Take the road up alongside and past Shipley Glen, taking the turn to go to Crook Farm caravan site. Go right to the end of the car-park, then walk up through the trees on your left. Keep going uphill about 100 yards by the field-wall until it starts to level out – and shortly before the first gate into the field (on your right) keep your eyes peeled for the triangular stone in the ground, barely 10 yards away from the walling. You’re damn close!
Archaeology & History
W.E. Preston’s early photo of the carving
For some reason this has always been one of my favourite cup-and-ring stones on Baildon Moor and it’s well worth checking out if you visit the area! It was rediscovered by the Bradford historian W.E. Preston, who photographed the carving around 1912. Shortly afterwards he took fellow historians Joseph Rycroft and W. Paley Baildon to see this (and others he’d located) and both a drawing and photo of the site was including in Mr Baildon’s (1913) magnum opus the following year.
As you can see from the relative photos—with literally 100 years between them—erosion hasn’t taken too much toll and this neolithic or Bronze Age carving remains in very good condition.
Joseph Rycroft’s early drawingClose-up of one section
Covered with upwards of fifty cup-markings, there are also two cup-and-rings and numerous carved lines meandering around and enclosing some of the many cups. It’s a fascinating design, with another ‘Cassiopeia’ cluster of cups in one section, beloved of archaeoastronomers who explore these stones. Mr Rycroft’s drawing of the design (left) is perhaps the best one, to date.
Along this same ridge there are remains of other prehistoric sites, more cup-and-rings, remains of prehistoric walling and what may be a small cairn circle (to be described later).
References:
Baildon, W. Paley, Baildon and the Baildons – parts 1-15, Adelphi: London 1913-1926.
Bennett, Paul, Of Cups and Rings and Things, unpublished: Shipley 1981.
Bennett, Paul, Megalithic Ramblings between Ilkley and Baildon, unpublished: Shipley 1982.
Whether you come via Shipley Glen or Baildon, head for the Dobrudden caravan park on the western edge of Baildon Hill. As you get to the entrance of the caravan site, turn right and walk along the outer walling of the caravan site, up and around for less than 100 yards. Keep your eyes peeled for the upright stone against the outer walling (the famous Dobrudden Cup-and-Ring Stone), and just 10 yards away, laid flat in the grasses, you’ll see this small cup-and-ring stone!
Archaeology & History
Found just a few yards from the well-known Dobrudden Carving that stands up against the wall, this small flat level stone, slowly again being encroached by Earth’s skin, is found on the edge of the High Plain, whereon the usual conjunction of prehistoric tombs and cup-and-rings is found once again. Whether this carving ever had its own cairn or funerary monument is now hard to say for sure; and the excessive erosion of modern humans is slowly eradicating the landscape all round here.
Jackson’s 1956 drawingHedges 1986 drawing
Consisting of two cup-and-rings (with very deep cupmarks in the centres), there are also what seem like artificially carved lines or grooves running across the stone. It was first described in a short article in the Cartwright Hall Archaeology Group Bulletin (Jackson 1956)*, found lying “in the path alongside the north wall of the Dobrudden Farm enclosure.” It seems like stone may have been covered over until some local work on Dobrudden unearthed it in the latter half of the 20th century. There’s also an intriguing note told by a local man called Jack Taylor, which Jackson narrated, saying how he,
“always held the opinion that the rings were not contemporary with the cups, and went so far as to suggest that they had been carved within living memory by someone anxious to ‘improve’ the boulder.”
This might be the case, as there is another carving not far away near the top of Baildon Hill that certainly seems to have been done in the 20th century. And one of the two surrounding rings on this stone does appear to have a more recent look to it than the other. However, we must consider that the covering soil has kept the carved rings in such good condition. (There are examples of petroglyphs throughout the world where certain carved elements were added at later times by countless aboriginal tribes.)
Close-up of cup-and-ringsDobrudden carving 150
Like all of these carvings, to get an accurate picture of the true original we must visit them in all weathers all through the year, to see how differing seasons express the petroglyph. For we can see on some images we have of this carving a number of features that aren’t on the drawings of either Jackson (1956) or Hedges (1986): whether the rings surrounding the cups are ancient or not, there is a definite carved line nearly linking them together; and at least one faint line stretches down from one of the rings. We need to visit the carving again to see if such features show up with greater clarity when lighting conditions are better.
References:
Baildon, W. Paley, Baildon and the Baildons – parts 1-15, Adelphi: London 1913-1926.
Bennett, Paul, Megalithic Ramblings between Ilkley and Baildon, unpublished: Shipley 1982.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Hedges, John, The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Jackson, Sidney, “Another Cup-and-Ring Boulder,” in Bradford Cartwright Hall Archaeology Group Bulletin, 1:13, 1956.
* Boughey & Vickerman (2003) cited W. P. Baildon’s magnum opus (1913) as the first to describe this stone, but this is untrue (there’s certainly no mention nor illustration of it in my editions of the Baildon volumes).
Whether you come via Shipley Glen or Baildon, head for the Dobrudden caravan park on the western edge of Baildon Hill. As you get to the entrance of the caravan site, walk down (left) the footpath outside the park itself, looking across the grasslands, left, to the tree-lined wall a coupla hundred yards away. Head for that. Then go through the gate into the field where you’ll see a denuded line of walling, with what looks like some standing stones along it. That’s where you need to be!
Archaeology & History
First noticed on February 12, 2012, this simple cup-marked stone is another one that’s probably only of interest to the purists amongst you. Found below the southern end of Baildon Hill, due west of the lost Hope Farm cup-and-ring stone, the cup-markings here are on the north-face of an upright stone in an old wall. It’s obvious that this stone was once earthfast, when the carving faced the zenith or night sky, and has been cut in half and turned 90° making the cups more difficult to notice; and very obviously the rock was originally close to its present position in the walling.
Primary cupmark, right-side of stoneClose-up of cup/s
Found in an area rich in cup-and-ring stones, there’s just one singular cupmark that’s obvious on this stone; but as we looked back and forth, feeling the stone with our fingers, it seemed there may be a couple of others on the rock. We need to come back here again in better lighting conditions, as opposed to the old grey day She gave us yesterday, and see if the others are real or simple geological marks.
There are two large boulders here, one of which was deemed the Ashlar many moons back. You can approach it from the lazy way: park y’ car at the top of the road by the Whetstone Gate TV masts and walk east right along the boundary path till you get here. The better way is from Twelve Apostles: from there walk a coupla hundred yards north to the Lanshaw Lad boundary stone, where a small path heads west. Along here for another coupla hundred yards, then hit the footpath south for the roughly the same distance again. You’ve arrived!
Archaeology & History
The Ashlar Chair is ascribed in folklore, said Harry Speight (1892), “to be a relic of druidism,” as one of its titles in ages past was the Druid’s Chair. In the nineteenth century it also became known as the Etching Stone, (Smith 1961-63) but it has retained its present title for more than two hundred years. Shaped more like a couch than a chair, its present title—the Ashlar—is important in ritual Freemasonry, which has two aspects to it: the ‘rough’ and the ‘perfect’. The first represents the neophyte; the latter, the illumined one. Oaths are sworn on the ashlar, and laws are spoken from it. In its higher aspect it is representative of the spiritual maturity of evolved man.
Ashlar Chair on 1851 map
Although there are no public records as to who gave the site its present name, the land which lays before it, The Square, is an even greater indicator that this rock was was considerably more than just a curious place-name, for the open moorland that is overseen from Ashlar Chair—The Square — is 396,000 square yards of flat open heathlands that have never been archaeologically explored. The Square is also one of the most important elements of Freemasonry: representing the manifest universe, its laws are spoken from the Ashlar. (Jones 1950)
Between the two of them, represented here in the landscape near the very tops of these moors, we have a form of late geomancy, although the names of our geomancers are nowhere to be found. It is obvious though, simply from the name of the land, that dramatic ritual of some form was enacted here. In recent times, ritual magickians from differing Orders have found the place most effective, as have wiccan folk and other pagans who have frequented it at the summer solstice. The possibility that some members of the Grand Lodge of ALL England (a legendary Masonic Order, said by the modern London masons not to have existed until the eighteenth century) gave this place its name is not unreasonable. Records show that in the fourteenth century at least one member of the Order, Sir Walter Hawksworth, frequented ritual circles on these moors; and another member of the same Lodge from the nearby Washburn valley was an ally to the Pendle and Washburn witches who, we know, met on these moors at Twelve Apostles stone circle and probably the Ashlar. But it proves nothing I suppose. (I tend to believe (not a necessarily healthy viewpoint) that the Grand Lodge did use the Ashlar as one of their moot points, along with the Pendle and Washburn witches.)
Its primary geomantic attribute is as an omphalos. Geographically the Ashlar Chair is the meeting-point of Bingley, Burley, Morton and Ilkley moors and, metaphorically speaking, when you stand here you are outside the confines of the four worlds yet still a purveyor of them.
Nature’s cups-and-grooves on the Ashlar
Upon the large rock itself it are carved the faint initials, “MM, BTP, ISP and IG, 1826.” Several early records described cup-and-ring designs on the Ashlar: firstly in Forrest & Grainge’s (1868) archaeological tour; then in Collyer & Turner’s Ilkley (1885); and lastly by the great Yorkshire historian and topographer Harry Speight (1892, 1900), who said “it bears numerous cups and channels.” Although we can see some of these on top of the Ashlar, they are mainly Nature’s handiwork. It is possible that some man-made cup-and-rings once existed on the rock, but if so they have eroded over time.
References:
Bennett, Paul, The Old Stones of Elmet, Capall Bann: Milverton 2001.
Collyer, Robert & Turner, J.H., Ilkley Ancient & Modern, William Walker: Leeds 1885.
Forrest, C. & Grainge, William, A Ramble on Rumbald’s Moor, among the Dwellings, Cairns and Circles of the Ancient Britons in the Summer of 1867 – Part 1, W.T. Lamb: Wakefield 1868.
Jones, Bernard E., Freemason’s Guide and Compendium, Harrap: London 1950.
Speight, Harry, Chronicles & Stories of Old Bingley and District, Elliott Stock: London 1892.
Speight, Harry, Upper Wharfedale, Elliott Stock: London 1900.
From Ilkley, take the Wells Road heading towards White Wells, bending round the bottom of the moor, making sure you keep left along Westwood Drive (not further up the moor along the Keighley Road). Keep along Westwood Drive – it becomes Panorama Drive after a while – until you come to the small copse of woods on your right, a short distance before the end of the road. Go along the footpath by the wall at the side of the house, bending into the woods after 10 yards. Another 10 yards on, you’re near the edge a drop down the slope, where a number of large rocks are seen. Look around!
Archaeology & History
Carving 236 (after Boughey & Vickerman)
A singular cup-and-ring carving can be seen, rather faintly, near the nose-end of this large mossy stone, close to the edge of the ridge. It is one of a small cluster of carvings that remain in this small bit of woodland. Other highly ornate carvings could once be seen in the same stretch of woodland — where the rich houses now stand — amidst remains of a prehistoric enclosure or settlement of some sort. All remains of this settlement have been destroyed, which is a pity as it may have given us helpful information about the nature of this carving and its nearby relatives.
References:
Bennett, Paul, The Panorama Stones, Ilkley, TNA: Yorkshire 2012.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
From the B6265 valley road between Bingley and Keighley, just near Riddlesden Hall, take the road up and over the canal into Riddlesden, bearing left up past West Riddlesden Hall and up Banks Lane. As you reach the T-junction at the top, where you hit the Silsden Road that goes round the moors, park up.Cross the road and follow the footpath diagonally across the bottom of the field, then when you hit the track, follow it up through the closed gates into the woods. A half-mile along the track, watch out for the dark pool a few yards beneath you on your left. That’s it!
Archaeology & History
The spirit and feel of this pool is a curious one: still, calming, but with a slight sense of unease at times. It felt like this before the large forestry plantation was planted around it — so it’s good to know it’s kept its spirit intact. I’m not quite sure how long it will last though… The small spring of water from just above the edge of the pool which in part feeds it, tastes good and refreshing after a good downpour, but sometimes in recent years the waters have slowed somewhat compared to earlier decades — an unhealthy state of affairs that’s happening all over the world.
A favourite haunt for very colourful dragonflies, deer, pheasant and other animals, very little has been written about this site. Said by place-name authorities to get its name from an old oak that once stood by its side, the name must be pretty old as no remains of such a tree has been mentioned by any antiquarians in the last 200 years. But the first element in the place-name “riv-ock” is an intriguing puzzle. Does it mean simply a split oak? Or was it a more regal in nature, and derive from the old Gaelic Righ, (proncounced ‘ree’) meaning a King’s Oak? More probably the name relates to the “well by the twisted oak,” from the dialect word, rive, or ‘twisted’. However, when we begin exploring dialect variations on this word, a whole host of possible meanings emerge!
Ancient people who lived on these moors obviously used this well — and no doubt had old tales of its medicinal virtues, but sadly these are lost. All we have to remind us that our ancestors came here are the numerous cup-and-ring stones found at Rivock Edge itself, a short distance southeast of here…
References:
Whelan, Edna & Taylor, Ian, Yorkshire Holy Wells and Sacred Springs, Northern Lights: Dunnington 1989.
From the B6265 valley road between Bingley and Keighley, just near Riddlesden Hall, take the road up and over the canal into Riddlesden, bearing left up past West Riddlesden Hall and up Banks Lane. As you reach the T-junction at the top, where you hit the Silsden Road that goes round the moors, park up. Turn left and walk along the Silsden Road, counting the field on your left, moorland-side. At the fourth, go through the gate uphill, keeping to the walls on the right and going through the second gate up. Walk straight on for nearly 130 yards (119m) where you’ll see this group of three earthfast rocks right next to each other.
Archaeology & History
‘Ring of cups’ motif
Not included in any pervious archaeological survey, this is a fine cup-marked stone with at least 25 cups etched into this average-sized rock, halfway up this field of stones. When this carving was rediscovered on Friday, 6 January, 2012, it was noticed that a couple of cup-marks were peeking out from the edge of the grasses covering the rock — and so a careful and gradual uncovering of the rock itself was slowly exposed and see if the initial suspicions of an authentic carving were correct. Thankfully it turned out right!
When first spotting this, I undercovered more beneath the soil, although it’s not clear how much of this stone is covered in carvings, as the Earth has grown considerably over the top of it. There is also what seems to be a geological curiosity on the eastern section of the stone; whereby some apparent ‘cups’ seem to have been created by natural process. However, these have been added to by human hands at a distant time, long ago. The cup-marks themselves vary in size, from small ones barely an inch across, to larger ones measuring some 3-inches in diameter; and oddly, the cups seem to get larger the further west you travel across the stone! More research is needed at this site to ascertain the a more complete image of the petroglyph.
From the B6265 valley road between Bingley and Keighley, just near Riddlesden Hall, take the road up and over the canal into Riddlesden, bearing left up past West Riddlesden Hall and up Banks Lane. As you reach the T-junction at the top, where you hit the Silsden Road that goes round the moors, park up. Takes the footpath across the road and walk straight uphill, all the way to the top just above where the tree line ends and you’re on the moorland flat. Bear right, over one wall, then walk 20-30 yards further and the stone in the photo here should be roughly under thine nostrils!
Archaeology & History
There’s no previous record of this as a cup-marked stone, so it needs adding here. I’ve gotta admit that I’m not 100% sure about it as a real prehistoric carving — but considering the dubious nature of the nearby Carving no.58 and the Rivock Nose Stone, this is roughly somewhere in-between in terms of its legitimacy as an ancient carved stone. Certainly I’ve come across other cup-markings, adjudged by newly-qualified ‘professionals’ as fine, but which I find highly questionable — so this one that Dave Hazell came across a couple of years ago should certainly be added to their professional rock art catalogues.
Close-up of the cupmarks
It’s simple enough: a four-feet long stone, whose top east-facing edge has been worked in more recent centuries by the miners who dug on the slopes below (perhaps to turn it into a gatepost?). There are three notable ‘cups’ that are clearly visible on the photos here. The topmost cup is something pretty recent, having had industrial attention given it; the largest cup may be natural; but the one in the middle seems to be what our English Heritage rock-art enthusiasts term a legitimate prehistoric petroglyph. It certainly seems a good one! Have a look for yourself and see what you reckon! It’s in a good spot and is certainly worth the wander, if only to have a look at other cup-and-rings in the region.
From the B6265 valley road between Bingley and Keighley, just near Riddlesden Hall, take the road up and over the canal into Riddlesden, bearing left up past West Riddlesden Hall and up Banks Lane. As you reach the T-junction at the top, where you hit the Silsden Road that goes round the moors, park up. Cross the road and follow the footpath up the field, but walk up the side of the field-wall where the woods are, all the way to the top. On the flat, you’ll see a gap in the woods on your left, and the triangulation pillar atop of Rivock Edge 150 yards away. Head towards it, watching out for one of the natural rocks rising near the middle of the grasses. It’s one of them!
Archaeology & History
Faint cup-and-ring, centre of photo
Exactly halfway between the cup-marked Niplet Stone and the large flat Carving 58 (Boughey & Vickerman survey) is this natural long upright rock, shaped in the form of a house-roof, with its apex running along an axis SE-NW, its sloping sides dropping either side into the deep wet heather. Upon its crown is what may be a singular cup-marking, almost perfectly formed, though is just as likely to be Nature’s handiwork as much as anything else. But on its western-face, within the mass of old lichen painting the rock surface, a more distinct man-made cup-mark has been cut.
On its eastern face, close to where the rock meets the boggy Earth, a singular faint cup-and-ring design can be made out, albeit a somewhat mis-shapen one. It’s easily missed if the lighting isn’t too good as it’s very eroded indeed. The carving was first described in Mr Hedges (1986) survey, where he told:
“Rough grit rock with ridge, in crowberry and heather with cup and ring on E edge and possible cups and grooves.”
The stone’s certainly worth visiting, as a number of other cup-and-ring stones scatter this region — half of them officially recorded, but nearly as many again that aren’t. It’s a good area to explore.
References:
Bennett, Paul, “The Prehistoric Rock Art and Megalithic Remains of Rivock & District (parts 1 & 2),” in Earth, 3-4, 1986.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Morris, Ronald W.B., “The Prehistoric Rock Art of Great Britain: A Survey of All Sites Bearing Motifs more Complex than Simple Cup-marks,” in Proceedings of the Prehistoric Society, volume 55, 1989.
Take the same directions as if you’re visiting the Rivock Edge 060 Carving. It’s 25 yards NNW – you can’t really miss it!
Archaeology & History
Rivock Edge, carving 58
This large flat rock, with a couple of long lines almost splitting the rock into sections, was first mentioned as a prehistoric site in John Hedges (1986) survey, where he described it simply as, “Large rough grit rock with possible four cups, in crowberry.” Boughey & Vickerman (2003) said even less about it! One of the cups is very distinct, but the others are somewhat faded and perhaps even dubious. It’s still worth a look at, if only due to the other better carvings nearby.
References:
Bennett, Paul, “The Prehistoric Rock Art and Megalithic Remains of Rivock & District (parts 1 & 2),” in Earth, 3-4, 1986.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
