Kinnell, Killin, Perthshire

Stone Circle:  OS Grid Reference – NN 57699 32805

Also Known as:

  1. Killin P1/3 (Thom)

Getting Here

Kinnell stone circle, with Mheall Clachach rising

At the pub by the bridge which crosses the Falls of Dochart (aptly called the ‘Falls of Dochart Inn’), walk downstream following the dirt-track which runs parallel with a section of the river for a good 5-600 yards.  In the field that appears on your right, watch out for the rise of the stones as you approach the large gates which take you into the ground of Kinnell House.  You can climb over the gate just into the field and go straight to the stones.

Archaeology & History

Found on the field called Kinnell Park in the grounds of Kinnell House, less than a mile out of Killin, this is a well-preserved site consisting of six stones. It appears to have been described first of all by Thomas Pennant in 1772, in the same breath as the megalithic remains at Lawers on the other side of Loch Tay.  Pennant wrote:

“In going through Laurs observe a Druidical circle; less complete indeed than one, that should have been mentioned before, at Kinnel, a little southwest of Killin; which consists of six vast stones, placed equidistant from each other.”

Coles’ 1910 plan of Kinnell
Thom’s geometric plan

It would seem that the site has changed little since Pennant’s visit.  Sitting on a reasonably level grassy plain, the hills rise and surround the small ring of stones, with the lower horizons running along the south.  Due west (equinox) we have the large pyramidal hill of Meall Clachach; whilst to the north are the legendary hills of Creag na Cailleach and Ben Lawers, each with their own rich mythic archaeological legacies.  Legendary stones and wells are also close by, some with rites still enacted by old local people keeping truly ancient traditions alive.

The first detailed archaeological survey of the Kinnell site was done by Fred Coles and published in 1910.  It has yet to be superseded.  Mr Coles wrote:

“Taking the Stones in the usual order…I here give their dimensions and characteristics: Stone A, 6 feet 3 inches high, springs from an oblong base which girths 11 feet 4 inches, to a rough irregular top; Stone B leans forward towards the centre of the Circle, and measures along its sloping back 6 feet 9 inches, the present height from the ground to its upper edge being 4 feet. It is of smooth garnetiferous schist, and free from the deep fissures and rifts so common in these Stones. Stone C, a very rectangular but narrow block of schist, has a 15 Feet-girth at the base of 9 feet, but tapers up from both ends to a pyramidal summit, 5 feet 4 inches above ground. Its inner face is over 6 feet in breadth. Stone D, 4 feet 6 inches high, is a broad, flat-topped, very massive block, measuring 9 feet 5 inches round the base, but near the middle of its height 11 feet 2 inches. Stone E, the shortest of the group, is only 4 feet high, has a rough, uneven top, and a basal girth of 8 feet 11 inches. Stone F, the tallest, measures 6 feet 4 inches in height, but in girth only 7 feet 3 inches. It is very rough, vertically fissured in many places, and full of white quartz veins.

“Neat, well-defined, and comparatively small as this Circle is, it is to be noticed that the positions of the Stones do not conform to perfect regularity as points on the circumference. On working out the plan, the measurements prove that a diameter of 29 feet exactly bisects three of the erect Stones, B, C, and F, but leaves the other two untouched. The interspaces of the settings are not all quite equal, a space of 14 feet 8 inches dividing the centres respectively of F and A, A and B, F and E, and E and T); but between D and C it is 13 feet 8 inches, and between 0 and B I S feet 5 inches. Yet, the Stones stand proportionally near enough to each other to give one a satisfying impression that these six megaliths represent the group in its completeness, and that there were no smaller blocks between any two of them. The space enclosed by these stones is quite smooth and level, bearing no indication of having at any time been disturbed.”

Many years later, the late great Alexander Thom came here and, with his geometric perspective, gave a more precise ground-plan and lay-out.  Thom (1980) defined the site as a “Type B flattened circle, or possible ellipse,” with a perimeter of 35 megalithic yards and diameter of 11.8 MY.  Aubrey Burl’s commentary described Kinnell as:

“Six stones of schist stand evenly spaced on the circumference of an ellipse 32ft 7in x 27ft 5in (9.9 x 8.4m) in diameter.  The stones are graded in height towards the SW where the two tallest are over 6ft (1.8m) high.”

One of the upright stones was said by Hugh MacMillan (1884) to have had cup-markings on it in the 19th century, when he told of the circle possessing “some seven or eight tall massive stones, with a few faint cup-marks on one of them.”  But these appear to have faded, or were cut into the one of the missing stones.

Folklore

Close to the Kinnell circle could once be found a curious large boulder, covered in moss, but with a large cavity in which water gathered.  Local lore ascribed the rock to actually be a well, as it was known as ‘The Well of the Whooping-Cough’, or Fuaran na Druidh Chasad, measuring some eight feet long and five feet high. Local people visited the site to be cured of the said disease, but Hugh MacMillan also suggested that the miraculous well-in-the-stone was connected with ancient rituals once enacted at the Kinnell circle, saying:

” it is a reasonable supposition that the Fountain of the Whooping-Cough may have had some connection in ancient times with this prehistoric structure in its immediate neighbourhood…”

He may have been right!

…to be continued…

References:

  1. Burl, Aubrey, A Guide to the Stone Circles of Britain, Ireland and Brittany, New Haven & London 1995.
  2. Coles, Fred R., “Report on Stone Circles Surveyed in Perthshire (Aberfeldy District),” in Proceedings of the Society of Antiquaries, Scotland, volume 44, 1910.
  3. Fraser, Duncan, Highland Perthshire, Standard Press: Montrose 1973.
  4. Gillies, William A., In Famed Breadalbane, Munro Press: Perth 1938.
  5. McKerracher, Archie, Perthshire in History and Legend, John Donald: Edinburgh 1988.
  6. MacMillan, Hugh, ‘Notice of Two Boulders having Rain-Filled Cavities on the Shores of Loch Tay, Formerly Associated with the Cure of Disease,’ in Proceedings of the Society of Antiquaries of Scotland 18, 1884.
  7. Pennant, Thomas, A Tour in Scotland, 1772 – Part 2, Benjamin White: London 1776.
  8. Royal Commission on the Ancient & Historical Monuments of Scotland, Archaeological Sites and Monuments of Stirling District, Central Region, Society of Antiquaries of Scotland 1979.
  9. Thom, A., Thom, A.S. & Burl, H.A.W., Megalithic Rings, BAR: Oxford 1980.
  10. Wheater, Hilary, Killin to Glencoe, Appin Publications: Aberfeldy 1982.

© Paul Bennett, The Northern Antiquarian 


West Woods 01, Calverley, Leeds, West Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 1970 3731

Getting Here

On the A657 road, a half-mile past Greengates towards Calverley, just before the road starts going uphill, take the lower dirt-track of Eleanor Drive on your left into Calverley Woods (here known as West Woods).  About 150 yards along the track, note the small footpath on the right which goes up diagonally further into the trees.  Go along here until you reach the remains of a dried-up pond on your left.  The carved stone is about 10 yards before the pond, just above the footpath.

Archaeology & History

Rubbing of the 2 cupmarks

Another stone only for the puritans amongst you!  This (and the West Woods 2 carving) was one we found in 1985 when we were exploring the woods looking for the Calverley Woods cup-marked stone reported by Sid Jackson in the 1950s.  The stone is a small roughly oblong, earthfast rock, about 2ft by 1ft across, and has two distinct but faded cup-marks on its slightly sloping face. That’s it!

Soon after first finding this, we made a couple or rubbings of the stone, one of which I reproduce here and which shows the two cup-marks.  You’ll note the measurement and note of the cups being 2 megalithic inches (MI) in diameter.  The MI was a statistical unit of measure suggested by the late great Alexander Thom, who found regular integers of 2.07cm in many of the cup-and-rings he examined, and so surmised it as a deliberate numeric system.  At the time when we found this cup-marked stone, I was exploring Thom’s idea and was very much taken up with it.  However, after a few years doings numerous rubbings of the many cup-and-ring stones in West Yorkshire, and exploring the simple size of the human hand and how we execute cup-markings on rocks, I found Thom’s idea didn’t seem to be realistic. (though I still love Thom’s works: the man was an outstanding researcher, far exceeding all the archaeologists of his period in terms of his exploratory methods)

References:

  1. Bennett, Paul, “The Undiscovered Old Stones of Calverley Woods,” in Earth 2, 1986.

© Paul Bennett, The Northern Antiquarian


Nottingham Hill Carving, Gotherington, Gloucestershire

Cup-and-Ring Stone:  OS Grid Reference – SO 9875 2825

Archaeology & History

Nottingham Hill cup-and-ring

A rare find this!  In October 1981, in deepest Gloucestershire on the edge of the Nottingham Hill Iron Age hillfort, archaeologists sifting through what they ostensibly called “occupational debris” along the western edge of the huge enclosed monument, found a singular piece of local oolitic limestone etched with an archetypal cup-and-ring design!  The carving was on a typical ‘portable’ piece of stone and would not have been amiss had it been uncovered in a neolithic or Bronze Age cairn in our more northern climes.  But this southern example is something of an anomaly.

In Morris & Marshall’s (1983) description of the stone they told how,

“it was found as a loose block lying with the worked surface uppermost, and half-embedded in the plough-soil, together with other slabs and irregular lumps of oolitic limestone of similar size, and of closely related rock-type.  The object is a discreet slab with an unworked under-surface weathered by percolation of ground-water along a joint.”

Drawing of the carving

They found that the carved stone was typical of other rocks making up the ramparts at the outer-edges of the hillfort, and at some point in its history may possibly having been included in the walled structures of the fortress itself.  However, this is unlikely to have been the original use of the carving.  Its inclusion in the Iron Age ramparts would more be a likely consequence of it being appropriated from another, much earlier archaeological site in the area — a chambered tomb or long barrow for example.  This re-use of cup-marked stones in the Cotswolds is known to have occurred in the village of Salford, on the church cross-base, 18.75 miles (30.2km) east of here.

The Nottingham Hill cup-and-ring was described in some detail by Morris & Marshall (1983).  The rock on which it was carved measured one square-foot in size and barely 3 inches thick.  The central cup-mark measured,

“approximately 15.5cm in diameter, and a shallow radial groove (channel 1) leads from it to the edge of the stone.  The central cup-mark is surrounded close to its lip by a penannular channel or ‘ring’ (channel 2), which has a small depression at one end.  This end of channel 2 appears to be discontinuous with channel 1, but there is a very lightly pecked connection at the other end.  Outside channel 2 is a second shallower ring or channel (channel 3) but because of its shallowness it is difficult to determine whether it links with the radial channel 1.  Channel 3 contains a clear, small cup-mark part-way along its length, and is quite definite on one side of the central cup-mark, and on the other side it is possibly mirrored by a rather indistinct depression or cup-mark and length of channel.  Channel 3 is not continuous throughout its length, ending where it meets the edge of the stone beyond the small cup-marks.”

It is obvious that the carving, whenever it was made, was not subjected to long-term exposure to the outside air, as the carved design would have eroded quite quickly on the oolitic limestone.

References:

  1. Morris, Ronald W.B. & Marshall, Alistair, “A Cup and Ring Marked Stone from Nottingham Hill, Gotherington,” in Bristol & Gloucestershire Archaeological Society Transactions, volume 101, 1983.
  2. Royal Commission on Historical Monuments, England, Ancient and Historical Monuments in the County of Gloucester: Volume 1 – Iron Age and Romano-British Monuments in the Gloucestershire Cotswolds, HMSO: London 1976.

© Paul Bennett, The Northern Antiquarian


Rhiwderin, Newport, Monmouthshire

Cup-Marked Stone (lost):  OS Grid Reference – ST 260 870

Archaeology & History

Rhiwderin cup-marks

This fine-looking cup-marked stone was uncovered during a botanical outing in the last decade of the 19th century.  Described as being around the township of Rhiwderin, the exact whereabouts of the carving is unknown and it’s not been seen since the first description of it in an early edition of Archaeologia Cambrensis by Mr T.H. Thomas. (1895)  John Sharkey (2004) mentioned the site in his recent survey of Welsh rock art, saying simply “location unknown.”

The missing Rhiwderin stone

Although we know there are no hard and fast rules for working out the location of cup-and-ring markings, one may be fortuitous in exploring any nearby Bronze Age or neolithic tombs (cairns, tumuli, etc) in the Rhiwderin district, as they do tend to enjoy the company of such sites — but I must stress, this is by no means a dead cert!

Mr Thomas’s description of the carving was as follows:

“I enclose a sketch of what seems to be a cup-marked stone which I observed yesterday near Rhiwderin, Monmouth.  Unless there be some operation which simulates such markings with which I am unacquainted, I take the specimen to add an instance of these mysterious prehistoric remains to the very short list given for Wales by Mr. Romilly Allen, and to be the first reported for South Wales.

“The stone displaying the cup-markings is a mass of millstone grit, earth-fast, the slanting surface appearing above the turf being about a yard wide, and 4 feet long.  Upon the upper half of the surface is a group of twelve cups from 1½ to 2in diameter, and about 1in deep. On first noticing the cups they were taken for holes out of which quartz pebbles, abundant in the local millstone grit, had been weathered, but examination of the block showed that no pebbles of large size exist, or had existed in it, and the conclusion was arrived at that the cups are artificial.

“On turning back some of the turf covering the base of the slope of the stone, no other cups were discovered.

“The stone lies within an old enclosure, as shown by wild apple-trees and an abundance of daffodils, and still more clearly by ruins, which seem those of a cottage or small farm near by. This contiguity to a habitation which does not seem to have been abandoned more than a century, made me suspect some medieval or more recent origin for the markings. I cannot, however, account for them otherwise than by supposing them to be cup-markings in the technical archaeological sense.

“The stone was observed while in the company of Dr C.T. Vachell of Cardiff, searching for varieties of narcissus which occur at several points in the neighbourhood…”

If anyone comes across this lost carving, please let us know!

References:

  1. Sharkey, John, The Meeting of the Tracks: Rock Art in Ancient Wales, Gwasg Carreg Gwalch: Llanrwst 2004.
  2. Thomas, T.H., ‘Archaeological Notes and Queries,’ in Archaeologia Cambrensis, volume 12 (5th series), 1895.

© Paul Bennett, The Northern Antiquarian 


Badbury Barrow Carving, Shapwick, Dorset

Cup-Marked Stone:  OS Grid Reference – ST 9583 0294

Also Known as

  1. Badbury Rings Carving
  2. Shapwick 6a carving

Archaeology & History

Badbury Barrow carving (after J.F.S. Stone 1958)

Amidst what was once a veritable gathering of prehistoric tombs on the ground immediately west of the Badbury Rings hillfort — a small necropolis no less! — one particular tumulus which Leslie Grinsell named as ‘Shapwick 6a‘ was in the process of being destroyed at the end of October, 1845, but was fortunate in receiving the quick attention of a local historian called John Austen, who gave us the first known account of the place. (a fuller profile of the Badbury Barrow can be found here)  Inside the churned-up remains of Badbury Barrow, which measured 62 feet across and 9 feet high, Mr Austin found a fascinating number of urns and other remains and, shortly after, this rare example of a petroglyph was identified.  The stone now lives in the British Museum where, the last I knew, you could certainly check it out.  But it’s not its original size, as sections of the stone were broken off.  As Aubrey Burl (1987) told us, the stone was originally about half-a-ton in weight, on which,

“were carvings of five cupmarks, two bronze daggers and two flat, triangular axes of early Breton type.”

Grinsell’s more detailed description of the carving from his work on Dorset Barrows (1959) tells a little more of the design found on this seeming ‘tomb-stone’:

“Sandstone slab, probably from stone cist, decorated with pecked carvings of two daggers with hilts, resembling those on stone 53 at Stonehenge; two triangular objects probably intended to be flat bronze axe-heads expanding at their cutting-edge; and five cup-shaped hollows.  The existing decorated fragment (in British Museum) is 1ft 10in long, and was detached from the original slab which weighed probably more than half a ton.  The size suggests, perhaps, a cover-slab.”

It may well have been.  Certainly it had some relationship to death!  The design was suggested in the 19th century to perhaps have been influenced by Greek imagery, when such notions were in vogue.  As Grinsell tells,

“In the centre according to Durden…was the well-known large slab of sandstone which was decorated with carvings of daggers and axes, the former of type similar to those from Stonehenge, conjectured to be of Mycenean type.”

But the Mycenean nature of the carvings is highly unlikely.  What is intriguing with this carving is the appearance of cup-markings (commonly associated in or adjacent to prehistoric tombs) alongside defined symbols of daggers.  We could infer a magickal relationship between the two symbols here: one of which, the cups, comes from a much earlier period than the dagger-design.  A more in-depth analysis of the human remains within the tumulus and a plan of the site would perhaps be more revealing…

…to be continued…

References:

  1. Austen, John H., “Archaeological Intelligence,” in Archaeological Journal, volume 3, 1846.
  2. Burl, Aubrey, The Stonehenge People, Guild: London 1987.
  3. Grinsell, Leslie V., Dorset Barrows, Dorset Natural History & Archaeological Society 1959.
  4. Knight, Peter, Ancient Stones of Dorset, Power: Ferndown 1996.
  5. Royal Commission on Historical Monuments, England, An Inventory of the Historical Monuments in the County of Dorset – Volume 5: East Dorset, HMSO: London 1975.
  6. Stone, J.F.S., Wessex Before the Celts, Thames & Hudson: London 1958.
  7. Warne, Charles, The Celtic Tumuli of Dorset, John Russell Smith: London 1866.

© Paul Bennett, The Northern Antiquarian


Badbury Barrow, Shapwick, Dorest

Tumulus:  OS Grid References – ST 9584 0294

Also Known as:

  1. Shapwick 6a (Grinsell)

Archaeology & History

One of the broken urns

Of at least 26 prehistoric barrows or tumuli in close proximity on the grasslands immediately west of the Badbury hillfort, this particular ‘Badbury Barrow’ as it’s generally called, was the most intriguing of the bunch.  Intriguing as it was found to possess a very rare carved stone near its centre, and had the elements of the dead laid out in a quite fascinating manner, with a large inner wall that surrounded the dead.  Grinsell (1959) posited that this site may be the same one described on the 1826 Greenwood Map of the region as the ‘Straw Barrow’ – in which case I’d love to know if there are earlier place-name references to the site and see what its name is thought to mean. (Mills’ PNs Dorset, 2, could be helpful – though it could be just ‘straw’!)  However, the Straw Barrow is some distance to the west of here.

The first lengthy description of the site was done very soon after the near destruction of the place in 1845.  A local man called John Austen visited and described the old tumulus in some considerable detail, and I make no apologies for adding his complete description of the barrow, as he found it, just before the land-owner levelled the place.  He wrote:

“On Nov. 1, 1845, I accidentally ascertained that a barrow situated about five miles from Wimborne, Dorset, upon the road leading to Blandford, and in the immediate neighbourhood of Badbury camp, was in progress of being levelled. The circumstance which chiefly attracted my notice was the vast quantities of large sandstones and flints which had been taken from it. Unfortunately nearly two-thirds of the tumulus were already removed. From the remainder, however, I have obtained a tolerably accurate idea of its interior arrangement, which, with perhaps the exception of the ‘Deverill barrow’, opened by W. Miles, Esq., in 1825, is more highly interesting than any yet examined. The labourer employed could give me but little information respecting the part already destroyed, further than that he had thrown up many pieces of pottery, and found one urn in a perfect state, but in removal he had broken it; sufficient however remained to enable me to ascertain its form and dimensions.  It measured 8 inches in height, 6¾ inches at the mouth, and at the bottom 3½ inches. The colour of the outer side was more red than is usual, and within it had a black hard ash adhering to the side, It was inverted, and contained only a few white ashes. It was ornamented with lines of from nine to fourteen fine pricked dots, as if made with a portion of a small tooth comb. Such an instrument was discovered a few years since by some workmen, whilst lowering a hill midway betwixt Badbury camp and the village of Shapwicke, having at one end a small circular hole, and at the other eight short teeth like those of a comb. It was four inches long and one inch wide, and was part of the rib of a deer…

“The barrow was circular, measuring about eighty yards in circumference, the diameter sixty-two feet, and the height nine feet; it had however been considerably reduced by the plough. Upon clearing a section across the centre, the following formation presented itself. The outside circle or foot of the barrow was of chalk, occupying a space of fifteen feet towards the centre. There was then a wall extending completely round, and enclosing an area of about thirty feet in diameter, composed of large masses of sandstone brought from some part of the heath, probably from Lytchett, a distance of not less than five miles, and across the river Stour. These stones were well packed together as in the foundations of a building, and the interstices tightly filled with flints. Within this wall, for the space of three or four feet, was a bed of flints, without any mixture of earth or chalk, packed together from the floor to the surface of the barrow, having only a few inches of earth above. The remainder of the interior was occupied by large sandstones, serving to protect the various interments.

Urn found in one cist

“About the centre I found six deposits. The most northern of these was the skeleton of a young child, by the side of which, proceeding west, there was a cist containing a deposit of ashes and burnt bones; and near it another, rather above the floor, containing burnt wood. Immediately beneath this was a cist containing an urn, placed with its mouth downwards, and filled with burnt bones, which were perfectly dry and white. It was without any ornament, and measured in height ten and a quarter inches; the diameter at the mouth, which turned outwards, was eight and three-quarter inches, and at the bottom four inches. The other cists contained burnt bones and ashes. Sandstones had been placed over them, but were removed without my having an opportunity of ascertaining their position. A short distance south of these deposits there was a cist containing the bones and skull of a young child, over which had been placed a flat sandstone, and about a foot from it appeared a deposit of small bones, occupying a space of only two feet ; these were apparently the remains of a woman. Immediately above was a row of sandstones, resting, as was usual throughout the barrow, upon a thin layer of burnt wood. At this spot the barrow appeared to have been opened after its final formation, as if for the purpose of a subsequent interment, and filled up, not with the earth of which the remainder was formed, but with loose chalk, there being no stones or flints above those which lay immediately upon the deposit. At the extreme south of these cists was a large sandstone, three feet in diameter by sixteen inches in thickness, placed edgeways. The above-mentioned cists were circular.

Upright urn outside of cists

“A few inches west of the cist described as containing an urn, was the lower half of another, measuring in diameter five and a half inches, inverted, and placed upon the floor of the barrow, without any protection, merely surrounded by a thin layer of ashes and then the solid earth. It was filled with ashes and burnt bones, and rested upon the parts of a broken skull. Near this was an urn, also unprotected, and consequently much injured by the spade. It was placed upright, and measured in diameter nine and a half inches, by about ten inches in height. In form it resembled the urn first described, marked with impressed dots, but it was without any ornament. A short distance from these was a deposit of burnt wood at the west side of a large flat stone, placed edgeways, which measured three feet four inches by two feet ten inches, and thirteen inches in thickness. From its appearance it would seem that the fire had been lighted by its side. Immediately beneath the edge of this cist, and resting upon the chalk, was a small urn inverted, and by its side some small human bones. It was wholly unprotected, and unfortunately destroyed. South-east of this was a cist sixteen by twelve inches in diameter, and eighteen inches in depth, containing ashes and a few burnt bones, with a large-sized human tooth. Close to the edge of this cist, upon its western side, was placed in an upright position, a large stone measuring in diameter three by two and a half feet; and leaning against it another of still larger dimensions, inclining towards the north. This measured six and a half by four feet, and fifteen inches in thickness. About three feet further east were two large stones set edgeways, and meeting at their tops. Beneath them was the skeleton of a small child with the legs drawn up, lying from west to east. At the north-west side of the barrow, about five feet within the wall, was a cist cut in the solid chalk, measuring sixteen inches in diameter by sixteen in depth; it contained an urn inverted, and filled with burnt bones. Though carefully bandaged, it fell to pieces upon removal, being of more brittle material than any previously discovered. The clay of which it is formed is mixed with a quantity of very small white particles, having the appearance of pounded quartz.  It measured in height nine inches by nine and a half in diameter, and is ornamented by six rows of circular impressions made with the end of a round stick or bone of a quarter of an inch in diameter. The cist was filled up with ashes.

Small cup-like urn

“A few inches from this was a cist differing in form, being wider at the top than beneath, in diameter eighteen inches by eighteen in depth; a flat stone was placed over it. It contained the skeleton of a young child, laid across, with the legs bent downwards. Lying close to the ribs was a small elegantly-shaped urn, measuring four inches in height by four in diameter, and made of rather a dark clay. It is ornamented with a row of small circular impressions, similar to those mentioned in the last instance, close to the lip, which turns rather out: beneath is a row of perpendicular scratches, and then two rows of chevrons, also perpendicular. At the feet of the skeleton was a peculiarly small cup, measuring in height one and a half inches by two and a quarter in diameter. It is ornamented with two rows of pricked holes near the top, beneath which is a row of impressions, made probably with an instrument of flat bone, three-eighths of an inch in width, slightly grooved across the end. The same pattern is at the bottom and upon the rim.

Another cup-like vessel

“Near this, towards the south-west, was a deposit of burnt wood, situated above the floor of the barrow, and immediately beneath it were two cists. In one of these, which measured two feet in diameter by one and a half in depth, were a few unburnt bones and several pieces of broken pottery, with a small cup, ornamented with three rows of the zigzag pattern, betwixt each of which, as well as upon the edge, is a row of pricked holes, and at the bottom a row of scratches. It measured in height two and a half inches by three in diameter, and had two small handles pierced horizontally: there appeared to have been originally four. In the other, which measured two feet in diameter by one in depth, were a few unburnt bones and a small urn placed with the mouth upwards, measuring four and three-quarter inches in height by the same in diameter. The lip, which turned very much out, is ornamented with a row of scratches, both within and upon its edge, a similar row also passes round near its centre. Close upon the edge of this cist was another urn of similar dimensions, inverted, and embedded in the solid earth without any protection. It is of much ruder workmanship than any of the others, and wholly unornamented, measuring five inches in height by five in diameter. Both these urns inclined equally towards the south-east. These last cists were partly, if not quite, surrounded by large sandstones set edgeways, and smaller ones built upon them, forming as it would seem a dome over the interments, filled with earth, and reaching to the surface of the barrow, where these stones have been occasionally ploughed out. From this circumstance, as well as the general appearance of the excavation, added to the description given by the labourer of the other part of the barrow, I am induced to suspect such to have been the case throughout… I found many pieces of broken pottery, and a part of a highly-ornamented urn. There was a total absence of any kind of arms or ornaments. The labourer however shewed me a round piece of thin brass, which he had found amongst the flints within the wall, measuring an inch and five-eighths in diameter. It had two minute holes near the circumference. It was probably attached to some part of the dress as an ornament. Teeth of horses and sheep were of frequent occurrence; I also found some large vertebrae and the tusk of a boar. Upon one of the large stones was a quantity of a white substance like cement, of so hard a nature that it was with difficulty I could break off a portion with an iron bar.

“If I offered a conjecture upon its formation, I should say that the wall, and foot of the barrow, which is of chalk, were first made, and the area kept as a family burying-place. The interments, as above described, were placed at different intervals of time, covered with earth (not chalk) or flints, and protected by stones. And over the whole, at a later period, the barrow itself was probably formed. My reason for this opinion is, first, that all these deposits, including, as they do, the skeletons of three or four infants, could scarcely have been made at the same time. And in the second place there was not the slightest appearance (with one exception) of displacement of the stones or flints in any way. As these circumstances then would suggest that the interments were formed at various periods, so the general appearance leaves no doubt as to the superstructure of flints, and surface or form of the barrow itself having been made at the same time and not piecemeal.

“I have met with no instance of a British barrow containing any appearance of a wall having surrounded the interments. Pausanias, in speaking of a monument of Auge, the daughter of Aleus king of Arcadia, in Pergamus, which is above the river Caicus, says, ‘ this tomb is a heap of earth surrounded with a wall of stone.’ And in the Saxon poem, ‘Beowulf,’ mention is made of a similar wall as surrounding the tomb of a warrior.”

One of the stones inside here was later found to possess “carvings of five cupmarks, two bronze daggers and two flat, triangular axes of early Breton type,” (Burl 1987) which Austen didn’t seem to notice at the time of his investigation.   A profile of the Badbury Barrow carving can be found here.

Folklore

In Peter Knight’s (1996) survey of megalithic sites around Dorset, he includes the Badbury Barrow along a ley line that begins at the tumulus just below (south) Buzbury Rings and then travels ESE for about 5 miles until ending at another tumulus at ST 006 996.

References:

  1. Austen, John H., “Archaeological Intelligence,” in Archaeological Journal, volume 3, 1846.
  2. Burl, Aubrey, The Stonehenge People, Guild: London 1987.
  3. Grinsell, Leslie V., Dorset Barrows, Dorset Natural History & Archaeological Society 1959.
  4. Knight, Peter, Ancient Stones of Dorset, Power: Ferndown 1996.
  5. Piggott, Stuart, “The Badbury Barrow, Dorset, and its Carved Stone,” in The Antiquaries, volume 19, 1939.
  6. Royal Commission on Historical Monuments, England, An Inventory of the Historical Monuments in the County of Dorset – Volume 5: East Dorset, HMSO: London 1975.
  7. Stone, J.F.S., Wessex Before the Celts, Thames & Hudson: London 1958.
  8. Warne, Charles, The Celtic Tumuli of Dorset, John Russell Smith: London 1866.

© Paul Bennett, The Northern Antiquarian


Panorama Stone (226), Ilkley Moor, West Yorkshire

Cup-and-Ring Stone (lost):  OS Grid Reference – SE 1015 4702

Also Known as:

  1. Panorama Rock 226

Archaeology & History

J.R. Allen’s 1879 drawing

It would seem that this excellent looking cup-and-ring stone may have been destroyed sometime around 1890 during the construction of the Panorama Reservoir and the building of the houses on the southwestern edge of Ilkley, right by the moorside.  But this isn’t known for certain; and the carving could still exist beneath vegetation in the trees just north of the reservoir.  In requesting to explore some National Archives data in which there may be information relating to this carving (and others nearby), I was directed to Bradford Council’s community archaeologist, Gavin Edwards (to whom requests should be made), but he denied access to look at the files, then completely ignored subsequent queries that might enable us to locate this and other important prehistoric carvings.  So we did our best and this is what we’ve found so far (forgive any errors).

As there’s a slight ambiguity in the precise location of this lost carving, we cannot say for certain whether or not this site was included in the sale of Property Lots, numbers 7-34, “surrounding the far-famed Panorama Rocks,” which may have led to the site’s destruction and subsequent removal of the protected Panorama Stones to Saint Margaret’s Park on the other side of the road from the church, closer to Ilkley centre.  The sale of this “building land” as it was called was advertised in the Leeds Mercury, Saturday September 4, 1880, with a brief description of the respective “lots” near this and the adjacent carvings.  But this Panorama Stone 226 may have been left alone and be buried under the surface…

J.T. Dale’s 1880 sketch

Historical notes on this particular stone are scattered and sparse, but digging through old journals and texts has given us a reasonably good vision of the place.  It was first described, albeit in passing, in A.W. Morant’s edited third edition of Whitaker’s History of Craven (1878: 289), where it was described in context with the other cup-and-ring east of here on the same ridge.  All of them were described as being located within a now-destroyed prehistoric enclosure (precise nature unknown), with carving 226 at the westernmost end.  However, the following year J. Romilly Allen (1879) gave more details of this, “the third stone” as he called it and furnished us with a damn good drawing to boot!

As we can see, there are four double-ringed cups and eight or nine archetypal cup-and-rings, with the usual scatter of cups falling across the design.  The curious ‘ladder’ markings found on one of the other Panorama Stones, the Barmishaw Stone, Willy Hall’s Wood carving and at least one of the Baildon Moor carvings, were also quite prominent.  Although when J. Thornton Dale visited here around the same time and did his own drawings, the ladders weren’t quite as pronounced.  This would have been due to the simple factors of cloud cover, poorer sunlight and the time of day the drawings were done (the pseudoscientific proclamation of local archaeologist Gavin Edwards that such artistic difference is due to some Victorian chap adding, or removing sections of the carvings for his own pleasure, negates common sense and is strongly lacking in evidence).  Romilly Allen’s own description of the site was as follows:

“The Panorama Rock lies one mile south-west of Ilkley, and from a height of 800 feet… About 100 yards to the west of this spot appears to be some kind of rough inclosure, formed of low walls of loose stones, and within it are the three finest sculptured stones near Ilkley. They lie almost in a straight line East to West… The third and most westerly stone of the group measures 10ft. by 9ft. and lies almost horizontally, having its face slightly inclined. On it are carved twenty-seven cups, fourteen of which have concentric rings round them. Some of the cups have connecting grooves, and three have the ladder-shaped pattern before referred to.”

Notes from a few years later told that this carving was still in situ when the companion carvings were moved and imprisoned behind railings across from St. Margaret’s Church in Ilkley.   The carving was shown at the grid reference given above on the 1895 Ordnance Survey map of the region before the reservoir was built, correcting the coordinates given in Boughey & Vickerman’s (2003) otherwise fine survey.  They described this very ornate carving thus:

“According to Thornton Dale (1880), this was a large rock with 27 cup, eighteen of which had single rings.  Some of the cups had connecting grooves and three had the same ladder motif as the Panorama Stone.”

…to be continued…

References:

  1. Allen, J. Romilly, “The Prehistoric Rock Sculptures of Ilkley,” in Journal of the British Archaeological Association, volume 35, 1879.
  2. Allen, J. Romilly, “Notice of Sculptured Rocks near Ilkley,” in Journal of the British Archaeological Association, volume 38, 1882.
  3. Allen, J. Romilly, “Cup and Ring Sculptures on Ilkley Moor,” in The Reliquary, volume 2, 1896.
  4. Bennett, Paul, The Panorama Stones, Ilkley, TNA: Yorkshire 2012.
  5. Boughey, Keith, “The Panorama Stones,” in Prehistory Research Section Bulletin, no.40, Yorkshire Archaeological Society: Leeds 2003.
  6. Boughey, K.J.S. & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
  7. Collyer, Robert & Turner, J.H., Ilkley: Ancient and Modern, William Walker: Otley 1885.
  8. Jennings, Hargrove, Archaic Rock Inscriptions, A.Reader: London 1891.
  9. Turner, J. Horsfall, “British or Prehistoric Remains,” in Collyer & Turner, Otley 1885.
  10. Whitaker, Thomas Dunham, The History and Antiquities of the Deanery of Craven in the County of York, (3rd edition) Joseph Dodgson: Leeds 1878.

© Paul Bennett, The Northern Antiquarian


Eller Edge (429), Pock Stones Moor, Thruscross, North Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 0902 6150

Also Known as:

  1. Carving no.429 (Boughey & Vickerman)
Eller Edge stone 429

Getting Here

A slight walk to get here.  Follow the same directions as if you’re going to the Eller Edge 431 carving.  Once here, walk west as if you’re going into the middle of the field, keeping your eyes peeled about 20 yards along for a small-ish rounded stone with nice colours of lichen amidst the grasses.  If you’re patient, you’ll find it soon enough!

Archaeology & History

This is another simple cup-marked stone on the grassland ridge overlooking higher Wharfedale.  The carving here is a little clearer and more well-defined than that of its close neighbours, with a number of simple cups visible on its rounded surface.  We counted seven such cups on our cloudy-day visit, but Boughey & Vickerman (2003) thought there might be a little more, describing the stone simply:

from another angle
B & V’s drawing

“Small lichen-covered rough grit rock.  About eight cups and two depressions.”

A rubbing of this small stone (as practiced by English Heritage and rock art students alike) would prove useful in bringing out any other ingredients in the ancient design.  And whilst you’re in this field, have a look at the curious Spiral Stone and some of the other cup-markings close by.

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.

Links:

  1. Eller Edge Rock Art – more notes & images

© Paul Bennett, The Northern Antiquarian


Eller Edge (424), Pock Stones Moor, Thruscross, North Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 08973 61487

Also Known as:

  1. Carving no.424 (Boughey & Vickerman)
Eller Edge carving 424
Eller Edge carving 424

Archaeology & History

A slight walk to get here, but well worth it once you arrive!  Follow the same directions as if you’re going to the Eller Edge 426 carving.  Once you reach this stone, notice the larger rounded rock about 20 yards to your west, a bit further down the field.  You can’t really miss it!

Archaeology & History

A large rounded stone just on the meadows before it begins to slope more steeply downhill, there are several of those large natural ‘bowls’ that we see on a lot of cup-marked and not-so-cup-marked stones in our northern hills.  These basins or bowls may, at times, may have had significance for our ancestors, but it’s the cluster of cup-markings on this stone which are of importance to us here.  There are perhaps as many as a dozen cup-marks here, all very well worn, and mostly to be seen on the eastern sides of the rock.  When I came here with Paul Hornby and QDanT a few months back, the cloud cover stayed with us all day, so I didn’t get any decent images of the carving.  Ne’er mind…

Close-up of faint cups

The stone was described by Boughey & Vickerman (2003) simply as:

“Very large, uneven, rough grit rock with face with scooped-out areas sloping down to grass.  Eleven possible cups and six basins.”

A plain carving, perhaps only of interest to the fanatics amongst you.  But if you do visit here, check out carving 432, 431, and others in the same field.

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.

Links:

  1. Eller Edge Rock Art – more notes & images

© Paul Bennett, The Northern Antiquarian


Eller Edge (432), Pock Stones Moor, Thruscross, North Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 09078 61479

Also Known as:

  1. Carving no.432 (Boughey & Vickerman)
Carving 432, close to the wall

Getting Here

A slight walk to get here.  Follow the same directions as if you’re going to the Eller Edge 426 carving, but as you reach the field edge, walk up the slope (in the field itself) along the side of the wall.  You’ll pass rudimentary Carving 431 and about 30 yards further uphill this little fella will catch your eye!  You can’t really miss it.

Archaeology & History

Another basic cup-marked stone that’s probably only gonna be of interest to the purists amongst you.  A single cup-marking sits on the edge of a small patch of old dark lichen, although the rock art students Boughey & Vickerman (2003) reckon there could be another two on here—but I aint so sure misself.  The stone was described by them simply as:

“Medium-sized rectanguar rock of medium gritstone, with vertical edges except for finely striated sloping W side.  One cup near possibly quarried edge and perhaps two more.”

Single faint cup-mark

Another single cup-marked stone of the same size, type and quality as this one can be found on another stone not far from this stone, which aint in the Boughey & Vickerman survey.  There’s also evidence of ancient lines of walling close by, but with little surface clues as to its age.

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.

Links:

  1. Eller Edge Rock Art – more notes & images

© Paul Bennett, The Northern Antiquarian