Panorama Woods (227), Ilkley, West Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 11467 47287

Also Known as:

  1. Carving no.101 (Hedges)
  2. Carving no.227 (Boughey & Vickerman)
  3. Rocking Stone

Getting Here

Panorama stone 227 – once a rocking stone

Come out of Ilkley/bus train station and turn right for less than 50 yards, heading left up towards White Wells.  Go up here for less than 100 yards, taking your first right and walk 300 yards up Queens Road until you reach the St. Margaret’s church on the left-hand side.  On the other side of the road, surrounded by trees is a small enclosed bit with spiky railings with Panorama Stones 227, 228 and 229 all therein: the least-decorated one on the left being the one we’re dealing with here.

Archaeology & History

This is another of the caged Panorama Stones, found within the awful spiked fencing across from St. Margaret’s Church, just out of Ilkley centre.  Originally located ¾-miles (1.2km) WSW of its present position in Panorama Woods (at SE 10272 46995), along with its petroglyphic compatriots in this cage, the carving was moved here in 1890 when a Dr. Little—medical officer at Ben Rhydding Hydro—bought the stones for £10 from the owner of the land at Panorama Rocks, as the area in which the stones lived was due to be vandalized and destroyed. Thankfully the said Dr Little was thoughtful and as a result of his payment he had some of the stones saved and moved into their present position.

Original location of stones
J.T Dale’s 1879 sketch

It was first described by the northern antiquarian and petroglyph pioneer, J. Romilly Allen (1879) , who saw it in the now-destroyed “rough inclosure”, as he called it, along with the other stones now in the same Ilkley ‘cage’. Its present position does it no justice whatsoever in terms of its original position.  It was ostensibly a rocking stone: this seemingly trivial-looking boulder was sat on top of the much-cropped Panorama Stone 228 (a yard east of the three in this outdoor cage).  Allen (1879) was fortunate enough to have seen the stone before it was uprooted, telling us how this topmost stone, “has eleven cups, wo of which are surrounded by single rings.”  The modern archaeologist John Hedges (1986) told it to be in a “bad state,” with “very worn carvings, fourteen cups, one with partial ring and groove.” Its situation deteriorated further, as stated by rock art students Boughey & Vickerman (2003), who noted,

“medium-sized, roughly triangular rock, its surface recorded as in a bad state in 1986 and now (2002) even worse.  Fourteen cups, one with partial ring, one groove.”

And its condition isn’t helped by its inaccessibility, when groups like the ‘Friends of Ilkley Moor’ or the local archaeologist should be at least annually cleaning this and the adjacent carvings.  If they’re incapable, there are sincere people in antiquarian, history and pagan groups who would probably help out…

John Hedges 1986 sketch
Faint cupmarks visible

In truth, this carving cannot be seen in isolation, nor merely reduced to a numeric catalogue in some rock art corpus.  We must contextualize its relationship with the once much-larger multiple cup-and-ring stone on which it sat and then see it as it was in the landscape.  Originally of course the rocking stone was Nature’s very own creation.  As humans began migrating over and eventually occupying this once-wooded arena, the rocking stone became intimately related with animistic magickal rites and, over time, petroglyphs began to be etched upon the stone.  Most probably the flat underlying rock surface was carved upon first, and a symbiotic relationship was forged between Earth’s surface and the small rocking stone, both of which were used in oracular and other rites.  Over centuries, as the cups and rings on the earthfast stone grew, the mythic status of this small rocking stone allowed for the encroachment of carvings, and eventually cup-marks began to be etched upon it too.  Later still, as the neolithic period moved into the Bronze Age, the people began to build a low-walled stone enclosure around this and the nearby multiple-ringed carving – similar to the multi-period enclosure at Woofa Bank and other sites on these moors.  It was all a very long and gradual process.

In truth, the mythic status of this once-impressive site would have been maintained—in one form or other—well into the medieval period.  But that’s another matter altogether…

References:

  1. Allen, J. Romilly, “The Prehistoric Rock Sculptures of Ilkley,” in Journal of British Archaeological Association, volume 35, 1879.
  2. Bennett, Paul, The Panorama Stones, Ilkley, TNA: Yorkshire 2012.
  3. Bennett, Paul, Aboriginal Rock Carvings of Ilkley and District, forthcoming.
  4. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
  5. Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
  6. Downer, A.C., “Yorkshire Archaeological and Topographical Association,” in Leeds Mercury, August 28, 1884.
  7. Eliade, Mircea, The Sacred and the Profane: The Nature of Religion, Harcourt, Brace & World: New York 1959.
  8. Hadingham, Evan, Ancient Carvings in Britain, Souvenir Press: London 1974.
  9. Hedges, John, The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
  10. Heywood, Nathan, “The Cup and Ring Stones of the Panorama Rocks”, in Transactions Lancashire & Cheshire Antiquarian Society, Manchester 1889.
  11. Speight, Harry, Upper Wharfedale, Elliott Stock: London 1900.

Acknowledgements:  With huge thanks to both Dr Stefan Maeder for help in cleaning up the stones; and to James Elkington for allowing use of his photos in this site profile.

© Paul BennettThe Northern Antiquarian 


Rushy Beck Spring, Burley Moor, West Yorkshire

Healing Well:  OS Grid Reference – SE 1403 4544

Getting Here

Source of the Rushy Beck

From Ilkley centre, take the road up to Cow & Calf, going past the hotel and along Hangingstone Road for a half-mile until you meet some walling on the right of the road. Stop and walk up the small beck, veering to the left as you approach the brow of the hill.  Keep walking up the beck onto the moor where you’ll eventually reach its source, as shown in the photo here!

Archaeology & History

This once fast-flowing spring of fresh sparkling water has seen better days.  The site has two openings in the Earth about 10 yards east and west of each other, both discernible by the notable difference in vegetation on the moors here, where richer hues of green created by the waters cut a small channel down the moorland slopes through the usual hues of heather.

The waters taste fine when they’re in flow, but much of the land here has fallen into shallow marsh and with the inevitable falling of the water table thanks to the stupid arrogant Industrialists, very little of the goodness is available.  But it wasn’t always like this.  Certainly when our prehistoric ancestors carved the rock art close by the source of the waters, then later constructed the large ritual enclosure immediately west of the springs, the waters would have been very important—and in much greater profusion—for simple nourishment and for rituals enacted at the site.

 

© Paul Bennett, The Northern Antiquarian


Crutch Well, Baildon, West Yorkshire

Healing Well:  OS Grid Reference – SE 14678 38688

Getting Here

Crutch Well pool (Goat Stone carving to rear)

Whether you’re coming here from either Baildon, or Shipley, head for the Cricketer’s Arms on Green Road (ask a local).  About 50 yards uphill from the pub, on the other side of the road, notice the small pool on the green surrounded by large rocks.  That’s y’ spot!

Archaeology & History

First illustrated on the 1851 6-inch to the mile Ordnance Survey map of the region, this little known medicinal spring of water appears to get its name from the northern dialect word, crutch, meaning a plough, a plough-handle, a spade and variants thereof. (Wright 1898)  There is another possibility of it deriving from “an ash or hazel pole” that were given as payment to workers each day in bygone times—a curious custom in itself! But we actually don’t know for sure and could even assume that people came here on crutches to be cured, or something along those lines.

The place has clear running water and had a chapel built near it in the early 19th century.  The old public house across the road (Cricketer’s Arms) has spring water from this well running underneath it, which was said to never run dry and also keeps the drinks forever cool in warm weather!  A few yards above the source of the spring, on the grass to the north is a small cup-marked stone.  Another cupmarked rock listed by archaeologists as a prehistoric carved stone nearby on the same grass verge is probably of more recent industrial origin.

References:

  1. Baildon, W. Paley, Baildon and the Baildons – parts 1-15, Adelphi: London 1913-1926.
  2. Wright, Joseph, English Dialect Dictionary – volume 1, Henry Frowde: Oxford 1898.

© Paul Bennett, The Northern Antiquarian


Goat Stone Carving, Baildon, West Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 14690 38699

Also Known as:

  1. Carving no.193 (Boughey & Vickerman)

Getting Here

The goat on its cup-marked stone!

Whether you’re coming here from either Baildon, or Shipley, head for the Cricketer’s Arms pub on Green Road (ask a local).  About 50 yards uphill from the pub, on the other side of the road, notice the small pool on the green surrounded by large rocks: it’s the small stone about 15 yards behind the source of the spring. The goats living there usually give the game away!

Archaeology & History

This small stone, found amidst a cluster of others surrounding the medicinal Crutch Well, has its name from the friendly goats who live hereby and, when I came here for the first time in a while the other day, had trouble getting one of the little fellas to shift from his stone!  We first found this when we did a lotta venturing around the area when we lived nearby as kids.  This particular stone was noted during one of our many exploratory rambles round here, albeit briefly, when I wrote:

“Before going up the slope to Robin Hood’s House we looked at the stones around Crutch Well and found one with some cup-marks on it, on the grass behind the waters.”

I can’t say for sure, but think this carving was later added in the Boughey & Vickerman (2003) survey as stone no.193.  They described the stone as:

“Creamish coloured rock about 1m N-S and less than 0.5m high carries two possible shallow cups to centre of surface and a possible third cup (doubtful) to N.”

Close-up of the cups

This would seem to be the stone, though there is another faded fourth cup, between the ‘doubtful’ cup and the two distinct ones, with a faded carved line running from it.  Their grid-reference isn’t accurate for this and a companion single cup-marked rock (which I’d say was dodgy!), so I’m not 100% sure that we’re dealing with the same carving.  There are a lot of small rocks here and in the fields opposite, many with industrial marks on them which, over the years, have faded and give the appearance of cup-markings — which most are not!

References:

  1. Bennett, Paul, Of Cups and Rings and Things, unpublished: Shipley 1981.
  2. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.

© Paul Bennett, The Northern Antiquarian


Woofa Bank Cairn, Burley Moor, West Yorkshire

Cairn:  OS Grid Reference – SE 1376 4542 

Getting Here

Newly found cairn, looking north

Follow the same directions to reach the Little Skirtful of Stones giant cairn.  From here, walk 200 yards straight north until you hit the footpath at the top of the Woofa Bank crags. Walk left along the footpath and where it begins to slope downhill, note the large boulder right by the path and another 30 yards further on.  Between these large rocks, turn left into the heather some 20 yards.  You’re damn close!

Archaeology & History

Close-up of covered tomb

Rediscovered on March 17, 2012, this small untouched prehistoric stone cairn, measuring 3½ yards by 2½ yards across and about 1 yard tall, was found thanks to the moorland heather being burnt, which has stripped the covering vegetation from the monument.  It rests just a couple of yards away from a small, almost dried-up stream, seemingly in isolation.  There are scattered remains of medieval workings nearby, between here and the Little Skirtful—some of which have intruded upon and destroyed earlier sites—but this particular cairn has a prehistoric pedigree.  An excavation here would be worthwhile sometime in the future; but the problem is, there’s so much neolithic and Bronze Age material all over this area, it’s hard to know where to start!

© Paul Bennett, The Northern Antiquarian


Green Crag Slack (374), Burley Moor, West Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 13891 45757

Also Known as:

  1. Carving no.199 (Hedges)

Getting Here

The faint cup-marks

From Ilkley, take the same directions to reach the Haystack Rock; then walk east along the edge of the moor, past the Pancake Stone and keep along the footpath for more than 800 yards till you see the large cairn above-right of the footpath by about 20 yards, a short distance before you’d hit the Rushy Beck.  Walk to the cairn, and then past it along the path (west) heading onto the moor for another 30-40 yards, checking the rocks on the ground thereby.  You’ll find it!

Archaeology & History

Scruffy sketch I did of the stone, c.1982

Described in John Hedge’s (1986) survey as a “long, low, smooth grit rock, partly covered with heather. Seven clear cups”, we first found this carving when we were out bimbling on one of our hundreds of ventures on these moors as kids—on this occasion, as I recall, seeking out a cup-and-ring stone that Stuart Feather discovered and mentioned in an early Yorkshire Archaeology Journal.  Less than a yard away from the one which Mr Feather described (the overgrown cup-and-ring stone no.375) was this curvaceous female rock, with seven simple cup-markings, mostly on its northeastern side.

When the heather is low in this area, you can clearly make out extensive remains of prehistoric walling 11 yards east of the cup-marked stone, running north-south.  This eventually meets up with another line of walling that runs east-west and bends back around on the western sides of the carving about 20 yards away, seemingly encircling it.  This enclosure will be described in greater detail at a later date.

References:

  1. Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
  2. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.

© Paul Bennett, The Northern Antiquarian


Chair Stone, Burley Moor, West Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 14395 45222

Getting Here

Cupmarked stone west of Coldstone Beck
Cupmarked stone west of Coldstone Beck

Fom Burley train station, take the road uphill onto the moor edge, turning right for a coupla hundred yards where the road runs up the side of the Coldstone Beck. Walk up the stream until you hit the footpath that takes you onto the moor proper, on the righthand (west) side.  Once on the level, note scatter rocks on the near horizon above you and the faded track that runs up towards them. Walk up here, keeping your eyes peeled for the small chair-shaped rock immediately left of the pathway. You can’t really miss it.

Archaeology & History

One of an increasing number of carvings that I’m finding have curiously not been included in the general rock art surveys of the region (Boughey & Vickerman, 2003; Hedges 1986).  We first found this—Jon Tilleard and I—when we were foraging for such carvings in the 1970s and early ’80s and the scruffy drawing here is taken from one of my early notebooks (1981) that explored the archaeological remains on these moors.

Scruffy drawing of the stone, c.1982
Close-up of cup-marks

The name of the stone comes from the slightly chair-like shape of the rock on which the blatantly obvious cup-markings can be seen.  There are at least six of them, with a possible seventh near the top of the rock.  Some curious eroded markings can still be to the left-side of the main cups, but I’m unsure as to their nature and they may be just geophysical. Above and around this rock are a number of medieval pit workings, quarrying and scatterings of other rocks, none of which have been found to possess cup-and-rings.

References:

  1. Bennett, Paul, Of Cups and Rings and Things, unpublished: Shipley 1981.

© Paul Bennett, The Northern Antiquarian


Acrehowe Cross, Baildon Moor, West Yorkshire

Cross (destroyed):  OS Grid Reference – SE 14390 40601

Also Known as:

  1. Rerehowe Cross

Archaeology & History

‘Rerehowe’ cross on 1852 map

Once found on the other side of the road from the prehistoric circle of Acrehowe Hill, this old cross was destroyed sometime in the first half of the 19th century by one of the stewards to the Lady of the Manor of Baildon, a Mr Walker.  It’s unlikely that Mr Walker would have performed this act without direct orders from the Lady of the Manor, so the destruction should really be laid at the feet of the land-owner, who’ve got a habit of destroying archaeological sites up and down the land, even today.

Found near the crown of a small hill on the horizon whether you’re coming from Eldwick- or Baildon-side, the cross was erected (probably between the 12th and 14th centuries) amidst a cluster of heathen burials and cup-and-rings, many of which would have been known by local peasants as having old lore or superstitions about them.  So the church commandeered this spot, desacralized it and no doubt enacted profane rites around it under the auspice of some spurious christian law.  They did that sorta thing with every non-christian site they ever came across—or simply vandalised it, much as many of them still do today.  Sadly we know not the exact history of the old cross: whether it was an old standing stone on the crown of this hill which they defaced and made into a cross, or whether they erected their own monument, we’ll never know.  But the idea of a once-proud monolith standing here is a strong possibility, considering its position in the landscape and the stone rings of Pennythorn and Acrehowe close by (cup-and-ring stones such as carving no.184 are also close by).

The cross itself once gained an additional incorrect title by the cartographers of the period, who named it Rerehowe Cross—but this was simply a spelling mistake and its newly-found title didn’t last long. The local industrial historian William Cudworth (1876) described the lost cross in his large work, where he told that,

“many of the inhabitants can remember and point out the exact spot where it stood, and no doubt could find some of the stones of which it was composed. It was destroyed by one of the overseers and a large portion of it used for fence stones.”

Harry Speight (a.k.a. ‘Johnnie Gray’) and others also mentioned the passing of this old stone, but give no additional information.

Folklore

In William Cudworth’s description of this site he told how “the village tradition is that it was put up in commemoration of a great battle that was fought on the Moor” at Baildon; but W.P. Baildon (1913) thought this was unlikely.  Instead, he cited an 1848 Name Book reference dug out by W.E. Preston, which told that on the summit of Acrehowe Hill,

“Here stood a cross which, according to traditional evidence was erected at the period that markets were held at Baildon, in consequence of a plague which prevented the country people from visiting the village with provisions, etc.  The site of its base is very apparent, being circular, about 8 feet in diameter.  A large flag stone  with the stump of the cross remaining in its centre, was pulled up and destroyed by Mr Walker (Baildon Hall) a few years since.”

References:

  1. Baildon, W. Paley, Baildon and the Baildons (parts 1-15), St. Catherines: Adelphi 1913-26.
  2. Bennett, Paul, The Old Stones of Elmet, Capall Bann: Milverton 2001.
  3. Colls, J.M.N., ‘Letter upon some Early Remains Discovered in Yorkshire,’ in Archaeologia, volume 31, 1846.
  4. Cudworth, William, Round about Bradford, Thomas Brear: Bradford 1876.
  5. Gray, Johnnie, Through Airedale from Goole to Malham, Walker & Laycock: Leeds 1891.

© Paul Bennett, The Northern Antiquarian 


Woofa Bank (352), Burley Moor, West Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 13611 45616

Also Known as:

  1. Carving no.183 (Hedges)

Getting Here

Deep cups on this Woofa Bank carving

Follow the same directions as if you’re gonna visit the Idol Stone carving.  From here, keep walking uphill until your reach the rocky crags on the slope above.  Go left (southeast) along the small footpath that runs along the top of this ridge for 350 yards (320m) and, where the path begins to very gradually slope back downhill a little, go sharp left, downhill for 50 yards, where a couple of large rocks stand out. Before one of these, low down in the heather, you’ll find this curious cup-and-ring stone.

Archaeology & History

This is a lovely cup-and-ring stone, seemingly recorded for the first time by fellow rock-art student Stuart Feather (Radford 1968) in one of his numerous ramblings over these moors.  It’s a difficult habit to break once the bug bites!  The rock itself is unusual, possessed of undulating geophysical waves or ripples across its surface, similar to a cluster of others a couple of miles west near the very top of Rombald’s Moor.  The curvaceous feature alone would have given this stone a spirit-nature of its own, different from the others in this area — though we may never know what that might have been.

Primary design (after Hedges)

The cups carved onto this rock are cut much deeper than most other prehistoric carvings along this ridge and, for some reason or other, give an immediate impression of having been painted and coloured in lichens or other natural dyes, to encourage or awaken the mythic history within and around the stone.  It’s a formula that occurs worldwide and needs serious consideration, not just here, but at many other outcrop carvings in Wharfedale and much further afield.

The carving was described in John Hedges’ (1986) fine survey as a,

“Fairly small flat rock, level with the ground, sloping slightly in heather and crowberry, its surface layered in waves which appear to have been incorporated in the design which covers the rock.  About 25 cups, some very deep and some showing pick marks, three are enclosed in rings, one of which has three cups in its circumference and a groove leading from it to edge of rock.”

Many other carvings scatter the moorland plain of Woofa Bank — some recorded, others not — in a region rich in Bronze Age and probably earlier cairns. We’ll add all their profiles here as time floats by…

References:

  1. Bennett, Paul, Of Cups and Rings and Things, unpublished: Shipley 1981.
  2. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
  3. Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
  4. Radley, J. (ed.), “Yorkshire Archaeological Register, 1968,” in Yorkshire Archaeological Journal, volume 42: part 166, 1968.

© Paul Bennett, The Northern Antiquarian


Buried Stone, Burley Moor, West Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 1380 4521

Archaeology & History

Buried Stone carving

One of this regions many simple cup-marked stones, this example is another that is not in the archaeological records as it was rediscovered on March 1, 2012, by one-time rock art student, Michala Potts of Keighley.  Found in association with one of the many prehistoric cairns in the landscape, it is a small flat rock, that was mainly covered over in dead bracken remains.  There are two very distinct archetypal cup-marks etched on the westernmost half of the stone, with a possible faint third in-between the two.  The larger of the two cups measures 2 inches across and is a half-inch deep; the other cup being 1½ inch across and roughly the same depth. Several other cup-and-ring stones can be found close by.

Buried Stone, when dry

The curious-looking inverted ‘F’ beneath the two cups is somewhat of a dilemma, as part of it appears to have been carved and has the hallmark of a typical boundary marker. However, the top line is almost certainly a natural feature on the rock, but the vertical and second horizontal line may have been cut into the rock at a later date.  There are remains of some medieval workings just 10 yards away from this stone, which may account for the enhanced lines; but we could do with a decent geologist to have a look and tell us one way or the other!

…to be continued…

© Paul Bennett, The Northern Antiquarian