Follow the directions for getting to the great Badger Stone carving. From here, walk eastwards on the footpath for about 400 yards. Hereabouts walk off the path and down the slope just a few yards and amble back and forth, checking the various stones. Keep doing this until you find it! (luckily, this stone’s marked on the OS-map) There are several other reasonable carvings nearby on the same plain…the Green Gates Stone (or carving no.257) for one!
Archaeology & History
The Pitchfork Stone (after Hedges, 1986)
First found (or rather, recorded) by our old friend Stuart Feather and described in Bradford’s Cartwright Hall Archaeology Group’s Bulletin in 1961. It’s status was all-but-secret until Hedges edited the Ilkley Archaeology Group’s Carved Rocks work in 1986. The stone’s a simple design as the illustration shows: an urn-like vessel with a cup in the middle; but the attached groove at the bottom gave one anonymous chap (who dared to use the modern name of RombaldII!) the idea of it looking like a pitchfork – so the name sticks!
The enclosing “lines” that make up the pitchfork aspect of the carving are pretty enhanced (as we can see in the photograph here) and may, just may, be the result of a more recent petroglyphic artist.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Feather, Stuart, ‘Mid-Wharfedale Cup-and-Ring Markings – Nos. 2 & 3, Ilkley Moor,’ in Bradford Cartwright Hall Archaeology Group Bulletin, 6, 1961.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Follow the same directions for getting to the Idol Stone, then walk just 30 yards further up the path and it’s the big rock on your left-hand side. Y’ can’t miss it!
Archaeology & History
Main section of cup-marks
This nice big boulder can be quite a temperamental chap, depending on how the light plays with the rock surface. I’ve got some photos of this old stone where you can see next to nowt on it; where as others show clearly aspects of the design that aren’t on the archaeo-images. But such is the nature of cup-and-rings I s’ppose!
Unlike its rather linear companion a few yards away, this great boulder has the more typical scattering of faded cups, lines and at least one cup-and-ring, etched with seemingly little purpose or structural design. But as we know, the very notion of structural design in forms consistent to modern mind-sets were anathema to the neolithic people who were etching these patterns on rocks. Indeed, even the notions of these images as ‘art’ as defined in modern times, has no relationship to the intrinsic reality of either cup-and-rings or reality per se, as experienced by our ancestors. And I think we find an explicit affirmation of this in the Cluster Stone here.
Close-up of cup-and-ring
Natural cuts in the rock have been heightened, for whatever reason, so that today the division between Nature’s marks and the mark of humans have become ambiguous as time has worn the features. The clustering of cup-marks on certain parts of the rock was surely indicative of (what we would term) separate events/forms, whose mythic relationship were, however, intrinscially related. This may be representative of a landscape map, or a series of events – but each would relate to one and other. But, of course, we truly don’t know, so think I’d best shut up!
Cluster Stone design (after Hedges 1986)
The carving itself, as we can see today, has perhaps as many as 40 cup-marks on it (Boughey & Vickerman safely vouch for 26), with five or six lines running across the surface, some of which have been modified by ancient peoples. The cup-and-ring on the stone is quite distinct. Neolithic or Bronze Age walling runs just a few yards away from here, but the precise line it takes has not been accurately assessed.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.
Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Follow directions to get to the Pancake Stone. From here walk SE on the footpath that runs on the edge of the moor. After about 200 yards you’ll hit a small footpath which heads into the moor (south). Walk on here for about 200 yards and notice the small rise in the land to your right (if you cross the small stream where the land dips into a very small valley, you’ve gone past). That’s it! The Little Haystack Rock is less than 100 yards away down the slope from here.
Archaeology & History
Of approximately eighty prehistoric cairns that have been alleged to exist along the Green Crag Slack ridge on Ilkley Moor, this site in particular is worthy of note, due mainly to its size. As independent archaeological researcher Paul Bowers said of it when he first saw this cairn-spoil, “it seemed too big to have not been discovered in the past.” Too right!
Mini-Skirtful, looking west
When we tracked across Green Crag Plain a few days ago, it was Michala Potts that called our attention to it. Half-covered in full heather growth, only the eastern edge was exposed. At first it seemed that it was loose prehistoric walling, but then I realised it was on the edge of small knoll and the stone work was deeper and wider than walling. As we explored through the heather atop of the knoll, it was obvious that there was a more extensive gathering of stones scattered all over the top of this small rise, and it seemed that we were looking at the remains of a reasonable sized cairn. Its extent carries about ten yards down the slope from the small hillock, but only a few yards either side of it. It seems likely that the extended loose stones have, over the centuries, simply slipped further down the slope. However, not until a decent excavation occurs will we know anything certain. It is possibile that this is simply the scattered remains of damaged neolithic or Bronze Age walling, but only a more detailed exploration of the site will tell us for sure.
Cowling (1946) mentioned the numerous cairns and scattered walling reaching across this part of Ilkley Moor, but gave no specific information relating to this mini-skirt full of stones! (blame Mikki for the title!)
References:
Cowling, E.T., Rombald’s Way, William Walker: Otley 1946.
Follow directions for getting to the Haystack Rock. Once here, walk dead straight south onto the moor and go up the slope you see a few hundred yards ahead of you. Once you’re at the top of the slope, a few yards onto the ridge itself, look around! If there’s deep heather growth when you arrive, you’ve no chance!
Archaeology & History
To my limited knowledge, it appears there’s no previous references to the cairns here. We found at least two of them, with a probable third not far away; but we were lucky inasmuch that the heather had all been burnt away, allowing a clearer inspection of the sites. The larger of the two is nearly four yards across and nearly a yard high. It’s somewhat larger than the majority of what are thought to be single-person cairns along Green Crag Slack ridge, down the slope.
Much denuded cairn
A smaller cairn less than 100 yards west on the same ridge (near the large boulder with a couple of cup-markings on top) looks as if it was robbed of stone sometime in the past. About six-feet across, this one is more typical of the cairns found on the Ridge below.
There are what seems to be other remains along this ridge, including a very distinct thin, six-foot-long stone, which looks very much as if it could have stood upright in the not-too-distant past. We could do with more heather-burning on this part of the moor to help us out!
Dead easy! Follow the directions to the unmissable Haystack Rock, then look at the small upright stone about 40 yards west, just off the footpath.
Archaeology & History
This is another one of the many carvings I first saw when I was a small lad, about 12 years old, in one of my countless walkabouts over these moors. It’s thought by some to be a small cup-marked standing stone (it’s possible I s’ppose, but improbable); whether that’s the case or not, it certainly has three distinct cup-markings on its east-facing vertical face. There are also what appears to be lines cutting through the cups and running out to near the edge of the stone which may or may not be natural. A small, cute little thing! Boughey and Vickerman (2003) make a note that this carving may be recent — but if so, it was done some considerable time before 1975, when I first clapped eyes on it!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock art of the West Riding, WYAS: Wakefield 2003.
Hedges, John, The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Head for the binary-like Idol Stone carving and keep walking on the footpath, up the hill. Once on top of the ridge, walk along it to your right (west) for about 300 yards, then walk south (left) into the flat heathland plain. Look around!
Archaeology & History
I’m probably not reading it right – but it seems this large stone with several distinct cup-marks on its vertical south-face, isn’t in the surveys of either Hedges (1986) or Boughey & Vickerman (2003). If someone can correct me on this one – please do!
Green Crag Top Stone, looking north
This is quite a large boulder, as the photos here show. At least two average-sized cup-markings have been etched onto the south face, and two larger ones accompany them on the same edge. There’s another larger cup-mark on the northeast side of the stone, and a possible companion, which may or may not be artificial. Then on top of the stone we have several large cups and a ‘bowl’ — though some of these upper markings may be natural, or just well-eroded cup-marks. It’s hard to tell for sure!
Now I’m gonna have another look in the Hedges, Boughey & Vickerman surveys. They surely can’t have missed this!
Various ways to get here, but the 2 most common are: (1) from Brunthwaite village, above Silsden, following the road uphill for a mile, then turning right (west) onto the moorland dirt-track to Doubler Stones Farm. Just before here there’s a footpath uphill (north) for 200 yards to the stones. (2) follow the Millenium Way footpath south up Addingham Moorside, onto Addingham High Moor. Keep going on the same path another 500 yards and they’ll appear ahead of you.
Archaeology & History
First described as the ‘Doublestones’ in the local Addingham parish records of 1786, these great mushroom-shaped rocks were later brought to the attention of archaeologists by J. Romilly Allen in 1879 and they greatly intrigued numerous Victorian antiquarians, who puzzled as much about their exotic forms as the cup-marks on their tops! Allen wrote of them:
“These rocks are by far the most remarkable freaks of Nature to be seen in the district. They occupy a prominent position, perched on the extremity of a rocky knoll which juts out into the valley; and as seen from below, with their weird forms standing out clear and sharp against the background of blue sky, they present so extraordinary an appearance that they would at once attract the attention of even the most unobservant. In general outline they resemble gigantic toadstools; and I presume that they are called Doubler Stones from the fact of their shapes being almost identical. They may be appropriately described as Nature’s Twins. The upper surface of the cap of one of these stones has three large basin-shaped cavities in it. Two of these lie along the central axis of the stone, and measure respectively 1ft 3in by 2ft 9in deep, and 1ft 9in by 1ft 3in by 9in deep. They are united by a deep groove, a continuation of which runs out over the edge of the stone at each end. There is another basin lying to the west side of the two central ones, with one of which it is connected by grooves. It measures 2ft by 1ft 9in and is 9in deep. There is no direct evidence that these basins are artificial; but it is quite possible that they may have been so originally, and have been enlarged by natural agencies. But in addition to the basins, are twenty-six cup-markings of distinctly artificial origin. They vary in diameter from 2 to 4 in. One group of cups appears to be arranged in parallel rows.”
Cup-marks on one of the Doublers (after Hedges 1986)Cowling’s 1946 drawing
Although the writer thought there were no artificial cup-markings on the other Doubler Stone (the one on the left in the photo), John Hedges (1986) and Boughey & Vickerman (2003) cite there to be at least two cup-markings on this rock. Other writers have given different numbers for the respective cup-marks thought to be on these rocks down the years.
If you’re into prehistoric rock-art, check this place out. If you’re a geologist and aint been here, you’ll be even more impressed!
Folklore
Approaching the Doublers (photo – James Elkington)
In Nicholas Size’s Haunted Moor (1934) he described the Doubler Stones as being the abode of ghosts and a place of sacrificial rites in ancient days. While in Guy Ragland Phillips’ Brigantia, we find that the word ‘doubler’ itself “is a large shallow dish, bowl or plate” – which we find on top of the greater one of these two well-worn-weirdoes. As well as being haunted, there is some other little-known, though not unexpected folklore here, which told these old stones to be the meeting place of witches in previous centuries.
In addition to this, we are told that the witches of Fewston valley to the west used to meet up with the more famous Pendle witches at these stones. One historian proclaimed that this notion was spurious, as it would be too far for the Pendle witches to walk – which says more about the historian in question than the people of previous centuries. The distance from Pendle to the Doublers can be traversed in a day and is an ideal meeting spot, away from the prying eyes of a wrathful Church, that sought war against the animistic practices of our ancestors.
References:
Allen, J. Romilly, ‘The Prehistoric Rock Sculptures of Ilkley,’ in Journal of the British Archaeological Association, volume 35, 1879.
Allen, J. Romilly, ‘Notice of Sculptured Rocks near Ilkley,’ ibid, volume 38, 1882.
Bennett, Paul, The Old Stones of Elmet, Capall Bann: Chieveley 2001.
Boughey & Vickerman, Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Hedges, John, The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Jennings, Hargrave, Archaic Rock Inscriptions, A. Reader: London 1891.
Phillips, Guy Ragland, Brigantia: A Mysteriography, RKP: London 1976.
Size, Nicholas, The Haunted Moor, William Walker: Otley 1934.
Take the directions to reach the Haystack Rock, then head onto the moor following the southeast footpath for a few hundred yards, towards where the moor slopes uphill. 20-30 yards before the uphill slope, a yard to the right of the path. It accompanies the Young Idol Stone with its two small cups, just a few yards away. Keep your eyes peeled and y’ can’t really miss it! If you hit the large slightly-pyramidal-shaped boulder with its well-worn lines running from its top (the Idol Rock), you’ve gone past it.
Archaeology & History
An intriguing carving this, and one which has always had me edging towards a manifest linear or logical myth underscoring its form. It’s the almost binary or primal numeric system in the lay-out of the cups which seems to do it. Few other carvings in the region exhibit this tendency.* If you aint seen it ‘in the flesh,’ check it out.
First described by that old Victorian J. Romilly Allen (1882), he seemed equally impressed by it, calling it “the most beautiful specimen of prehistoric sculpture,” continuing:
“The stone is of grit, and measure 3ft 2ins, by 2ft 6ins. Its upper surface is nearly horizontal, and has carved upon it cups varying in diameter from 2ins to 3ins. A row of cups in the middle of the stone are entirely surrounded by a groove. There is also a channel running round the outside. Single cups are often found encircled by one or more concentric rings; but it is very exceptional indeed to find several cups surrounded by a single groove, or to find the cups so symmetrically arranged as in the present instance.”
Idol Stone – looking SW
Prehistoric walling runs very close to this and the adjacent rock carvings, with the well-known ‘enclosure’ just a short distance to the east on the same moorland plain. This carving is very much on the edge of, or within, Green Crag Plain’s ‘Land of the Dead.’
This carving was one of several that Alan Davis (1983) measured in his exploratory survey on the validity of Alexander Thom’s ‘megalithic inch’ unit. This issue absolutely fascinated me as a boy, as it brought the attention of these curious non-linear images into the domain of mathematics and the higher sciences, instead of the lowly social sciences within whose domain archaeology is embedded, with its many inaccuracies and falsehoods. A number of astronomers and other academics did a great number of papers exploring potential units-of-length, surveying the carvings (and megalithic rings) in much greater detail than any previous archaeologist. Much of it was excellent work. However, the mythos of our ancient ancestors possessing great technical knowledge and mathematical ability was unfounded. In Davis’ (1983) paper — edited and expanded a few years later (1988) — he found no evidence of mathematical units of measurement here; though left the option ‘open’ for further discussion and analysis on several others, where multiple units of megalithic inches were measured. These findings however, are more likely the result of mere chance.
Idol Stone with “21st century informal unauthorised” art added
In 2011 some unnamed people visited the Idol Stone carving and vandalized it (this sadly happens more and more up here); but this form of vandalism is now being termed “twenty-first century informal unauthorised carvings” and is actually sanctioned by Ilkley Parish Council members, local businessman Tom Lonsdale and his affiliates as artistic “tradition”! Indeed, the damage done here and vandalism done on some other ancient carved stones that have been redesignated by Tom Lonsdale and friends as “twenty-first century informal unauthorised carvings”, legitimizes and encourages others to follow in their shallow-minded ignorance, enabling others to add their own form of ‘art’ on these supposedly protected monuments, on a region with an alleged SSSI status. They even encourage supposedly ‘nice’ people — y’ know the sort — to etch poems and such things onto the stones on the moors, in violation of regulations that apply to the general public. As a result, expect more vandalism — sorry…arty “twenty-first century informal unauthorised carvings” both here and elsewhere. This same appalling debacle — sorry, “tradition” — has been encouraged on the Haystack Rock, Hanging Stones and other prehistoric carvings on the moor.
Folklore
The name ‘Idol Stone’ was an invention of one of the Victorian romanticists, who saw heathen idolatry and perversion all over these moors (you’ve gotta ask y’self, what the hell were these people up to!?). Our old friend Nicholas Size (1934) told there to have been ghostly figures and druidic activities occurring at this site.
References:
Allen, J. Romilly, ‘Notice of Sculptured Rocks near Ilkley, with some Remarks on Rocking Stones,’ in Journal of the British Archaeological Association, volume 38, 1882.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Davis, Alan, ‘The Metrology of Cup and Ring Carvings near Ilkley in Yorkshire,’ in Science and Archaeology, 25, 1983.
Hedges, John, The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Hotham, John Paul, Halos and Horizons, Hotham Publishing: Leeds 2021.
Jennings, Hargrave, Archaic Rock Inscriptions, A. Reader: London 1891.
Size, Nicholas, The Haunted Moor, William Walker: Otley 1934.
Speight, Harry, Upper Wharfedale, Elliott Stock: London 1900.
We were up here again the other week: wind, hail and snow blowing like hell, thankfully keeping the place to ourselves! To get here, head up Cow Pasture Road from the train station and up to the Cow & Calf Hotel near the famous rocks. Go past it a 100 yards or so and look up onto the moors from here. You’ll see a great over-hanging rock on the slope above you which looks as though its gonna fall off at any moment. That’s the one!
Archaeology & History
Pancake Stone on 1851 map
Highlighted on the first Ordnance Survey map of the region in 1851, this prehistoric carved stone had been known as the Pancake Stone by local people long before any of the antiquarians brought literary attention to the site. Much has subsequently been written about this great petroglyph — more of a rocking stone than a boulder — seemingly hanging onto the edge of the geological ridge awaiting its fall down the slope; but I reckon it’s gonna be many more centuries before such a fate befalls it!
J.T. Dale’s 1879 drawing of the cups & carvingPreviously unpublished image by Mr J. Thornton Dale, 1879
Although a Mr J. Thornton Dale did a fine series of quite accurate drawings of this stone (and others on the moors) between 1878 and 1880, the first literary description of the Pancake rock carving appears to have been by the renowned J. Romilly Allen in 1882 (who evidently visited the stone on a cloudy or overcast day), saying that:
“On its upper surface are several cup-markings much obliterated by the actions of the weather, but some of them sufficiently distinct to prove their origin artificial, and to show that this rock was noticed in ancient times, and very possibly considered an object either of worship or superstition.”
Close-up of cups & rings
This latter assumption is highly probable. Strong animistic notions (moreso than usual) would be very evident here. Its position on the land with its outward focus from here towards other notable points in the landscape (Almscliffe Crags is one obvious focus); as well as looking at the rock itself from other viewpoints, give the stone considerable ritual importance. Sections of the moorland plain behind it—known as Green Crag—was the Land of the Dead in ancient times, and it is more than likely that death rites would have been enacted here — though we may never know what form they took.
Dale’s faded 1879 sketch of the Pancake Stone
The stone has what seems to be at least 54 cup-markings on its upper face, with numerous grooves meandering and connecting other points. In J. Thornton Dale’s 1879 drawing of the upper surface, you will note that a couple of the rings he included have all-but faded away and are not included in the more recent surveys. Of the primary design, rock art students Boughey & Vickerman (2003) described there being “six complete and five partial rings” amidst the morass, but much of the design is very worn and, originally, there was probably a bit more to it all. The rock upon which the main Pancake Stone rests also has some worn cup-marks etched on its surface, a couple of which can be made out in the top photo.
Folklore
Good old Nicholas Size (1934) added this site to his list as a place where he had visions of the old christian cult, upon whose bare face were enacted blood rites and sacrifice. One Beltane Eve when he decided to amble up onto the moor edge, he could see a strange glow coming from behind the rock. He continues:
“Then suddenly I noticed there was a figure dancing upon it. The figure seemed to swirl round and round with floating draperies, grey or white, and I can only say that it looked very uncanny. Stupidly, I wondered that anybody could be such a fool as to dance in the darkness upon that precarious footing…”
But such activities on these moors, at certain times of the year, have been enacted for many centuries. It’s just kept quiet and, as more modern pagans (as they like to call ’emselves) keep coming up here and to other places, so the original folk move to their older and increasingly more secluded spots… In the latter half of the 20th century the site was used as a focus by chaos magickians, shortly after the inception of that Current.
References:
Allen, J. Romilly, ‘The Prehistoric Rock Sculptures of Ilkley,’ in Journal of the British Archaeological Association, volume 35, 1879.
Allen, J. Romilly, ‘Notice of Sculptured Rocks near Ilkley, with some Remarks on Rocking Stones,’ in Journal of the British Archaeological Association, volume 38, 1882.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Hedges, John, The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Jennings, Hargrave, Archaic Rock Inscriptions, A. Reader: London 1891.
Size, Nicholas, The Haunted Moor, William Walker: Otley 1934.
Speight, Harry, Upper Wharfedale, Elliott Stock: London 1900.
Dead easy to find this one! Get to the Cow & Calf Hotel and walk up the slope onto the moor ahead of you. If you want a direction-pointer, head for the large, seemingly overhanging rocks which are the Pancake Stone, at the top of the ridge, but a few hundred yards to the right (west). Once you reach the level on the moor proper, you’ll see this large haystack-shaped boulder close by. That’s it!
Archaeology & History
This tends to be one of the spots I stop at when doing my tourist walks, to i) let folk get their breath back after ambling from the car park, via Hanging Stones and Map Stone; ii) to drink in the view, and, iii) to begin acquainting themselves with the landscape as it was when this stone was carved (over many decades, perhaps longer), and the animistic cosmology underlying people’s notions of their land. It can be quite an education…
Haystack Rock crushes local manFertility symbol, or Rorschach response?
The Haystack Rock was a very important boulder in the mythic landscape on this plain. It stands near the western end of the Green Crag Necropolis: a huge area of land on these moors where, quite simply, the people of these hills laid their dead. Effectively, the Haystack Rock stands on the edge of Ilkley Moor’s “Land of the Dead”.*
Highlighting this quite firmly, we find that prehistoric walling ‘separates’ this great boulder from the other part of the Plain close to its east and southern sides (walling on its western side is as yet unproven). It was a boulder that was specifically sectioned-off, away from any tombs. All along this Plain are numerous small cairns, many with rock-art nearby, and certain parts of the Plain are split into sections by ancient walling (though a precise map of the walling, tombs and rock-art on this moorland ridge has yet to be done).
J.Romilly Allen’s 1879 images
As far as the textbooks are concerned, we find the first mention of this great carved boulder came from J. Romilly Allen at the end of the 1870s. By 1900, a number of people had been here and written of its grandeur; but, as with cup-and-rings in general, its non-linear form and design elicited the usual notions of bewilderment, druids and puzzled ideas. Much like today really!
Drawing of the central design (after Hedges, 1986)
But this is a big and decent carving, with about 60 single cup-markings, 10 cup-and-rings, and various twizzly grooves and lines linking cups to others, and others going to seemingly nowhere. Some of these lines, of course, may be weathering, or weathered channels emerging from once shorter lines. We might never really know for sure what the original carving actually looked like. On the north-facing side is what looks like a decidedly human figurine etched onto this great boulder, in good old cup-and-ring style. I’ve shown this to a few hundred people and they all seem to make the same remark: it’s a woman with her legs wide open — an early form of sheela-na-gig on Ilkley Moor no less! But whether this was intentional (many folk think so), or just us seeing something we want to see (men in particular!), we might never know.
Ancient cup-marks with vandal marksMore cup-and-rings with vandal marks
The black-and-white illustration above that shows what seems to be just about all elements of the carving in considerable detail, may well be accurate, but it’s nothing compared to seeing the carving first-hand. When it comes to ancient rock-art, detailed drawings are one thing, but the real thing is altogether much much better! Check it out and see for yourself…
Folklore
I’m not too sure what credibility we should give to Nicholas Size’s (1934) extravagant claims, but this was one of the sites he alleged to have seen visions of druidic rites and ghostly figures!
References:
Allen, J. Romilly, ‘The Prehistoric Rock Sculptures of Ilkley,’ in Journal of the British Archaeological Association, 35, 1879.
Bennett, Paul, The Old Stones of Elmet, Capall Bann: Chieveley 2001.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock art of the West Riding, WYAS: Wakefield 2003.
Hedges, John, The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Size, Nicholas, The Haunted Moor, William Walker: Otley 1934.
* It’s gotta be pointed out that Ilkley Moor’s ‘Land of the Dead’ extends much further than just the Green Crag. Much of the extended land above here to the south was an important area, where at some places rites of the dead were performed. The supposed ‘settlement’ nearby (as well as the lesser known one on the moor west of here, on the moor above Ilkley Crags, near Cranshaw Thorn Hill) was likely to be a place where the dead were rested for a period. But more about that in the section on the Green Crag Settlement…
