Grey Wether, Ewes, Langholm, Dumfriesshire

Standing Stone:  OS Grid Reference – NY 37616 92734

Archaeology & History

Grey Wether in 1911

This is a site that requires the attention of some local antiquarians, as there are conflicting reports as to whether or not it still lives in its old haunt.  Very little has been written about it and its whereabouts seems to have been completely missed in the radars of all megalithic guides.  The Langholm historians—John and Robert Hyslop (1912)—who wrote about the place in their gigantic history work more than a hundred years ago, would no doubt be shaking their heads at such lackings.

They told:

“The best example of the standing stones in the Eskdale district is that at Meikledale in Ewes, locally known as ” The Grey Wether,” a print of which is here given.  It is about 5 feet in height and its girth is 8 feet 7 inches, and it would probably weigh about two tons.  The stone is the common greywacke, or whinstone of the Silurian series, rough and unhewn.  It stands in the centre of a field in front of Meikledale House, and can be seen from the highway.  The field is surrounded by hills on every side,”

which the writers thought might have been the reason for its erection here, although having more to do with the natural beauty of the landscape than any archaeocentric or geomantic factor.

Shortly after this had been written, Alexander Curle of the Royal Commission visited the area and made note of this “standing stone known as the Grey Wether…situated on the haughland some 250 yds SSE of Meikledale”, but added nothing more.  It was several years later before a Royal Commission (1920) team came here and told that,

“A standing-stone, known as the “Grey Wether,” is situated on the haugh-land, some 250 yards south-south-east of Meikledale.  It is a large whinstone slab, measuring in greatest height 4 feet 8 inches, in breadth 3 feet 5 inches, and in thickness 1 foot, and faces west-south-west and east-north-east.”

Stone shown on 1857 map

But they subsequently reported that, prior to World War 2, some complete dickhead knocked it down, broke it up and dumped it in a nearby stream!  However, in 1980 some more lads from the Scottish Royal Commission revisited the area and alleged that a stone laid in the field 250 yards below of Meikledale farmhouse was our old Grey Wether.  The position they describe is the same spot as the one shown on the 1857 OS-map; and at this very spot on GoogleEarth it seems that a stone there lies…  Are there are any local folk in that neck o’ the woods who could find out…?

Folklore

The Greywethers stone circle on Dartmoor has a veritable mass of folklore attached to it, but its namesake here at Langholm has very little.  The origin of its name has been forgotten.  All we have left is what the Ordnance Name Book in 1857 recorded, telling that “it is supposed to have been erected in memory of some Hero, but no further account of it can be obtained.”

References:

  1. Hyslop, John & Robert, Langholm, As it Was, Hills: Sunderland 1912.
  2. Royal Commission on Ancient & Historical Monuments Scotland, Inventory of Monuments and Constructions in the County of Dumfries, HMSO: Edinburgh 1920.
  3. Royal Commission on Ancient & Historical Monuments Scotland, Eastern Dumfriesshire: An Archaeological Landscape, HMSO: Edinburgh 1997.

© Paul BennettThe Northern Antiquarian 

Careg Bica, Dyffryn Clydach, Glamorgan

Cup-Marked Stone:  OS Grid Reference – SS 72500 99602

Archaeology & History

An interesting new cup-marked stone found by Paul Blades is this smooth rounded (female) stone that may originally have had some relationship with the tall standing stone of Careg Bica 160 yards to the south.  Around ten cup-marks are etched onto its surface, in a seemingly random arrangement (as usual!).  Although it seems to be an isolated carving, it’s likely that others will exist in the area.

Carving & outlying monolith
Careg Bica petroglyph

The direction and proximity of the standing stone may have had some relationship with the carving.  In traditional northern hemisphere societies, the cardinal direction North is generally associated with darkness and death, primarily due to the fact that this is the area in the heavens where neither sun or moon ever appear; whilst South relates to life and positive natural associations due to it being the high point of the sun during the day. This animistic attribute existed till recently in the water-lore of northern England and Scotland where “south-running streams bore a high repute.”  Whilst such mythic attributes are well established, any cardinal relationship here is purely speculative.

AcknowledgementsHuge thanks to Paul Blades for use of his photos in this site profile – and of course for finding the stone!

© Paul BennettThe Northern Antiquarian 

Table Rock, Rivock, Silsden, West Yorkshire

Cup-Marked Stone:  OS Grid reference – SE 07326 44696

Also Known as:

  1. Carving no.43 (Boughey & Vickerman)

Getting Here

Table Rock cupmarked stone

If you’re coming via the Keighley-Bingley (Airedale) road, go up to Riddlesden and then up the winding Banks Lane until it meets the edge of the moors.  At the T-junction, turn left and about 330 yards along on your right there’s a dirt-track.  Walk up here, sticking to the track (not the footpath) towards the cliffs of Rivock ahead of you, going through the gate and into the Rivock woods area.  About 450 yards on from the gate on your right-hand side you’ll see the long straight length of walling that runs uphill—and about 60 yards up here, on the left-hand side of the wall you’ll see a very large boulder.  Y’ can’t really miss it!

Archaeology & History

2 of the several cups here

This large natural block, embedded into the hillside about 80 yards below the Wondjina Stone and its companions, is nothing much in the petroglyphic visual scale of things, but is worth checking out for a break if you’re checking out the other good designs in the Rivock cluster.  Upon its sloping flat two-tiered surface there are just a small number of randomly spaced cup-marks of varying sizes: six at least, but perhaps as many as nine altogether.  In times gone by (many years ago) we thought one of them might have had a very faint ring around it, but on my last couple of visits here I couldn’t see anything.

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
  2. Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.

© Paul BennettThe Northern Antiquarian

 

Rivock Top, Silsden, West Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 0745 4470

Getting Here

Rivock Top stone

Best approached via the Wondjina Stone, then over the wall and follow the geological ridge that bends into the trees.  It’s difficult to find amidst the dense forest and is another one of those carvings that’s probably only for the purists amongst you.

Archaeology & History

If you’re doing the Rivock rock art tour, you might as well give this a go once you’ve checked ou the decent ones nearby.   Here, on a rather large stone we find, on its uppermost ridge, three faint cup-marks next to each other in a very slight curve.  The cup-mark in the middle is slightly larger than its two compatriots and might be natural.  If you were to wet the rock when the sunlight is just right, you’ll probably get a better idea of its real appearance—otherwise we’ll have to let the computer-gadget lads suss it out!

© Paul BennettThe Northern Antiquarian

Mixing Stone, Low Snowden, Askwith, North Yorkshire

Cup-and-Bowl Stone:  OS Grid Reference – SE 18074 51241

Getting Here

Follow the directions to reach the Ancestors’ Stone and the Sunrise Stone; and there, roughly halfway between them, right by the edge of the old collapsed walling, you’ll see this rise of a stone with a large ‘bowl’ on top.  That’s it!

Archaeology & History

Mixing Stone, looking E

Laid upon the same geological ridge as our Ancestors’ and Sunrise carvings, there are one, possibly two faint cup-marks visible on the low flat surface near the edge of this rock, barely visible unless the light’s right.  But the important element here, perhaps regardless of the cup-marks, is the ‘bowl’ or rock basin on top of the stone.  Internally, it’s smoothed equally on all sides and, due to being in-between the two impressive petroglyphs, may well have had a practical function to it.  Bear with me on this one…

The Mixing Stone’s bowl

Stone ‘bowls’ or cavities—natural and otherwise—have been made use of in many cultures for simple functional purposes, such as grinding flour, herbal mixes, etc.  We find such traditions in some of the bullauns of Ireland and Scotland; whereas in similar stone bowls known as cat troughs in nearby Haworth, milk was poured to appease the spirits of the land (this tradition was still being maintained in 2001!).  Folklore and traditions of such rock basins spread far and wide beyond the UK: one of the German terms for rock basins is Opferkessel, meaning ‘sacrificial basin’ and suggests ritualistic usage by early societies.  Elsewhere on Earth there are numerous accounts of the ritual use of petroglyphs in which indigenous peoples tell of their use of plant- or rock-based paints (in many cases red ochre) to decorate the carvings.  And it’s this element that I’m interested in here.

Water-painted cupmarks

The Sunrise and Ancestors’ Stones 10-15 yards either side of this Mixing Stone are ideal candidates for such petroglyphic paintings using early ochre and other stone or plant-based agents.  Such activities would always have been ritualised, either in honour of ancestors, genius loci, calendrical rites, or whatever the pertinent ingredient was at that place and time.  I’m suggesting simply that the rock basin on the Mixing Stone was used for just such purposes.  This is no spurious suggestion, but at the same time it’s important to recognise that my thoughts here represent merely an idea, nothing more—not a fact.  Whilst we know full well that these carvings were imbued fundamentally with animistic properties—a simple ‘fact’—this functional idea is just that—an idea.  Students and petroglyph-nuts need to understand this.  And the faded cup-marks at its edge are perhaps merely incidental…. though I don’t buy that misself!

© Paul BennettThe Northern Antiquarian 

Small Wells, Louth, Lincolnshire

Sacred Wells (destroyed):  OS Grid Reference – TF 32603 87555

Also Known as:

  1. Little Wells

Archaeology & History

Small Well on 1834 map

Of the three wells in old Louth around which local ceremonies occurred, the Small Wells were apparently the least impressive.  Its ritualised compatriots south of the River Lud in St. Helen’s Well and the Ash Well (the Aswell in modern Louth place-names) were reportedly the much better water supplies in bygone times.  The site was highlighted on a map of the town in Robert Bayley’s (1834) history of the area, showing it as a small pool just below the Cistern Gate road; but when the Ordnance Survey lads came here later in the 19th century it had already gone.

It’s category here as a “sacred” well is due to it being annually decorated with garlands of flowers, commonly known today as well-dressing.  Such wells tend to be places of pre-christian rites, attended by local people at dawn usually at Beltane or at Midsummer (St John’s Eve); but I’ve been unable to find out which was the sacred day when the waters here were honoured.  All that we have left to tell us of the rites is from old township notes that said how,

““The small wells,” a cluster of little springs on the north of the town, shared in the honours of green boughs and popular huzzahs” the traditions held at the wells of St. Helen and Aswell a half-mile to the south.

A brief 16th century account told of a local man being paid for the adornment of the Small Wells: one “Henery Forman received for dressing small wells for a yeare – xiid” – or 12 pennies in old money.  Not bad at all in them days!

References:

  1. Bayley, Robert S., Notitiae Ludae; or Notices of Louth, W. Edwards 1834.

© Paul BennettThe Northern Antiquarian 

Cross Well, Dundee, Angus

Healing Well (destroyed):  OS Grid Reference – NO 4032 3025

Archaeology & History

This old water supply had no direct ‘holy’ nature, despite its proximity to the cathedral, the old market cross and St Clement’s Well some fifty yards away!  Most odd.  A much more mundane story lies behind this long lost water source.  The Dundee historian William Kidd (1901) told us,

“When the public wells were erected, about the year 1749, to supply the town with water from the Lady-well reservoir at foot of Hilltown, one was placed on the High Street, on the east side of the Cross, and was called the Cross Well.”

It didn’t have too long a life either—much like the old Market Cross, for,

“In the year 1777 that quaint structure was demolished.  The platform and octagonal tower were carted away as rubbish, the least decayed stones being selected to be used in other buildings.  The stone shaft, also, was preserved, and placed beside the Old Steeple. With the demolition of the Cross, the Cross Well was cleared away from the High Street, but, as water was an essential to the people, the well was re-erected behind the Town House in St. Clement’s Lane.  In that situation it remained for nearly one hundred years, when, being rendered unnecessary by the introduction of the Lintrathen water supply, it was also demolished, along with the old buildings in the Vault and St. Clement’s Lane, to make room for the additions to the Town House.”

References:

  1. Colville, A., Dundee Delineated, A. Colville: Dundee 1822.
  2. Kidd, William, Dundee Market Crosses and Tolbooths, W. Kidd: Dundee 1901.

© Paul BennettThe Northern Antiquarian

Killiesmont, Keith, Moray

Cup-Marked Stone (destroyed):  OS Grid Reference – NJ 4124 5308

Archaeology & History

Diagonally across the road from Killiesmont, about a hundred yards up the sloping field on “a piece of ground called the Helliman Rig,” could once be seen a large flat stone with cup-markings on its surface.  Walter Gregor (1881) told that,

“It lay on the top of a rising ground, and commanded a very wide view of the country, stretching for many miles over the hills of Banff and Moray.  In a part of it the rock–a kind of slate–came to the surface.  In the rock were cut out nine cups in three rows.”

The carving was earlier described in one of the Topographical Gazetteers of Scotland (1848) where its story is bound up with local tradition and folklore of the land where it lie.  There it was described as being “a flat circular stone of about 8 feet in diameter, in which there are a number of holes, but for what purpose tradition is silent.”  Subsequently the local historian J.F.S. Gordon (1880) talked of this “large flat circular Stone, of about 8 feet in diameter, in which there was a number of half-pierced holes…. It was too large for a Quern or even a Millstone; and its purpose remained an enigma.”

The stone came to light when a local farmer was digging in the field and, “at the upper end of the Rig, there was found a rude Cist among a heap of stones, which contained ashes.”  The cup-marked stone was “turned up” at the same time.  It has sadly been destroyed—along with the associated cairn that probably had some relationship with the carving.  Prehistoric tombs and rock art are frequent bedfellows and it seems likely that the equation occurred here.  But the location of the site had some fascinating local lore told of it…

Folklore

The location of this carved stone in the field called ‘Helliman Rig’, was also known as the Guidman’s Croft or the Gi’en Rig.  This was a portion of land that was never to be touched or ploughed as it was “given or appropriated…to the sole use of the devil, in order to propitiate the good services of that malign being.”  This devilish tradition superseded the earlier faith of it being a place set aside for the fairy folk and their allies—nature spirits no less.  And it’s a tradition found in many places across Scotland and elsewhere, as the account in the Scottish Gazetteer told :

“Like other crofts of this description in Scotland, the present remained long uncultivated, in spite of the spread of intelligence (pedantic bastard! PB).  The first attempt to reclaim it was made not more than 50 years since, when a farmer endeavoured to improve it; but, by an accidental circumstance, it happened that no sooner had the plough entered the ground than one of the oxen dropped down dead. Taking this as an irrefragable proof of the indignation of its supernatural proprietor, the peasant desisted, and it remained untilled till it came into the possession of the present occupant…”

This of course fortified the old folklore in the eyes of local people.  I’ve found that even up to recent times, such folklore is still held quite seriously by some of the old folk in the mountain villages and hamlets.

References:

  1. Anon, The Topographical, Statistical and Historical Gazetteer of Scotland – volume 2, A. Fullarton: Edinburgh 1848.
  2. Gregor, Walter, Notes on the Folk-lore of the Northeast of Scotland, Folklore Society: London 1881.
  3. Gordon, J.F.S.,  The Book of the Chronicles of Keith, Grange, Ruthven, Cairney and Botriphnie, Robert Forrester: Glasgow 1880.

© Paul BennettThe Northern Antiquarian

Ancestors’ Stone, Low Snowden, Askwith, North Yorkshire

Cup-and-Ring Stone:  OS Grid-Reference – SE 18083 51229

Also Known as:

  1. Carving no.606 (Boughey & Vickerman)

Getting Here

The Ancestors Stone

If you’re coming up from Otley or Askwith, take the same directions as if you’re going to visit the impressive Naked Jogger Carving (stone 612), not far from the well-known Tree of Life Stone.  From the Naked Jogger carving, walk up to the small outcrop of rocks that bends above you.  There’s a small collapsed line of walling just behind the outcrop.  Walk along this up the slope as if you’re heading for the Sunrise Stone carving, but only 30 yards along, low down and right into the edge of the wall itself, you’ll see this elongated piece of stone.  That’s the spot!

Archaeology & History

If you’ve caught the petroglyph-bug, you’ll like this one!  It received its name from the curious fusion of natural cracks with the man-made pecked lines that shows, quite distinctly when the light is right and the stone is wet, the outline of two humanesque forms joined to each other.  Figurative rock engravings of ancestors in the UK are extremely rare and when we came across this example, we noticed how the design could be interpreted as two Askwith Moor ancestor figures. Figurative rock art images elsewhere in the world such as the magnificent Wandjina paintings and the extensive galleries of figures engraved at Murujuga (Burrup Peninsula) in Western Australia, might provide an initial comparison, though more specific work needs to be done to better understand this unique petroglyph.

Sketch of the carving

You can almost make out the figures in the above photo: the upper torsos of two beings on the right-hand side of the rock, almost fused together.  And the carved shapes of these “ancestral beings” are morphically similar to some elements in the Sunrise Stone just 50 yards away – which themselves remind me of a Northumbrian carving near Doddington known as West Horton 1a. (Beckensall 1991)  But we should’t get too carried away by the idea because—as we can see here in the sketch of the carving—when looked at from a different angle above, we could infer the right-hand carved elements to be representative of an animal: a deer, perhaps.  Rorscharch’s once more tickle the exploring mind….

The rock has been quarried into at same time in the past (just like the nearby Sunrise Stone), leaving us to wonder what the complete carving might have looked like.  No doubt some pieces of it will be in the collapsed walling either side of the stone.  All we have left to see are the two unfinished cup-and-rings above the natural cracks that give rise to the “ancestral being” appearance.  The faint double cup-and-ring has curious linear arcs to its side, with two well-defined cups enclosed by two of them.  It’s a nice-looking carving when the light is good.  The petroglyph was carved over a long period of time, as evidenced by the differing levels of erosion in different sections of the design.  It’s a common attribute.  The oldest section is the faint double cup-and-ring, whose mythic nature was added to / developed at a much later date, perhaps even centuries later.

In the always-expressive archaeocentric description of Boughey & Vickerman’s (2003) otherwise valuable tome, they told this carving to be,

“Long, narrow, thick rock of medium grit. Six cups, one with a double ring with a tab out and two with at least partial single rings, grooves.”

Evocative stuff!

It’s very likely that this carving had some mythic relationship with its close neighbours either side of it, probably over a very long time period and I’m inclined to think it somehow related to the rising of the sun, just like its solar companion further up the slope.  Please note how I emphasize this ingredient in the site profile of its neighbour, the Mixing Stone 10-15 yards away—roughly halfway between this and the Sunrise Stone.   A distinct place of ritual was happening in this close-knit cluster of carvings…

References:

  1. Beckensall, Stan, Prehistoric Rock Motifs of Northumberland – volume 1, 1991.
  2. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
  3. Reeder, Phil, “Snowden Carr Rock Carvings,” in Northern Earth Mysteries, no.40, 1990.

© Paul BennettThe Northern Antiquarian

Dud Well, Skircoat Green, Halifax, West Yorkshire

Sacred Well: OS Grid Reference – SE 0957 2281

Archaeology & History

This curiously-named old water source may have an equally curious history behind it – albeit forgotten.  Shown on the 1854 OS-map of the area and giving its s name to Dudwell Lane, we can see how an old path led from the road to the well and nowhere else.

It’s the word “dud” that holds our attention here; for if we hasten to the immensely erudite Joseph Wright (1900) in his gigantic survey of northern dialect, we find that the word relates to “a rag, piece of cloth; pl. clothes, esp. shabby, ragged, or dirty clothing.”  This is echoed in another Yorkshire dialect work by Morris (1892) who told that the word meant “clothes (or) rags.”  Several other Victorian writers tell us variations on this meaning (one adds old shoes to the list!), but in all instances it relates to dud being a rag, whereas the plural duds are rags or scruffy clothes.  Naathen (to use another old dialect word), those of us who know a thing or two abaat olde wells are very very familiar with their association to old rags that were hanged on the surrounding trees as offerings to the spirits of the water—the genius loci—to aid in the hope or desire of something, or merely as respect to the waters for their beneficient properties. (this sometimes occurred ritually at set times in the calendar)

Dud Well on 1854 OS-map

The Dud Well was obviously of considerable local repute, for just a couple of years after it was shown on the earliest OS-map, a local bailiff called Samuel Rhodes built The Dudwell house close to the waters, which he named “in honour of the magnificent and never-failing spring of pure, bright, sparkling water in the wells close by.”

There is a possible alternative meaning to the word dud, which is that some dood called ‘Duda’ left his name here!  This seems much more speculative and unlikely than the use of a local dialect term.  Hopefully a local historian amongst you might perhaps be able to find out more.

References:

  1. Morris, M.C.F., Yorkshire Folk-Talk, Henry Frowde: London 1892.
  2. Wright, Joseph, English Dialect Dictionary – volume 2, Henry Frowde: London 1900.

© Paul BennettThe Northern Antiquarian