Going out of Killin towards Kenmore on the A827 road, immediately past the Bridge of Lochay Hotel, turn left. Go down here for just over 2 miles and park-up where a small track turns up to the right, close to the riverside and opposite a flat green piece of land—right by The Green cup-marked rock-face. Walk up the small bendy track for about ⅔-mile (1km) and eventually, high above the tree-line, the road splits. Right here, go through the gate and walk downhill, over the boggy land, cross the burn, then the overgrown wall, and a second overgrown wall. Very close hereby is a small rise in the land amidst the mass of bracken, upon which is the stone in question!
Archaeology & History
Close-up of some cups
This large long, undulating, quartz-rich stretch of rock has two main petroglyphic sections to it, with curious visual sections of natural geological forms accompanying the cup-markings, found either side of the stone on its north and south sides. Its northern face has at least 20 cup-marks, of differing sizes, measuring between one and two inches across and up to half-an-inch deep. Their visual nature is markedly different to those on the more southern side of the stone, where they are generally smaller and much more shallow, perhaps meaning they were carved much earlier than their northern counterparts. One of the cups on this section has a very faint incomplete ring around it.
Running near the middle of the rock is a large long line of quartz and a deep cleft in which I found a curious worked piece of quartz shaped like a large spear-head, and another that looks like it’s been deliberately smoothed all round the edges. Both these pieces fit nicely in my hand. All around the edges of the stone, many tiny pieces of quartz were scattered, as if they had been struck onto the stone—either to try carving the cups (damn problematic!), or for some visual/magickal reason.
Cup-marked stone, East Morton (photo thanks, Sue Patchett)
From the expanding village of East Morton, by the school at the west-end of the village, walk up the narrow Street Lane for nearly 600 yards, past the houses, until you reach a footpath on your left that takes you across the fields. Walk along here (following the line of walling) for 250 yards, then, take a sharp left and down the field for 55 yards (50m) until, right beneath the power lines, you’ll find the rock in question.
Archaeology & History
This is one in a small, little-known cluster of petroglyphs on the western outskirts of East Morton. It is located at the base of what are thought to be remnants of Iron Age walling. Carved onto an elongated earthfast stone are a number of very well-preserved cup-marks, with what seems to be a faint carved pecked line running out from one of the southernmost cup-marks and curving back on itself (we could do with a good sketch artist getting us a good drawing of this). You can see this faint line on the far-left side of the stone in Sue’s photo above.
Hedges 1986 sketch
The petroglyph was rediscovered by the northern antiquarian Stuart Feather (1959) in one of his many sojourns exploring the prehistoric remains of the area. In John Hedges’ (1986) survey, the carving was described simply as:
“Triangular smooth grit rock with fairly flat top on which are twenty cups, not all clear, some large and oval, a few grooves.”
Boughey & Vickerman’s survey (2003) made no note of any additional features on the petroglyph.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Feather, Stuart, “Bronze Age Rock Carvings,” in Keighley News, March 7, 1959.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Jackson, Sidney, “Massive Walling at East Morton,” in Cartwright Hall Archaeology Group Bulletin, 5:9, 1960.
Jackson, Sidney, “East Morton Ancient Walls,” in Cartwright Hall Archaeology Group Bulletin, 6:9, 1961.
Acknowledgements: Huge thanks to Sue Patchett for use of her photo.
Take the same directions as if you’re going to the nearby Moirlanich 2 Carving (about 550 yards down Glen Lochay, on the north side of Killin). In the same field, about 150 yards northwest of Moirlanich 2, you’ll see another large rock close to the wall. That’s the spot!
Archaeology & History
Cup-marks highlighted
Looking down upon the River Lochay, with views east and west along the glen, here we find a carved rock that’s probably of interest only to the petroglyphic purists amongst you. Two simple cup-markings, about 5 inches apart, can be seen etched into the slightly sloping southern-face of this small rocky outcrop. The sacred mountain of the Creag na Cailleach rises to the immediate north.
From Killin, take the A827 road out of the north side of the village, turning left down Glen Lochay just before the Bridge of Lochay Hotel. 500 yards along the single-track road you’ll reach the electricity station. Just past this, in the field on your right, a large rock stands out just a few yards away. Go through the gate and walk to the spot!
Archaeology & History
Highlighted cup-marks
This is a simple cup-marked stone, perhaps used in ages gone by as a look-out spot by villagers. Only for the petroglyphic purists amongst you, this carving consists of just five cup-marks on the topmost section of the flat stone, with four of them roughly in a line and a solo one (the most pronounced of the them all) a few inches south of the row. The cup-marked Moirlanich 1 stone can be seen in the same field, 150 yards (137m) to the northwest.
Cup-and-rings on gatepost (photo credit, Dave Whittaker)
From Ilkley, follow the same directions as if you’re going up to the superb Swastika Stone. Keep walking on the footpath, west, for 65 yards (59m), then walk into the heather on your left. Barely 5 yards in, you’ll see this fallen standing stone or gatepost.
Archaeology & History
First described in one of Stuart Feather’s (1964) old rambles, I first saw this stone in my late-teens and was as puzzled by it then as I am today. Upon an obviously worked stone that may once have stood upright (or was intended to do), two faint and incomplete cup-and-rings were carved – but when exactly? If this stone was cut from a larger rock into its present shape, were the petroglyphs already on it, or were they done when the ‘gatepost’ was created?
It was first described in one of Stuart Feather’s (1964) rambles up here and later included in Hedges’ (1986) survey, where he told it to be a, “recumbent gatepost with one cup with almost complete ring and one cup with vestigial ring.” Boughey & Vickerman’s (2003) survey added little more. And when a group calling itself Carved Stones Investigation got itself about £250,000 to “investigate” the Ilkley petroglyphs, I was hoping that they could have at least turned this stone over to see if other carvings were on the stone – but they just revisited all those found by others, made a new list, and took the money to be honest (no website and no book – as they should’ve done). Thankfully, local folk are having a look at this and others and doing the work they should have. Check it out when you’re next up at the Swastika.
References:
Bennett, Paul, Megalithic Ramblings between Ilkley and Baildon, unpublished: Shipley 1982.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Feather, Stuart, “Mid-Wharfedale Cup-and-Ring Markings: no.26, 27, 28 – Black Pots, High Moor, Silsden, near Keighley,” in Cartwright Hall Archaeology Group Bulletin, 9:10, 1964.
Hedges, John, The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Acknowledgements: Huge thanks to Dave Whittaker for the photo. Good luck with the plans fellas.
This long-lost holy well was located on the southeast side of the town. It was highlighted on the first OS-map in 1849, but its waters were disrupted shortly after this. Daniel Conway (1882) told that,
“It flowed where there was a quarry used for the harbour works. The writer of this notice heard from two men, John Mulholland and Owen Graham, dwelling at Portpatrick in 1860, that they had seen on the rock beside the well what tradition said was the impression of the knees and left hand of St. Patrick.”
When the holy wells writer E.M.H. M’Kerlie (1916) came to visit this site, it was “no longer to be seen.” He wrote:
“The water which issued from a rock on the south side of the village is now diverted by means of pipes into another course.”
Royal Commission Ancient & Historical Monuments of Scotland,Inventory of Monuments and Constructions in Galloway – County of Wigtown, HMSO: Edinburgh 1912.
Walker, J. Russel, “‘Holy Wells’ in Scotland,” in Proceedings of the Society of Antiquaries of Scotland, vol.17 (New Series, volume 5), 1883.
Cup-Marked Stone (destroyed): OS Grid Reference – NX 0010 5411
Archaeology & History
Very little is known about this long-lost carving, whose primary information comes from the folklore records. Apparently it was found on a rock a short distance south of the destroyed St. Patrick’s Well and the two sites seem to have had a traditional relationship with each other. The carving had a foot-shaped motif on the rock, and a number of other cup-markings; but I can find no account as to whether the ‘foot’ carving possessed ‘toes’, as seen on the impressive Cochno Stone, north of Glasgow. It may have been little more that the petroglyphic ‘feet’ seen on the recently discovered and aptly-named Footprint Stone, or those on the newly rediscovered Witches Stone; but we cannot discount it being larger, like the Footprint Stone of Dunadd. If we could locate an early sketch of the stone, all would be revealed! Sadly, as E.M.H. M’Kerlie (1916) told us,
“this rock was blasted at the time when the government essayed to make the harbour one of great importance”,
several years after the nearby holy well had been re-routed. Fucking idiots! Any further info on this site would be most welcome.
Folklore
The local story that was told about St. Patrick creating these carvings seems to have been described first of all by Andrew Agnew (1864), who wrote:
“Once, when about to revisit his native land, he crossed the Channel at a stride, leaving the mark of his foot distinctly impressed on one of the rocks of the harbour; unfortunately, in making a new jetty, this interesting memento was destroyed.”
(The mention of the jetty would seem to imply that the carving was closer to the sea than the grid-reference cited above.) In another tale, St. Patrick rested his hand onto the same rock and the marks of his hand and fingers were left there. This folklore motif is found across the world. It relates to cosmological creation myths of indigenous spirits and deities in the tribes and cultures who narrate it. In this instance, the myth of St Patrick replaced a much earlier mythic tale of another giant or deity, whose name we have lost. Unless, of course, such petroglyphs were still being carved in Galloway by local people in the 4th-5th centuries.
A further tale of St Patrick, at Portpatrick, replaced a quite obvious shamanistic tale. When he journeyed back from Ireland to Galloway, Agnew again told us:
“Having preached to an assembly on the borders of Ayrshire, the barbarous people seized him, and, amidst shouts of savage glee, struck his head from his body in Glenapp. The good man submitted meekly to the operation; but no sooner was it over than he picked up his own head, and, passing through the crowd, walked back to Portpatrick, but finding no boat ready to sail he boldly breasted the waves and swam across to the opposite shore, where he safely arrived (according to the unanimous testimony of Irishmen innumerable), holding his head between his teeth!”
Legends such this are found in shamanistic pantheons worldwide. Shamans primary renown is their ability to travel and recover from the Lands of the Dead, always journeying into impossible and inhospitable arenas, with tales of being dismembered, beheaded, dying, and returning to life to help the tribe with whatever it was that required such a task (usually a healing function). This story of St Patrick – and many other saints – are mere glosses onto the earlier animistic stories, then abridged as being better, more spiritually mature, more egocentric. But their roots are essentially animistic.
Royal Commission Ancient & Historical Monuments of Scotland,Inventory of Monuments and Constructions in Galloway – County of Wigtown, HMSO: Edinburgh 1912.
Walker, J. Russel, “‘Holy Wells’ in Scotland,” in Proceedings of the Society of Antiquaries of Scotland, vol.17 (New Series, volume 5), 1883.
From Lochgilphead, take the A816 road north for several miles (towards the megalithic paradise of Kilmartin), keeping your eyes peeled for the road-signs saying “Dunadd.” Turn left and park-up a few hundred yards down. Go through the gate and walk up Dunadd. Just before the flattened plateau at the top, a length of smooth stone is accompanied to its side by the deep cup-and-ring of the Dunadd Basin. Three or four yards away, you’ll see the long ‘footprint’.
Archaeology & History
Near the top of Dunadd’s Iron Age ‘fortress’ and overlooking the megalithic paradise of the Kilmartin valley, several man-made carvings are in evidence very close to each other, all with seemingly differing mythic content. This one—the footprint—stands out; but it’s not alone! Faint etchings of at least one other ‘foot’ is clearly visible. The first literary account of it was by Ardrishaig historian R.J. Mapleton (1860), who told,
“There is on the top of Dunadd a mark that strikes me as interesting; it is like a large axe-head, or a rough outline of a foot. My impression is that it may have been the spot on which the chief would place his foot when succeeding to the headship of his tribe. The footmark was always considered among the people here as a mould for an axe-head, and I was rather laughed at for suggesting an inaugurating stone.”
Dunadd Footprint (after Royal Commission 1988)F.W.K. Thomas’ 1879 sketch
Be that as it may, a few years later the carving had caught the attention of the Scottish Society of Antiquaries. In his article exploring the potential for ritual inaugurations at Dunadd, Captain F.W.L. Thomas (1879) explored, not only the footprint, but the mythic functions of this symbol, looking at parallels with petroglyphs elsewhere in the world where the ‘foot’ was known to be a ritual inauguration symbol (amongst other things). He gave us the first real detailed account of the carving:
“About 10 or 12 feet below, and to the northward of the highest point, the living rock is smooth, flat and bear of sward, and in it is engraved an impression of a footmark, not of a naked foot, but such as would be made when the foot is clothed by a thick stocking or cuaran… The engravure is for the right foot; and it exactly fitted my right boot. The footmark is sunk half-an-inch deep, with perpendicular sides, the surface is smoothed or polished, and the outline is regular… It has probably been sheltered by the turf until recently. The footmark is 11 inches long, nearly 4½ inches broad where broadest, and 3½ inches across at the heel. When a person stands with his foot in the depression, he looks a little easterly of north.”
A century or so later when the Royal Commission (1988) boys got here, they found not one, but two ‘feet’ carved into the rock! A few feet away, near to the carved boar,
“At the south end of the main rock surface there is the lightly-pecked outline of a shod right foot. 0.24m long and 0.1m in maximum width, with a pronounced taper to the heel. There are further peck marks within the outline, and a sunken footmark was intended but not completed. This print is on almost the same alignment as the more prominent footprint some 2m to the north, which measures 0.27m from NNE to SSW, by 0.1m in maximum width and 25mm in depth. It is somewhat broader at the heel than the incomplete mark, and its sides are straighter.”
Close-up of the carving
They then emphasize how we’re unable to date the footprints, although point out how such carvings are “found in Britain from the Iron Age onwards.” But footprints have be found on other petroglyphs in Scotland (much less in England) and date between the neolithic and Bronze Age periods—but whether Dunadd’s example goes that far back, we cannot say. Extensive excavations occurred at Dunadd between 1980-81 and most of the finds were Iron Age and early medieval in nature (this carving and the cup-and-ring barely got a mention in Lane & Campbell’s [2000] extensive summation). But we may be looking at an evolutionary developmental relationship in symbolism and form, if the traditions of the place have any substance. This is something I’ll return to when writing of the Boar Carving, just a few feet away…
Folklore
The legends behind this seemingly insignificant mark near the top of Dunadd ostensibly echo and relate to the huge cup-and-ring of Dunadd Basin four yards away. I can only repeat what I said in that site profile.
R.J. Mapleton (1860) said that Dunadd was known by local people to be a meeting place of witches and the hill of the fairies, whose amblings in this wondrous landscape are legion. Legends and history intermingle upon and around Dunadd. Separating one from the other can be troublesome as Irish and Scottish Kings, their families and the druids were here. One such character was the ever-present Ossian. Mapleton told:
“From these ancient tales we turn to a much later period of romance, when Finn and his companions had developed into extraordinary and magical proportions; a story is current that when Ossian abode at Dunadd, he was on a day hunting by Lochfyneside; a stag, which his dogs had brought to bay, charged him; Ossian turned and fled. On coming to the hill above Kilmichael village, he leapt clean across the valley to the top of Rudal hill, and a second spring brought him to the top of Dunadd. But on landing on Dunadd he fell on his knee, and stretched out his hands to prevent himself from falling backwards. ‘The mark of a right foot is still pointed out on Rudal hill, and that of the left is quite visible on Dunadd, with impressions of the knee and fingers.’”
As Mr Thomas (1879) clarified:
“The footmark is that of the right foot, and the adjacent rock-basin is the fabulous impression of a knee.”
References:
Bord, Janet, Footprints in Stone, Heart of Albion Press 2004.
Campbell, Marion, Mid-Argyll: An Archaeological Guide, Dolphin Press: Glenrothes 1984.
Campbell, M. & Sanderman, M., “Mid-Argyll: An Archaeological Survey,” in Proceedings of the Society Antiquaries, Scotland, volume 95, 1962.
Craw, J.H. “Excavations at Dunadd and other Sites,” in Proceedings of the Society Antiquaries, Scotland, volume 64, 1930.
Lane, Alan & Campbell, Ewan, Dunadd: An Early Dalriadic Capital, Oxbow: Oxford 2000.
Mapleton, R.J., Handbook for Ardrishaig Crinan Loch Awe and Pass of Brandir, n.p. 1860.
Morris, Ronald W.B., The Prehistoric Rock Art of Argyll, Dolphin Press: Poole 1977.
Royal Commission on the Ancient & Historical Monuments of Scotland, Argyll – Volume 6: Mid-Argyll and Cowal, HMSO: Edinburgh 1988.
Inside the once prominent prehistoric tomb on the Cow Keeper’s Field, the northern antiquarians William Hornsby and John Laverick (1920) came across two small petroglyphs in association with a cremation burial, several feet south of the central cist: the Cow Keeper’s Field 2 carving, plus this small, triangular-shaped stone, 8in by 6in, consisting of five standard cup-marks, with two of the cups (as the photo shows) connected to each other. It is akin to the numerous ‘portable’ cup-marked stones which, in other cultures, were deposited onto cairns in remembrance of the ancestral spirits of the tomb. Such widespread practices may also have occurred here. Petroglyph researcher and writer Graeme Chappell (2017) informed us that the carving “is in storage in the Dorman museum in Middlesborough.”
References:
Brown, Paul & Chappell, Graeme, Prehistoric Rock Art in the North York Moors, Tempus: Stroud 2005.
Chappell, Graeme, Personal communication, October 4, 2017.
Crawford, G.M., Bronze Age Burial Mounds in Cleveland, Cleveland County Council 1990.
Elgee, Frank, Early Man in North-East Yorkshire, John Bellows: Gloucester 1930.
Hornsby, William & Laverick, John D., “British Barrows round Boulby,” in Yorkshire Archaeological Journal, volume 25, 1920.
Inside the once prominent prehistoric tumulus on the Cow Keeper’s Field (now destroyed), the northern antiquarians William Hornsby and John Laverick (1920) came across two small portable petroglyphs: the Cow Keeper’s Field 1 carving, plus this “peculiarly marked stone” as they put it, some “5ft south of the centre” where a cist, or stone-lined burial existed. Measuring 18in by 7in, the rock carving consists of at least one large cup-marking which is clearly evident on top of the stone, plus what seems to be another one next to it, half-covered. Along the side of the stone, a series of twelve roughly parallel lines have been carved out, running down to the bottom of the stone. Rock art researcher and writer Graeme Chappell (2017) tells us the carving is supposed to be “in storage in the Dorman museum in Middlesborough,” although no one has seen it in years. It would be worthwhile if fellow research students could visit the said museum to recover this and other portable cup-marked stones that were found in the area.
References:
Brown, Paul & Chappell, Graeme, Prehistoric Rock Art in the North York Moors, Tempus: Stroud 2005.
Chappell, Graeme, Personal communication, October 4, 2017.
Crawford, G.M., Bronze Age Burial Mounds in Cleveland, Cleveland County Council 1990.
Elgee, Frank, Early Man in North-East Yorkshire, John Bellows: Gloucester 1930.
Hornsby, William & Laverick, John D., “British Barrows round Boulby,” in Yorkshire Archaeological Journal, volume 25, 1920.
