Legendary Rock (destroyed): OS Grid Reference – SE 0728 0944
Archaeology & History
The Rocking Stone in 1720
Here we have the case of yet another rocking stone destroyed by a bunch of morons in bygone days. Although marked on the first Ordnance Survey of the region around 1850, the site had already been destroyed by then — but at least the surveyors had recorded its position in the landscape. And a dramatic and barren landscape it sat within!
It could be found high up in the middle of the moors above Brow Grains by the Wicken Stones, nearly 1400 feet above sea level, heading towards West Nab, and had lived here, safely, for untold thousands of years. But then, on Whitsun Monday morning in either 1827 or 1828, there came, wrote Joseph Hughes (1866),
“some half-dozen masons (who) planned and executed the work of destruction for a frolic. They first endeavoured to accomplish it by blasting it with gunpowder and, on the failure of this scheme, they fetched tools from Deer Hill, with which they drilled a hole and then wedged it, when the stone fell with a tremendous crash, hardly allowing the man on its summit who was drawing in the wedge to escape without injury.”
It’s a huge pity that the boulder didn’t crush him to death for his actions. At least it would have taught the halfwits a lesson (forgive me if I sound a bit harsh – but I have an increasingly lower opinion of selfish humans the older I get). Thankfully though, one hundred years before the stone was destroyed, Mr John Warburton of the Somerset Herald visited the region in 1720 and on one of the days here, took a long walk up to the Rocking Stone, from where we have this rare old drawing of the site. As Mr Ahier (1942) told us,
“His sketch plainly shows one stone superimposed upon another, and it is conceivable that the uppermost stone could be rocked on the lower one.”
There was also another Rocking Stone in the locale, it too destroyed, this time “by a former gamekeeper” no less, using the time-honoured excuse:
“because persons going to see it crossed the moor, and, in doing so during the nesting season, were liable to tread on eggs or upon young birds.”
This excuse is an even poorer one these days (as any honest ranger will tell you – which includes me in my former capacity as an assistant moorland ranger), as walking the moors causes much less damage than the moorland “management” of draining the bogs, dyke cutting, grouse-shooting, bracken control, letting the Snoots drive their vehicles over the heathlands, upgrading modern footpaths, etc. (God – I’m on a rant!)
References:
Ahier, Philip, The Legends and Traditions of Huddersfield and District, Advertiser Press: Huddersfield 1942.
Hughes, Joesph, The History of the Township of Meltham, John Russell Smith: London 1866.
An unusual cup-marked stone — not because it’s found in the grounds of the chapel, but because the design appears carved on a flat slab, as if it might have been used as a grave cover or perhaps stood upright in times gone by. First described in Rob Graham’s Carved Stones (1895) in the days when a few more cup-markings were visible; nearly a hundred years on it was included in the Royal Commission’s (1984) report as “a prone slab measuring 1.7m by 0.98m and 0.15m in greatest thickness; its upper surface bears at least nineteen plain cups up to 110cm in diameter and 40mm in depth. In addition, wear has caused a large deep cup, 180mm in diameter and 80mm deep, to penetrate the stone, and there is another circular, vertical-sided, perforation measuring 70mm in average diameter and expanding to 90mm at the upper surface on the stone” — meaning there’s a hole that’s been worn through the rock itself. This hole would seem to be accounted for by the folklore tradition of the site.
Folklore
It was reported by R.W.B. Morris (1969) that the cups here were “said to have been enlarged by a former ‘wishing’ rite” — a tradition echoed at another carving not far away where a pestle was used on the cup-marks and rotated 3 times, then a wish was made and an offering left to aid the wish. Morris suggests this could have been a faint relic of solar worship.
References:
Graham, Robert C., The Carved Stones of Islay, James Maclehose & Son: Glasgow 1895.
Cup-Marked Stone: OS Grid Reference – SO 1576 5858
Also Known as:
Llanerch Stone
NPRN – 306082
Archaeology & History
Llanerch cup-marked stone (after Watkins, 1932)
A small and simple cup-marked boulder, hidden away in the Welsh hills, all-but unknown even to cup-and-ring fanatics! It’s nowt special to look at, reminding me somewhat of the numerous cup-marked rocks that scatter the edges of Baildon Hill in Yorkshire. Found close to a number of other prehistoric sites, the stone isn’t in its original position so we’re unable to tell whether it was associated with any tombs (as is probable). The carving consists of around 32 cup-marks, with some 18 of them visible on its upper face. It’s likely that there were more cups on it originally, for when it was first found (as shown in the photo here, taken soon after being discovered) one side of the stone had been split away, but the other section was nowhere to be seen. Alfred Watkins (1932) told how it was first discovered:
“Following a visit by the Woolhope Club in 1928 to that fine mound on Radnor Forest—Cruger Castle…a fellow member (Mr. Walter Pritchard), working on alignments, discovered a fine cup-marked stone, at Llanerch Farm, a little south of the mound. I visited and photographed the stone the same year, and took a rubbing of the cup-marks on it, also taking as careful a bearing as possible, and marking it on the paper while on the stone.”
Its isolation is a little unusual, but there are likely to be other carvings scattering the nearby hills and valleys awaiting discovery by enthusiastic explorers.
Folklore
The great ley-hunter himself, Alfred Watkins (1932) — following in the footsteps of some of his contemporaries it’s gotta be said — used this carving to add fuel to his notion of leys and aligned sites, thinking that the cup-markings on the stone were representative of such things, etched thousands of years back to be used by other travellers. Can’t see it misself — but then I did spend a few years looking at the potential relevance cup-and-rings had with alignment features when I was a boy, ruining many a-map and finding they had no relationship whatsoever to such things! But it seems that Mr Watkins was still going through the exploratory phase at the time, because, after taking a rubbing of the stone he told:
“I also (as soon as I got home) tested for alignments, and inked in those of four cups which I found, as I considered lines of three to be of no value as proof. I could not at that time see any tangible proof of anything, and put it down to this (broken) stone having probably been moved. The reproduction I give is of this crude rubbing exactly as I finished it (outlining then the rather indefinite edges of the cups) in 1928.”
References:
Sharkey, John, The Meeting of the Tracks: Rock Art in Ancient Wales, Gwasg Carreg Gwalch: Llanrwst 2004.
Watkins, Alfred, Archaic Tracks round Cambridge, Simpkin Marshall: London 1932.
From Hebden Bridge, take the Heptonstall road and go past the legendary Slack Bottom (no lies!), until a few hundred yards further on at Slack Top, take the Widdop road on the right. Amble the long and winding road for a mile – mebbe a bit more – until the valley on your right runs out of trees! (on the OS-map this is called Hebden Dale, but it’s generally known as Hardcastle Crags [after the name of the rock outcrop halfway up]). Just about here there’s a track to your left, by the rather desolate bus-stop! If you hit the wibbly hair-pin bend by the Blake Dean scout-hut, you’ve gone too far. Walk along the track for a coupla hundred yards and take the first opportunity you have to cross the deep dike on your immediate left. Then just walk along the edge of the stream itself until you reach the large rocks another few hundred yards along.
Archaeology & History
As Richard Stroud’s photo above shows, this is a beautiful spot — when the weather is good anyway! Much of the landscape around you is scattered with occult history and folklore: boggarts, witches, corpse routes, spirit animals, old stone crosses, standing stones and more! A damn good day out can be had in this area by any enthusiastic antiquarian or enquiring heathen.
Cups and faint rings
The carving we have here is an almost typical cup-and-ring stone, but it’s pretty isolated with no other ringed companions anywhere on these hills. It was first described in David Shepherd’s (2003) survey of prehistoric remains of the region — although I was initially a little cautious about the veracity of David’s findings, as some cup-marked stones in his survey are probably natural and some “standing stones” he cites nearby are simply natural earthfast rocks. But this particular carving seems man-made with large faint rings encircling at least one of the cup-marks, as you can see in Richard Stroud’s photo here. In Mr Shepherd’s survey, he said of this site:
“A prominent double boulder. On the top surface are two eroded cup marks by the south edge and one by the north edge. Two eroded cup marks with rings are on the northwest segment.”
References:
Shepherd, David, “Prehistoric Activity in the Central South Pennines,” in Transactions of the Halifax Antiquarian Society, new series, volume 11, 2003.
Acknowledgements: With thanks to Richard Stroud for use of his photos in this site profile.
This small, simple cup-marked stone is found close to the small Mudbeck stone circle. Consisting of just four shallow cup-marks almost running in an arc formation, the site was first discovered by Tim Laurie in the late 1990s. I’ve not been to this place so rely on the photos kindly sent me by Richard Stroud, and the description of the place by Paul Brown (2008), where he told:
Close-up of 4 cups (courtesy Richard Stroud)Mudbeck 2 in the landscape (courtesy Richard Stroud)
“On the crest of a ridge some 50m south-west of Mudbeck a scatter of small boulders form an indistinct ring-shape and a cup-marked boulder with four cups was discovered here by Tim Laurie. It was suggested that the stone scatter represented the possible remains of a cairn that had at some point in its past been stripped of its stone for the construction of walling and sheepfolds in the area. ”
The only other cup-mark close by is one alleged to be on one of the small uprights in the Mudbeck circle (known as MUD S1 in Brown’s survey) – though I have to say that the “carving” is somewhat dubious to me.
References:
Brown, Paul and Barbara, Prehistoric Rock Art in the Northern Dales, Tempus: Stroud 2008.
Acknowledgements: Many thanks to Richard Stroud for use of the photos in this site profile.
From Silsden, take the moorland road up to Brunthwaite (ask a local if you’re in doubt). As you get near the top of the moorland road, take the right turn (east) on the track past the Doubler Stones, until you reach the last cottage before the woodland called Black Pots. Go onto the moorland behind the cottage, walking north, crossing the stream and you’ll see a large boulder stuck on its own close by. That’s it!
Archaeology & History
Stuart Feather’s 1964 image
On another wander on these moors t’other day, we ventured to the Doubler Stones and whilst there I had a vague recollection of another decent-looking carving west of them, just above the hidden house at Black Pots, when I was a teenager. When I got home I rummaged through some of my old notebooks and found the drawing I made of it all those years ago. Tis a decent carving consisting of 3 distinct cups encircled, though not completely, in an elongated arc. A cup-and-ring is just above this, and Boughey & Vickerman (2003) highlight another couple of cups which I didn’t manage to see when I was there as a kid. Nor for that matter did Stuart Feather, who was the first person to write about it in the Cartwright Hall Archaeology Group Bulletin in 1964. Itis a good carving in a good spot, with excellent views to the south and west.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Feather, Stuart, “Mid-Wharfedale Cup-and-Ring Markings: no.24 – Black Pots, Silsden, near Keighley,” in Cartwright Hall Archaeology Group Bulletin, 9:7, 1964.
Hedges, John, The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
An excellent passage grave tomb that’s been described by many historians over the last two hundred years, and was subject to a fine excavation in the first half of the 20th century. Ascribed as neolithic in origin, recent finds of human activity on the edge of the surrounding henge indicates people have been “up to things” hereby since at least 6000 BC. Deriving its name from “the mound of the black grove,” the site as we see it today has been much restored and is so different to when it was visited by Thomas Pennant and other antiquarians.
According to an anonymously written essay in Archaeologia Cambrensis in 1847, the site was first described by Henry Rowlands (1723) where, in relation to another site, he told were,
“the remains of two carnedds, within a few paces of one another: the one is somewhat broken and pitted into on one side, where the stones had been carried away; the other having had its stones almost all taken away into walls and hedges, with two standing columns erected between them.”
A somewhat more detailed description came from Thomas Pennant a few years later. He wrote:
“A few years ago, beneath a carnedd similar to that at Tregarnedd, was discovered, on a farm called Bryn-celli-ddu…a passage three feet wide, four feet two or three inches high and about nineteen feet and a half long, which led into a room about three feet in diameter and seven in height. The form was an irregular hexagon, and the sides composed of six rude slabs, one of which measured in its diagonal eight feet nine inches. In the middle was an artless pillar of stone, four feet eight inches in circumference. This supports the roof, which consists of one great stone near ten feet in diameter. Along the sides of the room was, if I may be allowed the expression, a stone bench, on which were found human bones, which fell to dust almost at a touch: it is probable that the bodies were placed on the bench… The diameter of the incumbent carnedd is from ninety to a hundred feet.”
Ground-plan
But the main excavation work at Bryn Celli Ddu was done in the late-1920s by W.J. Hemp (1930) and his team, who, as usual following such digs, ended up with just as many questions about the site as they had answers! One of the best descriptions of Hemp’s excavation work was by W.F. Grimes (1932) in an essay he wrote for the East Anglian Prehistoric Society where he gave the following detailed description of the finds:
“The cairn here was circular, with a chamber of some 160ft and an original maximum height of at least 12ft. The chamber is a polygonal structure of large stones augmented…with dry-stone walling, entered on the northeast side by a long passage built in the same way. Many of the stones had been dressed and in the chamber stood a single pillar which had been artificially rounded and smoothed, but which had never actually supported the capstone.
“These features had been more or less apparent for many years. But the reparation work soon showed that this was by no means all. In the first place, it was found that the chamber had been surrounded by four circles of standing stones. The first of these, around the outside of the mound at its base, had disappeared, although early accounts and a single hole found in the course of the work of excavation, are evidence of its existence. The second and third circles were found when the entrance to the passage wall was being cleared. Here the walls of the passage were found to merge into an outer circle of large stones and an inner of smaller, set close together and elaborately packed and sunk in a ditch six feet deep and eighteen wide, enclosing the chamber in such a way that passage, chamber and circles together form a gigantic unbroken spiral, with the chamber itself as an unbroken loop in it. The fourth and innermost circle was in the area enclosed by the ditch (which is represented on the plan by the shaded portion). This consisted of a number of stones of various sizes, irregularly placed and in some cases inclined outwards. Under some of them were deposits of burnt human bones. Lines connecting these stones diametrically were found to intersect at the centre of the monument, directly behind the chamber, and here was found a slab-covered pit which contained an elaborate filling whose purpose is unexplained. Beside the cover-stone of the pit was a second larger slab of grit, lying flat, the faces of which were covered with an elaborate and continuous pattern of spirals, scrolls and zig-zags. The position of this stone is shown beside the central stone on the plan. Of it purpose it can only be said that it was probably magical…
“As if the elaborate features already described thus badly were not enough, a uniform floor of purple clay was found to cover the old natural surface within the area enclosed by the ditch, and there were on the floor, in the ditch, and in many other places extensive traces of fire in the form of burnt patches, blackening and quantities of charcoal. In addition there were outside the entrance, a line of post-holes and remains of walls suggesting the former existence of some kind of forecourt crossed by a temporary barrier. Here also were traces of fire and of elaborate ritual. It must be emphasized of course, that all these features, with the exception of the outer circle of stones and the forecourt, had been completely concealed by the mound, so that they were not visible once the monument was completed… Moreover…the entrance to the chamber had been closed with an elaborate blocking which suggested that once closed the chamber had not been intended to be re-opened.”
Although many questions emerged following the excavation, perhaps that relating to the chronology and evolution of the site (after its ritual use) was most important. The site as we see it today sits within the confines of a henge monument (which should also be given an independent entry account) and once a stone circle. And although present day field evidence is inconclusive about which came first, archaeologists like Richard Bradley, Clare o’ Kelly and others are not without opinion. Bradley (1998) told:
“O’ Kelly argued that there had been two successive monuments on the site. The earlier one was a stone circle, enclosed by the earthworks of the henge. In a later phase this was replaced by a passage grave which was built over the surviving remains of the stone circle, its outer kerb being bedded in the ditch of the older monument.”
But Bradley himself doubts this for various reasons, himself interpreting,
“the sequence at Bryn Celli Ddu is to suggest that in its first phase it consisted of a circular unrevetted mound about 15m in diameter, containing a passage grave. Around the edge of this structure was a stone circle, and beyond that there was a quarry ditch. When the monument was enlarged, not on one occasion but twice, the passage was extended as far as the earlier ditch and a significantly larger mound was bounded by kerbstones.”
Though adding himself that there is also a trouble with this idea! As with many other sites, Bryn Celli Ddu appears to have been aligned to the summer solstice. This notion was first propounded by astronomer Sir Norman Lockyer (1909) in his hugely revised work on the astronomical function of megalithic sites. It was nearly 100 years before any archaeologist got off their backside and tested Lockyer’s original proposal and found the scientist to have been way ahead of them at their own discipline. Not unsurprisingly, archaeologist Mike Pitts (2006) was a bit slow in his gimmicky headline in British Archaeology, where he deemed Steve Burrow’s personal observation as “sensational.” Oh how common this theme seems to be in archaeology. Twenty years previously Miranda Green (1991) posited that the chamber alignment from Bryn Celli Ddu aligned towards “May Day sunrise” — which doesn’t seem to work. And on a similar astronomical note, archaeologist Julian Thomas (1991) thought that five post-holes found some five yards beyond the entrance were somewhat reminiscent of the “A” holes at Stonehenge and related to some lunar alignments, thinking that:
“It seems likely that (they) record a series of observations upon the rising of some heavenly body in order to ascertain its standstill position.”
A point that Clive Ruggles (1999) explored with a little scepticism, pointing out:
“The only possibility is the northern minor limit of the moon, and while the adjacent posts are ranged on the correct side to record the position, say, of the midwinter full moonrise in years before and after the minor standstill, many other interpretations of these posts are doubtless possible.”
There’s been lots written about this place and lots more could be added with various archaeologists showing their relative opinions about the place. But perhaps more worthwhile is a visit to the place, later on, when the tourists have fallen back under a starlit sky…
References:
Anonymous, “Cromlech at Bryn Celli Ddu, Anglesey,” in Archaeologia Cambrensis, volume 2, 1847.
Barber, Chris & Williams, John G., The Ancient Stones of Wales, Blorenge: Abergavenny 1989.
Bradley, Richard, “Stone Circles and Passage Graves – A Contested Relationship,” in Prehistoric Ritual and Religion, edited by Alex Gibson & Derek Simpson (Sutton: Stroud 1998).
Green, Miranda, The Sun Gods of Ancient Europe, Batsford: London 1991.
Grimes, W.F., “Prehistoric Archaeology in Wales since 1925,” in Proceedings of the Prehistoric Society of East Anglia, 7:1, 1932.
Hemp, W.J., “The Chambered Tomb of Bryn Celli Ddu, Anglesey,” in Archaeologia, volume 80, 1930.
Lockyer, Norman, Stonehenge and other British Stone Monuments Astronomically Considered, MacMillan: London 1909.
Lynch, Frances, Prehistoric Anglesey, Anglesey Antiquarian Society 1991.
o’ Kelly, Clare, “Bryn Celli Ddu: A Reinterpretation,” in Archaeologia Cambrensis, volume 118, 1969.
Ruggles, Clive, Astronomy in Prehistoric Britain and Ireland, Yale University Press 1999.
Thomas, Julian, Rethinking the Neolithic, Cambridge University Press 1991.
Come out of Ilkley/bus train station and turn right for less than 50 yards, turning left up towards White Wells. Go up here for less than 100 yards, taking your first right and walk up Queens Road until you reach the St. Margaret’s church on the left-hand side. On the other side of the road, aswell as a bench to sit on, a small enclosed bit with spiky railings all round houses our Panorama Stones.
Archaeology & History
J.R. Allen’s 1879 drawing
There were originally ten or eleven carvings that made up what have been called the Panorama Stones and the position they are presently housed in this awful fenced section wasn’t their original home. They used to live a half-mile further up from here, on the moorland edge, just in the woodland at the back of the small Intake Reservoir in the appropriately named Panorama Woods. But in 1890, one Dr. Little — medical officer at Ben Rhydding Hydro — bought the stones for £10 from the owner of the land at Panorama Rocks, as the area in which the stones lived was due to be vandalized and destroyed. Thankfully the said Dr Little was thoughtful and as a result of his payment he had some of the stones saved and moved into the position where they live today. However, as a result of the stones being transported closer to Ilkley, the largest of the carvings was damaged and broken in two pieces on its journey, but the good doctor and his mates restored the rock as best they could before sitting it down in the caged position where it remains to this day.
Thankfully there remain a couple of carved rocks in situ in the trees near where these companions originally came from — though they’re completely overgrown. We uncovered these carvings (one of which was quite ornate) when we were children, but this is now overgrown again and hidden from the eyes of the casual forager. The original position of these carvings was obviously an important feature to our ancestors, but such aspects are of little relevance to industrialists and those lacking sacred notions of the Earth. The same geological ridge on which the Panorama Stones were originally found, stretching west along the moor edge from here, possesses a number of other fascinating carvings, not least of which is our Swastika Stone.
J.T. Dale’s 1880-ish drawingT.Pawson’s late-1870s photo, showing faint ladder marks
It seems they were all first recorded by one J. Thornton Dale, who did some fine illustrations of each stone, which were then collected and organized by a certain Dr. Call of Ilkley in 1880 as a ‘Collection of fourteen drawings of cup-marked rocks.’ These were on file at Ilkley Library (or at least used to be!) and as they’ve not been published previously, I think they need to be retrieved from their dusty shelves and stuck on TNA where they certainly belong! As we can see in Dale’s illustration — etched shortly after the stone was first discovered — much of the detail of the multiple-rings and some of the curious ladder-like motifs were noted (though not all).
Around the same time in 1879, the renowned archaeologist J. Romilly Allen did an early article on the carved stones of Ilkley Moor, selecting the Panorama Stones as one site in his essay. He was very fortunate in getting an early look at the carvings here and gave the following lucid account:
“The Panorama Rock lies one mile south-west of Ilkley, and from a height of 800ft above the sea commands a magnificent view over Wharfedale and the surrounding country. About 100 yards to the west of this spot appears to be a kind of rough inclosure, formed of low walls of loose stones, and within it are three of the finest sculptured stones near Ilkley. They lie almost in a straight line east and west, the first stone being 5ft from the second, and the second 100ft from the third. The turf was stripped from the first a few years ago, and its having been covered up so long probably accounts for the sculpture being in such good preservation. It measures 10ft by 7ft, and is im- bedded so deeply in the ground that its upper horizontal surface scarcely rises above the level of the surrounding heath. The sculpture consists of twenty-five cups, eighteen of which are surrounded with concentric rings, varying from one to five in number. The most remarkable feature in the design is the very curious ladder-shaped arrangement of grooves by which the rings are intersected and joined together. I do not think that this peculiar type of carving occurs anywhere else besides near Ilkley. The second stone is of irregular shape, measuring 15ft by 12ft, and supporting a smaller stone of triangular shape 6ft long by 4ft broad. Both upper and under stone are covered with cups and rings, but the sculptures have suffered much from exposure. The superimposed block has eleven cups, two of which are surrounded by single rings. The under stone has forty-two cups, nine of which have rings. Amongst these are two unusually fine examples, one has an oval cup 5in by 4in, surrounded by two rings, the diameter of the outer ring being 1ft 3in. Another has a circular cup 3in diameter and five concentric rings, the outer ring being 1ft 5in across. The third and most westerly stone of the group measures 10ft by 9ft, and lies almost horizontally, having its face slightly inclined. On it are carved twenty-seven cups, fourteen of which have concentric rings round them. Some of the cups have connecting grooves and three have the ladder-shaped pattern before referred to. Several stones near have cup marks without rings.”
Heywood’s artistic effort!E.T. Cowling’s drawing
When Harry Speight (1900) visited these stones a few years later he echoed much that Romilly Allen had said previously, also commenting on how on certain parts of the carving, “the rings enclosing each cup are connected with ladder-like markings.” (my italics, PB) These “ladders” were even mentioned in a speculative but inaccurate essay by Nathan Heywood (1888) in a paper for the Lancashire and Cheshire Antiquarian Society. Equally important was a description of the site when members of the Yorkshire Archaeological Society visited the Panorama Stones in 1884, and Rev. A.C. Downer (1884) described this “most important group” of stones, saying that
“Near the Panorama Rock are three large masses of ironstone close together, and averaging ten to twelve feet across each way, the horizontal surface of which are covered with cups and rings, and two of these stones have also a peculiar arrangement of grooves somewhat resembling a ladder in form.”
Modern Folklore
Despite this and other descriptions, in recent times local archaeologist and rock art student Gavin Edwards has propounded the somewhat spurious notion that the ladders and perhaps other parts of the Panorama Stone carvings have a recent Victorian origin, executed by a local man by the name of Mr Ambrose Collins. Edwards took this silly idea to the Press, thinking he’d found something original, following a recovery of some notes from the Ilkley Gazette newspaper (earlier archaeologists had already explored this, which he should have been aware of), in which was stated that the said Mr Collins told other people in the Ilkley area that he was carving some of the old stones on the moors nearby. Now we know that Collins did this (we have at least 3 examples of his ‘rock art’ in our files), but he wasn’t allowed to touch the Panorama Stones!
Panorama Stone 229 (by James Elkington)Close-up of multiple rings (by James Elkington)
However, despite Gavin Edwards’ theory, it is clear that Ambrose Collins was not responsible for any additional features on the Panorama Stones: an opinion shared by other archaeologists and rock art specialists. Edwards’ theory can be clearly shown as incorrect from a variety of sources (more than the examples I give here).
In no particular order…there was an early photo of the main stone (above), taken sometime in the late-1870s by Thomas Pawson of Bradford which shows, quite clearly, some of the faded “ladder” motifs on the rock in question while the stone was still in situ. There is also an additional and important factor that Edwards has seemingly ignored, i.e., that neither J.Romilly Allen, Harry Speight, members of the Yorkshire Archaeological Society, nor any of their contemporaries made any comments regarding additional new motif elements carved onto these rocks when they visited the carvings at the period Edwards is suggesting Collins did his additions — which such acclaimed historians would certainly have mentioned. Mr Edwards theory, as we can see, was a little lacking in research. Considering only these small pieces of evidence, the pseudoscientific nonsense of the Victorian carving theory can safely be assigned to the dustbin!
Close-up of faint ladders (by James Elkington)Close-up under lighting (by James Elkington)
If however, we do use Mr Edwards’ reasoning: take a look at the modern “accurate” drawing of this carving in Boughey & Vickerman’s (2003) book—which actually, somehow, misses elements of the carving that are clearly shown in Mr Pawson’s 1890’s photo and are still visible to this day! What are we to make of that? Have these modern folk been at it with the sand paper!? We can only conclude that these simple errors show a lack of research. The most worrying element here is that a local archaeologist can make such simplistic errors in his analysis of prehistoric and Victorian carvings without checking over publicly accessible data. Even more disconcerting was the fact that he was running Ilkley’s local prehistoric rock art group!
However, we cannot dismiss out of hand the words of the said Ambrose Collins in his proclamation of carving stones on the moors, as there is clear evidence that he did a replica of the Swastika Stone on rocks near the original site of the Panorama Stones. The carving he did is very clearly much more recent. We have also found one carving with Collins’ initials — ‘A.C.’ — carved on it and the date ‘1876’ by its side.
And although we can safely dismiss the Edward’s Theory about the Panorama Stones “ladders”, we may need to reconsider a number of other carvings on Rombald’s Moor as potentially Victorian in nature using the rationale Edwards proclaimed. For example — and using the disproved Edwards Theory — when we look at Romilly Allen’s drawing of the famous Badger Stone (from the same essay in which his image of the Panorama Stone is here taken), much of the carving as it appears today was not accounted for in the drawing. We can also look selectively at many other cup-and-rings on these moors and find discrepancies in form, such as with the Lattice Stone on Middleton Moor, north of Ilkley, or the eroded variations on the Lunar Stone. We have to take into consideration that some may have been added to; but more importantly, we must also be extremely cautious in the movement between our idea and the authenticity of such an idea. It is a quantum leap unworthy of serious consideration without proof. (though the example of the Lattice Stone has a markedly different style and form to the vast majority of others on the moors north and south of here. Summat’s “not quite right” with that one and the comical Mr Collins might have had his joking hands on that one perhaps…)
One very obvious reason that a number of the cup-and-ring carvings were not drawn correctly by historians and archaeologists alike, would be the weather! Archaeologists are renowned for heading for cover when the heavens open, quickly finishing their jottings and running for cover — and this would obviously have been the case with some of the drawings, both early and modern. Bad eyesight and poor lighting conditions is also another reason some of the carvings have been drawn incorrectly, as a number of modern archaeology texts — including a number in Boughey & Vickerman’s (2003) book — illustrate to all competent students.
There is still a lot more to say about this fascinating group of carvings, which I’ll add occasionally as time goes by. And if anyone has any good clear photos of the stones showing the intricate carved designs that we can add to this profile, please send ’em in (all due credit and acknowledgements will be given).
References:
Allen, J. Romilly, “The Prehistoric Rock Sculptures of Ilkley,” in Journal of British Archaeological Association, volume 35, 1879.
Bennett, Paul, The Panorama Stones, Ilkley, TNA: Yorkshire 2012.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Downer, A.C., “Yorkshire Archaeological and Topographical Association,” in Leeds Mercury, August 28, 1884.
Hadingham, Evan, Ancient Carvings in Britain, Souvenir Press: London 1974.
Hedges, John, The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Heywood, Nathan, “The Cup and Ring Stones of the Panorama Rocks”, in Trans. Lancs & Cheshire Anti. Soc.: Manchester 1889.
Hotham, John Paul, Halos and Horizons, Hotham Publishing: Leeds 2021.
Speight, Harry, Upper Wharfedale, Elliott Stock: London 1900.
Acknowledgements: Huge thanks to the staff at Ilkley Library for their help in unearthing the old drawings and additional references enabling this site profile.
From the north side of Killin, take the minor road next to the Bridge of Lochay Hotel at Killin, past the hydroelectric station, through the wooded section until the fields open out again. The first gorgeous old house you come to is on the right-hand side of the road. Stop here! (I could really do with living here misself – tis a truly superb place!) You can ask the lady at the house where the carvings are and she’s very happy to point them out – they’re on the rocky crag near the bottom-end of the field on the other side of the road.
Archaeology & History
Drawing of the main carvings (after R.W.B. Morris)
What a brilliant setting and clump of carvings we have here! As you get to the rocky hillock in the field, you see that there are numerous rocks visible along the ridge, a number of which have carvings on them – some with just cups, but most possess a number of cup-and-rings. It’s an excellent spot! Depending on the time of year when you come here will determine whether or not you get a better look at the carvings or not. I’d recommended April and May as the best time, as the vegetation is at its lowest then. Visiting the site near the end of summer doesn’t give you as good a view — but even then, if you like your rock art, you’ll still love it! The rocks here are mainly quartzite schist, with a number of the surfaces being almost pure quartz. Intriguingly, none of the pure quartz sections appear to have been carved on.
The carvings here were first mentioned in an article by D. Haggart (1895), who described them as “a very remarkable set of incised rock sculptures…discovered lately in this neighbourhood by Mr John McNaughton.” And remarkable they are indeed! In Ronald Morris’ (1981) survey of this site — which he labelled Duncroisk 1 — he counted eight separate rock surfaces that had been carved, marking them as carvings a-h, but there are at least eleven of them here; and in all honesty, if we could strip the surface of the hill of its vegetation, we’d probably find a few more hidden away!
Cup-marked stone
As you’ve walked across the field from the road, past the first unrecorded cup-marked stone near the start of the rocky rise, we reach Mr Morris’s ‘stone A’ near the easternmost end of the ridge, which is just a small slab of stone with “at least 6 cup-marks” on its surface. It’s easily missed in poor light, so watch out. However, if you reach ‘stone b’ (described below), just walk back ten steps and you’ll see it.
Carved Stone B
Ten yards west is ‘Stone B’, seemingly split into two sections, whereupon we find “a cup-and-two-rings and at least 12 cups-and-one-ring, up to 19cm in diameter – some rings gapped, others not, some with and some without a radial groove from the cup, and some with a “runner” or cup in a ring. There are also at least 58 cups” on this section of rock. ‘Stone C’ can also be missed, this time due to its size and the fact that the larger cup-marked surfaces are ahead of you. But assuming you don’t miss it, this carving consists of “a well-preserved cup-and-two-complete-rings 25cm in diameter, and a cup.”
Carved Stone D
‘Stone D’ is just next to ‘stone C’, but with rather more ornate designs etched upon it. This is one of the more archetypal petroglyph designs that are found in the photo-guides and textbooks. Morris (1981) told that it consisted “of a cup-and-two-complete-rings and 2 cups-and-one-complete-ring up to 20cm in diameter, also a cup-and-one-complete-ring and 2 cups.” The photo here shows it pretty clearly.
Carved Stone ECurious ‘bowl’, top-centre
‘Stone E’ is the next one along, just a foot or two away and Mr Morris (1981) told that the carving consists of “2 cups-and-one-ring up to 13cm in diameters, 1 complete, the others gapped, joined by groove to a cup, and at least 33 cups (C.G. Cash counted 42 in 1911).” Most of the carved elements on this rock are around the edges of the stone. A very large faded circular depression, man-made, is also visible on this section of the petroglyph (above left), suggestive of lunar symbolism.
Carved Stone F
‘Stone F’ is less than 10 yards further west and has the greatest number of cup-markings of the entire group here, as Morris described: “3 cups-and-one-complete-ring up to 9cm in diameter, and at least 80 cups, a few of which are widely scattered over a big area sloping steeply further south, beyond the attached diagram.” It’s perhaps the most notable of the carved rocks along the ridge here — not by virtue of its design, more its geological physique than anything else.
Carved stone G
‘Stone G’ is next along and has a curious look about it, suggestive of more modern times. At first sight it doesn’t seem to have quite the magnitude that Morris’ description affords it, but on closer inspection by rolling some of the covering turf back away from the rock, you can see what he meant. This stone has “10 cups-and-one-complete-ring, up to 10cm diameter…and also 15 cups.” One of the cup-and-rings on this section was found by Morris to have been “the smallest so far recorded by the author in Scotland.”
Then we reach ‘stone H’ at the eastern end of the carved ridge, consisting of simply 3 cup-markings. One of them has a faint arc pecked around it. Further along the rock, a complete cup-and-ring is visible close to the edge.
This entire line of petroglyphs is a fine place in a fine setting, perfect for meditative practices! Other carvings can be found close by: Duncroisk 3 is a coupla hundred yards east across the field just over the fence by the riverside; and Duncroisk 2 is on the other side of the fence down towards the River Lochay on the same side of the adjacent burn less than 100 yards away (though this is trickier to reach). Other prehistoric sites can be found not too far away…
Folklore
Local people tell of having seen curious lights flitting along the edges of the field, river Lochay and roadside close to the carved rocks hereby.
Follow the same directions as to reach the so-called Smiley Stone carving and look just 10 yards SE.
Archaeology & History
About 10 yards away from the Smiley Stone is another of Middleton Moor’s ‘dubious carvings’ to me. I remember seeing the drawing of this years back, perhaps a decade after Stuart Feather first described it (1966) and remember thinking it looked a bloody good carving. But when I saw it for the first time in February 2005 with Richard Stroud, not only could I hardly see what was supposed to be there, but once I’d seen the alleged design, some doubt came over me regarding its archaic nature. That doubt still remains.
Faint cups & linesDesign on carving 447
There certainly seems to be a few faded cup-marks on the stone — which looks to be broken from a larger, circular worked stone of a much more modern age (an old mill stone perhaps?) — but the lines which both Feather and the grand pair of Boughey & Vickerman (2003) copy into their survey, are all too vague and certainly not ancient in my book. Perhaps some local folk were still etching cup-marks and lines onto stones into the medieval period and later, like the ones found on the Churn Milk Joan monolith near Hebden Bridge…
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Feather, Stuart, “Mid-Wharfedale Cup-and-Ring Markings, no.47: Middleton Moor, Ilkley,” in Cartwright Hall Archaeology Gorup Bulletin, 11:9, 1966.
