, it would appear the petroglyphs on that stone were on its underside, as the erosion on it is negligible, away from the elements—unlike this one! Another capstone that was also turned over (Pitcur 3:4) was found to possess more cup-and-rings, again on the underside of the stone.
This carving was probably executed 2-3000 years before the souterrain came into existence, and as a result of this we’re unsure as to the original location of the stone—but it was probably close by. It might have originally been a carved standing stone, re-used here; or been part of a lost prehistoric tomb; or even a loose earthfast rock (though this is the least likely of the three). Why it was used, and whether it retained any sense of the original meaning when it was re-positioned into the present construction, is a relevant question. In all likelihood some of the original mythic element—or a morphed development of its original animistic narrative–was probably a functional ingredient of importance to the souterrain builders, 2-3000 years after the carving had been made.
A superb site!
References:
Acknowledgements: This site profile would not have been made possible were it not for the huge help of Nina Harris, Frank Mercer & Paul Hornby. Huge thanks to you all, both for the excursion and use of your photos in this site profile. 🙂
© Paul Bennett, The Northern Antiquarian
“In the field “not far from the cairn” (just E of the farm), was a small convex gritstone boulder 25cm by 15cm by 15cm (¾ft x ½ft x ½ft). On its fairly smooth surface is:
a cup-and-four-rings with 2 parallel grooves from the inner ring (which is incomplete) through the others (which are gapped)—the outer two being now incomplete also—a form of ‘keyhole pattern’.”
© Paul Bennett, The Northern Antiquarian
“by Mrs Margaret Morris in 1986 in the birch-coppice at Castleton Wood. A fragment of outcrop rock with a distinct cup-and-three-rings, rather oval-shaped like others in the area.”
Acknowledgements: Huge thanks as always to Nina Harris, Fraser & Lisa Harrick, Paul Hornby, Frank Mercer, Penny & Thea Sinclair, for their additional senses and input.
© Paul Bennett, The Northern Antiquarian
Cup-Marked Stone: OS Grid Reference – NH 746 845
Also Known as:
Getting Here
Ardjachie Stone, Tain
No longer in its original position; the stone can now be found if you visit the Tain & District Museum, just off Tower Street, in towards St Duthus’ Church. The stone is upright around the side of the buildings adjacent, probably more accessible if you walk down Castle Brae, keeping your eyes peeled to your left. Otherwise, just ask the helpful people at the Museum.
Archaeology & History
Ardjachie Carving (after Mark Taylor 2004)
An intriguing stone with what may be a long and fascinating history behind it…. It was only rediscovered in the 1960s, when the farmer at Ardjachie (2½ miles northwest of Tain town centre) came across it in one of his fields. It’s not large or notable in any way, other than it possessing a couple of really peculiar symbols etched amongst a mass of otherwise standard neolithic and Bronze Age cup-marks. These other symbols are (as seen in Mark Taylor’s drawing, right) a very distinct ‘spoked wheel’ and what looks like a right-angled ‘tool’ or set-square of some sort. These symbols have brought with them notions from academics who are claim it has Pictish provenance. However, we must be very cautious of this idea….
The first written account of the stone was by Ellis Macnamara (1971) who gave a detailed description of the carving:
“Boulder found on Ardjachie Farm, now in Tain Museum. The boulder, of probably local old red sandstone, is uncut and very irregular in shape but has two principal faces; the maximum length is 1.7m; maximum width is 0.65m and on the maximum thickness is some 0.35m. The carvings are all on one face, which is much weathered; the opposing face is conspicuously less smooth so that it is possible that this stone was never set upright. The weathered face is covered with at least 30 ill-defined cup markings scattered over nearly the whole surface, though grouped towards one end; the average diameter of these cup markings is about 3 to 4cm, depth about 1.5cm. There are several indistinct lines among the cup markings and there is among the thickest cluster of cup markings a symbol like a ‘wheel’, with the outer ‘rim’ drawn as a fairly perfect circle, with a diameter at the outer edge of some 17cm. The ‘wheel’ has twelve ‘spokes’ and a single inner circle, or ‘hub’, with a diameter at the outer edges of about 4 or 5cm.”
Subsequent to Macnamara’s description, it’s been suggested that there are cup markings on both sides of the stone; but the ones on the other side are a little less certain. The stone itself almost typifies the cup-marked cist covers we find scattered all over the country—yet no burial or other structure was noted upon its discovery in the fields. It’s an oddity on various levels…
Close-up of spoked-wheel
Close-up of spoked-wheel
The spoked-wheel symbol and, moreso, the right-angled element, have led some to speculate that the symbol was carved in Pictish times; but there are problems with this on two levels at least. The cup-marks we know are neolithic or Bronze Age in origin, and their design always inclines to abstract non-linear forms, screwing egocentric analysis. But the ‘spoked wheel’ is more linear in nature. But as acclaimed petroglyph researchers from George Coffey (1912) to Martin Brennan (1983) show, this spoked wheel occurs in neolithic Ireland; and the identical symbol occurs in prehistoric carvings at Petit Mont in France (Twohig 1981), at Cairnbaan in Argyll (Royal Commission 2008) and there’s even a partial spoked-ring on the Badger Stone on Ilkley Moor! We have no need to jump into Pictish times to account for its origin and unless we have direct archaeological evidence to prove this, the academic Pictish association must be treated with a pinch of salt. It is nevertheless scarce amongst neolithic and Bronze Age carvings in Britain. Maarten van Hoek (1990) suggested it to be a variant on the ‘rosette’ design, also neolithic in origin. On the whole the symbol is interpreted as being the sun—which it may well be.
If you look carefully at the images above you can see, to the right of the ‘wheel’, a cup-marking surrounded by a ring of six-cups. It is possible that this may be an older variant of the spiked-wheel solar symbol. All speculation of course. The other peculiar element here is the curious right-angled design, below the ‘sun’. This symbol in particular is quite different from the early cup-marks and may have been carved at a much later date. In which case, this raises the potential for a continuity of tradition here… which mightjust bring in the Picts!
A closer look at the stone
But the general problem with a Pictish assignment is that of the Picts themselves. If we ascribe the current anglocentric belief that the Picts only existed between the 3rd and 9th centuries (because we only have written records of them during that period), we are assuming the rather naive philosophy that anything before written history did not exist: a sort of blind-man’s Schrodinger’s Cat ideology, only really accepted by pseudo-historians. But if the Picts didhave something to do with this carving, we may indeed be talking about a continuity of tradition from the ancient past into the written period. Such an idea would be no problem in developed tribal cultures with an animistic cosmology—and that’s assuming that this stone was deemed as ‘special’ in some form or another to the local people. But all these are uncertainty principles in themselves and we may never know for sure…
There are no adjacent monuments to where Ardjachie’s stone came from, and apart from a scatter of flints found a hundred yards or so closer to the beach, other archaeological remains are down to a minimal. Its isolation is peculiar. There are however, a number of springs of water a few hundred yards away, just across the main A9 road, two of which have left their old names with us as the Cambuscurrie Well and the Fuaran nan Slainte, or fountain/spring of Healing (the modern Glenmorangie whisky gets it waters hereby!). Although we must be careful not to assign every example of prehistoric rock art with the material, the mythic association between petroglyphs and water cannot be understated, and although such an association at Ardjachie is conjectural, it cannot go unnoticed.
References:
Acknowledgements: Huge thanks to Mark Taylor for use of his fine drawing in this site profile; copies of his work with Ellen Macnamara being available for sale from the Tain Museum. Many thanks to the staff at Tain Museum for their help; and many thanks again to Prof Paul Hornby in the venture to this curious old petroglyph.
© Paul Bennett, The Northern Antiquarian
Cup-Marked Stone: OS Grid Reference – NN 5643 0229
Also Known as:
Archaeology & History
The easiest way to see this is to reach the Nether Glenny 2 Cairn, looking north to the slope a coupla hundred yards away, where you can see a long rock halfway up. If you can’t see it from here, walk to the impressive Nether Glenny 35 Carving, where the large long slab is much more obvious on the hillside. Walk through the gates to the Nether Glenny 37 carving and then diagonally up to the rock itself. You can’t really miss it.
This 15-foot long stone halfway up the slope was said by the Royal Commission lads to have “four possible cup-marks” on it, whereas there are at least nine of them and maybe as many as eleven! Most of them are dead certs as prehistoric etchings, not just ‘possibles’.
The more visible cup-marks here are found on the more western end of the stone, just below the grass-line. The cups here are quite distinct, measuring some two-inches across and nearly half-an-inch deep in two of them. The others in this section are a little smaller and further down the slope of the rock. Seemingly not noticed for a long long time however is a small cluster of very faded cups, gathered like a very faint 4-star Pleiades cluster more than halfway along out in the photo here (I hope!).
This entire area is covered with cup-and-ring stones, possessing one of the greatest densities of carvings anywhere in Scotland.When we visited the place last week, Nature was pouring with rain, so we weren’t able to sketch the design. Something that we’ll hopefully amend in the near future!
References:
© Paul Bennett, The Northern Antiquarian
Cup-and-Ring Stone: OS Grid Reference – NN 56322 02162
About 1 mile west of where the B8034 meets the A81, between the Port of Menteith and Aberfoyle, a small road on the right (north) at Portend takes you up the single-track road to Upper Glenny. Go 2-300 yards up past Mondowie Farm and take the next track, left. Walk up through the gate for nearly 300 yards, going through the gate on your left and onto the fields. Follow the fence for 300 yards then go through the gate into the next field—past one of the Nether Glenny cairns—and walk across it until you reach an open gate at the far side, just where the hillside goes up. It’s nearly under your feet!
Archaeology & History
This single cup-and-ring carving, found amidst the massive cluster of both simple and highly complex petroglyphs between Ballochraggan and Upper Glenny, doesn’t seem to have been included in any previous surveys. It was located during the incredible rains yesterday on Sunday 7 February, wetting this and other rocks, enabling better visibility of otherwise invisible symbols faintly remaining here and on other stones. The carving appears to have been etched into naturally occurring notches and fissures. Certainly worth looking at when exploring the other incredible carvings on this hillside.
References:
© Paul Bennett, The Northern Antiquarian
Cup-and-Ring Stone: OS Grid Reference – NN 56425 02099
Also Known as:
Archaeology & History
Take the same directions as if you’re visiting the nearby Nether Glenny 2 cairn. Once here, walk less than 100 yards further down into the same field, north, roughly parallel with the fencing. You’ll reach several large rocks, and the elongated one on the slight rise closer to the fence is the one you’re after. You’ll find it!
This is one in a number of impressive cup-and-ring stones scattered along this grassy ridge overlooking the Lake of Menteith and the Gargunnock Hills to the south. Petroglyph lovers amongst you will love it! And it seems that with each and every analysis, the carvings gives up more and more of its ancient symbolism. When it was first described (in a literary sense) by Maarten van Hoek (1989) he told it to be:
“Irregular outcrop with at least 72 single cups; 3 cups with 2 rings; 6 cups with 1 ring and 2 possible horse-shoe rings only.”
But when Kaledon Naddair (1992) visited the site a few years later he amended this initial description, telling us how,
“Further temporary turf removal extended the total to 124 solo cups, and 9 cups with 1 ring, and 5 cups with 2 rings.”
Naddair’s description is closer to our own inspection, although I think that a small number of the ‘cups’ are natural. Other features that we’ve found occur on the more western side of the rock. A faint partial-double-ringed cup is accompanied a few inches away by a carved element that seems to have been unfinished. An initially indistinct circle, faintly pecked, has internal lines at the quadrants, akin to an early cross form. A line emerges from this symbol which also seems to have been slightly worked.
Subsequent investigations of this carving has uncovered much more which, to be honest, requires almost an entire re-write of this profile……
…to be continued…
References:
© Paul Bennett, The Northern Antiquarian
Cup-Marked Stone: OS Grid Reference – NN 5619 0197
Also Known as:
Take the same directions to reach the Nether Glenny cairn (about 1 mile west of where the B8034 meets the A81, between the Port of Menteith and Aberfoyle, up a small road on the right [north] at Portend) and walk to its companion cairn 100 yards north. From here, walk west across the field towards the nearby forest. Nearly 20 yards from the wall and about 35 yards from the corner of the field where it meets the forest, this elongated stone lies amidst the grasses and reeds. You’ll find it.
Archaeology & History
Looking somewhat like a small fallen standing stone (the Royal Commission list just such a stone nearly 200 yards east), this slim elongated rock was first described in Maarten van Hoek’s Menteith (1989) survey where he told it to be a “loose slab north of the…burn, bears at least thirteen cups.” But of the “thirteen cups”, only five of these (seven at the most) appear to be man-made. The others are, quite distinctly, geophysical in origin (and in all probability, the other cups were forged from the geological nicks and dimples). One of them may have the faint remains of a ring around it, but this is uncertain. When we visited the site yesterday, the light was poor and although this ‘ring’ seems to show up on a couple of photos, I’m erring on the side of caution.
References:
Acknowledgements: Huge thanks to Paul Hornby and Nina Harris for their help and endurance at this site, amidst healthy inclement Scottish February weather! Another damn good day!
© Paul Bennett, The Northern Antiquarian