Take the directions as if you’re visiting the ornate petroglyphs known asthe Lunar Stone and the Spotted Stone. Walk past them and down the slope, NW, as if you’re heading to the small valley a few hundred yards away. As you reach the bottom of the slope, closer to the stream, a large boulder catches your attention. This carved stone is just a few yards before you reach it.
Archaeology & History
This simple cup-marked design below the northern slope of Stanbury Hill has, on its northeastern sloping face, a single cup-mark; then, past a curiously-etched line (probably more recent) is a larger circular feature, like a very shallow ‘bowl’ as in the one found in the superb Stag Cottage petroglyph complex 300 miles north (and several other carvings). A few yards away, a large single cup-mark has been etched onto another stone. As with quite a few carvings in this region, they have been missed in the standard archaeocentric surveys.
To get here, follow the same directions to reach the ornate Lunar Stone. Once here, walk about 20 yards west towards where the brow of the hill begins to slope down. Amble about and you’ll easily find it.
Archaeology & History
This is a fascinating carving. Fascinating, inasmuch as it seemingly keeps changing appearance when Nature moves her daylight hues and whimsical unpredictability betwixt the hills, surrounding landscape and human observer. Depending very much where you stand and when you look at this small rock — dappled with unacknowledged veils of sunlights, grey winds and other natural forces — determines what the stone shows you. This carving as much as any upon this hill shows once again the hugely neglected dynamic between human purveyor and Nature’s powerful subtlety: an organic exchange of moods from stone to man and back again; very much how our ancestors saw things to be…
Pecked lines clearly visible on the far end of the rockCarving from above
For if we were to merely pay attention to what the reference books tell us about this carving (good reference books though they are!), we’d simply be seeing a rock possessing a “cup and partial ring and two other possible cups”, as Boughey & Vickerman (2003) and other students might do. But then, if conditions change, only subtly, and we gaze instead of study, other things can emerge. And just such a thing happened when we came here yesterday…
On my first visit here I could only see a single cup-marking, with another ‘debatable’ close by. The light of day wasn’t quite right it seemed. But when we visited here yesterday, the sun, the light, the land and our ambling minds saw much more unveiled from this old grey surface. Whilst two cups-and-rings seem to link with another cup on the lower end of the stone, amidst the natural cracks and fissures, on the higher end are very distinct carved pecked lines, one of which has been blatantly cut onto, or upon, the long curving crack which runs from one end of the stone to the other. As this carved line emerges out of the natural crack, it heads upwards. As it does so, another line has been pecked running off it to the left and then curves back down the sloping rock-face once again. But in this previously unrecognised carved section, these lines may extend even further up the rock…..it’s hard to say for sure. We could do with greater analysis of its surface, with further observations under yet more lighting conditions.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Follow the same directions to reach the Big Rock carving. From here walk less than 100 yards up the slope, veering to your left and where you reach the rushes (Juncus grasses), walk up and keep your eyes peeled for the singular upright rock. Or as ‘Redkiteyorks’ said, go “up the slope 82.4 metres, 54.5 degrees(True) from IAG108 (Big Rock).” It aint hard to find really…
Archaeology & History
Another stone mainly for the purists amongst you. Little has been written on this possible carving. Boughey & Vickerman (2003) said simply:
“Large rough rock. Two possible cups on top and one further possible cup on W vertical face. Doubtful”.
References:
Boughey, K.J.S. & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Hedges, John (ed.), The Carved Rocks of Rombald’s Moor, WYMCC: Wakefield 1986.
The best and easist way to get here is to drive west past Dick Hudson’s pub along the moor road for about a mile till you reach the left turn of Heights Lane. Stop here! (if you’re now going downhill to East Morton, you’ve gone past it) On the opposite side of the road is a gate and a footpath onto the moor at the spot called Fenny Shaw Low Well (small copse of woods adjacent to your right). Walk a quarter-mile up the path, bearing left where the path diverges (ignoring the ‘Private’ sign) and head for the derelict building. Less than 100 yards before it, notice the large boulder to your right, on the slope – that’s it!
Archaeology & History
Old inaccurate drawing, c.1982
I first came across this on one of my countless ambles on these moors as a teenager. It was a cold, windy day as I recall – hence the reason for my sketch of the stone being a bit vague! The bit of paper on which I drew it, was included in one of my unpublished hand-written booklets. A few years later an image of the carving appeared in Mr Hedge’s (1986) fine collection, in much better detail than my scratty little pic!
Some cup-marks highlighted
It’s a ‘big rock’ and stands out on the slope here. There’s at least one complete cup-and-ring which is visible on the northern edge of the rock and there are between 17 and 30 other cups scattered across its surface, which has been greatly eroded by our timely forces of wind, rain, ice and snow.
Hedges’ 1986 sketch
In ambling around looking at the other stones in the vicinity, along with finding the small Littlestone cup-marked rock further up the slope, we also found, just below the faded old Big Stone, another quite large rock upon which, quite recently, someone has decided to etch four complete cup-and-ring symbols. These appear to have been done either to,
i) assess degrees and speed of erosion on rock carvings;
or,
ii) pure artistry.
Whichever it may be (and there’s been various cries of “vandalism” when such carvings have been etched by some folk on otherwise virgin rock over the years), let it be known that the Big Stone’s partner was etched c.2008-9. Does anyone out there know who did this ‘new’ carving?
References:
Boughey, K.J.S. & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Hedges, John (ed.), The Carved Rocks of Rombald’s Moor, WYMCC: Wakefield 1986.
