From the Askwith Moor Road parking spot, head across the road and take the directions to the Woman Stone carving about 510 yards (467m) across the moors to the west. From here, look straight down the slope and head towards the largest boulder at the bottom, 20-30 yards away. About 10-20 yards to the right of this, zigzag about in the vegetation until you find the small stone amidst the bracken. You’ll find it!
Archaeology & History
This small stone, whose natural contours and cracks have been utilised in the design of the petroglyph, may once have been part of a prehistoric tomb, perhaps rolled or thrown downhill from the nearby Askwith Moor Cairnfield. I say this due to the size and portability of the stone, i.e., it’s small and barely earthfast, giving an increased likelihood that its present position was not its original one. But we might never know…
Rough sketch of the designClose-up of the carving
It’s almost archetypal in design, being a primary cup-and-ring, with what appears to be a faint inner ring etched marginally within the larger notable incomplete circle, just an inch beyond the inner central cup. From this same cup runs a carved line, out to the near edge of the small stone. Single cup-marks occur on the edges of the rock, as can be seen in the photos: three, possibly four of them. One of the cups, where the stone narrows to a rounded point, may also have had a partial ring around it. When we found this stone a few weeks ago, the day was grey and overcast and the light was poor, so our photos do not highlight the carving too well.
(Note: the OS grid-reference for this stone is an approximation: pretty damn close, but not close enough. If someone ventures here and can get the exact grid-ref, we’d be most grateful.)
From the Askwith Moor Road parking spot, head west to the Askwith Moor cairnfield. Keep walking west, going downhill past the main cluster of rocks. If you begin zigzagging amidst the heather hereby, you’ll eventually come across this relatively small stone which, even when the heather is deep, thankfully rises to the surface. The Wester Cairnfield 1 carving is close by.
Archaeology & History
Although I presumed that Graeme Chappell and I found this petroglyph when we surveyed the area in the 1990s, I cannot find an early account of it in my files, so must presume that when James Elkington, James Turner and I came across it a few weeks ago, it was the first view of the stone in many a century… It’s another simple carving, only of interest to the mad rock art hunters out there.
…and from another angle
When we first found it, it seemed to me (with the sunlight effects on the stone) that two cup-marks had been etched here; but as Mr Elkington pointed out, from the angle he was looking at the stone, there were another two. He was right. But it’s nothing special to look at, sadly, and is probably only of interest to the real hardcore petroglyph nutters amongst you. (please note that the grid-ref for this carving needs revising and may be 50 yards either side of the one given)
From the Askwith Moor Lane parking site, take the directions to the Askwith Moor Cairnfield. Walk westwards for about 100 yards down the gradual slope, towards the boggy land below, but before reaching the reeds, still in the moorland heather, there are a scatter of rocks. Just keep zigzagging about until you find it. It’s a reasonably large stone.
Archaeology & History
‘Cup mark’ on vertical face
This is one of several simple cup-marked stones found down the slopes about 100 yards west of the Askwith Moor Cairnfield. When James Elkington, James Turner and I re-surveyed this area again recently, I wondered whether it was a newbie or had already been located when Graeme Chappell and I did our tedious surveying of this region in the 1990s—and it turned out that we did! The carving is nothing special to look at, even if you’re a petroglyph zealot. Comprising of a distinct single cup-mark on the top nose of the rock, another is visible on the vertical south face, and another possible is on its eastern face.
1894 map of shooting target
When we look at the early maps of this area, we find that to the north and south of this stone once existed ‘Shooting Houses’. As we can see on the attached map, the position of one of the shooting targets is very close to the location of this stone and so we must conclude that the cups on the vertical face were done by gunshot and are not prehistoric. However, the distinct cup on top of the stone retains its prehistoric link.
Start at the Askwith Moor parking spot on Askwith Moor Road, then walk down the road (south) 300 yards till you reach the gate and track on the other side of the road, heading southeast. Following the track onto the moor and take the footpath on your right after 75 yards. Follow this along until you hit the gate & fence. Climb over this, then follow the same fence along (left) and down, and keep following the fence and walling all the way on until you reach the very bottom southwestern edge of Askwith Moor itself. Now, walk up the slope to your right and, near the top of this rise 250 yards away, past Lower Lanshaw 01 carving, in some ancient walling, you’ll find it!
Archaeology & History
A very faded cup-and-ring carving can be found about 30 yards northeast of the Lower Lanshaw cup-marked stone, just as the hill slopes down to the overgrown stream. It rests on the lower edges of the prehistoric (probably Bronze Age) enclosure in which other archaeological remains can be found. Although the photo here highlights what seems to be 3 cups on the south-face of the rock, only one of them seems authentic. A pecked “line” also seemed evident, but the light conditions were poor when we were here. It does seem that there’s a faded ring around one of the cups, as you can see in the photo.
Take the directions as if you’re visiting the ornate petroglyphs known asthe Lunar Stone and the Spotted Stone. Walk past them and down the slope, NW, as if you’re heading to the small valley a few hundred yards away. As you reach the bottom of the slope, closer to the stream, a large boulder catches your attention. This carved stone is just a few yards before you reach it.
Archaeology & History
This simple cup-marked design below the northern slope of Stanbury Hill has, on its northeastern sloping face, a single cup-mark; then, past a curiously-etched line (probably more recent) is a larger circular feature, like a very shallow ‘bowl’ as in the one found in the superb Stag Cottage petroglyph complex 300 miles north (and several other carvings). A few yards away, a large single cup-mark has been etched onto another stone. As with quite a few carvings in this region, they have been missed in the standard archaeocentric surveys.
Take the same directions to locate the cup-and-ring stone of Ballochraggan 12. There are several rocks adjacent. The one immediately next to it, to the northeast, is the one you’re looking for. Be gentle and careful if you’re gonna look at it — deadly serious, be very careful indeed!
Archaeology & History
One of the most intriguing and most fascinating of all the prehistoric carvings I’ve yet to discover. Not that this was all my own work. If it hadn’t been for Paul Hornby, we might have simply walked past it as being little more than a single cup-marked stone—and in this area, single cup-marks tend to be little more than geological in nature.
After we’d looked over several of the registered carvings close by, I did my usual meandering back and forth, stroking stones and seeing if there were any carvings that had been missed by previous surveyors. And in walking past a small piece of smooth rock, a singular cupmark seemed to stand out. I walked past it, shouting across to my colleague.
“It looks like we’ve got a single cup-mark here Paul,” I said, “with possible half-ring.” Thankfully Mr Hornby gave it his better attention.
Mask Stone, with faint ‘urn’Close-up of features
The sun was still out and shining across the smooth rock surface, which tends to mean that you’re not seeing any carving on the stone quite as good as it actually is. Thankfully however, the sun was beginning to get lower and, when this happens, if we wet the rock, any carvings that might be there stand out much better. And this little fella just seemed to get better and more curious the more attention Paul gave it!
The first thing that became obvious were a series of faint carved lines above the single cup-mark. Initially these didn’t seem to merit much attention (straight lines on rock are usually more the product of geophysical action than that of humans), but as the rock got wetter, Paul saw something very distinct indeed.
“There’s a face on it!” he exclaimed. And indeed there was. A Rorschach response no doubt, but it was still very much like a face. This looked for all the world akin to the stylised olde English gentry sort of countenance, as in old cartoons. It was quite ‘distinct’, as such characters themselves insist on being! Yet around this initial face, more lines seemed to be emerging as the stone gave up more and more of its hidden story.
Standing back from an initial investigation, the carving was seen to consist of a triple-ring, but without the traditional ‘cup’ in its centre. Instead, the centre was marked simply by a small ‘dot’—perhaps, originally, being a small conglomerate hole formed as a result of another tiny harder fragment of stone falling away from its larger mass. But a ‘dot’ it was. The other carved ‘lines’ however, immediately below and attached to the triple-ring, gave us something almost unique—and another strong Rorschach response. As the photos clearly show, we have a distinct second ‘face’ made up of the same lines but in a quite different form. This ‘face’ has all the attributes we usually associate with pictures of mythical spirits, demons, or a mask—hence the name!
Paul took a series of fine photos, hoping that he could catch the image that our eyes could clearly see. And thankfully, his digital camera brought the image to life even better than our eyes did! The ‘mask’ is comprised of carved lozenge forms, akin to the more decorative ones we find at Kilmartin, and more especially around Newgrange, Ireland. We sat and talked about this: wondering and working out routes that we’d take over mountains and moors, from Ireland, to Kilmartin, then onto Ballochraggan, etching the same designs onto the rocks hereby and attaching similar mythic notions to them: of shamanism and kingship; underworlds and journeys—paradigms lost and certainly misunderstood in the non-polysemia of many modern academics.
Lozenges and rings
…The stone here was still slightly covered over and, beneath the loose grasses, another feature emerged of another petroglyphic rarity. At the topmost western side of the rock a straight line ran across the surface, seemingly marked by the hand of man, with a curious little line almost doubling back on itself for just an inch or so, and then feeling to run down the stone, towards the concentric rings and the face below. When we stood back and took the photos, this line and its tracer took on a form that I’ve only seen echoed in one of the Netherlargie tombs at Kilmartin, Argyll, 44.4 miles (73km) to the west. It is very distinct.
The beaker, rings & ‘face’
Spuriously ascribed as being ‘axe’ carvings (oh how archaeologists love this Rorschach projection), the Netherlargie North tomb cover-stone in Kilmartin has a series of burial ‘urns’ or beakers carved onto the rock, amidst a scattered collection of cup markings. (Beckensall 2005:73-4; Bradley 1983:92-3; Royal Commission 1971:68-70; Twohig 1972, etc) Here too at Ballochraggan we find another such symbol, but just a singular example, much larger and more clearly a beaker or urn, as are traditionally found within many old neolithic and Bronze Age tombs; although no tomb is immediately apparent at this Ballochraggan carving.
The entire carving is very faint indeed (you can’t even see it when you’re looking directly at it unless conditions are good) showing that it remained open to the elements for thousands of years. Other adjacent carvings lack the erosion that we find on this one, even on those which, as archaeologist Lisa Samson said, is “softer sandstone rock than this one”—implying that it’s one of the older carvings in this incredible cluster.
The carving was covered over when we finished examining it, to ensure that Nature’s erosion keeps it alive for just a few more centuries at least, hopefully…..
References:
Beckensall, Stan, The Prehistoric Rock Art of Kilmartin, Kilmartin Trust: Kilmartin 2005.
Bradley, Richard, Altering the Earth, Society of Antiquaries Scotland: Edinburgh 1993.
Royal Commission on the Ancient & Historical Monuments of Scotland, Argyll – volume 6: Mid-Argyll and Cowal, HMSO: Edinburgh 1971.
Twohig, Elizabeth Shee, The Megalithic Art of Western Europe, Clarendon: Oxford 1981.
Acknowledgments: Huge thanks again to Mr Paul Hornby for his considerable help with this site, and for use of his photos.
Take the same directions as if you’re visiting the Ballochraggan 12 carving, or nearby standing stone. Literally 10 yards above the leaning monolith, you’ll see what looks like a glacial rock drop ahead of you (though it’s actually volcanic). That’s the stone you want!
Archaeology & History
A site that was first described in Maarten von Hoek’s (1989) survey of the area, where he told this carving to be “a loose boulder (that) bears 14 cups, some possibly natural.” There is very little doubt about it—many of the ‘cups’ on this stone are indeed natural, caused directly by the erosion and subsequent falling of conglomerate rock nodules coming away from the larger rock mass, leaving holes in it that look like cup-marks, but are blatantly natural in origin.
Close-up of the cups – natural or man-made?
When Paul Hornby and I visited the site on August 28, 2014, we looked briefly at the stone and then walked on by—but we took some photos, “just in case the archaeo’s have this listed as a monument, ” I said. And they do! Several of the ‘cups’ shown in the images here might be man-made. Might…. It’s difficult to say for sure (are there any geologists in the house?) Of course, if the faint half-ring below one of these large ‘cups’ turns out to be legitimate, we’ve got a definite here. But even that looks a bit dodgy!
Despite these marks possibly being geophysical, we must not forget, nor rule out, that this rock had some importance to the neolithic or Bronze Age people who frequented this region. Natural marks on rock would be emulated by humans sometimes, or seen as elements of spirit in the stone itself—as found all over the world. A standing stone is only yards away, and we have highly impressive multiple cup-and-ring stones very close by. The natural ‘cups’ on this and other adjacent rocks may have catalysed the petroglyphs themselves.
Check it out when you visit the other, much more impressive multiple-ringed carvings hereby; but also watch out for the many conglomerate rocks still scattering this hill—some with the softer rounded nodules of rock fallen, leaving cups, and others still in place in quite a few of the stones, awaiting their own geological timing to leave more cup-marks ready for some folk to misread. (I did it misself in younger years!)
Take the same directions as if you’re visiting any of the upper Ballochraggan petroglyphs, but 100 yards before the carvings, out in the open on the grasslands, below the reach of the forest, you’ll see the leaning stone if you wander about. You can’t really miss it!
Archaeology & History
Not included in any of the Canmore, Royal Commission or Ordnance Survey records, this standing stone appears to have eluded official records until now. Found close to the petroglyph-rich arena of the Ballochraggan complex, with attendant tombs to the east, there is the possibility that this large leaning stone was itself, once, a part of a long-gone cairn, as Paul Hornby suggested. The small cluster of stones around its base certainly adds to that idea (similar to the incredible Dunruchan cluster, more than 17 miles (28km) northeast).
The stone leans at a considerable angle from a previously upright position. When standing it would have been nearly five-feet tall and measures nearly as wide. The stone is roughly triangular in shape, above ground. What appear to be two faint cup marks on its topmost surface are very probably due to conglomerate rock erosion and not the handiwork of humans.
Park by the entrance to Ballochraggan, which is set back off the A81 between Aberfoyle and Port of Mentieth. Walk up the track, and just before you reach the cottage, notice the large boulder on your left, about 50 yards away. That’s it.
Archaeology & History
The Ballochraggan 1 Stone
This large dolmen-capstone-like boulder in front of the old cottage, was reported by Maarten von Hoek (1989) to possess about 10 faint cup-markings, with a large one near the centre of its upper surface. When Paul Hornby and I visited the site yesterday, several ‘cups’ were visible, but these were purely geological in nature; and even the large cup in the middle seemed somewhat dubious. The markings are the product of conglomerate rock, where smaller softer types of stone that are embedded in the boulder fall away, leaving cupmark-like indentations and other hollows. There are a lot of conglomerate rocks in these hills and it is essential that all students make themselves aware of the difference between the geological ‘cups’ and those forged by humans. In many cases this can be difficult, so apply the rule: if in doubt, kick it out—and err on the side of caution.
Some carvings in this region (and elsewhere in the country) possess conglomerate marks that have been enhanced and possess additional rings and carved lines. On this particular stone, such marks do not seem to exist. A dodgy example indeed…..
References:
von Hoek, Maarten, ‘Menteith (Port of Menteith parish): Rock Art Sites’, in Discovery & Excavation Scotland, 1989.
Acknowledgements: Huge appreciation to Paul Hornby for his photo and assessments.
Takes some finding this one! We parked up by the entrance to Ballochraggan on the A81 between Aberfoyle and Port of Mentieth. Walk up the track, then up the burnside past the house. Keep to its right-side and head uphill towards the very top of the forestry edge, staying in the grasslands. As you near the very top NE corner of the grassland boscage (NOT into the forest), about 100 yards before it, zigzag about through the gorse and keep your eyes peeled. It’s there!
Archaeology & History
This is a small, flat, smooth piece of stone with a simple carving clearly visible, in a region replete with highly impressive multiple-ringed petroglyphs. Very little has been said of this design and even the Canmore lads tell us only that the carving “includes one cup and ring marking and two cups within an oval ring.” And that’s that! However, other faint lines are evident on the surface of the stone, with the single cup-and-ring appearing to have another partial second-ring encircling a section of it. Outlying this are very shallow worn lines that seem to bear the hallmarks of human interference, but they were difficult to see with any certainty and our camera didn’t pick up additional elements with any real clarity. What seemed to be another cup-and-half-ring (not visible in the photos) was just beneath the edge of the grass where the rock fell back into the Earth.
Ballochraggan12, under cloud
The most catching element of the design is the very obvious ‘eye’ symbol peering up at us as we look down. Whether this symbol was deliberate or not, we can be sure that the old archaeologist O.G.S. Crawford (1957) would have loved it and added it to his old dreams of eye goddesses!
Other carvings nearby will blow your head off! The recently discovered Mask Stone, right next to this Ballochraggan 12 carving, being just a taster of the things to come.
Crawford, O.G.S., The Eye Goddess, Phoenix House: London 1957.
Naddair, Kaledon, et al, ‘Menteith (Port of Menteith Parish): Rock Ccarvings’, in Discovery & Excavation Scotland, 19, 1992.
Royal Commission on the Ancient and Historical Monuments of Scotland, The archaeological sites and monuments of Stirling District, Central Region, HMSO: Edinburgh 1979.
Acknowledgements: Huge appreciation to Paul Hornby for use of his photos. Cheers mate!
