shamanism – Page 4

Churn Milk Joan, Midgley Moor, West Yorkshire

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Standing Stone: OS Grid Reference – SE 01974 27684

Also Known as:

Saville’s Low

From the village of Midgley, high above the A646 Halifax-to-Todmorden road, travel west along the moorland road until you reach the sharp-ish bend in the road, with steep wooded waterfall to your left and the track up to the disused quarry of Foster Clough. Go up the Foster Clough track for 100 yards and, when you reach the gate in front of you, go over it but follow the line of the straight walling uphill by the stream-side (instead of following the path up the quarries) all the way to the top. Here you’ll see the boundary stone of Churn Milk Joan.

Archaeology & History

The present large standing stone you see before you isn’t prehistoric. However, the small broken piece on the ground by its side may have been its prehistoric predecessor; and there is certainly something of an archaic nature here — albeit a contentious one — as we find old cup-markings cut into its eastern face.

Churn Milk03 — Two ‘cup-marks’ on eastern face

The upright is roughly squared and faces the cardinal points. It was described in Mr Heginbottom’s (1977) unpublished survey on Calderdale rock art, where he described there being a few cup-markings inscribed on its east- and south-facing edges, some of which may be prehistoric — though they would obviously have had to have been carved upon the upright stone when it still lay earth-fast. However, we must posit the the notion (unless some of you have better ideas) that the tradition of etching cup-marks onto rocks was still occurring in this part of Yorkshire until the late Middle Ages, as this stone was, as we know from boundary records, only placed upright to mark the meeting of the three boundaries of Wadsworth, Hebden Royd and Sowerby.

Churn Milk Joan’s other name, Saville’s Low, originates from the great Saville family who owned great tracts of land across the region in the fourteenth century, possibly when the Churn Milk Joan we see today was created. The word “lowe” may derive from the old word meaning, “moot or gathering place,” which this great stone probably served as due to its siting at the junction of the three townships.*

Folklore

In modern times the stone has become a focus for a number of local pagans and New Agers who visit and ‘use’ the site in their respective ways at certain times of the day, albeit estranged (ego-bound) from the original mythic nature of the site.

The name of the stone comes from an old legend about a milk-maid named Joan who, whilst carrying milk across the moors between Luddenden and Pecket Well, got caught in a blizzard and froze to death. When her body was found many days later, the stone we see here today was erected to commemorate the spot where she died. Although such a scenario is quite likely on these hills, as Andy Roberts (1992) said,

“Considering the sheer amount of sites with similar legends this explanation is unlikely to be true and we should looker deeper for the meaning behind Churn Milk Joan, to be found in its positioning in the landscape and ourindividual feelings about it.” [see profiles for the Two Lads and the Lad o’ Crow Hill sites)

The monolith’s other title, Churnmilk Peg, is the name given to an old hag who is said to be the guardian of nut thickets. How this female sprite came to find her abode upon these high hills is somewhat of an enigma, but it was first stated as such in an article by Andy Roberts (1989) in “Northern Earth Mysteries” magazine. E.M. Wright (1913) noted this supernatural creature in her work on folk dialect, describing it as a West Yorkshire elemental who, along with another one known as Melsh Dick:

“are wood-demons supposed to protect soft, unripe nuts from being gathered by naughty children, the former being wont to beguile her leisure by smoking a pipe.”

Another legend of the stone tells how it is said to spin round three times on New Year’s Eve when it hears the sound of the midnight bells at St. Michael’s church (St. Michael was a dragon-slayer) at Mytholmroyd in the valley below. Another piece of folklore tells that coins used to be left in a small hollow at the very top of the stone which, according to Haslem (1981), was “a gift to the spirit world, to bring luck” – a common folk motif. It may equally originate from the custom of it as a plague stone. This tradition of leaving coins atop of the stone is still perpetuated by some local folk.

Mr Haslem also made some interesting remarks about the nature of Churn Milk Joan standing as a boundary stone, representing something which stands not just as a physical boundary, but as a boundary point between this and the Other- or spirit world. In folklore, streams and rivers commonly carry this theme. But here on Midgley Moor, as a standing stone at the junction of three boundaries, we may be looking at the place as an omphalos: a centre point from which the manifold worlds unfold. (see Almscliffe Crags, the Ashlar Chair and the Hitching Stone)

The other motif here, of milk and snow [both white], have been speculated to represent power of the sun at midwinter, and geomantically we find the position of the stone in the landscape exemplifying this: it stands midway in the moorland scenery facing south, the direction of solar power, yet is bounded as an equinox marker from east and west. The winter tales it has nestled around it are merely complementary occult augurs of its more wholesome elements at this point in the hills.

There is however, another much more potent element that has not been conveyed about the site and its folklore—and one which has more authenticity and primary animistic quality. Regardless of ‘Joan’ or ‘Peg’ being the elemental preserved in the landscape title, the ‘churning’ in its name and the ‘spinning’ of the stone in myth at the end of one year and the start of the next at New Year, are folk memories of traditional creation myths that speak of the cyclical seasons endlessly perpetuated year after year after year, in what Mircea Eliade (1954) called the ‘myth of the eternal return.’ As season follows season in the folk myths of our ancestors, everything related to the natural world: a world inhabited (as it still is) by feelings and intuitions learned from an endless daily encounter, outdoors, with the streams, hills, gales, snow and fires. Their entire cosmology, as with aboriginal people the world over, saw the cycles of the year as integral parts of their daily lives. Here, at Churn Milk Joan with its central landscape position along an ancient boundary, the churning and turning of the year was commemorated and mythologized year after year after year; with maybe even the Milky Way being part of the ‘milk’ in its title, from which, in the shamanistic worlds that were integral to earlier society, the gods themselves emerged and came down to Earth.

References:

Bennett, Paul, The Old Stones of Elmet, Capall Bann: Milverton 2001.
Eliade, Mircea, The Myth of the Eternal Return, Bollingen 1954.
Haslem, Michael, “Churn Milk Joan: A Boundary Stone on Midgley Moor,” in Wood and Water, 1:8, 1980.
Heginbottom, J.A., “The Prehistoric Rock Art of Upper Calderdale and the Surrounding Area,” Yorkshire Archaeology Society 1977.
Ogden, J.H., “A Moorland Township: Wadsworth in Ancient Times,” Proceedings of the Halifax Antiquarian Society, 1904.
Robert, Andy, “Our Last Meeting,” in NEM 37, 1989.
Robert, Andy, Ghosts and Legends of Yorkshire, Jarrold: Sheffield 1992.
Wright, Elizabeth Mary, Rustic Speech and Folk-Lore, Oxford University Press 1913.

* The great stone at the cente of the Great Skirtful of Stones, Burley Moor, which previously stood at the centre of the Grubstones Circle, was just such a moot stone. Upon it is carved the words “This is Rumble’s Lawe”.

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Almscliffe Crags, North Rigton, North Yorkshire

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Legendary Rocks: OS Grid Reference – SE 2681 4900

Also Known as:

Ormscliffe Crags

Getting Here

This is an outstanding site visible for miles around in just about every direction – so getting here is easy! If you’re coming from Harrogate, south down the A658, turn right and go thru North Rigton. Ask a local. If you’re coming north up the A658 from the Leeds or Bradford area, do exactly the same! (either way, you’ll see the crags rising up from some distance away)

Archaeology & History

Almscliffe Crag (wiki) — Almscliffe Crags – looking east

This giant outcrop of rock rises out from the meadowlands here like a miniature volcano, visible for many miles all round. The history and legends surrounding the aged edifice are prodigious and the view from its tops on a fine day is one to be remembered. It is likely, although there is little corroborative historical evidence, that is was an “omphalos”, or navel centre of the universe for the local people many centuries ago. A great cutting runs through its centre and “runs from nearly north to south, and forms the boundary between the townships of Rigton and Stainburn, so that a portion of the rock is in each township.” On the respective sides of this division are carved the letters “T.F.” and “E.L.”, being the initials of the families who owned the land here in olden days, Thomas Fawkes [of the legendary Guy Fawkes’ family] and Edwin Lascelles, of the ancient Harewood family.

Although Almscliffe Crags have been described in a great many local history books, it almost beggars belief to find it omitted from all the ancient mystery or “sacred sites” books ever written. Curious… Such lesser sites as Alderley Edge, the Cow and Calf rocks, Kilburn’s White Horse, Twelve Apostles stone circle, and many more, whilst having their respective virtues, don’t touch this place for ritual or sacred intent.

First described in the early 13th century records of Fountains Abbey, A.H. Smith (1961) thought the name of Almscliffe itself originally came from a hypothetical lady’s name, which seems an all-too-easy proclamation to make, instead of the humble option of “I don’t know”! But Smith wasn’t the only one to throw some curious ideas up about the etymology of Almscliffe. Said by some local etymologists to derive from the Celtic Al-, a rock or cliff, and mias, an altar, there are other attempts to bring its rocky form into a consensus meaning. The anglo-saxon Ael or El, being fire, and messe, or mass; and the Scandinavian Ormcliff, being the “cliff of the serpent”. In Jones’ History of Harewood (1859), he tells

“it to have derived its name from the distribution of almes, at certain times, agreeably to the tenor of legacies left to the chapel which stood there in the sixteenth century, and was at that time dedicated to the Virgin Mary.”

It’s difficult to say which one tells its true title. Many a druidic tale has also been carved into its form. Such is the nature of this site that Grainge (1871) wrote how,

“it would not be difficult to show, with the exception of the artificial temple or circle of stones, this place possesses all the accessories of that ancient worship as…typical of the worship of the sun.”

Almscliffe cromlech (1879) — Simpson’s 1879 drawing of the Almscliffe ‘cromlech’

A remark that was even echoed by one of Yorkshire’s finest and most sober historians, Harry Speight. (1903) Grainge also pointed out that in his day there were three standing stones by the great Crags, one fallen, but “two of these rocks yet stand upright.” A few years later we find that the ranting christian writer, Henry T. Simpson (1879), described similar megalithic remains here, though his description was of a “cromlech.” (illustrated here) I can find no trace, nor further references to these relics; but think it reasonable to suggest that, perhaps, Simpson’s cromlech and Grainge’s standing stones may have been one and the same monument.

In the field 100 yards immediately north of the Crags (the one with the two rocks in it) there used to be seen the remains of some primitive early walling, suggestive of a small, early settlement site. Very little can be seen of these remains today and, as far as I’m aware, no archaeological survey was ever done of them. In all honesty, it’s highly probable that a number of other important prehistoric sites were once in evidence at varying distances around Almscliffe Crags…

Folklore

The creation myth of Almscliffe tells that, long long ago, the great giant Rombald — whose main place of residence tended to be Ilkley Moor — was having a fight with the devil upon his homeland heath. As is common in the myths of giants, the ‘devil’ picked up a great boulder and threw it at Rombald, but it missed and fell just short of the village of North Rigton, creating Almscliffe Crags. A variation of this tale tells that it was Rombald and his wife having the argument and she threw the stones to create the place. Several sites have been named as the place where the mythological argument occurred: the Cow and Calf rocks, the Great Skirtful and Little Skirtful of Stones all cited in the folktales of our Yorkshire peasants. Another variation of the tale tells that the devil was simply carrying some stones (as devils and giants are renowned to do in the folk-tales of the world) and he accidentally dropped them where the Crags now stand. Such rock-throwing tales are, once more, symptomatic of cailleach tales more commonly found in Ireland and Scotland.

There are a great many cup-markings on the top surface of these Crags, most of which seem natural, but it is not unreasonable to think that, perhaps, some may have been carved by human hands? (not sure misself) Eric Cowling (1946) sincerely believed the antiquity of some carvings here. One of them particularly, three feet across and eighteen inches deep, though seemingly natural, has for several centuries been known as the “Wart Well.” Its name is attributed to folklore that is more commonly found in Ireland and the Scottish highlands; that is, should you have a wart, prick it with a pin until a drop or two of blood drips into the water that gathers in the stone bowl, then dip your hand in afterwards. The wart is sure to vanish. Another method to achieve the same end is to merely wash the skin affliction in the water, and it will soon fade. (Interestingly, an old psychotherapist friend, afflicted with the damned things, did just this and they promptly vanished.)

A more minor creation myth tells that the stone bowls we see on top of the Crags here – including the Wart Well – was actually made when the giant Rombald stepped from his home onto the Crags and left his footprint embedded in the rock face. He was said to have made it in just one step, from the Giant Skirtful of Stones prehistoric cairn [where one legend reputes him buried].

Faerie folk were also long held to live here. On the northwest side of the Crags is the entrance to a small cave that was always known as the Faerie’s Parlour, as it was said to be an entrance to their supernatural world. In times past, many people have scrambled down into the cave, but never reached their Otherworldly paradise. William Grainge (1871) wrote how the little people “were all powerful on this hill and exchanged their imps for children of the farmers round about.” This is typical of old changeling lore! In outlying villages surrounding the Crags there is a particular excess of faerie and old heathen lore.

One very curious-sounding tale tells how a goose was sent down the hole and, after some considerable time, re-emerged 3½ miles away out from a well near Harewood Bridge. The goose is one of the many symbols of the sun and one of its primary symbolic attributes is that of winter. Interestingly perhaps, as the rock art writer Graeme Chappell has pointed out, the underground journey of the goose from Almscliffe to Harewood Bridge coincides closely with the rising of sun on morning of the winter solstice. This tale may simply be a folk remnant — and an archaic one at that — of just that event: ritualising winter solstice from these Crags. In Norse lore, shamans tell of geese carrying the great god Wotan across the skies at the coming of the Yule period.

Another ritual date that was celebrated here was Beltane, or May 1. Not only do we find many of the outlying villages possessed their own maypoles, but in 1879 Mr Simpson of Adel reported seeing Beltane fires atop of these rocks. Other meetings were made here as the Crags are spliced in half by the local boundary line, and perambulation records show that people came here during the ‘beating of the bounds’, as they used to be called. This boundary perambulation moot ingredient is what strongly implies the site to have had ritual importance. And the fact that a mass of folktales emerge from here adds to this. Then of course we have the physical situation of the Crags at the heart of the mid-Wharfedale landscape. All these ingredients combined, strongly suggest the site would have been, not just the ritual meeting place of tribal elders in pre-christian times, but an omphalos: it rises majestically from the land and all monuments gaze towards its giant form. Important giant prehistoric monuments from the hills miles away tell of myths that come and go from this proud mass of stone. Although we have other omphali just over the extended horizons from Almscliffe, this is where the World began in the creation myths of ancient times in mid-Wharfedale, at the heart of the ancient kingdom of Elmet.

But there is still more lore to be told of these rocks…

The centre piece of the Crags is known as the Altar Rocks. Upon its western side is carved the “figure of a large tree, which we take to be the monogram of the Celtic Jupiter,” says Grainge. This assumption is derived from an eighteenth century writer who, said Speight (1903), told that “Almnus and Alumnus are titles of Jupiter, to whom this high altar was dedicated.”

The highest part of the Crags, to the west, is known as Lover’s Leap where, in 1766, a daughter of a respectable Rigton farmer of the name Royston, having been disappointed in love, decided to kill herself. She jumped, so legend reputes, from a point some sixty feet above ground, but a strong wind blowing at the time caught hold of her dress and carried her through the air until she landed safely in an adjoining field with naught but a sprained thumb! The said lady realised the stupidity of her ways and was said to have lived out a long and fine life.

In recent years earthlights (UFOs) have been seen floating above and around the great outcrop. It is likely that these were the same things which, in days of olde, the people would call the faerie. I highly recommend visiting the place!

References:

Bennett, Paul, The Old Stones of Elmet, Capall Bann: Milverton 2001.
Bogg, Edmund, From Eden Vale to the Plains of York, James Miles: Leeds 1895.
Bogg, Edmund, Higher Wharfeland, James Miles: Leeds 1904
Cowling, E.T., Rombald’s Way, William Walker: Otley 1946.
Eliade, Mircea, Patterns in Comparative Religion, Sheed & Ward: London 1958.
Grainge, William, History & Topography of Harrogate and the Forest of Knaresborough, J.R. Smith: London 1871.
Jones, John, The History and Antiquities of Harewood, Simpkin Marshall: London 1859.
Simpson, William, Archaeologia Adelensis, W.H. Allen: London 1879.
Smith, A.H., The Place-Names of the West Riding of Yorkshire – volume 5, Cambridge University Press 1961.
Speight, Harry, Kirkby Overblow and District, Elliott Stock: London 1904.

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The Polisher, West Overton, Wiltshire

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‘Standing Stone’: OS Grid Reference – SU 12828 71508

Also Known as:

OD II (Fowler)
Parsons Penning Stone
The Polissoir

Getting Here

We were graciously guided to this spot by local archaeological authority, Pete Glastonbury — which is good, cos otherwise it’d have probably taken us all day to find the damn thing! Best way to get here is out of the Avebury circle, east, up for about a mile up the Herepath or Green Street till you hit the ancient track of the Ridgeway. Turn left and walk up the gentle slope for another 350 yards or so, then note the footpath on your right. Go down the slope for about 150 yards, keeping your eyes peeled for the smooth rock with the slits in it, not far from the Holed Stone!

Archaeology & History

Although classified on the Wiltshire Sites & Monuments Record as an “unclassified feature,” this is one of a number of whetstones (as we call ’em up North) that feature in various settings in and around the Avebury region: literally, a rock used for sharpening axes, daggers and other metallic artifacts. First rediscovered in the spring of 1963 by a Mr Inigo Jones when he was out exploring the many rocks hereby for rare lichens and any more cup-markings like the one at nearby Fyfield Down, the site we see today is merely a long piece of stone with five or six long lines or grooves cut into the top-end, along which the ancient weapons and tools slid and cut into the rock, sharpening them.

It was thought until recently that this was the prime function of this stone; but following excavation work done here by Pete Fowler and his team in 1963, it seems that the stone actually stood upright! Digs were made on three sides of the stone and some earlier disturbance seemed apparent:

“The material appeared to be redeposited on top of an earlier ground surface, inferentially of medieval or earlier date. At the north end of the sarsen bench, the lip of a pit or trench was partly excavated. It showed clearly in plan as a feature dug into the top of an undated surface level with the disturbed top of the clay-with-flints; it was filled with flinty, clayey humus similar to that through which it was cut. In the top of that fill was a heavily weathered sarsen, c 0.6m by 0.45m, and a cluster of smaller, broken sarsen stones. The hole was at least 0.45m deep, its bottom as excavated marked by an increase in the density of flints. The evidence, though incomplete, suggested very strongly that the feature was part of a hole dug to take the pollisoir as an upright stone.” (my italics, Ed)

In the same dig, a medieval coin of King John (1199-1216) and the remains of a medieval horseshoe were found beneath the stone, giving Fowler and his team the notion that the stone had been split and pushed over at this period. Consistent evidence of activity from the neolithic period onwards was expected and found here.

In Lacaille’s (1963) original description of the site, he gave a most accurate description of the dimensions of the stone and its incisions. Highlighting its proximity to a cluster of other stones, as well as being close to a wide ditch, Lacaille’s measurements were thus:

“From 1ft (0.31m) above ground at its south end the regular surface of the sarsen slopes to the grass, its main axis being aligned about 15° west of the true north and south line. In length the stone measures 5ft 6in (1.68m) above the grass, and 2ft 10in (0.86m) in width.

“Closely grouped in the south-eastern corner of the sarsen there are six hollows. In plan the largest and southernmost is of long elliptical shape, 1ft 8in (0.5m) long and 9in (0.23m) at widest and 1in (0.0254m) deep. From its wider end near the eastern long margin there protrudes a short groove. Beside this, and curving slightly inward, there is another groove, 1¼in (0.028m) wide and ½in (0.013m) deep. It is as long as the large basin-like cavity. Next to it there runs one of similar length and width, but of only half the depth. In turn, a third groove, ½in (0.013m) wide, 1ft 8in (0.5m) long, has been worn at right angles to the long edge but to a much deeper hollow than its companions. At 2in (o.051m) to the north a lesser version of the main basin occurs. Like this it measures 1ft 8in (0.5m) in length, but is only 2¼in (0.058m) wide and ¾in (0.016m) deep. Vague in places over its interior length of 10in (0.25m), but attaining a maximum width of 1¼in (0.028m), a last hollowing shows faintly at both ends and nowhere deeper than ¹/₈in (0.0032m).”

Polisher1 — Celoria & Lacaille’s 1963 drawing of the stone

It appears that this fallen standing stone was being used to sharpen knives and axes whilst it stood upright and, in all probability, as a result of this ability would have been possessed of magickal properties to our ancestors. Metalwork was an important province of shamanism and smiths, whose practices were deeply enmeshed in the very creation of mythical cosmologies. Hence, the simple act nowadays of sharpening metal tools onto rocks would not have been a mere profanity to the people who came and used this stone to re-empower their weapons, but would have been entwined within a magickal cosmology. The spirit inherent in this stone would likely have been named and recognised. Today it is forgotten…

It also seems that this standing stone was part of some ancient walling. Aerial views clearly show it along the line of some sort of enclosure that runs down the slope, along the bottom and back up and around. In the same stretch of this enclosure walling we find the Holed Stone a little further down the slope. And holed stones, as any student of folklore and occult history will tell you, have long-established magickal properties of their own…

References:

Fowler, Peter, Landscape Plotted and Pierced: Landscape History and Local Archaeology in Fyfield and Overton, Wiltshire, Society of Antiquaries: London 2000.
Grigson, Geoffrey, The Shell Country Alphabet, Michael Joseph: London 1966.
Lacaille, A.D., ‘Three Grinding Stones,’ in Antiquity Journal, volume 43, 1963.
Watts, Ken, “Fyfield and Overton Downs, Wiltshire: A Prehistoric and Historic Landscape,” in 3rd Stone, no. 33, January-March 1999.

Links:

The Polisher – on The Megalithic Portal

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Smoo Cave, Durness, Sutherland

27/05/200928/04/2019 megalithix

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Cave: OS Grid Reference – NC 419 672

Getting Here

From Durness take the road east for a couple of miles till you see the signpost which takes you on the left-hand side of the road, down to the coast. You can’t miss it!

Archaeology & History

Findings here allege to take the history of the place into the mesolithic period, but we don’t know this for sure. An excavation here by a Mr Donald Macdonald of Sangobeg in 1904 uncovered the presence of several small bone pins, which seem consistent with Mesolithic finds elsewhere. When archaeo-excavations were done here in 1982, human remains going back to at least Iron Age were found in the simple deposit of many shells. A further analysis by the Glasgow Archaeology Unit in 1996 was prevented of some excavation by (get this!) those screwy Health & Safety regulations. Here’s a definite case for an independent group to undertake work here, as we could ignore such preventative measures (and if we drown it’s our fault!). Smoo Cave’s primary function is pretty obvious: it would have been used for both shelter and ritual.

Folklore

The folklore here tells of magick and occultism and possible remnants of rites of passage lore. For herein, many centuries ago, a powerful land-owner called Lord Reay — reputed as a master in the black arts — battled with the devil in the Smoo Cave.

The devil was keeping watch on Lord Reay following a previous dispute between the two of them, and espied him as he entered the cave. As Alexander Polson told it, the cave

“consists of three caverns, one within the other. Lord Reay had got as far as the second, and his dog, which had gone on in advance, returned howling and hairless. By this, Lord Reay knew that Satan was there before him, and bravely waited the attack, which was soon made, and his lordship fought lustily. Happily at the opportune moment a cock crew. This frightened the devil and his attendant witches, but Lord Reay stood between them and the exit. In their fright they blew holes through the roof of the cave, and this is the origin of the two openings through which the Smoo burns fall.”

Pitch black cave; protective spirit animal; encountering one’s psychological nemesis; unconscious battles with Underworld forces; rebirth of the sun at cock-crowing time; the conquering of the dark forces and renewal of Lord Reay. These are typical hallmarks probably signifying folk-remnants of shamanism and rites of passage, for which this cave may once have been used.

References:

Polson, Alexander, Scottish Witchcraft Lore, W. Alexander: Inverness 1932.

Black Hill Long Cairn, Low Bradley, Skipton, North Yorkshire

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Cairn: OS Grid Reference – SE 0092 4756

Also Known as:

Black Hill Long Barrow
Bradley Moor Long Barrow
Bradley Moor Long Cairn
King’s Cairn

Getting Here

Follow the same directions for getting to the Black Hill Round Cairn. It’s less than 100 yards away – you can’t miss it!

Archaeology & History

This is a superb archaeological site — and it’s bloody huge! It’s big and it’s long and it sticks out a bit – which is pretty unique in this part of the Pennines, as most other giant cairns tend to be of the large round variety. Although the site was originally defined by Arthur Raistrick (1931) as a long barrow, J.J. Keighley (1981) told how, “it was found to be a round cairn imposed on a long cairn.” And it’s an old one aswell…

bradley-moor-long-cairn04 — Near the SE end of the giant cairn

bradley-moor-long-cairn05 — Close-up of the main cist

More than 220 feet long and 80 feet in diameter at its widest southeastern end, as we walk along the length of the cairn to its northwestern edge, its main body averages (only!) 45 feet in diameter. Made up of tens of thousands of rocks and reported by Butterfield (1939) to have had an upright stone along its major axis, the “height varies from 4-8ft, but the cairn has been much despoiled and disturbed,” said Cowling in 1946. He also told how,

“Excavation revealed that almost in the centre of the mound were the remains of a cist made of roughly dressed stone flags and dry walling, covered by a large stone. Under a stone slab, laid on the floor of the cist, were fragments of (burnt and unburnt) bone and a small flint chipping.”

This is a very impressive site and deserving of more modern analysis. The alignment of the tomb, SE-NW, was of obvious importance to the builders, believed to be late-neolithic in character. The tomb aligns to two large hills in the far distance in the Forest of Bowland which we were unable to identity for certain. If anyone knows their names, please let us know!

Folklore

The older folk of Bradley village below here, tell of the danger of disturbing this old tomb. In a tale well-known to folklorists, it was said that when the first people went up to open this tomb for the very first time, it was a lovely day. But despite being warned, as the archaeologists began their dig, a great storm of thunder, lightning and hailstones erupted from a previously peaceful sky and disturbed them that much that they took off and left the old tomb alone. (I must check this up in the archaeo-records to see if owt’s mentioned about it.)

References:

Ashbee, Paul, The Earthen Long Barrow in Britain, Geo Books: Norwick 1984.
Butterfield, A., ‘Structural Details of a Long Barrow on Black Hill, Bradley Moor,’ in YAJ 34, 1939.
Cowling, E.T., Rombald’s Way, William Walker: Otley 1946.
Keighley, J.J., ‘The Prehistoric Period,’ in Faull & Moorhouse’s West Yorkshire: An Archaeological Survey, I, WYMCC: Wakefield 1981.
Raistrick, Arthur, ‘Prehistoric Burials at Waddington and Bradley,’ in YAJ 30, 1931.

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Black Hill Round Cairn, Low Bradley Moor, Skipton, North Yorkshire

22/10/200821/09/2019 megalithix

Cairn: OS Grid Reference – SE 0087 4753

Also Known as:

Black Hill Cairn
Bradley Moor Round Cairn
Queen’s Cairn

The Black Hill Round Cairn, Bradley Moor - looking north — The Black Hill Round Cairn, Bradley Moor – looking north

Getting Here

Various ways here. Best is probably taking the footpath onto Farnhill Moor a few hundred yards east of Kildwick Hall. Head for the cross-bearing Jubilee Tower (supposedly built upon an ancient cairn), NW, keep going past it uphill until you reach the walling 350 yards north, where a seat let’s you have a rest. Climb over the wall! Alternatively, walk eastwards and up through the steep but gorgeous birch-wooded slopes of Farnhill Wood; and as the moortop opens up before you, the great pile of rocks surmounts the skyline ahead. You can’t miss it! (NB: the spot cited on the OS-map as the cairn is in fact another site, 100 yards NW)

Archaeology & History

Its an awesome place in an awesome setting. You can see 360-degrees all round from this giant mass of rocks — something which was of obvious importance to the people who built it. If it had been placed 20-30 yards either side of here, that characteristic would not occur. Indeed, this is the only place anywhere on these moors where such a great view was possible. Important geomancy, as they say (or whatever modern term they give it these days).

Bradley Moor Cairn - looking down to the Long Cairn — Bradley Moor Cairn – looking down to the Long Cairn

bradley-moor-round-cairn02 — Small section of the old cairn

Although the tomb is still of considerable size (at least 100 feet across) and made up of thousands of stones, it has been severely robbed of stone in years passed, for walling and other building materials. A number of other small cairns scatter the heathlands a few hundred yards roundabout this central giant (though are hard to find in the deep heather); and there is a distinct cairn circle about 100 yards to the northwest, which has yet to be excavated. This cairn circle can be made out quite easily if you stand on the ridge about 30 yards west of here, looking down the slope. An then of course we have the equally huge Black Hill Long Cairn, less than 100 away, aligned northwest-southeast, which obviously had an important archaeological relationship with this giant round cairn. Also around this and the adjacent long cairn, numerous flints and scrapers have been found, showing humans have been here since at least the early neolithic period.

This site in particular gives me the distinct impression that it was the most important of the various sites upon these moors. It’s got a distinctly female flavour to it – and it’s old name of the Queen’s Cairn seems just right. Maybe it’s the fact that when I first visited the place, a great thunderstorm broke through the previously perfect skies, scattering lightning bolts all round for perhaps thirty minutes — so I stripped down and held my arms outwards, screaming to the skies in the pouring rain! Thereafter, no clouds appeared in the skies for the rest of the day. It was a brilliant welcome to the place!

References:

Cowling, E.T., Rombald’s Way, William Walker: Otley 1946.
Keighley, J.J., ‘The Prehistoric Period,’ in Faull & Moorhouse’s West Yorkshire: An Archaeological Survey, I, WYMCC: Wakefield 1981.
Raistrick, Arthur, ‘Prehistoric Burials at Waddington and Bradley,’ in YAJ 119, 1936.

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Clach na Glaistig, Iona, Argyll

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Legendary Rocks: OS Grid Reference – NM 262 222

Also Known as:

Glaistig’s Stone

Folklore

One of the best known supernatural creatures in the Scottish Highlands and Islands was one called the Glaistig: an elemental described variously as, “a thin, grey woman with yellow hair reaching to her heels and attired in green raiment”; or a deity both beneficial and dangerous, “often described as half-woman, half-goat.” Katherine Briggs (1979) wrote that sometimes this creature

“sometimes has the attributes and habits of the Cailleach Bheur, sometimes assumes animal form, often that of a goat, but more often she is described as half-woman, half-goat.”

Something decidely shaman-like!

In many of the places where she was found, she would tend for the cattle and in order to appease her, local people would pour milk into the hollowed stones by which she lived (at some places these were cup-and-ring stones). The Iona Glaistig was no exception. The great Scottish writer A.A. MacGregor (1947) mentioned this creature and its stone in one of his classic books, saying:

“In the shieling days of Iona when, during the summer months, the inhabitants of the east end and of the west end of that island were wont to pasture their cows alternately for fourteen days on the common grazing at a spot known as Staonnaig, a Glaistig dwelt in a hollow rock near at hand. For this Glaistig, the Iona women at milking-time each evening poured a little milk on what is still pointed out at the Glaistig’s Stone.”

This “pouring of milk” onto hollows in stones is a custom found in cultures from Europe eastwards into India and, no doubt, even further afield. The precise whereabouts of this sacred stone remains hidden.

References:

Briggs, Katherine, A Dictionary of Fairies, Penguin: Harmondsworth 1979.
MacGregor, Alasdair Alpin, The Peat Fire Flame, Ettrick Press: Edinburgh 1947.

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Man Stone, Askwith Moor, North Yorkshire

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Cup-and-Ring Stone: OS Grid Reference – SE 16722 50595

Also Known as:

Carving no.516 (Boughey & Vickerman)

Getting Here

Man Stone (by Inmaculada Ibanez-Sanchez)

Truly takes a bit of finding this one! I s’ppose the easiest way to locate it is by approaching it from the south, from Askwith village, up Hall Lane. Keep walking up the footpath to Top Moorside Farm; then past it, sticking to the same path. A hundred yard or so past here we get onto the moor itself. As you hit the moor, you’ll see that the land rises slowly ahead of you: this is Hollin Tree Hill and you need to walk up here (don’t do this in the summer as it’ll be covered in bracken and you’ll not find a damn thing!). Just before the land starts to levels-out at the top of this small rise, you’ll come across some hut circles. You’re here!

Man Stone — image courtesy of Graeme Chappell

You can also come to this carving via the Askwith Moor parking-bit, then walk along the well-trod footpath, past the triangulation pillar of Shooting House Hill for a coupla hundred yards, then walk straight south into the moor. But to those of you who aint got the nose for it, there’s no footpaths here and some folk might easily lose their way. However, if you reach the rise of Hollin Tree Hill a few hundred yards down the moor, watch out for those same hut circles mentioned elsewhere atop of the rising land. You’re damn close!

Archaeology & History

One of my very favourite cup-and-ring carvings this one! It was discovered about 1991 when Graeme Chappell and I were on one of our many archaeology wanderings, seeking out prehistoric remains on the moors north of Ilkley. First described and illustrated in Bob Trubshaw’s (1996) archaeomythics journal, it was later included in The Old Stones of Elmet (2001: 149-152). But when we first found it, this carving – on the vertical face of a small stone, beside an unexcavated hut circle – sent me a bit crazy, as the ‘human’ image in the carving struck me immediately. Needless to say, Graeme was all calm about it while I jumped around like an excited tit! As far as we’re aware, this is the earliest representation of a human figure in the British Isles. There are several other contenders in cup-and-ring design, but this seems the most probable of the lot. Graeme Chappell took a rubbing of the stone several years after we’d found it and the outline clearly shows the image of a human figure. The carving was later catalogued by rock art students Boughey & Vickerman (2003) in their Yorkshire survey as ‘stone 516.’ A female compatriot, the Woman Stone, can be found a few hundred yards east of here, at the bottom of the slope by the near horizon.

The fact that the carving occurs on the southern vertical face of a prehistoric hut circle may have had some significance about the structure itself. Petroglyphs on hut circles are rare—and this one occurs right at the entrance to the structure, the door into the circle. It may represent an image of the person who lived in this hut circle, or perhaps symbolized the nature of the character living there. The carving shows that the person was wearing a head-dress, akin to a horned-man figure – but much much earlier than anything previously recognised in British iconography. The figure may well be a shaman who, perhaps, lived at this circle. The carving was probably painted in lichens and other dyes

Be careful not to wander around looking for this when there’s fog on the hills. You’re unlikely to find it! On an excursion up here several years back with Prof. Thomas Dowson and students from the Southampton University Rock Art course, we wandered about all over the place in the dense fog but were unable to find the damn thing! Twas a bittova freaky day, as half the students started crying (they thought I’d got them truly lost in the middle of nowhere as I didn’t have a map, a compass, walking boots, etc – which is how I usually do my wanderings, but they weren’t to know that!) and we must have walked within 10 yards of the carving, but it remained hidden from our prying eyes. But if you like your rock art, check this one out!

References:

Bennett, Paul, The Old Stones of Elmet, Capall Bann: Milverton 2001.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Trubshaw, Bob, “Unique British Anthropomorphic Rock Carving”, in At the Edge, no.4, December 1996.

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