Glen Cochill (01), Little Dunkeld, Perthshire

Cup-Marked Stone:  OS Grid Reference – NN 90800 39842

Also Known as:

  1. Canmore ID 87710

Getting Here

Glen Cochill's cup-marked stone

Glen Cochill’s cup-marked stone

Along the A826 road south out of Aberfeldy, make your way towards the impressive giant Carn Ban of Glen Cochill.  Nearly a mile past the cairn further down the road, keep yer eyes peeled for the straight line of walling reaching up onto the moors.  About 100 yards before the wall, go over a ruined metal gate by the roadside up and onto the moor.  Walk straight uphill for barely 50 yards until you’re on the level, then walk left for 50 yards or so again. Yer damn close!

Archaeology & History

3rd cupmark visible at bottom

3rd cupmark visible at bottom

Although this is a seemingly isolated carving, difficult to find and nowt much to look at, it is located in a region with massive amounts of prehistoric remains – much of it inadequately surveyed or not surveyed at all.  Amidst a collection of more than a dozen unexcavated Bronze Age cairns, this small flat earthfast stone bears two standard cup-markings, with a possible third at its edge.  It is not immediately connected with any of the nearby cairns.

© Paul BennettThe Northern Antiquarian


The Green, Glen Lochay, Killin, Perthshire

Cup-Marked Stone:  OS Grid Reference — NN 53976 35248

Also Known as:

  1. Canmore ID 274203
  2. Falls of Lochay

Getting Here

The cliff-face and its ledge

Going out of Killin towards Kenmore on the A827 road, immediately past the Bridge of Lochay Hotel, turn left. Go down here for just over 2 miles and park-up where a small track turns up to the right (half-mile before the impressive Stag Cottage carvings), close to the riverside and opposite a flat green piece of land. Notice a small cliff-face just over the fence by the road and a small ledge about 3 feet above ground level. That’s yer spot!

Archaeology & History

Deep & shallow cups together

Rediscovered by rock art student George Currie in 2004, this small, little-known and unimpressive cup-marked site was carved onto a rocky ledge just off the roadside down Glen Lochay.  Comprising of at least three very distinct cup-marks—two next to each other on the far-right of the ledge and the other on the nose of the rock—at least another three more shallow cups are on the same surface. What looks like an unfinished cup, or deliberately etched crescent-Moon-shaped cup, has been cut into the same ledge a yard to the left of the prime cluster.

In Currie’s (2004) brief description of the site, he told:

“Ledge, 1m above ground level on a rock face; four cups, 50 x 25mm, 45 x 15mm and two at 40 x 10mm.”

Looking down at rock surface

Curious crescent-shape ‘cup’

It’s unusual in that the cups have been carved onto a small ledge that’s too small to stand upright on.  Whilst not without parallels, it’s an odd position to find petroglyphs and begs the question, “why here?” when there are other rocks close by that are easier and more accessible.

References:

  1. Currie, George, “Falls of Lochay (Killin parish): Cup-Marked Rocks”, in Discovery & Excavation Scotland, volume 5, 2004.

© Paul BennettThe Northern Antiquarian


Allt a’ Choire Chireinich (04), Ben Lawers, Kenmore, Perthshire

Cup-and-Ring Stone:  OS Grid Reference – NN 65306 39560

Also Known as:

  1. Canmore ID 238575

Getting Here

The petroglyph & its associates

The petroglyph & its associates

Along the A827 road between Killin and Kenmore, park-up at the Tombreck entrance and cross the road, taking the long track which eventually zigzags up the slope of Ben Lawers.  Keep your eyes on the copse of trees a few hundred yards east that runs up the slopes.  Head towards this, past the multiple-ringed Allt a’ Choire Chireinich stone, then AaCC 2 and AaCC3 carvings, then notice on the other side of the stream a couple of large boulders.  That’s the spot!

Archaeology & History

This faint but intricately carved petroglyph is one in a cluster of three carvings, right next to each other—and it’s the best of the bunch by a long way.  A single cup-marking is found on the flat stone beneath this one (AaCC5); whilst the large egg-shaped boulder in front has perhaps a half-dozen cups on it (AaCC6).

Alex Hale's sketch of the carving

Alex Hale’s sketch of the carving

Faint remains of concentric rings

Faint remains of concentric rings

The large flat-topped boulder of AaCC4 however, possesses at least seventeen plain cup markings, along with twenty-four cup-and-rings, six cup-and-double-rings, three cup-and-three rings, three cup-and-four rings, and one cup-and-five rings!  There are some carved lines that emerge from several of the cups, with all of the three cup-and-four rings having a carved pathway emerging from the central cup and going out of the concentric system.  It’s quite a beauty!  And it sits upon the ridge next to the clear drinking waters of the burn, gazing out over Loch Tay and the mountains all around in a quite beautiful landscape.

Immediately above and below the carvings are a number of settlement spots or shielings, known to have been used until recent centuries.  They were quite ideal living quarters and some of the old folk here, in bygone days, would have known old customs and stories of this petroglyph.

References:

  1. Hale, Alex, “Prehistoric Rock Carvings in Strathtay,” in Tayside and Fife Archaeological Journal, 2009.
  2. Yellowlees, Sonia, Cupmarked Stones in Strathtay, Scotland Magazine: Edinburgh 2004.

Acknowledgments: Huge thanks to Lisa Samson, Fraser Harrick and Paul Hornby for their help reaching this site and exploring still further.  Let’s do it again sometime before I vanish forever up into the far North!

© Paul BennettThe Northern Antiquarian


Allt a’ Choire Chireinich (03), Kenmore, Perthshire

Cup-Marked Stone:  OS Grid Reference – NN 65249 39579  –  NEW FIND

Getting Here

Allt a' Choire Chireinich 03 Stone

Allt a’ Choire Chireinich 03 Stone

Take the same directions to reach the large rounded Allt a’ Choire Chireinich 02 carving.  Walk 65 yards (60m) northwest diagonally uphill to another large rounded stone of similar size.  That’s the one!

Archaeology & History

A large cup-marked boulder, not previously recognised, was rediscovered on the afternoon of May 15, 2015.  The great majority of the rock surface is covered in aged lichens, but at least three well-defined cup-markings were noted on the upper rounded surface of the stone: one near the middle of the stone; one near the centre-north; and another towards the top northwest section of the stone.  The cups are more than an inch in diameter and eighth-of-an-inch deep.  Others may be in evidence beneath the vegetation.

© Paul BennettThe Northern Antiquarian


Allt a’ Choire Chireinich (02), Kenmore, Perthshire

Cup-Marked Stone:  OS Grid Reference – NN 65218 39525

Also Known as:

  1. Canmore ID 291477

Getting Here

Allt a' Choire Chireinich 2 stone

Allt a’ Choire Chireinich 2 stone

Along the A827 road between Killin and Kenmore, park-up at the Tombreck entrance and cross the road, taking the long track which eventually zigzags up the slope of Ben Lawers.  Keep your eyes on the copse of trees a few hundred yards east that runs up the slopes and when you are level with the top of it, walk along the line of walling that heads to it.  Go past the top of the trees and the first big boulder you reach is the fella in question.

Archaeology & History

Adjacent to an ancient trackway that runs across the slopes of the mountain, this large glacial boulder sits proudly on the slopes calling out for attention — and attention it certainly received countless centuries ago, when local people (perhaps) decided to cut at least nine cup-markings onto the top of the rock.

Lichen-encrusted cups

Lichen-encrusted cups

Lichen-encrusted cups

Lichen-encrusted cups

The surface today is encrusted with olde lichens of colourful hues, beneath which may be other cup and ring carvings; but as I’m a great lover of such forgotten medicinal primers, I wasn’t about to scratch beneath their bodies to find out.  This petroglyph is worth looking at when you’re exploring the other, more impressive carvings in this Allt a’ Choire Chireinich cluster.

© Paul BennettThe Northern Antiquarian


Allt a’ Choire Chireinich, Kenmore, Perthshire

Cup-and-Ring Stone:  OS Grid Reference – NN 65096 39442  —  NEW FIND

Getting Here

The stone, uncovered

The stone, uncovered

Take the A827 road between Killin and Kenmore and park-up at the entrance to Tombreck. Cross the road and walk up the track that goes up Ben Lawers.  As it zigzags uphill, watch out for you being level with the top of the copse of trees several hundred yards west, where a straight long overgrown line of walling runs all the way to the top of the copse. Go along here, and just as you reach the trees, walk uphill for about 50 yards.  You’re damn close!

Archaeology & History

Whether you’re into prehistoric carvings or not, this is impressive!  It’s one of several with a very similar multiple-ring design to be found along the southern mountain slopes of Ben Lawers.  Rediscovered on May 13, 2015, several of us were in search of a known cup-and-ring stone just 260 yards (238m) to the northwest in this Allt a’ Choire Chireinich cluster, but one stone amongst many called my nose to have a closer sniff—and as you can see, the results were damn good!

Looking from above

Looking from above

Etched onto a large flat rock perhaps 5-6000 years ago, probably over at least two different seasons, the primary design here is of two sets of multiple-rings: in one case, seven concentric ones emerging from, or surrounding a central cup-marking (more than an inch across); and the other is of at least eight concentric rings emerging from a cup-marking, about half-an-inch across. The largest cup-and-seven-rings is the one near the centre of the stone.  Initially I thought this was simply two concentric seven-rings; but the more that I looked through the many photos we’d taken, the more obvious it became that the residue of an eighth ring (possibly more) exist in the smaller-sized concentric system.  It must however be pointed out that neither of the concentric carved rings seem to be complete – i.e., they were never finished, either purposefully or otherwise.  The largest cup-and-seven-rings is the one near the centre of the stone; with the outer smaller example being half the size of the one in the middle.  At first glance, neither of the concentric rings seem complete – and so it turned out when it was enhanced by rain and sun.

First photo of the double-rings

First photo of the double-rings

The large central cup-and-seven-rings has two additional cup-marks within it: one on the outer fifth ring to the southeast, and the other in the outer sixth ring to the west.  This western cup-mark is also crossed by a carved line that runs from the first ring outwards to the west and to the edge of the rock, crossing another cup-mark along the way.  This particular carved line might be the same one that integrates itself into the first ring, and then re-emerges on is northeastern side, to continue out of the multiple-rings themselves and curve over to the eastern side of the rock.  Running roughly north-south through the middle of this larger seven-ring element, a line scarred by Nature is visible which has been pecked by humans on its northern end, only slightly, and running into the covering soil eventually, with no additional features apparent.  Another possible carved line seems in evidence running from the centre to the southeastern edge – but this is by no means certain.

The carving, looking north

The carving, looking north

This large central seven-ringed symbol has been greatly eroded, mainly on its southern sides, where the rings are incomplete, as illustrated in the photos.  Yet when the light is right, we can see almost a complete concentric system, with perhaps only the second ring from the centre being incomplete on its eastern side.  On the southern sides, the visibility factor is equally troublesome unless lighting conditions are damn good.  The northernmost curves, from west to east, are the deepest and clearest of what remains, due to that section of the stone being covered in soil when it was first discovered, lessening the erosion.

Smallest 7-ring section, with cups

Smallest 7-ring section, with cups

Multiple-ring complex & cups

Multiple-ring complex & cups

Moving onto the second, smaller concentric set of rings: this is roughly half the size of its counterpart in the middle of the stone.  Upon initial investigation you can clearly make out the seven rings, which have faded considerably due to weathering.  It seems that this section was never fully completed.  And the weathering on this smaller concentric system implies one of two things: either that it was left open to the elements much much longer than its larger seven-ring system, or it was carved much earlier than it.  In truth, my feeling on this, is the latter of the two reasons.  Adding to this probability is the fact that even more rings—or at least successive concentric carved ‘arcs’—are faintly visible around this more faint system: at least eight are evident, with perhaps as many as thirteen in all (which I think would put it in the record-books!).  But we need to visit it again under ideal lighting conditions to see whether there are any more than the definite eight.  It is also very obvious that the very edge of the rock here has been broken off at some time, and a section of the carving went with it—probably into the ancient walling below or the derelict village shielings on the mountains slopes above.

Just above the eroded eight-ring section are three archetypal cup-marks close to the very edge of the rock, one above each other in an arc.  Of these, the cup that is closest to the eight-rings possesses the faint remains of at least two other partial rings above it, elements of which may actually extend and move into the concentric rings themselves—but this is difficult to say with any certainty.  However, if this is the case, we can surmise that this small cup-and-two-rings was carved before its larger tree-ring-looking companion.

Below the smaller seven-ringer is the possibility of a wide cup-and-two-rings: very faint and incomplete.  This only seems visible in certain conditions and I’m not 100% convinced of its veracity as yet.

Curious 'eye'-like symbol

Curious ‘eye’-like symbol

'Eye' to the bottom-left

‘Eye’ to the bottom-left

We also found several other singular cup marks inscribed on the rock, all of them beneath the two concentrics, moving closer to the edge of the rock.  But a more curious puzzle is an eye-like symbol, or geological feature, on the more eastern side of the stone.  It gives the impression of being worked very slightly by humans, but as I’m not a geologist, I’ve gotta say that until it is looked at by someone more competent than me, I aint gonna commit myself to its precise nature.  What seems to be a carved line to the left (west) of this geological ‘eye’ may have possible interference patterns pecked towards it.  Tis hard to say with any certainty.

So – what is this complex double-seven-ringer?!  What does it represent?  Sadly we have no ethnological or folklore narratives that can be attributed to the stone since The Clearances occurred.  We only have the very similar concentric six- and seven-ringed petroglyphs further down the mountainside to draw comparisons with.  We could guess that the position of the stone halfway up Ben Lawers, giving us a superb view of the mountains all around Loch Tay might have some relevance to the carving; but this area was probably forested when these carvings were etched—which throws that one out of the window!  We could speculate that the two multiple rings represent the Moon and Sun, with the smaller one being the Moon. They could represent a mythic map of Ben Lawers itself, with the central cup being its peak and outer rings coming down the levels of the mountain.  Mountains are renowned in many old cultures as, literally, cosmic centres, from whence gods and supernal deities emerge and reside; and mountains in some parts of the world have been represented by cup-and-ring designs, so we may have a correlate here at Ben Lawers.  O.G.S. Crawford (1957) and Julian Cope (1998) would be bedfellows together in their view of it being their Eye Goddess.  But it’s all just guesswork.  We do know that people were living up here and were carving other petroglyphs along this ridge, some of which occur inside ancient settlements; but the traditions of the people who lived here were finally destroyed by the English in the 19th century, and so any real hope of hearing any old myths, or possible rites that our peasant ancestors with their animistic worldview possessed, has died with them.

Tis a fascinating carving nonetheless—and one worthy of seeking out amongst the many others all along this beautiful mountainside…

References:

  1. Bernbaum, Edwin, Sacred Mountains of the World, Sierra Club: San Francisco 1990.
  2. Cope, Julian, The Modern Antiquarian, Thorsons 1998.
  3. Crawford, O.G.S., The Eye Goddess, Phoenix House: London 1957.
  4. Eliade, Mircea & Sullivan, Lawrence E., “Center of the World,” in Encyclopedia of Religion – volume 3 (edited by M. Eliade), MacMillan: Farmington Hills 1987.
  5. Evans-Wentz, W.Y., Cuchuma and Sacred Mountains, Ohio University Press 1980.
  6. Gillies, William A., In Famed Breadalbane, Munro Press: Perth 1938.
  7. Michell, John, At the Centre of the World, Thames & Hudson: London 1994.
  8. Yellowlees, Sonia, Cupmarked Stones in Strathtay, Scotland Magazine: Edinburgh 2004.

Acknowledgements:  Huge thanks to Paul Hornby for the use of his photos in this site profile; to Lisa Samson, for her landscape detective work at the site; and to Fraser Harrick, for getting us there again.

© Paul BennettThe Northern Antiquarian


Aikenhead Farm, Blairgowrie, Perthshire

Cup-and Ring Stone (destroyed):  OS Grid Reference – NO 143 430

Archaeology & History

In John MacDonald’s History of Blairgowrie (1899), he describes a number of the prehistoric sites in the neighbourhood, including the cup-marked standing stone at nearby Glenballoch. However, one petroglyph that seems to have escaped the attention of all previous surveys was, “one unearthed in 1897 at Aikenhead,” southeast of Blairgowrie.  Mr MacDonald described it as possessing “a large number” of cup markings “of various sizes.” But even in his day he reported that the carving had, “unfortunately, been destroyed.”

I can find no other references to this site.  Is anyone aware of any, or know anything more about this lost stone?

References:

  1.  MacDonald, John A.R., The History of Blairgowrie, Advertiser: Blairgowrie 1899.

© Paul BennettThe Northern Antiquarian


Glesart Stanes, Glassford, Lanarkshire

Standing Stones:  OS Grid Reference – NS 73609 46916

Also Known as:

  1. Avonholm
  2. Canmore ID 45595
  3. Glesart Stones
  4. Struthers Burial Ground
  5. Three Stones

Getting Here

Glesart Stones on 1864 map

From the roundabout in Glassford village, head west down Jackson Street along the country lane of Hunterlees Road.  About 600 yards on, turn right at the small crossroads (passing the cemetery on yer left) for about half-a-mile, before turning left along a small track that head to some trees 400 yards along.  Once you’ve reached the trees, walk uphill and follow the footpath to the right, keeping to the tree-line.  It eventually runs to a small private graveyard. You’re there!

Archaeology & History

Glesart Stones,
looking west

In the little-known private graveyard of the Struthers family on the crest of the ridge overlooking the River Avon and gazing across landscape stretching for miles into the distance, nearly a mile east of Glassford village, several hundred yards away from the Commonwealth graveyard, a cluster of yew trees hides, not only the 19th century tombstones, but remnants of some thing much more archaic.  Three small standing stones, between 2½ and 4 feet in height, hide unseen under cover of the yews, at the end of a much overgrown ancient trackway which terminates at the site.  They’re odd, inasmuch as they don’t seem to be in their original position.  Yet some form of archaic veracity seems confirmed by the weathered fluting: eroded lines stretching down the faces of two of the taller stones and, more importantly, what seem to be cup-markings on each of the monoliths.

Cup-mark atop of east stone

Easternmost stone

The tallest stone at the eastern end of the graveyard has a deep cup on its crown.  This may be the result of weathering; but we must exercise caution with our scepticism here.  Certainly the eroded lines that run down this stone are due to weathering – and many centuries of it; but the peculiarity is that the weathering occurs only on one side.  This implies that only one side of the stone was open to the elements.

Central cup-marked stone

‘X’ carved atop of central stone

The second, central stone of the three, is slightly smaller than the first.  Unlike the eastern stone, its crown has been snapped off at some time in the past century or so, as evidenced in the flat smooth top.  But along the top are a series of small incised marks, one of which includes a notable ‘X’, which may have been surrounded by a circle.  A second fainter ‘X’ can be seen to its side, and small metal-cut lines are at each side of these figures.  Another small section of this stone on its southern edge has also been snapped off at some time in the past.  The most notable element on this monolith is the reasonably large cup-mark on its central west-face.  It is distinctly eroded, measuring 2-3 inches across and an inch or more deep.  Its nature and form is just like the one in the middle of the tallest of the standing stones at Tuilyies, nearly 31 miles to the northeast.

Western smallest stone

The Three Stones

The smallest of the three stones is just a few feet away from the central stone.  To me, it seemed oddly-placed (not sure why) and had seen the attention of a fire at its base not too long ago.  On its vertical face near the top-centre of the stone, another cup-marking seems in evidence, some 2 inches across and half-an-inch deep—but this may be natural.  The Glasgow archaeologist Kenneth Brophy reported that on a recent visit, computer photogrammetry was undertaken here, so we’ll hopefully see what they found soon enough.

There is some degree of caution amongst some archaeologists regarding the prehistoric authenticity of the Glesart Stanes – and not without good cause.  Yet despite this, the seeming cup-marks and, particularly, the positioning of the stones in the landscape suggest something ancient this way stood.  The stones here are more likely to be the remains of a once-larger monument: perhaps a cairn; perhaps a ring of stones; or perhaps even an early christian site.  At the bottom of the hill for example, just 350 yards below, is a large curve in the River Avon on the other side of which we find the remains of an early church dedicated to that heathen figure of St. Ninian (his holy well close by); and 300 yards north is the wooded Priest’s Burn, whose history and folklore seem lost.

The Glesart Stanes were the subject of an extended article by M.T. M’Whirter in the Hamilton Advertiser in 1929 (for which I must thank Ewan Allinson for putting it on-line).  He wrote:

“Situated on the highest hill-top on the estate of Avonholm, north to the house of that name, is the private burial ground of James Young Struthers… Situated within the burial ground are three upright flagstones of a dark brown colour, rough and unhewn,  Each stone is facing the east, and placed one behind the other, though not in a straight line, and the space between the eastern and the middle stone is eight feet, and the space between the middle and the western stone is seven feet.  The stone flags vary in measurement, the eastern stone being the greater, standing four feet three inches high, three feet eight inches broad, and one foot thick.  The middle stone is three feet high, three feet ten inches broad, and nine inches thick; and the western stone is three feet high, four feet broad and ten inches thick.  The two outer stones bear no letters, figures or marks, but the centre stone has rudely sculptured on the top-edge the Roman numerals IX, and on the western side of the stone there is a cup-shaped indentation about two inches in diameter.  A groove 26 inches in length extends from the top of the stone to below the level of the cup indentation.  The groove is deeper at the top, but gradually loses in depth towards the bottom end.  I have seen grooves similar to above by the friction of a wire rope passing over a rocky surface.  The numerals, cup indentation and groove do not appear to be part of the original placing of the stones and, if a cromlech, then in the centuries that have gone, the stones becoming exposed to view by the removal of the mound, would invariably have led to a search for stone coffins or urns, yet no discovery of either has ever been recorded.”

Indeed, Mr M’Whirter was sceptical of them being part of a prehistoric burial site, preferring instead to think that a megalithic ring once stood here.  He continued:

“From an examination of the three stones, I am convinced that they form a segment of a circle, and assuming that nine additional stones complete the circle, it would enclose a space of roughly one hundred feet in circumference, with each stone facing an easterly direction.”

But we might never know for certain…. The only other literary source I have come across which describes the site is that by the local vicar, William Stewart (1988), who told us that:

“The stones stand erect, six feet apart, three rough slabs of coarse-grained sandstone, three feet high, three feet broad and six inches thick, free of any chisel marks.  Two have their back to the east, the third, oblique to the others, has its back to the south-east, thus there is no suggestion of a stone circle.  There are vertical grooves on two of the stones, while the centre stone has a cupmark, below which is a faint circle, one foot in diameter.  They stand at the end of a long narrow strip of land with low earthen walls on either side, perhaps an old agricultural field division, and they gave their name ‘Three Stanes’, to a now partly-lost road which eventually reached The Craggs and ended as Threestanes Road in Strathaven…”

The Three Stones

The “faint circle” described by Mr Stewart is barely visible now.  And the idea that these “three stones” gave their name to the farmhouse and road of the same name at the other side of Strathaven, three miles west, seems to be stretching credulity to the limits.  Surely?

Folklore

In 1845, Gavin Laing in the New Statistical Account for Lanarkshire told that:

“These stones are known simply as the “Three Stones”. There is a tradition in the neighbourhood that three Lords were buried here, after being killed while looking on at a Battle. The stones are about 3½ feet high and about as thick as flag stones. They stand upright being firmly fixed in the ground.”

The stones and their traditional origin were also mentioned in Francis Groome’s Ordnance Gazetteer (1884), where he echoed the 1845 NSA account, but also added:

“Three tall upright stones are here, and have been variously regarded as Caledonian remains, as monuments of ancient noblemen, and as monuments of martyrs.”

Then at the end of the 1850s, when the Ordnance Survey lads came here, they reported,

“Three high stones stand upright on a small eminence upon the lands of Avonholm, respecting their origin there are various opinions. They are probably the remnants of Druidical superstition.”

References:

  1. Groome, Francis H., Ordnance Gazetteer of Scotland – volume 1, Thomas C. Jack: Edinburgh 1884.
  2. M’Whirter, M.T., “The Standing Stones at Glassford,” in Hamilton Advertiser, 1929.
  3. Stewart, William T., Glasford – The Kirk and the Kingdom, Mainsprint: Hamilton 1988.
  4. Wilson, James Alexander, A Contribution to the History of Lanarkshire – volume 2, J. Wylie: Glasgow 1937.

© Paul BennettThe Northern Antiquarian


Langside House, Cathcart, Glasgow, Lanarkshire

Cup-and-Ring Stone (removed):  OS Grid Reference – NS 5726 6128

Also Known as:

  1. Bluebell Woods
  2. Canmore ID 44291
  3. Langside Stone

Archaeology & History

Langside House carving

Amidst where now the busy city spreads on the south-side of Glasgow, there was once an excellent multi-ringed prehistoric petroglyph to be seen.  According to the official records, it was all alone – but I don’t buy that for one minute! (petroglyphs rarely occur in isolation)  However, it looks as if this might have been the last of its kind in the area, betwixt where now large houses grow in the landscape of Langside and Battlefield, a few hundred yards south of the hillfort-topped Queen’s Park.

Before being noticed by archaeologists, the stone was apparently being used as a stone seat in the woods for people to sit on!  It was probably a part of a larger monument, perhaps a cairn of some sort.  Certainly from the sketches we have of it, it was part of a larger piece of stone and was likely to have had companions, but records seem to be silent on the matter. The most detailed description of it comes from the pen of northern antiquarian Fred Coles (1906), who gave us the following literary portrait:

“The first notice of the Stone incised with the design shown below was due to Mr W. A. Donnelly, who contributed a description and a sketch to The Glasgow Evening Times of 25th June 1902.  Later, Mr Ludovic Mann, at my request, sent me certain notes he had taken of the cup-and-ring-marks.  But prior to this, the Stone itself had, on the instigation of Mr Donnelly, I think, been removed from its site in the wood, and placed near one of the entrances to the new Kelvinside Museum.  There I saw it and made measurements in July 1903.

“The Bluebell Wood lies in a curving line to the west and south of Langside House, and the cup-marked Stone was at a point in the southern extremity of the wood, above and north of the river Cart.  It is interesting to be able also to record that the longer axis of the Stone lay almost precisely north and South, and the opposite axis east and west.*  The Stone is of a hard, whitish sandstone, a good deal weathered and rounded at the edges. It measures 4 feet 9 inches in length and 3 feet 2 inches in breadth, and varies in thickness from 2 feet 6 inches to 1 foot 7 inches.  The striation of the Stone has helped to efface the cuttings which, though perfectly clear and measurable, are shallow in proportion to their width.  And this feature I have endeavoured to portray in the accompanying illustration (above).  Beginning at the north end of the Stone, there is one cup placed just where the outermost ring of that group touches the edge of the Stone.  The ring has a groove leading towards but not into a central cup, and four other cups are placed on the two outermost rings, there being four rings in this group.  The middle group consists of a central cup and three rings, flanked on the west by a row of three cups (one of which is the largest of all), and on the east by a double row of six cups, three of which are almost obliterated.  This middle group is imperfectly concentric, two of its arcs running into the fourth ring of the group on the south, which has a fine deeply picked central cup.  All the better-preserved rings are very nearly 1½ inches in width of cutting.

“The diameters of the outermost rings in each group are: of the north group, 1 foot 9 inches; of the middle group 1 foot 5 inches; and of the south group 1 foot 7 inches.  The cups vary in diameter from 3 inches to 1½.

“Considering the extremely easily weathered nature of this Stone, and the fact that its sculptured surface has already suffered much ill-usage, its present position, near the entrance of the Art Galleries, entirely unprotected by a railing and exposed to all sorts of abuse by casual passers-by as well as the weather, is not a fit and proper place for a Stone of such interest.”

A few years after this, the local historian Ludovic MacLellan Mann (1930) wrote a piece for the Glasgow Herald, in which he thought that both this and another carving in the area,

“commemorate chiefly…an eclipse of the sun seen in Glasgow district in the year 2983 BC, at three o’ clock in the afternoon of the sixth day after the Spring Equinox.”

Mann’s 1930 sketch

A fascinating idea…  Mann was intrigued by the theory that petroglyphs represented astronomical events or maps of the skies – and we know from cultures elsewhere in the world that some carvings had such a function; but it’s not integral to all carvings by any means.

The stone was included in Ron Morris’ (1981) survey, merely echoing the description of Fred Coles, adding nothing more.  And so it seems that the carving is still in the museum somewhere.  Canmore has it listed as “Accession no: 02-78”.  Does anyone know of its present situation?  Can anyone get a photo so we can give it a more fitting site profile?  It looked a damn good carving!  And, if anyone lives nearby, I note that there are small patches of the old woodland still visible on GoogleEarth: therein, perhaps, a diligent explorer may just find another carving….

References:

  1. Coles, Fred, “Notices of Standing Stones, Cists and Hitherto Unrecorded Cup-and-Ring Marks in Various Localities,” in Proceedings of the Society of Antiquaries, Scotland, volume 40, Edinburgh 1906.
  2. Donnelly, W.A., “Letter”, Glasgow Evening Times, 25 June, 1902.
  3. Mann, Ludovic MacLellan, “The Eclipse in 2983 B.C. – Discovery near Glasgow,” in Glasgow Herald, 17.09.1930.
  4. Morris, Ronald W.B., “The Cup-and-Ring Marks and Similar Sculptures of South-West Scotland,” in Transactions of the Ancient Monuments Society, volume 14, 1967.
  5. Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.
  6. Morris, Ronald W.B. & Bailey, Douglas C., “The Cup-and-Ring Marks and Similar Sculptures of Southwestern Scotland: A Survey,” in Proceedings of the Society of Antiquaries, Scotland, volume 98, 1966.
  7. Small, Sam, Greater Glasgow: An Illustrated Architectural Guide, RIAS: Edinburgh 2008.

ACKNOWLEDGEMENTS:  Huge thanks to beautiful Aisha for putting me up.

* Although Coles did note how its earlier use as a stone seat probably negates his axial measurements.

© Paul BennettThe Northern Antiquarian


High Banks (03), Kirkcudbright, Kirkcudbrightshire

Cup-and-Ring Stone (lost):  OS Grid Reference – NX 709 489

Archaeology & History

One of the lost High Banks carvings

One of the lost High Banks carvings

The drawing here is another by the legendary Fred Coles, previously unpublished until Maarten van Hoek (1990) brought it out of the dusty archives of the Stewartry Museum, Kirkcudbright, and described it in his article on prehistoric rosette motifs.  As with its fellow carving of High Banks 2, the location of the site remains unknown; and van Hoek wondered whether these two lost carvings “could have been located at the spot where now the little quarry at High Banks site is found.”  Let’s hope not!

References:

  1. Morris, Ronald W.B., The Prehistoric Rock Art of Galloway and the Isle of Man, Blandford: Poole 1979.
  2. van Hoek, M.A.M., “The Rosette in British and Irish Rock Art,” in Glasgow Archaeological Journal, volume 16, 1990.

© Paul BennettThe Northern Antiquarian