Petroglyphs – Page 23

Girdle Stane, Dunnichen, Angus

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Cup-and-Ring Stone: OS Grid Reference – NO 52808 49737

John Sheriff’s 1995 drawing of Girdle Stane

Also Known as:

Canmore ID 34662
Dunnichen 1
Girdlestane
The Girdle Stane of Dunnichen
Girdle Stone

From The Square in Letham village, go north up Auldbar Road and out of the village for 0.6 miles (1km). Shortly before reaching the road junction at the top, on the left-side of the road is a recess with a stone and a small aging plaque telling you that you’ve reached the Girdle Stane.

Archaeology & History

The Girdle Stane

This cup-and-ring stone is not in its original position. Although we know from Ordnance Survey records in the 1860s that it was located about 130 yards north of here, close to the road junction, even that is unlikely to have been its original position—but we know not where that might have been! It is an undoubted multi-period carving, with the earliest section being our typical neolithic or Bronze Age cup-and-ring near the centre of the stone, with several outlying cup-marks toying with our intellect as per usual! The central cup-and-ring may have an incised line running down out of it, although this isn’t highlighted on John Sheriff’s (1995) drawing of the stone.

Girdle Stane on 1865 map

Surrounding the central archetype, by some distance, is a much wider carved ring that almost reaches to defines the edges of the stone itself. This large encircling motif and other features of the petroglyph—including a large elongated “S” and marks that were probably executed by the Ordnance Survey lads at the bottom corner—were ingredients which prompted Sir James Simpson (1867) to question the veracity of the Girdle Stane’s antiquity. He wrote:

“The so-called ‘Girdle-stone’ in the…parish of Rescobie, about four feet long and three broad, is cut on its surface with two circles, the largest of which is above two feet and a half broad, and hence does not, I believe, belong to the class which we are considering in this essay”—

More recent “S”-shaped motif

Close-up of cups, ring and lines

i.e., neolithic or Bronze Age petroglyphs. And you can see his point! My first impression when Prof Paul Hornby and I visited the site a few days ago, after the initial “that’s a cup-and-ring in the middle”, was to proclaim: “that bit’s much more recent, maybe Pictish?” But it probably isn’t even Pictish. This “more recent” carved element is a distinct large elongated “S”, which may have been marked onto it when the stone was used as a township boundary marker between the local parishes. The grand historical writer Alex Warden (1882) talks about this in his magnum opus, saying:

“At the junction of two roads, a little to the northeastward of Letham, there is a rough boulder, about five feet long by three in breadth, having on its face a circle of about thirty inches in diameter, and another smaller circle about six inches across. It is called the Girdle Stane of Dunnichen, from the larger circle resembling the utensil called the girdle, s.c. This stone marks the boundaries between the parishes of Dunnichen and Rescobie, also between the lands of Dunnichen and Ochterlony (Balmadies). It is probably the Grey Stone referred to in a note on the marches of Dunnichen, about 1280.”

Folklore

The folklore of the stone indicates how its origins are rooted in prehistory, despite the later additional symbols. Alex Warden (1882) tells the all-too-familiar creation myth, usually symptomatic of giant prehistoric cairns:

“Tradition says a witch was carrying this boulder from ‘the Crafts’ of Carmylie in her apron, when the strings broke, and the stone fell where it now lies.”

Carmyllie Hill is 5 miles (8km) to the south and is a place rich in fairy-lore and vandalized prehistoric sites.

References:

Coutts, Herbert, Ancient Monuments of Tayside, Dundee Museum 1970.
Kidd, Scott, The Churches of the Parish of Dunnichen, David Winter: Dundee 1995.
Sherriff, John, “Prehistoric rock-carving in Angus,” in Tayside & Fife Archaeological Journal, volume 1, 1995.
Simpson, James, Archaic Sculpturings of Cups, Circles, etc., Upon Stones and Rocks in Scotland, England and other Countries, Edmonston & Douglas: Edinburgh 1867.
Warden, Alex J., Angus or Forfarshire – volume 3, Charles Alexander: Dundee 1882.

Old Lane Carving, Cowling, North Yorkshire

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Cup-and-Ring Stone: OS Grid Reference – SD 97300 42625

Getting Here

Old Lane Cup-and-Ring

This Stone is situated on Old Lane, Cowling, North Yorkshire. To get here coming from Crosshills, you come straight through the village and past the shops . About 250 yards after the shops you will come to a sharp left hand bend, as you have gone round this corner you will see a sign pointing to Oakworth (Old Lane). You need to turn left here (up by the cemetery) and continue for about half a mile up that lane till you come to a sharp left hand bend. Once you have gone round that left hand bend you will see a driveway on the right, the stone is situated opposite in the gateway. Hope you can find it and enjoy it like i do every time i pass it.

Archaeology & History

…and from another angle

I’ve driven past this stone most days and never noticed the markings, then one particular day the weather was a bit miserable but the lighting was just right to illuminate this little gem. Was this lump of rock a standing stone or have modern day folk took advantage and moved it here to be used as a gatepost? I don’t think we ever will know.

(Editor’s Note – Somewhere at the back of my moss-infested mind, is some inkling that a carving on a gatepost similar to this was uncovered in the 1950s or ’60s by either Stuart Feather or Sidney Jackson. I’ll trawl thru the old magazines in the coming months and see what I can find. It’s bugging me! It may well be a different carving (let’s hope it is!), and until then this has to be classified as a new discovery. PB)

Halo Stone (318), Ilkley Moor, West Yorkshire

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Cup-and-Ring Stone: OS Grid Reference – SE 13223 46505

Also Known as:

Carving no.154 (Hedges)
Carving no.318 (Boughey & Vickerman)

Getting Here

Looking straight down at it

From Ilkley train station, head up Cow Pasture Road and get to the Cow & Calf Hotel (if needs be, ask a local). From its car-park, cross the road and go along the straight-ish footpath onto the moor. Less than 200 yards on, you’ll hit a main track (and a faint cup-marked stone). OK – walk down this track (left) for 30-40 yards, then walk left again into the heather for about 10 yards. You’re looking for a small rounded stone and you’re damn close!

Archaeology & History

…and from another angle

Just over 40 yards east of the very basic Brown Law cup-marked stone, we find this slightly more exotic petroglyph, keeping low in the undergrowth. Difficult to see unless the daylight is just right, preferably as the sun is rising or setting (as with many neolithic carvings), on this small slightly rounded stone we see a central cup-mark surrounded by a double-ring (unfinished, perhaps on its northern edge)—although an outer cup seems to touch the edge of this second ring. As the faint images here show, there are other cups and shallow lines also etched onto the stone, but these are gradually fading as the years go by. It was originally found close to a small cairn that has seemingly been destroyed in recent years.

The carving can be troublesome to find when the heather and bracken gets growing, so it’s best explored in the Winter and early Spring—unless of course you want me to show you it, along with the hundreds of others on these moors! If so, gimme a shout. 😉

References:

Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Cowling, E.T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.

Gray Stone, Burley, Leeds, West Yorkshire

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Legendary Rock: OS Grid Reference – SE 28659 34229

Also Known as:

Giant’s Stone

Getting Here

Originally located at SE 28449 34364, the site is now to be found halfway along Westfield Road, where it meets up with Hollis Place, along the footpath at the back of the school, set back against the walling. A plaque by the rock kinda gives the game away!

Archaeology & History

Gray Stone on 1852 map

The large vandalised stone you see here—sprayed-painted quite eloquently it has to be said!—is apparently a replica of the old stone which could once be found about 300 yards northwest of here. Typifying stones of this name—gray, grey and variants thereof—the original Gray Stone was an old boundary marker (Smith 1956), and the last reference to it as an archaeological site was by James Wardell (1853), who even in his day said that it was “almost buried in the ground, on the Burley Road.” It is shown on the first OS-map by the roadside, close to the junction of Woodside View and Burley Road, but was said to have been removed at the beginning of the 20th century and moved to its new and present position. However, somewhere along the line, the original stone has been destroyed and the thing that we see today has taken its place.

The original Gray Stone may have been a standing stone, but we cannot be certain about this. The present boulder stands about four feet tall and is a rather fat-looking standing stone. You can just about squeeze round the back of it, around which is an incised line which cuts around the stone – but this obviously quite modern. A plaque stands in front of the stone, telling its brief history. (if anyone can send us some photos of the site that would be great – I’ve gone and lost mine, somehow!)

Folklore

A creation myth of this site tells it to have been made by a giant, who threw the Gray Stone from the appropriately named Giant’s Hill (a supposed old camp, now destroyed), less than a mile southeast of here: an alignment which corresponds closely to the midsummer sunrise. In throwing it, he was said to have left the indentations of his finger-marks in the rock – thought to have been cup-markings. Examples of other cup-and-ring stones occur a short distance west, at Kirkstall.

References:

Bennett, Paul, The Old Stones of Elmet, Capall Bann: Milverton 2001.
Smith, A.H., English Place-Name Elements – 2 volumes, Cambridge University Press 1956.
Wardell, James, The Antiquities of the Borough of Leeds, John Russell Smith: London 1853.

Baildon Moor Carving (130), West Yorkshire

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Cup-Marked Stone: OS Grid Reference – SE 13077 40097

Also Known as:

Carving no.11 (Hedges)
Central Design Stone

Getting Here

Baildon Moor carving

Take the directions to find the Glovershaw Quarry carving,or the Baildon Moor 126 carving and the newly-found Toad Stones circle, and zigzag about in the bracken when it’s down at the end of Winter (forget it from summertime onwards!). You’re damn close.

Archaeology & History

A carving that I first visited when I was a child – but one which, curiously, caught my attention. The small arc of four cup-marks that you can see on the stone was an integral feature of other carvings in this particular region—though not all, of course. It seemed to me at the time that it had symbolic significance, as the arc occurred in a number of other Baildon petroglyphs. Astronomy was my fetish at that time and so I saw the arc as solar or stellar movements across the sky, represented by the cup-markings. It was one of many fascinating Rorschach’s that I encountered, just as rock art students across the world do when looking at these ancient carvings. However, the simple symbolism of this and similar nearby carvings has stuck and plays under my skin somewhat: one of those curious non-egoic tickles, constantly nudging away, as if there’s something in it, but being looked at from the wrong angle…

John Hedges 1986 sketch

Looking down at the cups

Anyway… All we have here is a primary design of four cup-marks reaching across a small earthfast stone. Other simple carvings are found close by and there are the remains of several prehistoric cairns circles within a few hundred yards. Beneath the deep bracken-mass, it is highly probable that other ancient remains remain hidden.

The carving was first recognised in one of Sidney Jackson’s (1958) archaeology bimbles in the 1950s with his bunch of northern antiquarians from Cartwright Hall, Bradford. It later found its way into the survey of John Hedges (1986) where he described it, simply:

“Small, lozenge-shaped, smooth grit rock, sloping NW-SE into grass and bracken, four symmetrical cups in slight curve.”

References:

Baildon, W. Paley, Baildon and the Baildons – parts 1-15, Adelphi: London 1913-1926.
Bennett, Paul, Of Cups and Rings and Things, unpublished: Shipley 1981.
Bennett, Paul, Megalithic Ramblings between Ilkley and Baildon, unpublished: Shipley 1982.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Hedges, John, The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Jackson, Sidney, “Cup-Marked Boulders, Baildon Moor,” in Cartwright Hall Archaeology Group Bulletin, 3:2, 1958.

Sunrise Stone (605), Snowden Crags, Askwith, North Yorkshire

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Cup-and-Ring Stone: OS Grid Reference – SE 18066 51251

Also Known as:

Carving 605
Northern Earth Mysteries Stone

Getting Here

Sunrise Stone, Snowden Carr

Take the same directions as if you’re going to visit the Naked Jogger Carving (stone 612), not far from the well-known Tree of Life Stone. From the Naked Jogger carving, walk up the small outcrop of rocks that bends above you. Barely 100 yards up when you reach the top, you’ll notice a single large sloping stone barely 50 yards ahead of you in the same field. That’s the spot!

Archaeology & History

This is a little-known beauty of a carving just off the edge of the quiet moors that are littered with prehistoric remains. It was only rediscovered a few years ago — by myself if you believe the writings of rock art student Keith Boughey (2010) in his essay (scattered with mistakes) on the validity of so-called “amateurs” exploring petroglyphs. But I’d never even visited this carving until two years ago! The stone was in fact found during a field-walk by early members of the Northern Earth Mysteries group in August 1989 (Wilson 1990) and subsequently described and illustrated for the first time by Phil Reeder (1990).

Close-up of main cluster

As can be seen in the photos accompanying this site profile, the rock on which the carving has been done has, at some point in the past, been cut into and its edges have been hacked away and destroyed, literally cutting into the overall design. We have no idea what the original size of the stone was, obviously, but this petroglyph was once larger than the design that we see at present. Such is the price of ‘progress’, as some folk call it.

Anyway – a few months after the carving was rediscovered, Phil Reeder (1990) wrote:

“After a visit to the Tree of Life stone…a cursory inspection by the NEM Group was made on nearby rock outcrops, part of which showed evidence of recent exposure due to soil erosion.

“One stone in particular stood out as five shallow cups and associated rings could be discerned. When cleaned, it became apparent that further carvings extended beneath a thin eroding soil layer. When this layer was cleared, a complex set of carvings were revealed.

“Only preliminary work at the site has been carried out to date, but it appears that the carvings comprise of at least 28 cups, 13 of which have associated rings; several of the cups are linked by gutters forming an intricate design, one gutter part enclosing 11 cups. The carvings on the lower edge of the stone have weathered badly and are difficult to interpret.”

Reeder’s so-called “amateur” description is a good one. Certainly more accurate than the subsequent one by Boughey & Vickerman (2003):

“Large rock of coarse grit whose surface slopes with the hill. About forty cups, some large, many with single rings, and many curving grooves, the whole forming a remarkable, complex design.”

Phil Reeder’s 1990 drawing

Boughey & Vickerman’s sketch

We can see in the respective drawings by both Reeder (left) and Boughey & Vickerman (right) that some elements which should have been included in the ‘official’ drawing were missed, yet had been accurately included in the earlier ‘preliminary’ drawing, as Mr Reeder put it. I hope that readers will forgive me pointing out these seemingly minor elements; but I do it to illustrate the ineffectiveness of more recent rock art students who are gaining the title of ‘experts’ in this field. It’s important to recognise that, in this field of study, “experts” are few and far between indeed… I’ve certainly yet to meet any!

Northern end of carving

Southern side of carving

The carving is mentioned briefly in Beckensall’s (1999) introductory study, with little comment. But of note here is not only the curious linear feature running between two cup-and-rings, but the position of the stone in the landscape. For if you sit either upon or next to this carving, you are looking east straight across the gorgeous Fewston valley directly at the prominent wooded hill of Sword Point. As it slopes down into the present-day greenery of fields and scattered woods, the Wharfe Valley spreads out to the distant east and, as the sun rises and scatters its rays onto the wet morning stone here, the design on the rock awakens with much greater visual lucidity than that which our daytime eyes bestow to us. In all likelihood, sunrise was an important element in whatever mythic function underscored this curious carving, with its human-like figure rising on its southern side, emerging from the edge of the rock, personifying perhaps the rising solar disc and the living landscape as the daylight breath awoke Earth’s creatures; or maybe it signifies a symbolic group of people gathered together watching the sunrise…

Of course, I’m dreaming…

References:

Barnett, T. & Sharpe, K. (eds.), Carving a Future for British Rock Art, Oxbow: Oxford 2010.
Beckensall, Stan, British Prehistoric Rock Art, Tempus: Stroud 1999.
Boughey, Keith, “The Role of the Amateur in the Study of UK Prehistoric Cup-and-Ring Art,” in Barnett & Sharpe, Oxford 2010.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Chappell, Graeme, “North Yorkshire Rock Art – New Discoveries,” in Northern Earth, no.62, 1995.
Michell, John, The Earth Spirit, Thames & Hudson: London 1975.
Reeder, Phil, “Snowden Carr Rock Carvings,” in Northern Earth Mysteries, no.40, 1990.
Wilson, Rob, “Pateley Bridge Gathering,” in Northern Earth Mysteries, 40, 1990.

Skyreholme Carving (406), Appletreewick, North Yorkshire

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Cup-marked Stone: OS Grid Reference – SE 0740 6254

Getting Here

Skyreholme 406 carving

Along the B6265 Pateley Bridge-Grassington road, roughly halfway between Stump Cross Caverns and the turn to Skyeholme and Applecross (New Lane) is a dirt-track on your right-hand side called Black Hill Road. Walk down here for a few hundred yards till y’ reach the gate on the right. A track goes downhill to the psilocybin-rich pastures of Nussey Green. Several hundred yards down, to the right-hand side of the track, we find this and its several companions. Look around!

Archaeology & History

Sketch showing cups

Just a few yards away from the Skyrehome Carving-404, this very basic petroglyph was rediscovered by Stuart Feather (1969) during one his many forays in this area. Although the stone has what initially seems to be a number cup-marks on it, it seems only two of them are man-made. The rock art students Boughey & Vickerman (2003) think there may be up to four of them.

References:

Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Feather, Stuart, “Appletreewick, W.R.: Black Hill,” in Yorkshire Archaeological Journal, volume 42, part 167, 1969.

Skyreholme Carving (405), Appletreewick, North Yorkshire

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Cup-Marked Stone: OS Grid Reference – SE 07395 62382

Getting Here

Skyreholme 405 Carving

Going down (south) off the B6265 Black Hill Road towards Skyreholme, turn right and go all round the hill ahead of you, but instead of looking to the right (where other carvings, described elsewhere, are found), turn left where the collapsed entrance to a mine-shaft is visible about 50 yards up the hill on the left. Walk up here, keeping to the right side of the collapsed mine, till you reach this rock.

Archaeology & History

Only for the purist petroglyph fanatics amongst you, the rock art students Boughey & Vickerman (2003) allege there to be four cup-markings here—and debatable ones at that—but we could really only make out the topmost cup, shown in the picture and an elongated one (which they think may have been two cups merged into one). A faint “X” is also carved on the stone, possibly from the mining days.

References:

Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.

Arncliffe, Littondale, North Yorkshire

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‘Carved Stone’: OS Grid Reference – SD 93 72

Archaeology & History

The Arncliffe Carving

This is a frustrating site entry. Not only do we not know where it is, this carving is not listed in any of the modern books on British petroglyphs, yet it was described and referenced by the famous archaeologist Jacquetta Hawkes following its discovery more than 80 years ago. After a brief mention of the carving in Frank Elgee’s (1933) Archaeology of Yorkshire, an article describing the carving was penned in the journal Man, from which I draw the only information available. It appears to have been found in the early 1930s (no date or discoverer is cited), but has a couple of peculiarities which may bring the authenticity of the stone into question. Mrs Hawkes (1934) told that the carved stone was,

“found in the bed of a moorland beck in the village of Arncliffe, Littondale, West Riding of Yorkshire. It is of buff-coloured limestone measuring 21 inches x 12 inches x 6 inches in thickness; the decorated surface is almost flat. The curvilinear pattern is executed in regular incisions about 4mm wide and 3mm deep; portions of it have been obliterated by water actions and, as is illustrated in the illustration, at one end the surface has broken away altogether. The whole stone has been much battered and may well be only a fragment of a much larger one. The state of preservation suggested that it had been in the stream for a considerable period; it is therefore probable that it was washed down from the open moorland above Arncliffe. In the original (carving), the design is more coherent than it here appears owing to the fact that in the water-worn portions faint lines are visible to the eye which cannot be shown on a tracing.

“Mr W.J. Hemp, who has kindly examined the Arncliffe tracing, identifies the style of the design with the ‘entrail’ pattern of the well-known Pattern Stone from the chambered cairn of Bryn Celli Ddu in Anglesey…

“The technique of the Arncliffe tracing is comparable with the simple incisions which form the oldest of the four techniques recognizable in the Irish megalithic tumuli, where its early date is indicated by the fact that some examples are demonstrably older than the construction of the tumuli in which they occur…

“Mr Frank Elgee, who has also been good enough to comment on the Arncliffe tracing, cannot suggest immediate comparisons from this neighbouring group (around Ilkley, PB), but such evidence as there is he considers to be against assigning a date earlier than the MIddle Bronze Age.”

The late great Eric Cowling also mentioned the stone in his prehistoric survey of the mid-Pennines, but added no further details of his own and seems to have just copied what we have just read.

The fact that the ‘carving’ was found in a stream-bed may mean that the markings on the stone were due to natural erosion; and the fact that the rock was limestone may give added weight to this idea. However, the fact that Mrs Hawkes, Frank Elgee and W.J. Hemp thought the carving to be authentic cannot be overlooked. The area is also rich in prehistoric remains (see Douky Bottom, Dewbottoms, Yockenthwaite, Blue Scar, etc) The design itself is an odd one and has none of the traditional hallmarks consistent with neolithic and Bronze Age cup-and-ring stones, but seems more reminiscent of much earlier mesolithic and palaeolithic images of carved animals and dancing human figures.

If anyone knows more about this site, particularly its whereabouts (perhaps in private possession or hiding in some museum box, where increasing numbers of cup-and-rings are wrongfully kept), or whether the ‘carving’ has been disregarded as little more than natural weathering, it would be good to know for certain.

References:

Cowling, E.T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.
Elgee, Frank & Harriet, The Archaeology of Yorkshire, Methuen: London 1933.
Hawkes, Jacquetta, “A Prehistoric Carved Stone in Littondale,” in Man, volume 34, 1934.

Panorama Woods (228), Ilkley, West Yorkshire

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Cup-and-Ring Stone: OS Grid Reference – SE 11468 47288

Also Known as:

Carving no.100 (Hedges)
Carving no.228 (Boughey & Vickerman)

Getting Here

Panorama Stone 228, with cups highlighted (after James Elkington)

Come out of Ilkley/bus train station and turn right for less than 50 yards, turning left up towards White Wells. Go up here for less than 100 yards, taking your first right and walk 300 yards up Queens Road until you reach the St. Margaret’s church on the left-hand side. On the other side of the road, as well as a bench to sit on, surrounded by trees is a small enclosed bit with spiky railings with Panorama Stones 227, 228 and 229 all therein: the one in the centre being the one we’re dealing with here.

Archaeology & History

Originally located ¾-miles (1.2km) WSW of its present position in Panorama Woods (at roughly SE 10272 46995), along with its petroglyphic compatriots in this cage, the carving was moved here in 1890 when a Dr. Little—medical officer at Ben Rhydding Hydro—bought the stones for £10 from the owner of the land at Panorama Rocks, as the area in which the stones lived was due to be vandalized and destroyed. Thankfully the said Dr Little was thoughtful and as a result of his payment he had some of the stones saved and moved into their present position. However, this carving is but a fragment of its former self.

It was originally to be seen within a large prehistoric enclosure—which was completely destroyed when rich houses were built hereby, without any evaluation of the site ever being made. But particularly impressive is the fact that this now enclosed sedated stone carving was originally the large rocky base for a small rocking stone, which also had cup-markings on it and a faint cup-and-ring. This is very unusual indeed – and perhaps unique in Britain? Thankfully, several Victorian antiquarians visited and made notes and a sketch of the site before it was uprooted and a large section of it destroyed. In J. Romilly Allen’s article (1879) he told that, just a couple of yards from the more famous and ornate Panorama Stone (229), a

“second stone is of irregular shape, measuring 15ft by 12ft, and supporting a smaller stone of triangular shape 6ft long by 4ft broad. Both upper and under stone are covered with cups and rings, but the sculptures have suffered much from exposure. The superimposed rock has eleven cups, two of which are surrounded by rings. The under stone has 42 cups, nine of which have rings. Amongst these are two unusually fine examples, one has an oval cup 5in by 4in, surrounded by two rings, the diameter of the outer ring being 1ft 3in. Another has a circular cup 3in diameter, and five concentric rings, the outer ring being 1ft 5in across.”

J.T Dales 1878 sketch, with CR227 on top of it

In a sketch of the site by J. Thornton Dale done about the same time as Allen’s visit, and reproduced here (apologies for the poor quality), the “five concentric rings” that Mr Allen mentioned are not shown, but clearly a spiral design had been seen by Mr Dale’s eyes. Fascinating…. The large mass of carvings immediately left of the spiral is in fact the smaller upper stone known by modern archaeologists as carving 227.

Today, all we can see of this petroglyph are two cup-and-rings, and one faint double-cup-and-ring; several incomplete rings or arcs, and at least another 30 single cup-marks, some of which have short limes running to or from them. The rest of original stone base with its other multiple rings or spiral design were obviously destroyed.

As with many of the Ilkley carvings, Boughey & Vickerman’s (2003) description barely does the stone justice. They described it simply:

“Large rock, now set in concrete base, the surface rapidly deteriorating. Over forty cups, three with single rings, one showing traces of a second, grooves.”

The mightily impressive Panorama 229 carving sits next to this one and is truly worth checking out!

References:

Allen, J. Romilly, “The Prehistoric Rock Sculptures of Ilkley,” in Journal of British Archaeological Association, volume 35, 1879.
Bennett, Paul, The Panorama Stones, Ilkley, TNA: Yorkshire 2012.
Bennett, Paul, Aboriginal Rock Carvings of Ilkley and District, forthcoming.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Downer, A.C., “Yorkshire Archaeological and Topographical Association,” in Leeds Mercury, August 28, 1884.
Hadingham, Evan, Ancient Carvings in Britain, Souvenir Press: London 1974.
Hedges, John, The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Heywood, Nathan, “The Cup and Ring Stones of the Panorama Rocks”, in Transactions Lancashire & Cheshire Antiquarian Society, Manchester 1889.
Speight, Harry, Upper Wharfedale, Elliott Stock: London 1900.

Acknowledgements: With huge thanks to both Dr Stefan Maeder for help in cleaning up the stones; and to James Elkington for taking the photos and allowing ’em for use them in this site profile.