From Ilkley, go up to White Wells (ask a local if y’ get stuck) and walk round the back of the building. Walk to the trees and then follow the footpath up onto the moors; but after 70 yards a small footpath on your right goes up the slope. Take this and after about 90 yards it veers round to your left, following the contours up towards the copse of trees. Another 100 yards up it meets with another path and once here, just yards in front of you, right by the side of the footpath, is the stone in question.
Archaeology & History
First described in John Hedges (1986) survey, this simple cup-marked stone typifies many petroglyphs on these moors: a barely visible design much eroded by centuries of wind and water, with markings perhaps only of interest to the devoted student and explorer. But at least it’s a good place to sit, rest and watch the valley below.
Looking down at the cupsHedges 1986 sketch
This old fella looks to have only five cupmarks on its supper surface, one of which is elongated, as shown in Hedge’s drawing. However, when he saw this, he thought the elongated ‘cup’ consisted of three of them in a line, all linked up. He saw a “medium sized smooth grit rock standing in grass, its surface triangular in shape, with flat top sloping slightly N to S. Three cups connected by a groove, c. four other cups, all shallow and worn.”
This description was echoed in Boughey & Vickerman’s survey (2003), where they thought that the “triangular top surface has about seven worn cups, three connected by a short groove.” But if the light isn’t quite right, this can be very difficult to see.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Table Stone carving (photo by Jonathan Warrenberg)
From Ilkley walk up to the White Wells and follow the footpath behind it up to the cliffs, up the stone steps and onto the moor itself. Once you’ve climbed the steps, walk uphill onto the moor for 100 yards, then turn right up a small path for another 80 yards until you reach the large Coronation Cairn with its faint cup-and-ring stone. From here there are two paths heading west: take the higher of the two for just 30 yards where a small group of rocks are by the path-side on your right. The curiously-shaped ‘upright’ one is the stone in question. You’ll see it.
Archaeology & History
Found high up on top of an oddly-shaped stone, somewhat like an anvil or small table (hence the name, courtesy of Jonathan Warrenberg), is carved a slightly worn, incomplete cup-and-double-ring. This aspect of the design is the one that stands out the most; but you’ll also see a cup-and-half-ring there too.
The carving seems to have been described for the first time in John Hedges (1986) survey (though I may be wrong), who described an additional feature to the design, saying:
“Small grit rock in possible cairn material, cut all round as if one pedestal, top surface triangular, sloping slightly SW to NE, overlooking Wharfe Valley, in grass and crowberry. Large cup with two vestigial rings, second large cup with vestigial ring. Possible third ring of corner edge (hewn off). Recent carving of initials spoils original carving.”
John Hedges 1986 sketchLooking from above (photo – Jonathan Warrenberg)
His description of the stone being “in possible cairn material” doesn’t seem true – although a number of petroglyphs are associated with cairns of varying sizes. Several other carvings can be found close to this one.
In Boughey & Vickerman’s (2003) later survey, they copy Mr Hedges earlier description, but with less detail.
The view from this stone is quite impressive. Even with the minor tree cover that would have existed when this carving was done, you’d still have clear views up and down the winding wooded valley that was carved by the River Wharfe. The moors to the north at Denton and Middleton with their own petroglyphic abundance could be chanted at with ease from here when the winds sleep. Tis a good spot to sit… if you’re lucky enough to get some silence…
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Acknowledgments: Huge thanks to Jonathan Warrenberg for the use of his photos in this site profile – and also due credit for giving the stone its modern title. 🙂
Along the moorland road between Cow & Calf and The Hermit pub, park up at the small wooded bit by the right-angle bend and cross over the Coldstone Beck. Walk up onto the moor itself and stick to the path that runs roughly parallel with the slowly-drying stream, towards Lower Lanshaw Dam. About 100 yards before it, walk left, into the heather, for about 50 yards. You’re damn close!
Archaeology & History
Lower Lanshaw Dam carvingClose-up of cupmarks (by James Elkington)
This is another neolithic or Bronze Age carving I first came across during one of my weekly rambles across these hills as a child, and upon revisiting the place a few days ago with James Elkington, found it associated with nearby cairns and what looks to be the remains of prehistoric walling – none of which I noticed when I was a kid. The petroglyph is a simple design, primarily consisting of two rows of three cup-marks: one row of three along the top or spine of the rock, and another one immediately beneath it, an inch or so below. The topmost line of cups runs into a natural crack in the rock, which runs down the northwest edge of the stone. A possible faint cup and partial ring emerges on the southeast side of the topmost row of cups, but this is difficult to make out. On the sloping northwest face of the rock is another single cup-marking.
References:
Bennett, Paul, Of Cups and Rings and Things, unpublished: Shipley 1981.
Acknowledgements: Many thanks to James Elkington for use of his photo to illustrate this petroglyph
Take the same directions as if you’re visiting the Lanshaw Dam 2 petroglyph, then keep walking directly towards the Lanshaw Dam, 130 yards east. Halfway between the two, closer to the footpath, look out for a stone of similar shape and dimensions to Lanshaw 2, just by a prehistoric cairn. You’ll find it!
Archaeology & History
Cup-marked stone & cairnClose-up of cup marking
As with a great number of petroglyphs in and around Yorkshire, this large single cup-marked rock is found in close association with a reasonably large prehistoric cairn (several others are close by), some 3 yards in diameter. The cup-marking here is larger than yer average cup-mark on these moors, being four inches across. It can clearly be seen on the southern vertical face of the rock and doesn’t appear to have been recorded before. On the whole, it’s nothing special to look at and is probably just one for the petroglyphic purists amongst you.
Legendary Rocks (destroyed): OS Grid Reference – SE 0886 4479
Archaeology & History
Kirk Stones on 1851 map
A place-name that is still recognised on modern Ordnance Survey maps, even though the original site giving rise to it was all but destroyed some one hundred-and-fifty years ago. Derived from the old word kirk, meaning a church or sacred site, no christian remains of any kind have ever existed here and so we must presume an earlier, more heathen site of sanctity (an abundance of prehistoric petroglyphs exist very close by). The singular reference detailing the nature of these Kirk Stones is in J.A. Busfield’s (1875) rare tract on the history of Upwood, in the parish of Bingley. Upwood Hall was built by the Busfield family and, as the author tells,
“one of the most striking features in the vicinity at this age [c.1800, PB] was the fine range of magnificent rocks called Kirkstones, which had existed for countless ages. These grand rocks, towering one above another, extended along the whole southern boundary of the [Whetstone] Allotment on the left of the road to Ilkley, and were really a fine object, but alas!, through the ignorance or stupidity of the agent Colonel Bence, the “Crags of Kirkstone” were broken up and disposed of in the construction of the Bradford Water Works about the year 1854.”
Sadly we have neither illustrations nor other references to these fine sounding sentinels.
Undoubtedly the Kirkstones were a natural feature, despite their venerated title. It would have been their very appearance that gave rise to their revered title, as in the great and contorted rock masses seen at Brimham Rocks which, from Bensons’s description, these Kirk Stones seem reminiscent. The only piece of extant lore to these stones is that the uprights that went into making the recently destroyed Bradup stone circle a short distance south of here, came from this sacred outcrop. It seems reasonable to assume that they played an important role in the magickal history of these hills when they were scattered with forest.
The Kirk Stones aligned along the equinox axis to the Black Knoll standing stone less than a mile [1.4km] due east.
References:
Bennett, Paul, The Old Stones of Elmet, Capall Bann: Milverton 2001.
Busfield, Johnson Atkinson, Fragments Relating to a History of Bingley Parish, Bradford 1875.
Smith, A.H., English Place-Name Elements – Part 2, Cambridge University Press 1956.
From Ilkley train station, head up Cow Pasture Road and get to the Cow & Calf Hotel (if needs be, ask a local). From its car-park, cross the road and go along the straight-ish footpath onto the moor. Less than 200 yards on, you’ll hit a main track (and a faint cup-marked stone). OK – walk down this track (left) for 30-40 yards, then walk left again into the heather for about 10 yards. You’re looking for a small rounded stone and you’re damn close!
Archaeology & History
…and from another angle
Just over 40 yards east of the very basic Brown Law cup-marked stone, we find this slightly more exotic petroglyph, keeping low in the undergrowth. Difficult to see unless the daylight is just right, preferably as the sun is rising or setting (as with many neolithic carvings), on this small slightly rounded stone we see a central cup-mark surrounded by a double-ring (unfinished, perhaps on its northern edge)—although an outer cup seems to touch the edge of this second ring. As the faint images here show, there are other cups and shallow lines also etched onto the stone, but these are gradually fading as the years go by. It was originally found close to a small cairn that has seemingly been destroyed in recent years.
The carving can be troublesome to find when the heather and bracken gets growing, so it’s best explored in the Winter and early Spring—unless of course you want me to show you it, along with the hundreds of others on these moors! If so, gimme a shout. 😉
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Cowling, E.T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
A carving that I first visited when I was a child – but one which, curiously, caught my attention. The small arc of four cup-marks that you can see on the stone was an integral feature of other carvings in this particular region—though not all, of course. It seemed to me at the time that it had symbolic significance, as the arc occurred in a number of other Baildon petroglyphs. Astronomy was my fetish at that time and so I saw the arc as solar or stellar movements across the sky, represented by the cup-markings. It was one of many fascinating Rorschach’s that I encountered, just as rock art students across the world do when looking at these ancient carvings. However, the simple symbolism of this and similar nearby carvings has stuck and plays under my skin somewhat: one of those curious non-egoic tickles, constantly nudging away, as if there’s something in it, but being looked at from the wrong angle…
John Hedges 1986 sketch
Looking down at the cups
Anyway… All we have here is a primary design of four cup-marks reaching across a small earthfast stone. Other simple carvings are found close by and there are the remains of several prehistoric cairns circles within a few hundred yards. Beneath the deep bracken-mass, it is highly probable that other ancient remains remain hidden.
The carving was first recognised in one of Sidney Jackson’s (1958) archaeology bimbles in the 1950s with his bunch of northern antiquarians from Cartwright Hall, Bradford. It later found its way into the survey of John Hedges (1986) where he described it, simply:
“Small, lozenge-shaped, smooth grit rock, sloping NW-SE into grass and bracken, four symmetrical cups in slight curve.”
References:
Baildon, W. Paley, Baildon and the Baildons – parts 1-15, Adelphi: London 1913-1926.
Bennett, Paul, Of Cups and Rings and Things, unpublished: Shipley 1981.
Bennett, Paul, Megalithic Ramblings between Ilkley and Baildon, unpublished: Shipley 1982.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Hedges, John, The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Jackson, Sidney, “Cup-Marked Boulders, Baildon Moor,” in Cartwright Hall Archaeology Group Bulletin, 3:2, 1958.
Panorama Stone 228, with cups highlighted (after James Elkington)
Come out of Ilkley/bus train station and turn right for less than 50 yards, turning left up towards White Wells. Go up here for less than 100 yards, taking your first right and walk 300 yards up Queens Road until you reach the St. Margaret’s church on the left-hand side. On the other side of the road, as well as a bench to sit on, surrounded by trees is a small enclosed bit with spiky railings with Panorama Stones 227, 228 and 229 all therein: the one in the centre being the one we’re dealing with here.
Archaeology & History
Originally located ¾-miles (1.2km) WSW of its present position in Panorama Woods (at roughly SE 10272 46995), along with its petroglyphic compatriots in this cage, the carving was moved here in 1890 when a Dr. Little—medical officer at Ben Rhydding Hydro—bought the stones for £10 from the owner of the land at Panorama Rocks, as the area in which the stones lived was due to be vandalized and destroyed. Thankfully the said Dr Little was thoughtful and as a result of his payment he had some of the stones saved and moved into their present position. However, this carving is but a fragment of its former self.
John Hedges 1986 sketchClose-up of cups (James Elkington)
It was originally to be seen within a large prehistoric enclosure—which was completely destroyed when rich houses were built hereby, without any evaluation of the site ever being made. But particularly impressive is the fact that this now enclosed sedated stone carving was originally the large rocky base for a small rocking stone, which also had cup-markings on it and a faint cup-and-ring. This is very unusual indeed – and perhaps unique in Britain? Thankfully, several Victorian antiquarians visited and made notes and a sketch of the site before it was uprooted and a large section of it destroyed. In J. Romilly Allen’s article (1879) he told that, just a couple of yards from the more famous and ornate Panorama Stone (229), a
“second stone is of irregular shape, measuring 15ft by 12ft, and supporting a smaller stone of triangular shape 6ft long by 4ft broad. Both upper and under stone are covered with cups and rings, but the sculptures have suffered much from exposure. The superimposed rock has eleven cups, two of which are surrounded by rings. The under stone has 42 cups, nine of which have rings. Amongst these are two unusually fine examples, one has an oval cup 5in by 4in, surrounded by two rings, the diameter of the outer ring being 1ft 3in. Another has a circular cup 3in diameter, and five concentric rings, the outer ring being 1ft 5in across.”
J.T Dales 1878 sketch, with CR227 on top of itOriginal location of stone
In a sketch of the site by J. Thornton Dale done about the same time as Allen’s visit, and reproduced here (apologies for the poor quality), the “five concentric rings” that Mr Allen mentioned are not shown, but clearly a spiral design had been seen by Mr Dale’s eyes. Fascinating…. The large mass of carvings immediately left of the spiral is in fact the smaller upper stone known by modern archaeologists as carving 227.
Today, all we can see of this petroglyph are two cup-and-rings, and one faint double-cup-and-ring; several incomplete rings or arcs, and at least another 30 single cup-marks, some of which have short limes running to or from them. The rest of original stone base with its other multiple rings or spiral design were obviously destroyed.
As with many of the Ilkley carvings, Boughey & Vickerman’s (2003) description barely does the stone justice. They described it simply:
“Large rock, now set in concrete base, the surface rapidly deteriorating. Over forty cups, three with single rings, one showing traces of a second, grooves.”
The mightily impressive Panorama 229 carving sits next to this one and is truly worth checking out!
References:
Allen, J. Romilly, “The Prehistoric Rock Sculptures of Ilkley,” in Journal of British Archaeological Association, volume 35, 1879.
Bennett, Paul, The Panorama Stones, Ilkley, TNA: Yorkshire 2012.
Bennett, Paul, Aboriginal Rock Carvings of Ilkley and District, forthcoming.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Downer, A.C., “Yorkshire Archaeological and Topographical Association,” in Leeds Mercury, August 28, 1884.
Hadingham, Evan, Ancient Carvings in Britain, Souvenir Press: London 1974.
Hedges, John, The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Heywood, Nathan, “The Cup and Ring Stones of the Panorama Rocks”, in Transactions Lancashire & Cheshire Antiquarian Society, Manchester 1889.
Speight, Harry, Upper Wharfedale, Elliott Stock: London 1900.
Acknowledgements: With huge thanks to both Dr Stefan Maeder for help in cleaning up the stones; and to James Elkington for taking the photos and allowing ’em for use them in this site profile.
Cup-marked stone, East Morton (photo thanks, Sue Patchett)
From the expanding village of East Morton, by the school at the west-end of the village, walk up the narrow Street Lane for nearly 600 yards, past the houses, until you reach a footpath on your left that takes you across the fields. Walk along here (following the line of walling) for 250 yards, then, take a sharp left and down the field for 55 yards (50m) until, right beneath the power lines, you’ll find the rock in question.
Archaeology & History
This is one in a small, little-known cluster of petroglyphs on the western outskirts of East Morton. It is located at the base of what are thought to be remnants of Iron Age walling. Carved onto an elongated earthfast stone are a number of very well-preserved cup-marks, with what seems to be a faint carved pecked line running out from one of the southernmost cup-marks and curving back on itself (we could do with a good sketch artist getting us a good drawing of this). You can see this faint line on the far-left side of the stone in Sue’s photo above.
Hedges 1986 sketch
The petroglyph was rediscovered by the northern antiquarian Stuart Feather (1959) in one of his many sojourns exploring the prehistoric remains of the area. In John Hedges’ (1986) survey, the carving was described simply as:
“Triangular smooth grit rock with fairly flat top on which are twenty cups, not all clear, some large and oval, a few grooves.”
Boughey & Vickerman’s survey (2003) made no note of any additional features on the petroglyph.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Feather, Stuart, “Bronze Age Rock Carvings,” in Keighley News, March 7, 1959.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Jackson, Sidney, “Massive Walling at East Morton,” in Cartwright Hall Archaeology Group Bulletin, 5:9, 1960.
Jackson, Sidney, “East Morton Ancient Walls,” in Cartwright Hall Archaeology Group Bulletin, 6:9, 1961.
Acknowledgements: Huge thanks to Sue Patchett for use of her photo.
Cup-and-rings on gatepost (photo credit, Dave Whittaker)
From Ilkley, follow the same directions as if you’re going up to the superb Swastika Stone. Keep walking on the footpath, west, for 65 yards (59m), then walk into the heather on your left. Barely 5 yards in, you’ll see this fallen standing stone or gatepost.
Archaeology & History
First described in one of Stuart Feather’s (1964) old rambles, I first saw this stone in my late-teens and was as puzzled by it then as I am today. Upon an obviously worked stone that may once have stood upright (or was intended to do), two faint and incomplete cup-and-rings were carved – but when exactly? If this stone was cut from a larger rock into its present shape, were the petroglyphs already on it, or were they done when the ‘gatepost’ was created?
It was first described in one of Stuart Feather’s (1964) rambles up here and later included in Hedges’ (1986) survey, where he told it to be a, “recumbent gatepost with one cup with almost complete ring and one cup with vestigial ring.” Boughey & Vickerman’s (2003) survey added little more. And when a group calling itself Carved Stones Investigation got itself about £250,000 to “investigate” the Ilkley petroglyphs, I was hoping that they could have at least turned this stone over to see if other carvings were on the stone – but they just revisited all those found by others, made a new list, and took the money to be honest (no website and no book – as they should’ve done). Thankfully, local folk are having a look at this and others and doing the work they should have. Check it out when you’re next up at the Swastika.
References:
Bennett, Paul, Megalithic Ramblings between Ilkley and Baildon, unpublished: Shipley 1982.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Feather, Stuart, “Mid-Wharfedale Cup-and-Ring Markings: no.26, 27, 28 – Black Pots, High Moor, Silsden, near Keighley,” in Cartwright Hall Archaeology Group Bulletin, 9:10, 1964.
Hedges, John, The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Acknowledgements: Huge thanks to Dave Whittaker for the photo. Good luck with the plans fellas.
