From Dunblane, head up the Glen Road for nearly a mile, turning left up the Sheriffmuir Road and all the wya on till you reach the pub near the T-junction another couple of miles on. OK – get thru the gate and onto the moor, roughly in a straight line with the pub behind you for about 400 yards. You’re damn close! (if you find the nice standing stone known as the Wallace Stone, walk 250 yards southwest from here).
Archaeology & History
Almost nothing has been written of this cup-marked stone, found at the southern end of what’s alleged to be an authentic megalithic stone row alignment, running northeast to southwest — although this alignment isn’t included in either Aubrey Burl’s (1993) or Alexander Thom’s (1990) textbooks dealing with such matters.
Cup-marks highlighted in ice!Cup-marked rock with the Wallace Stone in the distance
When we came here last winter in temperatures of around -6°C (one helluva good day!), curiously only this and the other stones along this “stone row” were actually uncovered on the moorland. Quite bizarre to be honest! Many of the other rocks scattering this small moorland edge were covered in several feet of snow. We were lucky I s’ppose…though I’ve gotta get back up here again shortly and see the site in summertime (midges up mi crotch, cleggs-a-biting – oh such joy!) cos I can’t believe this is the only cup-marked stone hereby.
The rock itself is more than seven-feet long and has at least twenty archetypal cups carved into its slightly-slanting face — although when we visited the stone, several of these were difficult to see and, as the images show, even more difficult to photograph (of the 20 I took of this stone alone, only one was of any value in highlight the cups) . The stone gave the impression that it may have stood upright in the not-too-distant past — which would of course give the notion of this as part of megalithic avenue a considerably more potent status.
Some dood alleged that this potential stone row, with this cup-marked stone at its southwestern end, marked an astronomical alignment — but for the life of me I can’t remember who it was! (it’s my age creeping up on me at last!)
References:
Burl, Aubrey, From Carnac to Callanish: The Prehistoric Stone Rows and Avenues of Britain, Ireland and Brittany, Yale University Press 1993.
Heggie, Douglas C., Megalithic science: ancient mathematics and astronomy in north-west Europe, Thames & Hudson: London 1981.
Thom, A., Thom, A.S. & Burl, Aubrey, Stone Rows and Standing Stones – 2 volumes, B.A.R.: Oxford 1990.
Just over the county boundary on the north side of the Wharfe’s riverbank, the easiest way to find this is from the village of Burley-in-Wharfedale, walking out as if heading towards Ilkley (west) and, just 100 yards or so before reaching the A65(T) road, walk down the footpath that takes you down to the River Wharfe. Go over the large stepping-stones and, once on the other side, walk down the edge of the riverbank for 10 yards, up the first ridge and there, just below the grass where the edge of the land is coming away, you’ll find this small cup-marking.
Archaeology & History
First discovered t’other day, on Friday, 28 May, 2010, when we were starting on another wander onto the hills. We’d only just crossed the large stepping-stones over the River Wharfe just outside Burley and heading up to Askwith, when Michala Potts stopped, peered and said summat along the lines of, “Errr….look at this!”
Riverbank Cup-MarkingClose-up of cup-mark
My initial thought was it was gonna be some naturally eroded water-worn stone — but it didn’t seem that way. Peering out from the edge of the ground n the company of many other small stones and gravel, which was slowly coming away just yards above the edge of the river, a rounded cup-marked stone with just a single cup-mark stood out like a sore thumb! It was covered in dusty earth and looked a quite decent example; but once we’d cleared the dried earth away and wet the stone, the cup-marking was truly enhanced. To those of you who have a thing about cup-markings and associations with rivers and streams, this one can be added to your statistics! (20 yards away the Askwith East Beck meets with the river)
Obviously added as part of the river embankment, the stone would obviously have been taken from a nearby source, but we’re unlikely to ever find out where. It looks typical of cup-marked stones that were added to cairns, but no such site (that we know of) occurred close by. We were gonna peel some of the embankment back and see if there was anything else here, but time and another ancient site that we’d arranged to see was calling us away, so we just got a few pictures and kept on our way…
Same direction as for cup-and-ring carving 581. This small pyramidal stone (easily missed if you aint careful) is a yard or two away beneath the heather. You might have to scrabble round on the ground, but you’ll find it.
Archaeology & History
Faint cup-and-ring
The first description of this little stone was by Boughey & Vickerman (2003). Found amidst the cairnfield first mentioned by Cowling (1937), he missed this in his early days — but it’s easily done! All we have here on the very top of the stone is a “cup with a gapped ring”, fading away beneath elements and poor light conditions. As you can see in this photo, it’s hard to make out (so if you can get a good photo or two stick it on our Facebook group).
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Cowling, Eric T., “Cup and Ring Markings to the North of Otley,” in Yorkshire Archaeological Journal, part 131, 33:3, 1937.
Dead easy this! (though a bittova cheat) Get to the Bristol City Museum and look inside. This Google map should help those of you who don’t know Bristol too well.
Archaeology & History
Grinsell’s drawing of the carved slab (PPS 1957)
Found amidst a large cluster of other neolithic and Bronze Age remains—with the amazing line of the Priddy henges just a few hundred yards to the southeast—this is one helluva rare relic this thing: a carved stone, with seeming cup-marks and engraved “feet” no less, which was found when dug out of a prehistoric tomb way down South. Obviously a buncha northern lads and lasses must’ve been on one helluva piss-up! (y’ never know…) Although the tomb — a round barrow by all accounts — was well-known and excavated in 1930, the carving was somehow not noticed by the archaeologists when they dug here! But it has to be said, at that period many archaeologists thought rock art to be insignificant and unworthy of study, so perhaps their ignorance stemmed from the academic myopia of the time.
But at least they gave a reasonable description of the tomb itself. It was due to be destroyed and the considerable mass of material from it was used for widening the nearby road!!! Thankfully, for some reason, “the chamber or cist was left in situ” under the ground. Leslie V. Grinsell (1957) takes up the tale:
“The barrow appeared to be about 100 feet in diameter and 3¾ feet high, but it had been spread and its height reduced by many ploughings. Excavation showed that the barrow, which was of the bowl type, was composed of fine mould throughout, and had never been enclosed by a ditch. In the centre of the barrow, there was a stone chamber or cist, the external dimensions of which were 5½ feet long, 4½ feet wide, and 2½ feet high. The floor, which was ‘crazy-paved’, was approximately on the ground-level. The cist was placed with its long axis SE-NW. The late Father Ethelbert Horne, who wrote the excavation report, stated that the south-eastern slab, which was inserted 6 inches deep into the floor, had the character of a ‘closing-slab’, and outside it were several packing stones. There was a large cover slab of Dolomitic Conglomerate. The small northwestern slab is of Carboniferous Limestone, and the south-eastern slab is of Liassic Chert, but the large south-western and north-eastern slabs are of sandstone derived from the vicinity. The essential characteristics of this structure are therefore that is was abnormally large for a stone cist, had a strong suspicion of a ‘closing slab’ (implying some kind of entrance?) at the south-eastern end, and was above ground level, with its floor on that level.
“On the floor of this chamber or cist, at the foot of the approximate centre of the south-western slab, was a heap of burnt human bones, free from any admixture of charcoal. As these bones had been broken small after being cremated, their determination was by no means easy. Prof E. Fawcett…expressed the belief that they may have comprised the remains of an adult and a young person.”
But it was in 1956 that the carvings were noticed on the cist remains — by Mr Grinsell and his friend, C.S. Taylor. At first they thought that some of the etchings were of human hands, but they later realised they were of human feet. Grinsell wrote:
“The Foot carvings: The feet shown are all single feet, no two forming a left-and-right pair of the same individual. Nos. 1,2 and 3, in a row, are large, medium and small; no.4 is oblique in form; no.5 is on a slightly recessed portion of the slab; and no.6 represents the foot of a child between about 3 and 4 years old. No.3 represents the foot of a child about 10-12 years of age. Nos. 1,2,4 and 5 appear to represent the feet of adults. No.7 is the symbol of uncertain meaning. All these foot carvings show rounded heels and toes, in contrast to those on the Calderstones which are nearly all rectangular. The toes are all splayed, and this carving is likely to be due partly to the nature of the stone and the tools with which they are carved, and partly to the fact that the feet represented are probably those of a people who did not wear shoes, or wore footwear that did not constrict the toes.
“The Cup-marks: There are nine (possibly ten) cup-marks; their diameter ranges between 0.9 inches and 1.9 inches, and their depth between 0.1 inch and 0.3 inches… They are on the average about twice as deep as the foot-carvings. The smallest cup-mark (no.17) is beside the smallest foot-carving; but there is no noticeable relationship between the other cup-marks and foot-carvings…”
Earliest known photo of the carving by R.A. Whiteford
An intriguing carved slab at the very least! We can say with some certainty that this old tomb was of considerable importance to the people who built and lived around it in the centuries that followed (ancestral spirits and all that). It may have been a tomb of an important tribal elder, shaman or queen — though we may never truly know. But one thing which local archaeologists and antiquarians need to keep their eyes open for when opening any more burial sites in and around this region, are other examples of rock art, for the rule tends to be: where there’s one carving, others are close by! So wherefore art the others…?
References:
Coles, J., Gestsdottir, H. & Minnitt, S., “A Bronze Age Decorated Cist from Pool Farm, West Harptree: New Analyses,” in Proceedings of the Somerset Archaeological and Natural History Society, 144, 2000.
Grinsell, Leslie V., “A Decorated Cist-Slab from Mendip,” in Proceedings of the Prehistoric Society, volume 23, 1957.
From Askwith village go up the Moor Lane and at the crossroads go straight across, down and along Snowden Carr Road until the road levels out and, watch carefully, for a small crag of rocks in the fields above on your left. Keep a keen eye out for the gate into the field immediately below these rock, right by the roadside (it’s easily missed). This carving is the large rock sticking out on the slope in front of you thru the gate (carving 613 is lower down to the right).
Archaeology & History
When seen in the right light, this carving’s a beauty! What you could call, an archetypal cup-and-ring stone. But the toll of time has played its part — on the uppermost section of the rock in particular. It seems as if the top, higher section of the boulder has always been exposed to the elements, whereas the slightly lower part of the rock has only been unearthed and exposed to the elements in more recent decades — perhaps by Stuart Feather, who made notes of some carvings in this region in 1973. This assumption is especially apparent when we look at the excellent, well-preserved multiple ringed design near the southern edge of the stone…and from where the carving gets its title, the Naked Jogger Stone.
Faint cup-and-ringsBoughey & Vickerman’s sketch
But let’s deal with the uppermost section of the stone first. There are various natural undulations and cracks over its surface and, at first sight, they can interfere or confuse some of the man-made carved aspects to this stone. But the main feature here — which becomes more and more noticeable the more you gaze and look — are at least two very faded multiple-rings surrounding faded central cups. It’s unknown whether or not these rings ever completely surrounded the cups, or whether they were actually left deliberately unfinished. The more faded of these two multiple-rings has between three or four cups around the outer ring at selected intervals (visible in the photo here). A few feet away from this we can also make out the faded remains of another cup-and-half-ring design. Several other cups have also been carved along this upper portion of the stone. When you sit above and look across this from the grass to the side, one may be forgiven for adding a solar interpretation to this section of the carving!
Lower section of carvingJogging male with large erection?
But another, more extrovert interpretation can be forgiven for the most notable aspect of this cup-and-ring stone. Near the southern edge of this large rock is the well-preserved multiple-ring design, surrounding a single cup. It’s impressive! And when you first see this you get the impression that it was uncovered in the very recent past (turf dug away obviously) as it is in such an excellent state of preservation. But there are other, odd-looking aspects below this primary feature: of cracks and lines and deep cups along this same level of the rock. The majority of the cups and lines on this part of the stone are in a much better state of play than the artistic elements on the upper layer of the stone. And one section of the carving in particular here gave me at least (pervert that I am!) the impression of a man running, with a distinctive hard-on sticking out in front as he’s jogging away! Keep looking at it in the photo here and see if that’s what you see as well. Note that the torso section of the ‘body’ (between his cock and the multiple-ringed head) is made-up primarily of a natural crack in the rock, but this should not be seen as unusual; for in rock art across the world, many of the natural cracks and markings on stones are regularly utilized. We know that such ‘cracks’ in rocks have been used by shamans as entrance points for their spirit to enter the rock itself.
Early carvings of humans in other parts of the world show bloke’s with hard-ons, either dancing or hunting — so why not here aswell, in deepest Yorkshire!? (check Dennis Slifer’s Serpent and the Sacred Fire for many North American examples) It could, of course, be little other than my very simple minds response to non-linear etchings in the old Rorscharch ink-blot style. Either way, it doesn’t really matter — unless of course you’re some academic or witchy character who’s after isolating early prehistoric fertility carvings for your thesis or religion. Oh – and there’s the more renowned Tree of Life carving a bit further up this hill, about 150 yards away: alleged in folklore to have been a place for Beltane rites—wholehearted fertility no less!
In the important archaeo-academia files, little has ever been written of this fine, ornate petroglyph. It was described by Boughey & Vickerman (2003) thus:
“About twenty cups, two very large, one cup having three rings and two more also having traces of three rings, with at least four others having parts of single rings, all very worn.”
Simple and to-the-point I suppose. But this old carving has much more grace and mythic history embedded within its scarred surface. It clearly speaks to other aspects of the landscape (as do some of the other carvings further up the hill, where oracular aspects predominate), but much more work is needed here before any archaeoholistic framework can be moulded. Nonetheless, this is an excellent meditation site!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Slifer, Dennis, The Serpent and the Sacred Fire: Fertility Images in Southwest Rock Art, Museum of New Mexico Press: Santa Fe 2000.
From Askwith village go up the Moor Lane and at the crossroads go straight across, down and along Snowden Carr Road until the road levels out and, watch carefully, for a small crag of rocks in the fields above on your left. Keep a keen eye out for the gate into the field immediately below these rock, right by the roadside (it’s easily missed). This carving is the first rock on your right 10 yards thru the gate.
Archaeology & History
Cup-marks on CR613
This relatively large, two-tier rock, has simple cup-markings on the topmost level of the stone: thirteen of them according to Boughey & Vickerman (2003). We looked at this last week, in poor daylight and were unable to ascertain how many cups were on the stone; and again yesterday when the conditions were excellent, and found there are at least fifteen cups carved on the rock. However, we didn’t really give this stone too much attention (bad of us, I know) as the calling of the adjacent Naked Jogger carving was sticking out demanding our attention!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Start at the Askwith Moor parking spot on Askwith Moor Road, then walk down the road (south) 300 yards till you reach the gate and track on the other side of the road, heading southeast. Following the track onto the moor and take the footpath on your right after 75 yards. Follow this along until you hit the gate & fence. Climb over this, then follow the same fence along (left) and down, and keep following the fence and walling all the way on until you reach the very bottom southwestern edge of Askwith Moor itself. Now, walk up the slope to your right and, near the top of this rise 200 yards or so away are 2 or 3 rocks close to each other. You’re here!
Archaeology & History
On the small, unnamed hill at the very far southwestern edge of Askwith Moor, within the unrecorded Lower Lanshaw enclosure is this previously unrecorded cup-marked stone that has been found thanks to further heather burning operations hereby. But it’s nowt much to shout about if you’re after big colourful designs. This is merely one of the many single cup-marked rocks scattering the Yorkshire uplands. The large pecked cup, nearly 2 inches in diameter, is found on the lower eastern end of a long, sloping stone. Along the same ridge are also faint remains of ancient walling.
A very faint cup-and-ring stone can be found just over the brow of the hill from here, about 30 yards northeast (at SE 16059 50875) in the northeastern edge of the Bronze Age enclosure walling.
Follow the directions to reach cup-and-ring Carving 581 and this small stone is about 10 yards above it, up the slight slope amidst the heather. You might have to look around a bit though, as it’s a small flat stone and gets easily overgrown.
Archaeology & History
Broken cup-and-ring stone
Founds amidst a cluster of what Eric Cowling called “a barrow group,” or a cluster of cairns, is this excellent little carved stone, with a number of cup-and-rings close to what is now the northern edge of the rock. But this small stone has blatantly been split off from a larger piece (perhaps split in half), but a brief scramble in the heather here couldn’t locate the other part of the stone — which is a great pity. For although we have four or five cup-and-rings linking onto each other, where the stone has been split, one of the cups has been cut away and it seems obvious that there was more carved onto the other lost section of the stone — wherever it may be! There is the possibility that this stone was thrown down from a nearby cairn and was broken in the course of its movement; but we might only find this after the heather’s been burnt back in the near future. Anyway, Boughey & Vickerman (2003) discerned this as a
“small square rock with smooth level surface. Six cups, five with incomplete rings and some running into one and other.”
It’s a good one (despite what my poor photos may infer) and well worth a look at if you’re into your rock art!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Cowling, Eric T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.
From Askwith village go up the Moor Lane and at the crossroads go straight across (Snowden Moor is to your left). Go down and along Snowden Carr Road until the road levels out and, watch carefully, about 500 yards on from the crossroads on your left you’ll see a small crag of rocks in the fields above. Stop and go through the gate walking up the field. At the top is a gate: go thru this and turn right, up the footpath for 100 yards, keeping your eyes peeled! You’re damn close!
Archaeology & History
The most well-known and one of the more decorative of all the carvings in and around the Snowden Moor region is the Tree of Life Stone. In the 1930s, Eric Cowling first reported how, “this fine marking is the only one which appears to be known to the people of the district,” due in part to it being a site of local social activities (though nothing is said of this place in William Grainge’s [1895] survey). Cowling (1937) described the carving thus:
“This stone lies alongside the bridle path which skirts the southwest corner of the enclosed moorland above the hamlet of Low Snowden. A large flat rock surface at ground level has a number of cups joined together by a series of curved grooves, which in their turn are connected to a central straight groove. Immediately above the design, a broad groove has been cut across a raised central area as though to isolate the markings from several scattered cups which are to be found on the remaining surface.”
The modern surveyors Boughey & Vickerman (2003) tell us that this highly ornate stone comprises of,
“about 25 cups, with a group at the highest…end and a few isolated, but most in complex design with enclosing grooves suggesting a tree in fruit: hence the name ‘Tree of Life Rock.'”
The Tree of Life StoneCowling’s old sketch
The Coped Stone carving is just a few yards away and, on the slopes below here — as well as on the moor stretching above you — there is an excess of prehistoric remains: enclosures, hut circles, lengths of walling, cairns, other cup-and-ring stones — the vast majority of which has yet to be excavated in any formal sense (are any rich doods out there reading this who might wanna get things going…?). It appears that both the Coped Stone and the Tree of Life carving may have been linked by some ancient walling that appears to run between them.
Another possible variant on the Tree of Life Stone has recently been uncovered on the outskirts of Ilkley; but on this newly-discovered example we find the central ‘trunk’ of the ‘tree’ is a natural crack that runs up the middle of the rock. Up the ‘trunk’ are several short branches with cup-marks on either side, not unlike apples on a tree. Altogether there are at least 12 cups and one ring, with several curious lines, some of which seem geophysical in nature. After several visits to the site, it’s obvious that the ‘tree’ design is more obvious and there are additional faint carved sections on the stone which weren’t visible when it was discovered in heavy rain and poor light.
This is one of very few cup-and-ring stones with folklore attached. Cowling (1937; 1946) reported it to be site of early morning Beltane (May 1) gatherings. The title of the stone, the Tree of Life, was one he heard local people call this site, but “no reason is offered”, he said. About 100 yards below this we find a curious erectile, fertility image on the impressive carving 612, which (he says tenuously!) may (and that’s a dodgy “may”!) relate to the Beltane rites at the Tree of Life.
In more modern folklore, the old folklore writer Guy Ragland Phillips (1976) suggested the Tree of Life Stone to be an important focal point along one helluva highly speculative ley line: running from the Irish Sea, across land and the Tree of Life stone, continuing way east until hitting the North Sea! If this old ley did have any validity (it doesn’t!), the Tree of Life’s carved partners east and west of here — the Coped Stone and carving no.597 — would have also been on the same line.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Cowling, Eric T., “Cup and Ring Markings to the North of Otley,” in Yorkshire Archaeological Journal, part 131, 33:3, 1937.
Cowling, Eric T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.
Phillips, Guy Ragland, Brigantia — A Mysteriography, RKP: London 1976.
Acknowledgements: Many thanks to James Elkington and to Yorkshire Daz for use of their photos.
Same direction as for cup-and-ring carving 582 from the Askwith Moor Road parking spot, walk up the road (north) 300 yards until you see the disused quarry on the moor to your right. From here, head down onto the moor, straight down past the quarry for about 200 yards, angling slightly to your right. You’ll notice some overgrown ‘lumps’ in the heather — a cairnfield no less! — go just below these and watch out for some rocks emerging from the heather. This carving (and its neighbours) is on one of ‘em!
Archaeology & History
This impressive carving is one of a number very close to each other, in the ruins of a cairn-field (though there’s some debate as to whether it’s medieval, prehistoric, or just quarry-spoil). Peppered with many cups on the upper surface of the stone, we also have carved lines and cup-marks along the east-facing edge of the rock aswell. I think it was Eric Cowling (1937) who was the first person to describe this stone (where he listed it as stone no.10 in his Otley survey), saying:
Snowden Carr carving no.581
“On the rise above No.9 is a cope-shaped boulder which is almost covered with cup markings and winding grooves. One broad groove winds from the ridge, rising from a cup, and is continued to the margin. Two cups are linked by a curve which is continued to the same edge. The eastern side of the stone is almost upright and bears two cups with grooves running to ground level.”
Due to the similarities in design on this stone and that of carving no.618 in Fewston valley bottom a half-mile away, Cowling thought that it likely that the same person did both carvings. Well….y’ never know!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Cowling, Eric T., “Cup and Ring Markings to the North of Otley,” in Yorkshire Archaeological Journal, part 131, 33:3, 1937.
Cowling, Eric T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.
