Cup-Marked Stone (lost): OS Grid Reference – NN 4808 0140
Archaeology & History
On the south-side of Loch Ard, just a few yards from the entrance to Rob Roy’s Cave (one of several), right by the water’s edge are the natural upstanding pillars known locally as Gog and Magog. In Peter Joynson’s (1996) work on Aberfoyle, this site is listed as one in a number of unrecorded cup-and-ring stones in the area. Discovered by a local lady—”the late Mrs Maitland”—here we have,
“two huge stones about 30ft high known as Gog and Magog situated at the mouth of Blan Ross Bay. They have numerous cup marks, but sadly have disappeared from view as they have been covered by forestry planting.”
An increasingly annoying problem that many rock art students are having to contend with! When we visited the site, the tops of these huge stones were, indeed, covered in depths of mosses and pine needles and the carving is hidden from sight. When the trees are felled, let’s hope someone can find it!
Folklore
These natural rocks were said to have been two giants that were turned to stone, the story of which seems to have been forgotten…
References:
Joynson, Peter, Local Past, privately printed: Aberfoyle 1996.
On the A81 road from Aberfoyle to Strathblane, about a mile south of Aberfoyle take the tiny right turn (keep your eyes peeled!) to Gartmore. Along the tiny curving road for exactly 1km (0.61 miles), where the road has straightened out there’s a small dirt-track with a parking spot along it. A few hundred yards along there’s a crossroads of dirt-tracks: walk to your left (SW) for nearly a mile (or exactly 1.5km) keeping your eyes peeled for a small distinct footpath leading down-slope on your left. Walk along this undulating path for just over 200 yards till you go through the gate, then walk immediately to your right down the side of the fence in the field for about 20 yards. Y’ can’t miss it!
Archaeology & History
Located on the land of the early bards of Gartmore, we could speculate that those early orators told tales of, and from this old stone—but that’s all it would be: dreamy speculation. Instead, passing that aside, the petroglyph itself brings us a feast to drool over!
Made up of four distinct carved sections of almost interconnecting rock, this flat thin line of stone is covered with an impressive array of cups and multiple rings. Running downhill in a northeast to southwest line, it would appear to have been written about for the first time by Lorna Main (1988) who subsequently described it in the usual archaeological shorthand, simply telling that,
“There are at last 28 cups, 3 cup and one ring, 4 cup and two rings, 2 cup and three rings, 1 cup and five rings and 1 cup and seven rings.”
…But, as usual, there’s much more to be said of it than that. Of the four sections, we’ll start at the uppermost northeastern section and work down the sloping ridge, looking at the respective symbols as we go. Section 1 has the largest surface area, but isn’t the most decorated of the bunch. Nonetheless, what we find here is impressive. About a dozen single cup-marks of various ages are scattered over the surface in what initially seems to be no recognizable order; these are accompanied by two single cup-and-rings: one of which could be said to be of standard size and form, whilst the other has a much larger and broken ring, near the middle of the rock, about 12 inches across. This larger ring has two or three of the cup-marks incorporated into its outer edges. The most impressive element of Section 1 is the large multiple-ringed design, five in all, radiating outwards or funneling inwards (depending on what was intended) around a central cup. The outer ring of this is incomplete.
Section 2 is the most visually impressive of all the Blarnaboard (3) carvings: almost an evolutionary development of what we see on the first part. A 2-dimensional panorama shows off a distinct cup-and-ring close to the edge of the soil, and there’s a somewhat wonky incomplete cup with double-ring below it. A very clear cup-mark to the right of this has another faint incomplete double-ring round it—but this is hard to see. The same cannot be said of the cup with seven concentric rings surrounding it! (the outer two of these are incomplete) As I walked round and round this section, drooling somewhat, it became obvious that a number of well-defined cup-marks had been carved around the outer edges of the rings, deliberately creating an eighth ring comprised purely of cup-marks. It gave me the impression of it representing heavenly bodies revolving around the central Pole Star; but also of it defining the movement of the Moon through the heavens during a calendar year. (the astronomy of my youth still comes through at times!)
By comparison, the third and smallest section of Blarnaboard (3) almost pales into insignificance, possessing a mere cup-and-double-ring—and a very faint one at that. From a certain angle it looked like it possessed a third ring, but this was probably more to do with me wanting to see more than there is! Just below this double-ring, a single cup has what might have once been another incomplete ring round it—but we’d need the computer graphic students among you to suss that bit out! You can’t make it out on the photos here, sadly…
The fourth section is the most visually unimpressive of the entire cluster and was probably carved much later than the rest. The poor little fella has just five single cup-marks, with a sixth at the top-corner or northeastern part with what seems to be a small carved double-arc, or partial lozenge, that was started and never finished.
A couple of other exposed sections of stone running a few more yards further down the same line have no carvings on them—but there may well be more to this petroglyph hiding beneath the turf, which covers quite a large area. I have no doubt that other unrecorded carvings exist in close by, but due to excessive forestry plantations all around here, they’ll either be covered over or will have been destroyed. Don’t let this put you off looking for others though!
An interesting feature of this long line of stone is its potential alignment. When we were photographing the site, a local man came over and got chatting with us. He knew of the carving and had been here many times and told us that his wife had looked at this one and found it aligned with another cup-and-ring on the south-side of Blarnaboard farm and another one (officially unrecorded) even further along. I checked this when I got home and found that this long line of petroglyphs did indeed line up with the Blarnaboard farm carving, perfectly. Whether this was intentional and/or possesses an astronomical function, we might never know. The third carving along the line has yet to be located. I must emphasize however, that the relationship between earthfast petroglyphs and alignments is very rare and, where found, is little more than fortuitous. But when we find cup-markings on alignments of standing stones and other prehistoric monuments, the relationship seems to be much more intentional and would have had a specific mythic function.
If y’ follow the fence-line from this carving down to the small burn, on the other side is the much less impressive Blarnaboard (2) cup-marked stone.
Folklore
Prior to Lorna Main’s (1988) short note on this petroglyph, local people had long known about the carving. As late as the 20th century, people with fevers were brought to this stone in the early morning to be cured of the illness. The idea was that medicinal herbs were collected and placed in some of the cup-marks, which were used like a mortar and pestle to prepare the plants. This healing magick, spoken of by some of the old folk in Aberfoyle, was known to them as children, who’d been told of this by their elders and, of course, by the elders before them.
There is also a tradition that some of the stone that makes up the curious moondial (not sundial) that can be seen at the back of the church in Gartmore village nearly a mile to the southeast, originally came from here.
References:
Main, L., “Blarnaboard (Aberfoyle parish), Cup and Ring Marked Outcrop,” in Discovery & Excavation Scotland, 1988.
Acknowledgements:Huge thanks for use of the Ordnance Survey map in this site profile, reproduced with the kind permission of the National Library of Scotland.
Anyone who’s going to visit this carving will be doing so as a result of visiting the impressive Blarnaboard (3) cup-and-ring stone, 115 yards (105m) away. From Blarnaboard (3), walk down the slope on your right (west), cross the tiny burn and go round to the other side of the small rocky hawthorn-topped hillock just a few yards in front of you. Fumble about and you’ll find what you’re looking for!
Archaeology & History
It’s possible that there’s more to this carving than meets the eye. On the west-side of this small rocky rise, along a thin elongated raised section in the stone, a gently meandering line of nine deep cups runs roughly northeast to southwest. You can’t really miss them as they average some 2 inches across and 1 inch deep, strongly suggesting that they were cut and reworked over and over for a long period of time.
It was first described in distinct brevity by L. Main (1988) who told that, “over a length of 60cm on a north-east facing outcrop are 9 cup marks.” And, whilst all of the cups are clearly visible, one of them at the edge of the stone has been cut or worked into a natural curved hollow. You’ll see what I mean when you visit the site (it’s pretty clear in the photos).
Beneath the roots and soil there may well be other cup-markings that are still hiding away on this rocky dome. I have no doubt that other unrecorded carvings exist in this area, but due to the excessive forestry plantations all around here, they will be covered over or have been destroyed.
References:
Main, L., “Blarnaboard (Drymen parish), Cup Marked Rock,” in Discovery & Excavation Scotland, 1988.
On the A81 road from Aberfoyle to Strathblane, about a mile south of Aberfoyle take the tiny right turn (keep your eyes peeled!) to Gartmore. At the end of the village, turn right at the T-junction. Just over a mile along the tiny road, just over the tiny road-bridge, turn right again up up the dead straight road to Drymen for nearly a mile and park up. A dirt-track is on your right: walk along here for ¾-mile (1.2km) and in a large field on your left a huge rock sits (no carvings on it). Keep walking on the track and where the field ends, a path to your left runs above a small burn. Naathen, 150 yards along here, look down at the waters and there’s a clump of large rocks. Check ’em out!
Archaeology & History
This stone and others were mentioned in MacNair’s (1973) essay in the popular history guide to the region, after it had seemingly been rediscovered a few years earlier by Ron Morris (1967; 1969), who listed it in his petroglyph catalogues. It was originally located at the top of the slope above the burn, but was rolled down here shortly after Morris discovered the cup-and-rings on it. The farmer at the time had made a bore-hole into the rock with the intention of blowing it up, but Morris found it just in time and the stone managed to survive!
It’s a large rock with a decent ornate design that was clearly visible when Morris surveyed it (see photo, right). It comprises of, “a cup-and-two-rings, 18cm (7in) diameter, 6 cups-and-one-ring (2 of which are tangential) and at least 8 cups. All rings are complete. Greatest carving depth 2cm (¾in).” There also appears to be a line of four or five small cup-marks running in a short line by one of the lower cup-and-rings, but these are very faint indeed. The double cup-and-ring mentioned by Morris is the one at the top-centre in my photo, but the next cup-and-ring down may also be a double-ring. At the top-right of the photo is where two cup-and-rings are conjoined.
Since being rolled down the slope to the side of the burn, the carving’s much more in the shadows and is more difficult to work out. Sadly on the day when I visited here, Nature bestowed on me a wet and cloudy day, so the design was even more difficult to see, as my photos illustrate.
Morris (1981) told that “other stones in the immediate vicinity bear possible cup-marks,” and one of these may exist just a couple of stones away (Corrie 2), leaning up into the grasses: this is another rock that has been pushed down the slope and has curious natural cup-markings on it, with one or two that could be man-made, but we need a geomorphologist to have a look at it and tell us one way or the other.
References:
Edlin, Herbert L. (ed.), Queen Elizabeth Forest Park, HMSO Edinburgh 1973.
MacNair, A.S., “History,” in Edlin’s Queen Elizabeth Forest Park, HMSO 1973.
Morris, Ronald W.B., “The Cup-and-Ring and Similar Early Sculptures of Scotland; Part 2 – The Rest of Scotland except Kintyre,” in Transactions of the Ancient Monuments Society, volume 16, 1969.
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.