Cup-and-Ring Stone (removed): OS Grid Reference – NT 1872 4072
Archaeology & History
Included in the standard catalogues by Ronald Morris (1967; 1969), this carving was brought to light fortuitously by the local farmer who, thankfully, recognized its archaeological importance. Etched into a small flat broken block of stone, he noticed a cup-marking and the remains of a triple-ring around it, with grooves running out from the central cup. It was described in detail by the Royal Commission (1967) lads in their county survey where they told:
R.W.B. Morris’ 1967 photoHallyne carving in Peebles Museum
“During the excavations at the Roman fort at Lyne…in June 1959, a stone bearing cup-and-ring markings was found lying beside the fence that crosses the North Annexe. According to local information it was found while ploughing in the field on the NE side of the fence. It is a sandstone block, measuring 1ft 5in by one foot, and with an average thickness of 8in. It is clearly a mere fragment of what must have been a larger slab, but it is impossible to estimate its original dimensions. The markings consist of a single well-formed cup, 2in in diameter and three-quarters of an inch in depth, now partly surrounded by the broken arcs of three rings, which, if complete, would measures about 4in, 7in and 10in in diameter respectively. The rings are all half an inch in width and one eighth of an inch in depth. From the innermost ring two radial grooves, set one inch apart, extend outwards for a maximum distance of 4in. They interrupt the two outer rings, which stop short on either side of them, leaving a gap of about half an inch. The grooves are slightly narrower and shallower than the rings. The whole symbol has been formed by the pecking technique and punchmarks are still remarkably fresh. Outside the outermost ring there is a very shallow depression, one inch in diameter, which may be another cup-mark; in addition there are several recent scars caused by the plough.”
It was moved to the museum in Peebles shortly after being found and remains there to this day, apparently. I’ve not seen it.
References:
Morris, Ronald W.B., “The Cup-and-Ring Marks and Similar Sculptures of South-West Scotland,” in Transactions of the Ancient Monuments Society, volume 14, 1967.
Morris, Ronald W.B., “The Cup-and-Ring and Similar Early Sculptures of Scotland; Part 2 – The Rest of Scotland except Kintyre,” in Transactions of the Ancient Monuments Society, volume 16, 1969.
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.
Royal Commission on the Ancient & Historical Monuments of Scotland, Peeblesshire – volume 1, HMSO: Edinburgh 1967.
Cup-and-Ring Stones (lost): OS Grid Reference – NS 444 747
Archaeology & History
A couple of interesting multiple-ringed carvings were found high up on the slopes above Bowling, not far from the Bow Linn waterfalls, near the end of the 19th century. John Bruce (1893) told that, shortly after the discovery of the Cochno carvings,
“in the year 1889, two cup and ring marked stones were discovered in a dyke near the old farmhouse of Auchentorlie while the reservoir for the district water supply was being excavated close by.”
But since then, they seem to have disappeared. Searches for them by the old petroglyph writer Ron Morris in the 1960s and the Royal Commission lads in the 1970s both drew a blank. If we’re lucky, they might be hiding in a box somewhere, in the storage rooms of Glasgow’s Kelvingrove Museum. As you can from the sketches done by W.A. Donnelly, they’re quite impressive. The drawings give the impression that they were small portable carvings, which may suggest they were once part of a prehistoric cist or cairn, although no such site has been found in this locale. If this isn’t the case, their small size is an oddity.
References:
Bruce, John, The History of the Parish of West or Old Kilpatrick, John Smith: Glasgow 1893.
Cup-Marked Stone (lost): OS Grid Reference – NS 419 747
Archaeology & History
Very little is known of this site. It was discovered in the 1890s by a Mr W.A. Donnelly who was responsible for some of the early drawings of the famous Cochno Stone carving (found a few miles east of here), but it seems that he made no such sketch of this particular carving—although it doesn’t sound too impressive when we compare it to some of the others in this area. It was thankfully mentioned, albeit briefly by John Bruce (1893), who told that it was “a boulder with a large basin and a duct heading therefrom…at the foot of Dumbuck Hill.” The carving may well have been destroyed by quarrying.
References:
Bruce, John, The History of the Parish of West or Old Kilpatrick, John Smith: Glasgow 1893.
Cup-Marked Stone (lost): OS Grid Reference – NS 449 740
Also Known as:
Dunerbuck
Greenland (5)
Archaeology & History
Bruce’s 1893 sketch
This small and visually trivial cup-marked stone is one of a number in this neck o’ the woods that have either been destroyed or simply lost. This stone has the “lost” label stamped on it! It was first described in John Bruce’s (1893) classic local history work where he told it to be “a boulder of sandstone with three cup-marks…(that) lies on the slope of the Hill of Dun, about 100 yards north of Dunerbuck farmhouse.” It doesn’t appear to have been seen since, as none of the classic petroglyph writers described seeing it and a search for it in Glasgow’s Kelvingrove Museum in the 1960s drew a blank. The carving has subsequently been added to archaeological inventories with the standard, “this cup-marked boulder cannot now be located.” It may yet be found, overgrown by grasses and mosses, just that hundred yards or so above the buildings behind Dunarbuck. That entire area needs scanning to be honest…
References:
Bruce, John, The History of the Parish of West or Old Kilpatrick, John Smith: Glasgow 1893.
Bruce, John, “Notice of Remarkable Groups of Archaic Sculpturings in Dumbartonshire and Stirlingshire,” in Proceedings of the Society of Antiquaries of Scotland, volume 30, 1896.
Royal Commission Ancient Historic Monuments, Scotland, The Archaeological Sites and Monuments of Dumbarton District…, HMSO: Edinburgh 1978.
This is an outstanding site visible for miles around in just about every direction – so getting here is easy! If you’re coming from Harrogate, south down the A658, turn right and go thru North Rigton. Ask a local. If you’re coming north up the A658 from the Leeds or Bradford area, do exactly the same! (either way, you’ll see the crags rising up from some distance away) As you walk to the main crags, instead of going to the huge central mass, you need to follow the line of walling down (south) to the extended cluster of much lower sloping rocks. Look around and you’ll find it!
Archaeology & History
On the evening of May 27, 2024, I received a phone call from a Mr James Elkington of Otley. He was up Almscliffe Crags and the wind was howling away in the background, taking his words away half the time, breaking the sentences into piecemeal fragments. But through it all came a simple clarity: as the sun was setting and the low light cut across the rocky surface, a previously unrecorded cup-and-ring design emerged from the stone and was brought to the attention of he and his compatriot Mackenzie Erichs. All previous explorations for rock art here over the last 150 years had proved fruitless—until now!
Looking northwestCentral cup-&-ring
On the east-facing slope of the stone, just below the curvaceous wind-and-rain hewn shapes at the very top of the boulder, is a singular archetypal cup-and-ring. It’s faint, as the photos show, but it’s definitely there. What might be another cup-and-ring is visible slightly higher up the sloping face, but the site needs looking at again when lighting conditions are just right! (you can just about make it out in one of the photos) But, at long last, this giant legend-infested mass of Almscliffe has its prehistoric animistic fingerprint, bearing fruit and giving watch to the countless heathen activities going back centuries. Rombald’s wife Herself might have been the mythic artist of this very carving! (if you want to read about the many legends attached to the major Almscliffe rock outcrop, check out the main entry for Almscliffe Crags)
One of two petroglyphs housed in the Gala House Museum, whose background is somewhat of a mystery. When the northern antiquarian Paul Hornby visited the museum, his enquiries regarding its history and place of origin drew a blank. This small squared block of stone has obviously been broken from a larger piece, but the whereabouts of its adjoining fragments are unknown. The section that remains that we see here is somewhat more complex than it’s companion petroglyph, comprising as it does (in the photo on the right) a concentric cup-and-two-rings,with another arc above it that has a carved line running vertically into it. An elongated cup-mark sits to the side of this line. On the lower-left side we can see where a fragment of the stone has been broken off and here is a cup marking with a double arc above it, that may originally have been another cup-and-two rings. The curious angular lines at the bottom of the stone look like more recent scratches, perhaps from an industrial machine (tractor?) created when the stone was moved from its place of origin. If anyone knows anything about this carving, please let us know.
Acknowledgments: Big thanks to Prof Hornby for use of his photo.
Of the “two stones bearing possible cup markings” mentioned in the Royal Commission (1978) survey of the area, this is one them – and it’s a dead cert, not a mere “possible.” It was rediscovered by Tom Welsh (1976) when he explored the large low-walled enclosure on this plateau. The carving is on a small rounded stone near the southern perimeter of the enclosure. Welsh described it as, “a boulder 48 x 35 x20cm, bearing six cups 45mm diameter, arranged five round a sixth, the pattern being 15cm across.”
A second cup-marked stone was also located “2.5m in from the last perimeter” bearing a single well-defined cup-mark more than an inch across. This seems to have been lost.
References:
Royal Commission Ancient Historical Monuments, Scotland, The Archaeological Sites and Monuments of Dumbarton District…, HMSO: Edinburgh 1978
Welsh, T C. (1976d) ‘Lang Craigs, Milton, enclosure, cup marks, foundation, mound, platform’, Discovery Excav Scot, 1976. Page(s): 30
You can take the same directions to get here is you follow the route for the Hawksworth Spring (01) carving, or take this alternative route. Take the standard road from Guiseley along Hawksworth Road. When you reach the first row of old houses in the village, a couple of hundred yards on you reach the village school and, shortly after the footpath is sign-posted. Walk left (downhill) through the field for half-a-mile until you reach the woods. 100 yards into the into the trees, walk to your right and follow the line of walling straight for 400 yards, then veering right up the slope and it then slowly bends round, keeping to the wallside all along. It then starts heading back downhill. As it does so, 10 yards from the wall into the woods you’ll see the broken triangular rock of the Hawksworth Spring (01) carving. Walk another 10 yards where the large holly bushes are and you’ll see the large sloping stone in front of you.
Archaeology & History
This carving is similar in nature to its companion 10 yards away, inasmuch as each of them possess two small arcs of cup-marks almost in the same format, very close together, one above the other near the top of the stone. It’s possible that the mythic nature/function of this particular element of arcs is the same on each stone—although fuck knows what it might be!
Clear line & faint line of arcsClear arc of cups
Below this double arc (only one of which is clearly visible in the photos) we see a scatter of other cup-marks—perhaps six, perhaps seven—one of which appears to have a very faint incomplete ring round it. When Liz Sykes and I visited the place, the light of day and the shadows across the rock didn’t help to convince us one way or the other, so we await news from other visitors who get better light conditions to tell us whether our hopeful eyes were deceiving us or not. There are a number of other marks on its surface, but these are much more recent and very obviously cut, or rather scratched, by metal artifacts with no bearing on the prehistoric design.
References:
Boughey, K.J.S. and Vickerman, E.A., Prehistoric Rock of the West Riding (Supplement), Shipley 2018.
Acknowledgements: Huge thanks to Liz Sykes for her renowned cleaning skills!
Through Baildon town centre, take the road onto Baildon Moor, but instead of turning left up to Baildon Hill, keep straight on the Hawksworth road and 100 yards along you’ll see a car-park is on the right-hand side, just before you start going downhill. From here, walk down the road a couple of hundred yards until you see the footpath (keep your eyes peeled!) turning right towards The Whitehouse, and from there take the footpath dead straight down to the woods below. Cross the stream, turn right, then immediately left uphill by the wall-side. Shortly before reaching the top you’ll see a large triangular sloping slab of rock with a tree at its top. That’s it! Alternatively you can come via Hawksworth village by following the directions to the Hawksworth Spring (02) carving, which is just 10 yards east of this one. Easy!
Archaeology & History
Sketch of carving (after Hedges 1986)Note the faint cup, top-right
This minimalist design is best seen from above the adjacent rock which, in times gone by, was attached to this very same stone. The main aspect of the carving are the two short rows of three cups, running almost alongside each other, in a likeness which my compatriot Liz Sykes said “was like some animal footprints.” It’s not a bad description to be honest (this same motif is found on a companion petroglyph just a few yards to the east: the Hawksworth Spring [2] stone). If you follow the direction of the “animal tracks” to the western end of the stone, you’ll see another isolated cup with a faint incomplete ring around it. You can just make it out on the photo to the right. Another single cup-mark seems apparent two-thirds the way down the stone.
References:
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Acknowledgements: Huge thanks to Liz Sykes for her renowned cleaning skills!
Cup-and-Ring Stone (lost): OS Grid Reference – NY 909 702
Archaeology & History
Chesters carving, 1887
The whereabouts of this carving is somewhat of a mystery. Originally found three or four hundred yards away to the northeast of Chesters mansion, it was moved from there into the porch entranceway of the place—and here it lived for, hmmmm….well, we’re not quite sure how long it was here. The only description of the carving seems to have been made by the Rev. G.R. Hall in 1887, and between then and sometime in the 20th century, it’s disappeared to god-knows-where. The only known photo of the carving (right) suggests that the original design was somewhat bigger as the stone looks to have been broken off from a larger piece. Mr Hall told us:
“this stone is 3 feet in length by 2 feet 6 inches in breadth, of irregular form. It has five incised cups on each side of a wide, slightly curved channel, which crosses the stone at nearly its widest part. Two other grooves intersect this longest channel, one forming a segment of a circle. At the opposite end of the slab are two nearly parallel grooves passing towards the largest hollow. The ten cups vary from 1½ inches to 3 inches in diameter, and are from half an inch to an inch in depth.”
All being well, the carving is hiding in a wall somewhere, or maybe beneath His Lordship’s bed. Hopefully it’ll re-appear sometime soon…
References:
Beckensall, Stan, Northumberland’s Prehistoric Rock Carvings – A Mystery Explained, Pendulum: Rothbury 1983.
Hall, G.R., “On Some Cup-incised Stones, found in an Ancient British Burial-mound at Pitlands Hills, near Birtley, North Tynedale,” in Archaeologia Aeliana (2nd Series) volume 12, 1887.
