Nice n’ easy. Get to the Haystack Rock and walk on the path west (past the Three Cups Stone) and where the path swings round following the edge of the small Backstone valley, keep going for 150 yards or so. Keep your eyes out for the remains of walling in the Green Crag Settlement on your left. This flat stone is amidst the heather in and amongst the enclosure (hence the name). If you walk back and forth hereabouts for a short period, checking for flat stones amidst the heather about 20 yards off the path, you’ll find it!
Archaeology & History
Top-left section of CR-288
This is another one of those carvings which had been seen by a number of people, bimbling about across this part of the moor, before it saw the literary light of day in Hedges Carved Rocks book (1986). It’s a nicely-preserved design, usually covered over by much heather growth, but is worth the exploration if you like your cup&rings. The drawing of this stone however (in both Hedges and Boughey & Vickerman) does not convey the actuality of the carving, as we can see here. But that’s the case with many cup-and-rings: linear precision and the artisty of the carving are two very different things. As we can see here, one section of the stone has a defined ‘enclosure’ of cups etched upon the rock surface: something that is clearly missed in the archaeologist’s drawing. Check it out y’self and see what you think!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Take the same directions as to reach the Snowden Crags Necropolis, and where the small rounded hill rises up on the eastern end of the plain, look around and you’ll find the stone in question.
Archaeology & History
Up near the edge of the Snowden Moor settlement, just a few yards away from Carving-570, is this medium-sized earthfast boulder with what seems to be three or four cup-markings on its western-face. Boughey & Vickerman (2003) describe the stone as with a “deep gully, cups and enlarged cup, perhaps weathered carving but could be natural” — which seems a reasonable assessment. Certainly the cups seem weathered, although a couple of them may have been man-made. At the side of the rock are the remains of a small cairn, and it is positioned next to the beginning of the Snowden Moor Cemetery.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Cowling, Eric T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.
Follow the directions for getting to the great Badger Stone carving. From here, walk eastwards on the footpath for about 400 yards. Hereabouts walk off the path and down the slope just a few yards and amble back and forth, checking the various stones. Keep doing this until you find it! (luckily, this stone’s marked on the OS-map) There are several other reasonable carvings nearby on the same plain…the Green Gates Stone (or carving no.257) for one!
Archaeology & History
The Pitchfork Stone (after Hedges, 1986)
First found (or rather, recorded) by our old friend Stuart Feather and described in Bradford’s Cartwright Hall Archaeology Group’s Bulletin in 1961. It’s status was all-but-secret until Hedges edited the Ilkley Archaeology Group’s Carved Rocks work in 1986. The stone’s a simple design as the illustration shows: an urn-like vessel with a cup in the middle; but the attached groove at the bottom gave one anonymous chap (who dared to use the modern name of RombaldII!) the idea of it looking like a pitchfork – so the name sticks!
The enclosing “lines” that make up the pitchfork aspect of the carving are pretty enhanced (as we can see in the photograph here) and may, just may, be the result of a more recent petroglyphic artist.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Feather, Stuart, ‘Mid-Wharfedale Cup-and-Ring Markings – Nos. 2 & 3, Ilkley Moor,’ in Bradford Cartwright Hall Archaeology Group Bulletin, 6, 1961.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Follow the same directions for getting to the Idol Stone, then walk just 30 yards further up the path and it’s the big rock on your left-hand side. Y’ can’t miss it!
Archaeology & History
Main section of cup-marks
This nice big boulder can be quite a temperamental chap, depending on how the light plays with the rock surface. I’ve got some photos of this old stone where you can see next to nowt on it; where as others show clearly aspects of the design that aren’t on the archaeo-images. But such is the nature of cup-and-rings I s’ppose!
Unlike its rather linear companion a few yards away, this great boulder has the more typical scattering of faded cups, lines and at least one cup-and-ring, etched with seemingly little purpose or structural design. But as we know, the very notion of structural design in forms consistent to modern mind-sets were anathema to the neolithic people who were etching these patterns on rocks. Indeed, even the notions of these images as ‘art’ as defined in modern times, has no relationship to the intrinsic reality of either cup-and-rings or reality per se, as experienced by our ancestors. And I think we find an explicit affirmation of this in the Cluster Stone here.
Close-up of cup-and-ring
Natural cuts in the rock have been heightened, for whatever reason, so that today the division between Nature’s marks and the mark of humans have become ambiguous as time has worn the features. The clustering of cup-marks on certain parts of the rock was surely indicative of (what we would term) separate events/forms, whose mythic relationship were, however, intrinscially related. This may be representative of a landscape map, or a series of events – but each would relate to one and other. But, of course, we truly don’t know, so think I’d best shut up!
Cluster Stone design (after Hedges 1986)
The carving itself, as we can see today, has perhaps as many as 40 cup-marks on it (Boughey & Vickerman safely vouch for 26), with five or six lines running across the surface, some of which have been modified by ancient peoples. The cup-and-ring on the stone is quite distinct. Neolithic or Bronze Age walling runs just a few yards away from here, but the precise line it takes has not been accurately assessed.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.
Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Follow the same directions to reach the Pancake Stone. Then walk eastwards along the footpath on the moorland edge. After about 400 yards, keep your eye out to your right on the moorland proper where you’ll see this large boulder, seemingly isolated, of similar shape to the Haystack Rock, but a bit smaller. That’s it! If you end up near the stream (Rushy Beck) you’ve gone way past it.
Archaeology & History
Four of the cups on this lichen-rich surfaceLittle Haystack (after Hedges 1986)
Found in the middle of the Green Crag Slack Plain, this large Haystack-Rock-shaped boulder stands out. It sits amidst a cairn-field with other neolithic remains nearby. The carving itself aint that impressive, and some parts of it seem almost dubious. But both Hedges, Boughey and Vickerman include it in their surveys, describing the cup-marks and curious lines on its northeastern surface. It’s nowt special to be honest. You’d expect a bit more from the size of this old stone; but as those folk who know their rock art well will tell you, size aint everything when it comes the splattering of cups on a rock’s surface. We have four distinct cups pretty close to each other (as the photo shows), with another possible cup-and-ring and accompanying lines nearby.
The stone’s worth looking at though. It stands out amidst the mass of single- and double-tombs scattered across the moorland plain — sitting amidst a veritable necropolis no less.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.
Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Follow the directions to reach the Snowden Moor settlement and, from the Upper D-shaped enclosure (at SE 1782 5131) walk west up the sloped hillock 30 yards west and, on its top, head to its northern edge where a small cairn can be found. The carving is next to it.
Archaeology & History
Very close to what seems to be the boundary between the Snowden Moor Settlement and its adjacent Cemetery is this small earthfast rock with three cup-markings on it, two of which may be linked by a small line. I have to say that we have to be cautious about the veracity of this carving. By the side of this stone is what seems to be the remains of a cairn.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Follow the same directions as to reach the Tree of Life Stone carving. From here walk 7 or 8 yards east. You can’t miss it!
Archaeology & History
Coped Stone carving (after Boughey & Vickerman)
About 20 feet away from the more renowned Tree of Life Stone — and seemingly linked to it by a small stretch of ancient walling that runs between the respective stones — is this rather large boulder close to the walling with at least seven cup-marks on it. A number of vague lines run down and around the edges of some of the cups, but they can be somewhat hard to see if the light conditions aint right (I don’t recommend trying to suss it out on dark grey overcast days — unless you’ve got awesome eyes!). Immediately next to this rock is a large collection of small stones, looking to be the remains of some man-made construction from time past. The nature of this pile of rocks has yet to be ascertained, but it would be reasonable to assume that it was at one point earlier a much larger pile that has been plundered for use to make the drystone walls hereby. Less than 10 yards below this and the Tree of Life Stone carving is a line of ancient walling, at least Iron Age in nature, possibly earlier, running for some distance east-west up and across the moorland.
Cup-marks near top of the stone
The carving was described for the first time, albeit very briefly, by Eric Cowling (1937) in his lengthier description of the Tree of Life Stone, saying how “a small coped stone to the east has several scattered cups” on its surface — meaning this old thing! Boughey & Vickerman’s (2003) survey (2003) describe it as a
“medium-sized, upstanding, worn rock. Seven or eight possible cups, mostly at the top of S face, but one at its bottom of E face.”
…And the poor old fella has had nowt else said of it until now! I reckon this carving will only be of interest to the most serious of meditators or hardened rock-art freaks!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Cowling, Eric T., “Cup and Ring Markings to the North of Otley,” in Yorkshire Archaeological Journal, part 131, 33:3, 1937.
Cowling, Eric T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.
Probably the easiest way to get here is by starting on the Moor Road above Burley Woodhead, where the road crosses the Rushy Beck stream. Looking upstream, follow the footpath up the right-hand side of the waters, nearly all the way to the top. Where it crosses a footpath near where the moor begins to level out, look up to your right and you’ll see the raised crown of stones a coupla hundred yards off path, NNW. That’s it!
Archaeology & History
This very large Bronze Age cairn was reported by Faull & Moorhouse (1981) to have been surrounded by a multiple stone circle, citing it to have been shown as such on an estate map of Hawksworth Common in 1734. When I contacted the Yorkshire Archaeology Society to enquire about this map, it could not be located. (This needs to be found!) No evidence of such a stone circle presently remains, though there were at least two standing stones once to be seen at the edge of this tomb, though only one of them — now laid more than five-feet long in the heather — is still evident on the western side of this giant tomb. But anyone who might know anything about the 1734 Estate Map – pleeeeez gerrit copied or take a photo of it! Then stick it on TNA so everyone can see whether the circle surrounded this, or the Great Skirtful of Stones, 500 yards to the south.
Single cup-marked stone on outer edge of Little Skirtful
The Little Skirtful is in better condition than its big brother on the hill to the south and — unlike the Great Skirtful — there are said to be at least five cup-marked stones amidst the great mass or rocks constituting this site. There could be more. The carvings are just single cup-markings etched onto small portable stones, typical of sites like this. They are found near the centre above a small cist and outwardly towards the northern edges of the cairn (for more info about them, see the main entry for the Little Skirtful Carvings).
It’s been said by Stan Beckensall (1999, 2002) that no cup-marked rocks “are known near…the really large cairns” on the moor—meaning the Little Skirtful and her allies—but this isn’t true as there are at least 4 definite carvings (a possible fifth seems likely) on the moorland immediately around the Little Skirtful. Though to give Beckensall his due, if he got his data from the Ilkley archaeologists, his information isn’t gonna be too accurate, as they’re quite unaware of many sites on these moors! A good number of local people have a much greater knowledge-base on such matters than those in paid offices, as this and other websites clearly shows. The times they are a-changin’, as one dood said, not so long ago…!
Folklore
Paul Bowers & Mikki on top for scale!
The creation myth of this place tells that the giant Rombald (who gives his name to the moor) was in trouble with his wife and when he stepped over to Almscliffe Crags from here, his giant wife – who is never named – dropped a small bundle of stones she was carrying in her apron. (In traditional societies elsewhere in the world where this motif is also found, it tends to relate to the site being created by women.) Harry Speight (1900) tells us of a variation of the tale,
“which tradition says was let fall by the aforementioned giant Rumbalds, while hastening to build a bridge over the Wharfe.”
Variations on this story have said it was the devil who made the site, but this is a denigrated christian variant on the earlier, and probably healthier, creation tale. Similar tales are told of the Great Skirtful of Stones, 500 yards south.
References:
Beckensall, Stan, British Prehistoric Rock Art, Tempus: Stroud 1999.
Beckensall, Stan, “British Prehistoric Rock Art in the Landscape,” in G. Nash & C. Chippindale’s European Landscapes of Rock Art, Routledge: London 2002.
Bennett, Paul, The Old Stones of Elmet, Capall Bann: Chieveley 2001.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAA 2003.
Collyer, Robert & Turner, J. Horsfall, Ilkley: Ancient and Modern, William Walker: Otley 1885.
Colls, J.N.M., ‘Letter upon some Early Remains Discovered in Yorkshire,’ in Archaeologia 31, 1846.
Cowling, E.T., Rombald’s Way, William Walker: Otley 1946.
Faull & Moorhouse, West Yorkshire: An Archaeological Survey – volume 3, WYMCC: Wakefield 1981.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Speight, Harry, Upper Wharfedale, Elliott Stock: London 1900.
Wood, Butler, ‘Prehistoric Antiquities of the Bradford District,’ in Bradford Antiquary, volume 2, 1901.
In James Simpson’s precursory essay (1866) to his monumental Archaic Sculpturings (1867), he details the former existence of a decent piece of prehistoric rock art, lost to us until very recently by the intrusive diggings of one Thomas Kendall of Pickering. Simpson wrote:
“A large mass of sandstone in the moor above Robin Hood’s Bay, near Whitby, had some sculpturings upon it, part of which were split off by Mr Kendall of Pickering, in whose garden I have seen the slab of carvings which he thus procured. Mr Kendall’s slab is about five feet long and two and a-half broad. Upon its surface are three or four isolated cups about an inch and a-half in breadth, and five or six others surrounded by ring-cuttings… Two or three of the ring-cuttings consist of single circles. One consists of a triple circle and straight radial groove. The ends of the circles, as they reach the traversing groove, turn round and unite together, as in the horse-shoe pattern… The two remaining circles, which are respectively five inches and eight inches in breadth, and consist of cups surrounded by two and by three circles, are conjoined together by a long gutter. The upper circle shows a single-and the lower a double horse-shoe pattern. In the uppermost or double circle the rounded ends of the rings are united and bestridden by a shallow right-angled line; and the ends of the lowest or triple circle are in part also conjoined by the gutter which runs from the double circle above, and by a cross straight line which runs off from it. The circles are more imperfectly finished than usual, and at some parts present almost an appearance of being punched out rather than cut out.”
Cup-and-Ring Stone, once near Robin Hood’s Bay
In recent years, thanks to the cup-and-ring huntings of Chris Evans and Graeme Chappell, the carving has re-emerged from its lost position and, it would seem, is located in someone’s garden in Pickering. The carving is catalogued as Stone REM 1/P1 in Brown & Chappell’s (2005: 257) work on North Yorkshire rock art. Hopefully, in the months to come, we’ll have a decent photograph and description of its present condition. Fingers crossed!
References:
Brown, P.M. & Chappell, Graeme, Prehistoric Rock Art in the North York Moors, Tempus: Stroud 2005.
Simpson, J.Y., ‘On Ancient Sculpturings of Cups and Concentric Rings’, in PSAS volume 6, 1866.
Simpson, James Y., Archaic Sculpturings of Cups, Circles, etc., upon Stones and Rocks in Scotland, England and Other Countries, Edmonston and Douglas: Oxford 1867.
The same directions as for the Eastwoods Farm Cup: from Summerbridge, go west on the B6541 towards Dacre Banks, where there’s the signpost for the Nidderdale Way footpath. Follow this past the disused quarry and into the meadows. When you hit the Monk Ing road, bear right (north) and keep going till you’re 100 yards from Eastwoods Farm. Go right, down into the field for about 30 yards or so. Look around!
Archaeology & History
Described in Boughey & Vickerman’s (2003) survey as a “low, medium-sized, quadrant-shaped rock standing up from surroundings, with hollowed out central area.” This hollowed-out central area is, in all likelihood, the remains of a previously unrecognized old cross-base, although investigating archaeologists have somehow missed this. The stone’s proximity to the old Monk’s Way — a medieval trade route used by the local monastic Order — would give added weight to this assertion. A perusal of field-name records here may prove fruitful.
Our authors counted “eight possible small, badly worn cups, (with) three grooves running from central basin, all possibly natural.” The grooves may well be natural, but I’d say that one or two of the cups appear to be genuine. The large hollow in the middle of the stone may originally have been a cup-marking (or maybe even a cup-and-ring — but we’ll never know), before it became used as a site to erect a primitive cross.
Several other cup-and-ring carvings can be found around here — the Eastwoods Farm Cup is in the same field nearby— with the great likelihood of there being others hidden amidst trees or grasses, waiting to be re-awakened! The hugely impressive Morphing Stone and a prehistoric lightning-carving can be found in the next field, full of rocks, on the other side of the stream.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.
