Follow the same directions to reach the Middleton Moor carvings, numbers 436 and 437, up along the footpath. This is the easiest to find as it’s right beside the footpath – as Richard Stroud’s photograph clearly shows.
Archaeology & History
Drawing of CR-435Middleton Moor CR-435
Near a cluster of other cup-and-ring marked rocks, this decent example can be found besides what may be a prehistoric trackway running roughly east-west over the Long Ridge to Foldshaw Ridge. Amazingly, this stone was never previously catalogued until Boughey & Vickerman’s survey in 2003. Just goes to show what y’ can find if y’ gerrof yer arses and look for yerselves! Comprising at least thirty cups and several lines, one faint cup-and-ring is discernible on the western edge of the stone.
If you walk westwards, back up to the hilltop from here (only a couple of hundred yards), a single upright stone which some might consider megalithic, stands right before your eyes! An excellent spot!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Follow the same directions to get to the Middleton Moor Carving 437, along the Ridge Way footpath, and this stone is just a few yards away.
Archaeology & History
This all-but insignificant carving was first described in Boughey & Vickerman’s (2003) survey, as a “small rough grit rock sloping into turf” with what may be two faint cup-markings etched on its surface. Unless you’re a bittova rock-art fanatic, this might not be of much interest to you! (thanks to Richard Stroud for use of his photo!)
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Head for the gorgeous little hamlet of Langbar, a few miles northwest of Ilkley. Less than ½-mile before the village, keep your eyes out for the footpath bearing east onto the moors at Moor End Farm (right-hand side of road if you’ve travelled from Ilkley). Walk along the Long Ridge footpath to where the fields on your left finish and the moorland proper opens up. Hereabouts, check the stones in the heather to your right! If you amble about looking, you’ll find it!
Archaeology & History
Crap drawing of CR-437
This is another one of those carvings for the purists amongst you. Less than ten yards off the footpath on Long Ridge is this medium-sized rock with several cup-marks, and lines, on both its top and vertical faces. Boughey & Vickerman (2003) think there to be at least five cups on the top, with perhaps nine on the vertical east face, though some of these are debatable. (the drawing I’ve done is from their book)
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Dead easy this. From Otley, take the north road over the River Wharfe and turn left following the signs to Askwith, where you’ll hit Weston village first. Once here, take the small left turn down to Weston Hall and the accompanying church. Go into the churchyard and check the graves!
Archaeology & History
This is a real curiosity. It’s found in the graveyard of All Saints church, Weston, where one of the graves has several small stones on it, with this small stone with the following cup-and-ring designs upon it. A plaque has been attached to it as a memorial to one ‘Susan Mary Dawson’. Strange…
Sid Jackson’s 1958 sketchCup-marked stone deliberately placed on a christian grave
It was first written about by Sidney Jackson (1957), but where it first came from and why it has been placed here in a christian setting is something of a mystery. It’s also odd inasmuch as although we know that there was some form of ritual or geomantic use of cup-and-rings in relation to neolithic and Bronze Age burials — that such a tradition has been performed by this particular family on this grave. It is obviously highly unlikely that this family had any knowledge whatsoever of burial traditions in relation to cup-and-ring art (please, shoot me down in flames if you know otherwise), so this re-use of this prehistoric stone is likely to be little other than fortuitous. But then, the occult history of some of the influential families in and around this region in relation to witchcraft, ancient kingship and esoteric practices, might indicate otherwise…
Does anyone know anything about the Dawson family history which might throw light on this modern use of a prehistoric tomb marker? It has all the hallmarks of once coming from a prehistoric cairn, but we know little of its history prior to 1957.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Jackson, Sidney, ‘Cup-and-Ring Boulder, Weston Churchyard,’ in Cartwright Hall Archaeology Group Bulletin, 2:16, 1957.
Worth checking this if you aint seen it before! Head up to the back (south-side) of Otley Chevin (where the cup-and-ring Knotties Stone lies sleeping), following the road there and park up near/at the Royalty pub. Take the footpath behind the pub which crosses the fields and once into the second field, head diagonally down to the far-left corner. From here, look over the wall — you can’t really miss it!
Archaeology & History
An intriguing site for various reasons. All we have left to see of any value nowadays is this nigh-on 6-foot tall thick monolith, standing alone in the field halfway between West Carlton and Otley Chevin. Completely missed in local archaeological surveys, the place was mentioned briefly by Slater (1880); though it appears to have been first described in detail by Eric Cowling (1946), who suspected the stone may have Roman origins (though didn’t seem too convinced!), saying that:
“near the ground the section is almost oblong, with sides three-feet six-inches by one-foot ten-inches; two feet from top, the section is almost circular.”
The fact that the stone stands very close to the line of an all-but forgotten Roman road that runs right past it added weight to this thought (the road runs towards a Roman settlement a mile east of here near Yeadon). But this standing stone is unlikely to be Roman. More recent evidence seems to indicate a relationship with a now-lost giant cairn about 100 yards to the south. The only remains we have of this place are scatterings of many small loose stones nearby. And it seems a very distinct possibility that the extra standing stones that were once hereby, stood in a line.
The very first reference I’ve found about this site also indicates that there was more than one stone here in the past! In 1720 this site was known as the ‘Boon Stones’; and the plural was still being used by the time the 1840 Tithe Awards called them the ‘Boul Stones.’ Initially it was thought that both words were plural for “bulls” — as A.H. Smith (1962) propounds in his otherwise superb survey — but this is questionable. (see Folklore)
Folklore
A piece of folklore that seems to have been described first by Philemon Slater (1880) relates to the pastime of bull-baiting here, that is –
“fastening bulls to it when they were baited by dogs, a custom…still known to the Carlton farmers” (North Yorkshire).
Cowling (1946) told that he heard the stone was said to be lucky as well as being a source of fertility. This ‘fertility’ motif may relate to the meaning of the stone’s early name, the Boon Stones. Both boon and boul are all-but obsolete northern dialect words. ‘Boul’ is interesting in its association with a prominent folklore character, as it was used as a contemptuous term “for an old man.” Now whether we can relate this boul to the notion of the ‘Old Man’ in British folklore, i.e., the devil, or satan — as with the lost standing stone of The Old Man of Snowden, north of Otley — is difficult to say.
More interestingly perhaps is the word ‘boon’, as it is an old dialect word for “a band of reapers, shearers, or turf-cutters.” This band of reapers ordinarily consisted of five or six people and would collect the harvest at old harvest times. And as the early description talks of Boon Stones, this plurality would make sense. One curious, though not unsurprising folklore relic relating to these boons was described at another megalithic site (now gone) by John Brand (1908), where in the parish of Mousewald in Dumfries,
“The inhabitants can now laugh at the superstition and credulity of their ancestors, who, it is said, could swallow down the absurd nonsense of ‘a boon of shearers,’ i.e., reapers being turned into large grey stones on account of their kemping, i.e., striving.”
Standing stones with the folklore of them being men or women turned to stone is common all over the world. If we accept the dialect word ‘boon’ as the first name of this old stone, there may once have been some harvest-time events occurred here long ago (and this is quite likely). Equally however, we must also take on the possibility that this Bull Stone has always been a loner and that its name came from the now obsolete Yorkshire word, a bull-steann, meaning a stone used for sharpening tools, or a whetstone.
Take your pick!
…to be continued…
References:
Bennett, Paul, The Old Stones of Elmet, Capall Bann: Milverton 2001.
Brand, John, Observations on the Popular Antiquities of Great Britain – volume 2, George Bell: London 1908.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Jackson, Sidney, ‘The Bull Stone,’ in Cartwright Hall Archaeology Group Bulletin, 2:5, 1956.
Smith, A.H., English Place-Name Elements – 2 volumes, Cambridge University Press 1956.
Smith, A.H., The Place-Names of the West Riding of Yorkshire – volume 7, Cambridge University Press 1962.
Slater, Philemon, The History of the Ancient Parish of Guiseley, William Walker: Otley 1880.
As with many of the other Baildon Moor carvings, get up to Dobrudden caravan park and walk into the grasses immedietaly northeast onto the Dobrudden necropolis plain for 100 yards or so. It’s not far from the track and one of the many bell-pits is very close by. Look around!
Archaeology & History
A lovely little carving (sad aren’t I…?), first recorded and illustrated in Glossop’s (1888) famous essay on the ancient sites of Baildon Moor. He described there being 18 cups etched onto this rock — a fact echoed a few decades later in Mr Baildon’s (1913) magnum opus. The modern surveys thankfully still count 18 cups here.
Mr Baildon’s 1913 imageGlossop’s 1888 drawing
This is another one of the Baildon Moor carved stones included in Mr Holmes’ (1997) astronomical survey, where he thought the cup-markings here represented stellar maps and other prehistoric astronomical events. A damn good investigative notion, but it sadly aint true. However, those self-same ‘central design’ curves found at a large proportion of other carvings on and around Baildon Moor are plain here for all to see…
References:
Baildon, W. Paley, Baildon and the Baildons (parts 1-15), St. Catherines Press: Adelphi 1913-26.
Boughey, K.J.S. & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Colls, J.N.M., ‘Letter upon some Early Remains Discovered in Yorkshire,’ in Archaeologia, 31, 1846.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Cudworth, William, ‘Baildon Moor & its Antiquities,’ in Bradford Antiquary 3, 1900.
Glossop, William, ‘Ancient British Remains on Baildon Moor,’ in Bradford Antiquary No.1, 1888.
Hedges, John (ed.), The Carved Rocks of Rombald’s Moor, WYMCC: Wakefield 1986.
Holmes, Gordon, 2000 BC – A Neolithic Solstice Odyssey, SASRG 1997.
Takes a bitta finding this one, mainly cos it’s only a small stone – but worth the walkabout. It’s on the Low Plain, north of Dobrudden, about 10 yards down the path from the caravan park.
Archaeology & History
W.P. Baildon’s 1913 drawing
As with other stones on this roughland plain, it was first recorded and drawn by the local historian W. Paley Baildon (1913), who counted at least 15 cups here, with one complete cup-and-ring. Some of the cups have very distinct half-rings upon them; whilst others are connected by faint lines (as his drawing clearly shows). The later surveys of Hedges (1986), and Boughey & Vickerman (2003) counted 17 cups on this stone. This was another of the carvings which local astronomer Gordon Holmes (1997) thought may have been based on the constellation of Cassiopeia (like the nearby Cassiopeia Stone, found on the same moorland plain).
References:
Baildon, W. Paley, Baildon and the Baildons (parts 1-15), St. Catherines: Adelphi 1913-26.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Glossop, William, ‘Ancient British Remains on Baildon Moor,’ in Bradford Antiquary, 1888.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Holmes, Gordon T., 2000 BC – A Neolithic Solstice Odyssey, SASRG Press 1997.
Best way to find this is to get up to the Dobrudden caravan site on the edge of Baildon Hill, near the cinder-dump, then follow the same directions as for the Baildon Moor carving no.171. It’s on the same plain amidst the grasses – but you’re gonna have to zigzag about for a while before you find it!
Archaeology & History
W. Paley Baildon’s drawing
A simple plain cup-marked stone which Boughey & Vickerman (2003) reckoned to have 14 of the little babies etched on its surface. Ninety years earlier, the reliable Mr W.P. Baildon (1913) — who seems to have been the first person to describe this carving — showed there to be 15 cups when he came here.
This was one of the many carved rocks that astronomer Gordon Holmes (1997) looked at in his attempt to give a celestial explanation for the designs. Not too sure misself…
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Holmes, Gordon T., 2000 BC – A Neolithic Solstice Odyssey, SASRG Press 1997.
If you wanna find this carving, you’ll find it near several others on the Low Plain, 40 yards east of the footpath north of Dobrudden Farm. Look around in the tribbly grass!
Archaeology & History
This was first described and illustrated in a short article by William Glossop in the Bradford Antiquary in 1888, and reproduced by W. Paley Baildon (1913) – who drew his own impression of the carving. Tis one of my favourites from this moor. Dunno why – I just like it.
W.P. Baildon’s accurate 1913 drawingCowling’s 1946 drawing
Local astronomer and writer Gordon Holmes (1997) posited the theory that a part of this carving represented the constellation of Cassiopeia — hence its title! He told of finding the same pattern of cups at four other carvings on the moors and assigned astronomical meanings to them. He may be right, though I doubt it to be honest. Having looked and looked at the many carvings here, and many other places, the star-reflection hypothesis doesn’t tend to work (as the heavenly bodies have moved somewhat since the days when the cups were first carved). Along with this, when I was young I used to think cup-and-rings did have an astronomical basis — only to find, after constant analysis, that the theory didn’t work.
There are perhaps 20 cup-markings here, with various linking-lines and curves between and around the cups. Perhaps the most accurate of the early drawings was Mr Paley Baildon’s 1913 image, where he highlighted the faint surrounding ring enclosing the 4 or 5 cups near the bottom of the stone.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Glossop, William, “Ancient British Remains on Baildon Moor,” in Bradford Antiquary, 1888.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Holmes, Gordon T., 2000 BC – A Neolithic Odyssey, SASRG Press 1997.
From East Morton village, take the moorland road, east, and up the steep hill. Where the road levels out there’s a left turn where a trackway leads onto the moor. Go up here & keep walking till you hit a moorland ‘footpath’ signpost. Stop here and walk due west (your left) onto the gently sloping rise and into the mass of the Stanbury Hill enclosure system. Keep walking for 200 yards or so, where the land begins to slope down to the end of the spur; and just 50 yards before it drops down to the stream below you’ll find a cluster of carved rocks like the Lunar Stone, the Teaspoon Rock, Spotted Stone, etc, all scattered about. Near these, you’ll find this one!
Archaeology & History
Not to be confused with the carving of the same name on the northern side of these moors (near the Green Crag Slack enclosure), this carved rock gets its name specifically from looking like a lay-out plan of some settlement or enclosure. It’s unlikely that this title or description has anything to do with the carving, but its the impression it gave me when I first saw it! But then once you look at the carving from another angle it takes on a different impression.
Enclosure Carving from above
First thought to have been found by Stuart Feather in 1978, it is one of many carvings that occur in what seems to be an extensive prehistoric enclosure or settlement. There’s a complete cup-and-ring near the western end of the rock, with another distinct cup-marking by its side, and what looks to be a natural cup at the top-end of the stone. But it was the other section of the carving on the central and eastern side which intrigued me: a curious ‘enclosure’ of lines, with a cup-marking in each section. Cutting between the cup-and-ring and the enclosure lines is a natural long crack or fissure running roughly north-south through the rock. It seemed to me (though I could be wrong) that a line had been pecked running along this natural crack — although in Boughey & Vickerman’s (2003) drawing they don’t highlight this. It also seemed that the carved lines from ‘enclosure’ linked up to the pecked line that was carved along the natural fissure in the rock (as illustrated in my crap drawing!).
Shit drawing of CR99
As with the Lunar Stone nearby: it appears that either this stone was carved at different periods; or else for a long period of time much of the stone was exposed to the elements, whilst a section of it remained covered. For the distinct cup-and-ring on the western-end is more worn, with more eroded evidence of pecking, than the extended lines on the eastern end of the rock. I need to go back here and get some better images — and certainly do a much better drawing!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
