This carving is one in a cluster of at least 17 previously unrecorded petroglyphs, uncovered nearly two years ago on a Northern Antiquarian bimble on the northern edge of Rombald’s Moor. The carvings were found as a bi-product of uncovering a previously undiscovered cairn circle, close to the Twelve Apostles stone circle. In assessing and exploring the newly-found circle, it was noticed that a small opening in the near horizon highlighted a rise in the landscape barely a mile away. This ‘opening’ in the land was not visible if you walked 25 yards either side of the cairn circle – but was very notable at the circle itself.
“We need to have a look at that site,” I said. “It’s position looks to have been relevant to this circle.” (or words to that effect) And a couple of weeks later we met up and walked to the place in question.
Fraggle Rock carving, looking westFraggle Rock carving, looking south
Within five minutes we came across a couple of previously unrecorded cup-marked stones, of simple design, right in line with the cairn circle. As we walked around this spot, then headed back in the direction of the circle, a cluster of small stones were noticed on the slope. One had what looked like a single cup-marking near its edge, but the rest of the rock was completely covered in vegetation. Paul Hornby and Michala Potts had, by now, already found several other previously unrecorded cup-marked stones close by; but as I carefully rolled back the vegetation at the edge of this particular rock, cups-and-rings and carved lines seemed to be covering most of its surface. It was a good one!
Face on the Fraggle Rock
We called it the Fraggle Rock after noticing that when you look at the stone from one end, the two main cup-and-rings are likes two large eyes carved above a large natural down-turning ‘mouth’ feature, similar to some of the creatures’ faces on the muppets or the similar kid’s TV show, Fraggle Rock! (sad aren’t we!?) The photo here shows you what we mean.
The primary design consists of at least 3 cup-and-rings, 2 partial cup-and-rings, 28 cups and several carved lines along which some cup-markings are linked to others. The most notable of the carved lines is the longest (barely visible in the photos), running from a single cup-mark at the southernmost rounded end of the stone, almost straight and parallel with a natural ridge or dip along the rock, until it meets the largest of the cup-and-rings (one of the eyes on the Fraggle’s face!). Don’t ask me why, but for some reason this long faint line seemed the most perplexing element of the carving.
Eastern edge, with cups at ground level
Most of the design is carved on the upper face of the stone, but a small part of the rock dips into the ground on its eastern side and a small group of cups and a single carved line, in a very good state of preservation, are etched right at the edge of the stone. Unusual. Another faint cup-and-ring is 10 yards south; and a fascinating cup-and-lines stone, with at least four long carved ridges running like hair from the top of the stone into the Earth, is 20 yards west of this.
One of the first photos, just as the mud had been cleared
This carved stone was rediscovered by Michala Potts on the rainy afternoon of August 26, 2011, on a Northern Antiquarian excursion to explore some of the cup-and-rings on Ilkley Moor. The entire stone was totally covered in soil and leaves, and Michala spent some considerable time carefully clearing the dead vegetation to unveil the carvings beneath.
Close-up of cups & scars
This carving has at least 12 cup-marks on its slightly inclined surface, with several artificial carved lines and some that are obviously geophysical in origin. (we really could do with a geologist with a cup-and-ring fetish to accompany us on some of our outings!) But the main feature of this carving — as the photos here illustrate — appears to be the natural crack that runs up through the middle of the stone, either side of which have been etched a number of cup-markings attached by small lines or ‘branches’, giving the distinct impression of a tree. Whether this was a deliberate artistic feature (a tree), or just another Rorscharch response to non-linear systems on our behalf (more probable), we’ll never know. On the moors northeast of here on the other side of the Wharfe valley, the Tree of Life Stone acquired a similar association due to its design; but this Ilkley design, sadly, aint quite as good as the one on Askwith Moor.
Tree Stone, showing modern industrial scars
There are some puzzles on this stone aswell. Other lines scar the rock which are definitely man-made, but they are of a different nature and age. The marks have been scarred by more modern metal tools, or were caused by heavy metal machinery that have rested on the rock at some time in the not-too-distant past. You can see the curved deep scratches in the photo here to the right. It seems likely that when the modern houses were built straight across and above here, this cup-marking was damaged by the workers — although they didn’t know it was here as the stone had not been catalogued by the Ilkley archaeologists. But there’s also another peculiar feature on this stone. Someone a century or two ago also carved other fainter features into the stone, seemingly lettering, on the northeast edge of the rock. They can be seen faintly on the second photo, above.
The other basic cup-marked stones were found 2 and 5 yards north and northeast of this carving. We know from other evidence found that the carvings here were related to a prehistoric enclosure, but there also seemed the distinct possibility that they had some association with a previously undiscovered tomb. A number of carvings in this region have direct associations with cairns or tombs of one form or another, so this is not unusual.
From Ilkley, take the Cowpasture Road up past Cow & Calf rocks, the hotel and along the moorside. A few hundred yards further, just before the next farm-building on your right, walk up the Rushy Beck path to the top. Crossing the stream at the top, now walk diagonally south-ish into the heather for some 200 yards, a short distance before the hillside begins to rise up again onto the next ridge. Remains of this ‘enclosure’ is all around you!
Archaeology & History
When the normal moorland vegetation covers this prehistoric site, you’d barely know there was anything here apart from various rocky rises and undulations in the ground and perhaps, if you were seeking out old stuff, what would seem to be lines of stone walls bending away onto the moor. But when the heaths have been burnt back, a whole new vista unfolds itself! You see before you a fantastic, well-preserved, unexcavated prehistoric enclosure, whose origins are probably neolithic, but whose history and use stretched through the Bronze Age and into the Iron Age—and it’s not alone! East, west and south of this particular enclosure, other prehistoric walled structures are found stretching all across the landscape hereby, structurally similar and also used over very long periods in prehistory. For antiquarians and historians alike, this is a truly impressive place indeed. In all honesty, the description I give here does not do the place justice!
Northwestern section of enclosure walling
Things like ‘settlements’ and ‘enclosures’ are traditionally relegated by purist archaeologists to be little more than domestic or utilitarian sites: places where our ancestors kept cattle; or were used for defensive purposes; or lived for long periods of the year. Of course, these simple ideas are effective and true at some places; but here at Woofa Bank—in this particular enclosure—something more than just domestic activity was enacted, and over the period of many centuries by the look of things. We surmise this by the incidence of at least fifteen cup-and-ring stones being found within the enclosure itself; and at its very centre is a small standing stone, not previously recorded, that has perhaps five petroglyphs around it. The presence of such a large cluster of cup-and-ring stones close together within the enclosure would seem to suggest ritual activity.
Carved rock & central stoneClose-up of, dancing anthropomorphic figure?
One of the carvings at the centre of the enclosure (listed in the Boughey & Vickerman survey as Carving 372) has been suggested to represent a dancing human figure (the image here shows the anthropomorphic element), which it may well be. The incidence of this central stone and its surrounding petroglyphs has important magico-religious implications, relating it as a site used for creation myth narratives and repetitions (transpersonal explorations at this site may prove worthwhile). The wider extended enclosure with more petroglyphs contained inside it, suggest that additional ritual performances were enacted here; these may have had something to do with the cluster of prehistoric tombs scattered on the moorland plain 100 yards to the west, but we might never know.
Easternmost standing stone
It seems that the walled enclosure itself was constructed around the earlier cup-and-ring stones, probably many centuries later—but we need excavations here to give us more precise details. Much of the enclosure walling itself has the hallmarks of being late Bronze Age to Iron Age, whilst we know that prehistoric rock art can date back into the neolithic period; and from this period Eric Cowling (1946) reported that, at Woofa Bank, “at the western end of the ridge,” just above this enclosure, a neolithic flint site existed.
Cowling’s 1946 plan
Cowling (1946) himself was one of very few archaeologists to even mention this impressive site, in a section exploring the “Iron Age” sites along Green Crag Slack at the eastern end of Ilkley Moor. He wrote:
“At the other end of the site under the shadow of Woofa Bank and near the source of the Rushy Beck, is another D-shaped enclosure apparently unfinished. The plan is of a circle with a flattened side and does not exceed twenty-four yards across in any direction. Here the enclosing wall shows five or six courses at the lower end side and a simple entrance to the west.”
Western entrance to enclosureStone marking eastern entrance
Though Cowling’s measurements are way out! The enclosure itself is much larger than he describes. For the most part, three-quarters of it give the impression of it being a large oval shape, but the design and outline of the walling changes on its southeastern side and kinks inward, in an arc, to eventually meet the walling in the middle eastern section. Its entire circumference measures approximately 220 yards all the way round; it is 65 yards across east-west; and about 61 yards north-south. The average height of the main walling is between 2-3 feet tall, and is made up of many large rocks, some of them positioned upright as standing stones, all packed together with earth and countless thousands of smaller stones. The walling itself is between 2-3 yards wide in many places and has two main entrances: one near the middle of the western wall and the other almost opposite to the east. The eastern entrance is marked by a standing stone between 3-4 feet tall. No gaps are visible at all on the northern curved section of the enclosure. On the overgrown southern edges, not all of the walling is visible and much of it is overgrown. On the whole it’s still very much as Cowling found it, with the arc of walling in this part of the enclosure difficult to make out clearly. There is also another line of walling that runs off to the east, beyond the main enclosure itself.
Carved rock in western wall
The clearer, more visible western line of walling, running south of the entrance on that side, has a large singular cup-and-ring stone laid right along its axis (carving 366 in the Boughey & Vickerman [2003] survey), a short distance before the walling changes direction east-west and runs along the bottom of the slope.
Folklore
Tradition tells that the tribal people from this site were involved in a battle with the Romans along this moorland plain.
…to be continued…
References:
Bennett, Paul, The Old Stones of Elmet, Capall Bann: Chieveley 2001.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Eliade, Mircea, Images and Symbols, Harvill Press: London 1961.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Size, Nicholas, The Haunted Moor, William Walker: Otley 1934.
From Cow & Calf Hotel head onto the moor above you, following the same directions to reach the ornately carved Idol Stone (and its immediate companions). Ahead of you on the same footpath, about 100 yards along, as it begins to slope up the hill further onto the moor, you’ll see a large upright pyramid-shaped stone, about 8 feet all, right at the side of the path. Y’ can’t miss it!
Archaeology & History
Deep cups & lines on top
Although ascribed as a cup-marked stone in usual surveys, the cup-markings on top of this rock are seemingly Nature’s handiwork. There is a possibility that cup-markings were carved into the top of the stone, many thousands of years ago, but due to the centuries of wind and weathering, we cannot in anyway assess the curvaceous bowls and lines running across and from the top of this rock to be artificial.
Folklore
The name ‘Idol Stone’ seems to have come about as a result of the judaeo-christian Victorian obsession of satanic idolatry in all things natural – which many of them still fear. Sadly there are no early accounts of practices of idolatry at this rock, until it was used by chaos magickians in the formative years of that Current in the 1980s.
References:
Bennett, Paul, The Old Stones of Elmet, Capall Bann: Milverton 2001.
Boughey, K.J.S. & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Forrest, C. & Grainge, William, A Ramble on Rumbald’s Moor, among the Dwellings, Cairns and Circles of the Ancient Britons, W.T. Lamb: Wakefield 1868-9.
Hedges, John (ed), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Holmes, J., “A Sketch of the Prehistoric Remains of Rombald’s Moor,” in Proceedings of the Yorkshire Geological Society, volume 9, 1887.
Speight, Harry, Upper Wharfedale, Elliott Stock: London 1900.
Come out of Ilkley/bus train station and turn right for less than 50 yards, heading left up towards White Wells. Go up here for less than 100 yards, taking your first right and walk 300 yards up Queens Road until you reach the St. Margaret’s church on the left-hand side. On the other side of the road, surrounded by trees is a small enclosed bit with spiky railings with Panorama Stones 227, 228 and 229 all therein: the least-decorated one on the left being the one we’re dealing with here.
Archaeology & History
This is another of the caged Panorama Stones, found within the awful spiked fencing across from St. Margaret’s Church, just out of Ilkley centre. Originally located ¾-miles (1.2km) WSW of its present position in Panorama Woods (at SE 10272 46995), along with its petroglyphic compatriots in this cage, the carving was moved here in 1890 when a Dr. Little—medical officer at Ben Rhydding Hydro—bought the stones for £10 from the owner of the land at Panorama Rocks, as the area in which the stones lived was due to be vandalized and destroyed. Thankfully the said Dr Little was thoughtful and as a result of his payment he had some of the stones saved and moved into their present position.
Original location of stonesJ.T Dale’s 1879 sketch
It was first described by the northern antiquarian and petroglyph pioneer, J. Romilly Allen (1879) , who saw it in the now-destroyed “rough inclosure”, as he called it, along with the other stones now in the same Ilkley ‘cage’. Its present position does it no justice whatsoever in terms of its original position. It was ostensibly a rocking stone: this seemingly trivial-looking boulder was sat on top of the much-cropped Panorama Stone 228 (a yard east of the three in this outdoor cage). Allen (1879) was fortunate enough to have seen the stone before it was uprooted, telling us how this topmost stone, “has eleven cups, wo of which are surrounded by single rings.” The modern archaeologist John Hedges (1986) told it to be in a “bad state,” with “very worn carvings, fourteen cups, one with partial ring and groove.” Its situation deteriorated further, as stated by rock art students Boughey & Vickerman (2003), who noted,
“medium-sized, roughly triangular rock, its surface recorded as in a bad state in 1986 and now (2002) even worse. Fourteen cups, one with partial ring, one groove.”
And its condition isn’t helped by its inaccessibility, when groups like the ‘Friends of Ilkley Moor’ or the local archaeologist should be at least annually cleaning this and the adjacent carvings. If they’re incapable, there are sincere people in antiquarian, history and pagan groups who would probably help out…
John Hedges 1986 sketchFaint cupmarks visible
In truth, this carving cannot be seen in isolation, nor merely reduced to a numeric catalogue in some rock art corpus. We must contextualize its relationship with the once much-larger multiple cup-and-ring stone on which it sat and then see it as it was in the landscape. Originally of course the rocking stone was Nature’s very own creation. As humans began migrating over and eventually occupying this once-wooded arena, the rocking stone became intimately related with animistic magickal rites and, over time, petroglyphs began to be etched upon the stone. Most probably the flat underlying rock surface was carved upon first, and a symbiotic relationship was forged between Earth’s surface and the small rocking stone, both of which were used in oracular and other rites. Over centuries, as the cups and rings on the earthfast stone grew, the mythic status of this small rocking stone allowed for the encroachment of carvings, and eventually cup-marks began to be etched upon it too. Later still, as the neolithic period moved into the Bronze Age, the people began to build a low-walled stone enclosure around this and the nearby multiple-ringed carving – similar to the multi-period enclosure at Woofa Bank and other sites on these moors. It was all a very long and gradual process.
In truth, the mythic status of this once-impressive site would have been maintained—in one form or other—well into the medieval period. But that’s another matter altogether…
Bennett, Paul, The Panorama Stones, Ilkley, TNA: Yorkshire 2012.
Bennett, Paul, Aboriginal Rock Carvings of Ilkley and District, forthcoming.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Downer, A.C., “Yorkshire Archaeological and Topographical Association,” in Leeds Mercury, August 28, 1884.
Eliade, Mircea, The Sacred and the Profane: The Nature of Religion, Harcourt, Brace & World: New York 1959.
Hadingham, Evan, Ancient Carvings in Britain, Souvenir Press: London 1974.
Hedges, John, The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Heywood, Nathan, “The Cup and Ring Stones of the Panorama Rocks”, in Transactions Lancashire & Cheshire Antiquarian Society, Manchester 1889.
Speight, Harry, Upper Wharfedale, Elliott Stock: London 1900.
Acknowledgements: With huge thanks to both Dr Stefan Maeder for help in cleaning up the stones; and to James Elkington for allowing use of his photos in this site profile.
Whether you’re coming here from either Baildon, or Shipley, head for the Cricketer’s Arms pub on Green Road (ask a local). About 50 yards uphill from the pub, on the other side of the road, notice the small pool on the green surrounded by large rocks: it’s the small stone about 15 yards behind the source of the spring. The goats living there usually give the game away!
Archaeology & History
This small stone, found amidst a cluster of others surrounding the medicinal Crutch Well, has its name from the friendly goats who live hereby and, when I came here for the first time in a while the other day, had trouble getting one of the little fellas to shift from his stone! We first found this when we did a lotta venturing around the area when we lived nearby as kids. This particular stone was noted during one of our many exploratory rambles round here, albeit briefly, when I wrote:
“Before going up the slope to Robin Hood’s House we looked at the stones around Crutch Well and found one with some cup-marks on it, on the grass behind the waters.”
I can’t say for sure, but think this carving was later added in the Boughey & Vickerman (2003) survey as stone no.193. They described the stone as:
“Creamish coloured rock about 1m N-S and less than 0.5m high carries two possible shallow cups to centre of surface and a possible third cup (doubtful) to N.”
Close-up of the cups
This would seem to be the stone, though there is another faded fourth cup, between the ‘doubtful’ cup and the two distinct ones, with a faded carved line running from it. Their grid-reference isn’t accurate for this and a companion single cup-marked rock (which I’d say was dodgy!), so I’m not 100% sure that we’re dealing with the same carving. There are a lot of small rocks here and in the fields opposite, many with industrial marks on them which, over the years, have faded and give the appearance of cup-markings — which most are not!
References:
Bennett, Paul, Of Cups and Rings and Things, unpublished: Shipley 1981.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Follow the same directions to reach the Little Skirtful of Stones giant cairn. From here, walk 200 yards straight north until you hit the footpath at the top of the Woofa Bank crags. Walk left along the footpath and where it begins to slope downhill, note the large boulder right by the path and another 30 yards further on. Between these large rocks, turn left into the heather some 20 yards. You’re damn close!
Archaeology & History
Close-up of covered tomb
Rediscovered on March 17, 2012, this small untouched prehistoric stone cairn, measuring 3½ yards by 2½ yards across and about 1 yard tall, was found thanks to the moorland heather being burnt, which has stripped the covering vegetation from the monument. It rests just a couple of yards away from a small, almost dried-up stream, seemingly in isolation. There are scattered remains of medieval workings nearby, between here and the Little Skirtful—some of which have intruded upon and destroyed earlier sites—but this particular cairn has a prehistoric pedigree. An excavation here would be worthwhile sometime in the future; but the problem is, there’s so much neolithic and Bronze Age material all over this area, it’s hard to know where to start!
From Ilkley, take the same directions to reach the Haystack Rock; then walk east along the edge of the moor, past the Pancake Stone and keep along the footpath for more than 800 yards till you see the large cairn above-right of the footpath by about 20 yards, a short distance before you’d hit the Rushy Beck. Walk to the cairn, and then past it along the path (west) heading onto the moor for another 30-40 yards, checking the rocks on the ground thereby. You’ll find it!
Archaeology & History
Scruffy sketch I did of the stone, c.1982
Described in John Hedge’s (1986) survey as a “long, low, smooth grit rock, partly covered with heather. Seven clear cups”, we first found this carving when we were out bimbling on one of our hundreds of ventures on these moors as kids—on this occasion, as I recall, seeking out a cup-and-ring stone that Stuart Feather discovered and mentioned in an early Yorkshire Archaeology Journal. Less than a yard away from the one which Mr Feather described (the overgrown cup-and-ring stone no.375) was this curvaceous female rock, with seven simple cup-markings, mostly on its northeastern side.
When the heather is low in this area, you can clearly make out extensive remains of prehistoric walling 11 yards east of the cup-marked stone, running north-south. This eventually meets up with another line of walling that runs east-west and bends back around on the western sides of the carving about 20 yards away, seemingly encircling it. This enclosure will be described in greater detail at a later date.
References:
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Fom Burley train station, take the road uphill onto the moor edge, turning right for a coupla hundred yards where the road runs up the side of the Coldstone Beck. Walk up the stream until you hit the footpath that takes you onto the moor proper, on the righthand (west) side. Once on the level, note scatter rocks on the near horizon above you and the faded track that runs up towards them. Walk up here, keeping your eyes peeled for the small chair-shaped rock immediately left of the pathway. You can’t really miss it.
Archaeology & History
One of an increasing number of carvings that I’m finding have curiously not been included in the general rock art surveys of the region (Boughey & Vickerman, 2003; Hedges 1986). We first found this—Jon Tilleard and I—when we were foraging for such carvings in the 1970s and early ’80s and the scruffy drawing here is taken from one of my early notebooks (1981) that explored the archaeological remains on these moors.
Scruffy drawing of the stone, c.1982Close-up of cup-marks
The name of the stone comes from the slightly chair-like shape of the rock on which the blatantly obvious cup-markings can be seen. There are at least six of them, with a possible seventh near the top of the rock. Some curious eroded markings can still be to the left-side of the main cups, but I’m unsure as to their nature and they may be just geophysical. Above and around this rock are a number of medieval pit workings, quarrying and scatterings of other rocks, none of which have been found to possess cup-and-rings.
References:
Bennett, Paul, Of Cups and Rings and Things, unpublished: Shipley 1981.
From Burley train station walk up the road, turning right as you meet the moorland road. Go on for a couple of hundred yards until you run parallel with the Coldstone Beck stream. Walk up here for about 800 yards until the full moorland begins to open up ahead of you. Walk up the slope on your right (west) about 30 yards above the first of the ruined grouse-butts, towards the scattered mass of rocks before the small crags. The small standing stone on the edge of the ruins will catch your attention!
Archaeology & History
A fascinating small cairn which initially had us puzzling as to its very nature. Was it a cairn? Or was it a section of prehistoric walling? The former would seem to be the more likely, though an excavation here would obviously be helpful.
Standing stone, cairn-spoil & Coldstone valley to rearColdstone Cairn 2, looking west
Scanning the Earth hereby we found no surface remains, merely a section of disturbed ground where the small stones were placed and, obviously, removed in some number not too long ago. Stones from the cairn had obviously been robbed to construct the grouse-butts close by (something the local council officials seem to find acceptable). It would appear to be consistent in structure with many of the other cairns on this moorland, some of which are neolithic, but the majority date from the Bronze Age.* This particular cairn seems to be Bronze Age in nature.
The most defining element in the cairn is the small standing stone, less than two feet tall above ground level, within the southwestern area of the denuded tomb. No carvings could be noted on the stone, nor marks of any significance on the other smaller stones. Another cairn of similar age but in much better condition—the Coldstone Beck Cairn 01—can be seen when the heather’s burnt back, some 20 yards north.
* More than 100 singular small cairns exist around here, most of which have never been archaeologically assessed.
