Follow the same directions described to reach the Druidsfield 1 and 2 carvings. This one is the larger upright block right next to them!
Archaeology & History
Several of the faint cups visible
Contextually relevant to the two adjacent carvings, this is the largest of the three stones and comprises of a number of natural deep marks associated with between eight or ten man-made cup-markings. They’re not all immediately apparent, but stand out more as and when natural lighting conditions change. All of them are on the north and northwestern section of the stone, and measure between 1-3 inches across. This is the least visually impressive of the stones in this petroglyph cluster.
Folklore
The carvings here were said by one of the locals to have been part of a “druid’s circle, which we played in as children, and were always told had been a special place of the druids in ancient times.”
Haggart, D., “Notice of the discovery of a stone cup and cup-marked stones at Lochearnhead,” in Proceedings of the Society of Antiquaries, Scotland, volume 22, 1888.
Acknowledgements – Huge thanks to Paul Hornby for help and use of his photos.
A variety of ways to get here, all depending on which directions you’re coming from, obviously! Simply get to the sleepy old hamlet of Brunton, SW of Creich Castle ruins, and at the north end of the village where the road hits a T-junction, turn left and stop at the next house (hidden amongst trees) a coupla hundred yards along on the right-hand side. Knock on the door of The Manse (marked as such on the OS-maps) and ask. The fella who we met here, Liam, was very helpful and guided us to the site up the far end of his garden.
Archaeology & History
The small central ring
A truly fascinating and enigmatic arena for a host of reasons. The small and well-preserved ring of stones up the slope behind Creich Manse — looked after and recently cleared of covering vegetation by the present tenant — wasn’t born here, but originally lived more than a mile to the southwest, on the grounds of Luthrie House near the OS grid-reference NO 313 195.
Curiously omitted from the giant surveys of Aubrey Burl (2000) and other modern academics, the place was first mentioned in the New Statistical Account of the parish by Alexander Lawson. It told that in 1816 “trenching operations” were being undertaken in Luthrie village when, at some point, the men came across a curious group of stones that seemed to have faint carvings upon them — in the centre of a ring of stones! The land-owner and parish minister were called to the site and they found that a double stone circle had been unearthed. The account told:
“In the centre was placed, in an upright position, a cylindrical sandstone, one foot two inches high, and having the diameter of its base one foot. Around this stone, as a centre, at the distance of three feet, were sixteen other stones, placed also in an upright position, and in the form of a circle. The stones of which it was composed were of various sizes, from fifteen to twenty inches in height; from eight to eighteen in breadth, and from four to nine in thickness. Due south of the centre, and between it and the inner circle, there were placed in a horizontal position, two stones containing hieroglyphics in alto relievo, very entire. The remaining space between the centre and the circle was laid with pavement. At the distance of seven feet and a half from the same central pillar, there was another circle of stones, thirty-two in number, placed in an upright position, and very much resembling those of the inner circle. The stones in both circles were placed close together. Between the circles there was neither pavement nor stone of any description. Neither were perfect circles, the diameter of one from north to south, being fifteen feet one inch, while its diameter from east to west was only fourteen feet nine inches; in the same manner, the diameter of the other, from east to west, was five feet ten inches, while from north to south it was it was six feet one inch.”
Ground-plan of the Creich ringCreich ring, looking west
The account went on to describe there being a deposit of “burned human bones and charcoal” at the centre, below the larger of the two petroglyphs. Additionally, one of those peculiarly common traits found at a number of megalithic remains related to the construction of the inner and outer circles of stone. The Royal Commission (1933) lads pointed it out, saying,
“It is remarkable that all the stones of the inner circle were of sandstone, which is not found nearer than Cupar, seven miles away, while those of the outer circle were of the local whinstone.”
Another description of the site was given in James Campbell’s (1899) updated and revised magnum opus on the parish of Balmerino, where some additional remarks were made about the petroglyphs. He told:
“Under one of the sculptured stones were found small burnt human bones and ashes. They were not enclosed in a cist, nor was there any building under the surface. Certain of the figures cut on one of the slabs of this monument are very similar to the figures on the sculptured slab of the one already mentioned. There are what appear to be representations of the soles of a pair of shoes, a circle with a cross within it — the limbs of the cross being: at right angles to each other — which may be intended to represent a wheel. On one of the stones is the figure of a spade. What the other figures represent is more uncertain. The sculptures raise difficult questions in regard to the time of the erection of these monuments. It is evident that cremation had been then practised at Creich, though the degree of culture and art indicated by the sculptures seems to point to a time subsequent to the abolition of this pagan custom elsewhere.”
Creich Circle petroglyphsCreich Ring, looking east
The carvings illustrated here are pretty unique in terms of them being standard prehistoric petroglyphs, as they seem to comprise more of a mix of Iron Age and Romano-British designs – though potentially we must take into account that they could be a form of Pictish. This region is littered with the remains of Picts, in place-names, folklore and archaeology. As such, it would be very helpful if someone qualified in Pictish studies could examine these designs. We do find petroglyphs of similar forms to this in Bronze Age Scandinavia and Iberia − but not Fife!
Folklore
In the only account of any folklore relating to this site, James Campbell (1867) told that local people said the place was “supposed to have marked the tombs of distinguished chiefs.”
…to be continued…
References:
Burl, Aubrey, The Stone Circles of Britain, Ireland and Brittany, Yale University Press 2000.
Campbell, James, Balmerino and its Abbey – Volume 1, William Blackwood: Edinburgh 1899.
Follow the same directions as if you’re going to the much overgrown, earthfast Druidsfield 01 carving. Adjacent is an upstanding block of large rock, right next to which is the flat surface of this Druidsfield 2 carving. If it’s overgrown, rummage around. You can’t miss it!
Archaeology & History
This carving and its compatriots have almost been forgotten about it seems. Buried beneath rolls of vegetation, this long flat rock covered in cup-markings seems to have played a part in some larger megalithic structure—but whatever it was is difficult to work out. As you walk around the place it gives the distinct impression that some form of tomb was once in evidence, which may have been the case. The Scottish archaeology giant Audrey Henshall is said to have found no evidence of a chambered tomb, but this may have been something smaller, less impressive.
When Mr Haggart (1888) wrote about this carving, he too thought that the carvings had been part of a tomb—this being the horizontal surface at the bottom. He wrote that,
“the one forming the floor area of the dolmen being a square-shaped boulder of diorite, having fifty cups, varying from three and a half inches to an inch in diameter, the outlines of which look as fresh as if chiselled a year or two ago.”
The main cluster of cups
This indicates it had only recently been uncovered. There are lots of other archaeological remains scattered all round here, from different periods of history; but the other Druidsfield 1 and 3 carvings are found right next to each other, indicating this very spot was some site of neolithic or Bronze Age importance. An accurate excavation of the site and the adjacent Druids Circle would be worthwhile. I counted at least 44 cups on this rock when we visited last week, many of which are still quite clear.
The most recent Royal Commission (1979) briefing of the stone added nothing of relevance. They listed the site but it seems they never visited the place.
The portable bullaun-like deep-cut rock known as the Druid’s Stone is kept in private grounds nearby. When members of Scottish heritage came to visit an adjacent site a few years ago, the lady of the house told how they walked right past it without giving it any notice. “They didn’t even see it under their noses,” she said. Nowt new there!
Folklore
The carvings here were said by one of the locals to have been part of a “druid’s circle, which we played in as children, and were always told had been a special place of the druids in ancient times.”
References:
Coles, F.R., “Report on stone circles in Perthshire principally Strathearn,” in Proceedings of the Society of Antiquaries, Scotland, volume 45, 1911.
Royal Commission on the Ancient & Historical Monuments of Scotland, Archaeological Sites and Monuments of Stirling District, Central Region, Society of Antiquaries of Scotland 1979.
Acknowledgements – Huge thanks to Messr Paul Hornby for help and use of his photos.
From Lochearnhead village going south along the main A84 road to Callander or Stirling, take the very last road on the right just as you’re going out of the village, up o Craggan and park up by St. Angus’ Church. Walk back down onto the A84, turning right and walk along for 100 yards. Then go back up into a boggy field, where you’ll notice some walling above you. Head to the top right of this, up to the edge of a garden. Hereby is a cluster of rocks in a jumble. That’s your spot!
Archaeology & History
Cup-marks along the edge and bottom of the stone
This takes a bit of finding in the undergrowth and is best checked out at the end of Winter. Once overgrown it truly takes some finding. But beneath the vegetation is a slender earthfast rock with a long ridge, a little bit like a spine, running from one end of the stone to the other. Along this topmost spinal column we find a cluster of ten cup-markings, getting smaller in size the further along the spine we travel. It’s a curious feature. At the widest end of the rock where the widest and deepest cup-marks occur, another four cups have been etched into the northeastern sloping face below the largest cups.
When we came here, the sunlight was blocked by the surrounding trees, so we were unable to see if other elements had been carved onto the stone. It is found in conjunction with two other rocks—Druidsfield 2 and 3 carvings—right next to each other, with designs of quite different visual structures, seemingly unconnected in any linear sense. There also seemed to be a possibility that this was once part of a prehistoric tomb. Later we found that both D. Haggart (1888) and Fred Coles (1911) had made similar comments, with Haggart specifically telling there to have been a collapsed tomb here in the 19th century. He may have been right. Extensive walled structures abound hereby−including one which old locals told us were remains of a Druid’s Circle, which we found close by.
Folklore
The carvings here were said by one of the locals to have been part of a “druid’s circle, which we played in as children, and were always told had been a special place of the druids in ancient times.”
Haggart, D., “Notice of the discovery of a stone cup and cup-marked stones at Lochearnhead,” in Proceedings of the Society of Antiquaries, Scotland, volume 22, 1888.
Acknowledgements – Huge thanks to Messr Paul Hornby for help and use of his photos.
From Burley train station, take the road uphill onto the moor edge, turning right at the top. Go on for a few hundred yards and park up round the sharp bend. Walk up the steep-ish path on the right-hand side of the rocky valley of Coldstone Beck. Once your on the level with the moors, veer to your right (west) on the footpath parallel with the walling. Barely 50 yards along, watch in the grasses and heather to your left (south). Keep looking and you’ll find it. (apologies for just a 6-figure grid-ref for this stone, but I paid little attention to its position when I was in walkabout mode)
Archaeology & History
A couple of hundred yards east of the Cold Stone monolith is another petroglyph that has evaded the diligent archaeologists of the region! But it’s easily missed if the daylight conditions aren’t too good. The most notable element on the stone is the large, possibly natural cup-marking on its top-right SW side. It’s that which initially gets your attention and, due to its initial singularity on the rock, you’d turn away and shake your head, muttering that well known petroglyphic mantra of “dunno.” But when the sun and air are clear or low on the horizon, other more faint etchings, almost lost in the worlds of erosion, catches the eye.
Carving faintly highlightedLooking straight down
At least four cups are visible on the stone, perhaps six, mainly near its middle and faintly highlighted in one of the images here. But there is also a pecked carved line here too, running across the shorter northern side of the stone. Near the bottom of this line there is the faint impression of a carved ring, but whether this is a trick of the light or real, I won’t hazard to guess. Not far away is the curiously shaped Chair Stone and its cup-marks. Others are in the vicinity.
This is another of the many unrecorded cup-and-ring carvings in the region—and one in a small cluster hereby. It was rediscovered several years ago on a Northern Antiquarian outing and, thankfully, remains in good condition. Encrusted by layers of gorgeous lichens, deep into the rock, it has hence proven difficult to explore the entirety of the exact design without tearing off the old lichen covering—which I’ve no intention of doing.
Lichen Stone, from above
There are at least a dozen cup-markings etched onto the upper surface of this curved stone, with the majority of them clustering around its eastern side. It seems there’s only one cup-marking on the western section of the rock, with the majority of them carved near the middle of the rock and then moving to its eastern section. But the curious features are the interlinking carved lines which you can see have been highlighted on the top and sides of the stone. Initially you get the impression that they’re natural, but it becomes obvious the more you look at them that they’re an integral part of the carving. Some of the lines typically link-up with other cups, whilst a number of them have been carved along and down the vertical faces of the rock, primarily on the east and north-east edges. At least seven of them have been done and they all reach down to ground-level.
Cups & carved linesCarved lines highlighted
It seemed obvious that an even larger design was apparent on the rock, but the stone had been covered in an age of lichen (hence the name) which I didn’t want to disturb; and although no distinct cup-and-ring can be seen here, it looked as if one such motif might have been hiding beneath the lichen cover. But let’s leave the rock and lichen to their own quiet life and move on our way…. to the other carvings nearby, like the impressive Fraggle Rock, or the more basic Snake Stone. Then follow your nose and seek out the other carvings in these fields…
From Burley-in-Wharfedale train station, take the road uphill to the moors, turning right at the top, until you hit the bend where the stream and rocky valley of Coldstone Beck appears. Walk up the right-hand (west) side of the beck until the moorland levels out. Walk along the footpath above Stead Crag for a coupla hundred yards, keeping your eyes peeled for the largest upright stone in the heather about 50 yards into the moors. The other way is to get to Woofa Bank Enclosure and keep walking east through the heather for a coupla hundred yards till you see the tallest upright stone in the heather.
Archaeology & History
Apart from my own short entry about this site in The Old Stones of Elmet, we have no archaeological account of this standing stone, less than four feet tall and nearly as wide at its maximum, living in a landscape renowned for its excess of neolithic and Bronze Age remains. For those of us who love our megaliths it’s nothing special — but at the same time it’s worth looking at, if only because of the other mass of prehistoric remains close by. It received its name from the adjacent Coldstone Beck a short distance to the east, whose etymology isn’t clear.
Cold Stone, looking eastGazing into a hazy SW
Although we know that many of the sites on this ridge are prehistoric in origin (incredibly some of it still aint registered by those who get paid to do such things), we also need to take into consideration that this site may have been effected by the early industrialists who also made their mark on this section of the moor: they have scarred some cup-and-rings along here, destroyed other remains and left incisions on some rocks which could easily be mistaken as ancient. There is also the possibility that this upright and its adjacent stones were once part of a cairn. If evidence comes to light that the Cold Stone is more recent, we will of course amend this site entry.
Folklore
A number of Cold Stones are found scattered across upland Britain, in the form of crags or solitary stones. In North Yorkshire and beyond, the name is sometimes a corruption of a Call Stone, i.e., a site where village matters were called out prior to the institution of a bell-man. The old Market Cross in Kendal village, also known as the Cold Stone was where village notices were proclaimed.
References:
Bennett, Paul, The Old Stones of Elmet, Capall Bann: Chieveley 2001.
On the A81 road from Aberfoyle to Strathblane, about a mile south of Aberfoyle take the tiny right turn (keep your eyes peeled!) to Gartmore. At the end of the village, turn right at the T-junction. Just over a mile along the tiny road, just over the tiny road-bridge, turn right again up up the dead straight road to Drymen for nearly a mile and park up. A dirt-track is on your right: walk along here for ¾-mile (1.2km) and in a large field on your left a huge rock sits (no carvings on it). Keep walking on the track and where the field ends, a path to your left runs above a small burn. Naathen, 150 yards along here, look down at the waters and there’s a clump of large rocks. Check ’em out!
Archaeology & History
Morris’ old photo (from PSAS 1967)
This stone and others were mentioned in MacNair’s (1973) essay in the popular history guide to the region, after it had seemingly been rediscovered a few years earlier by Ron Morris (1967; 1969), who listed it in his petroglyph catalogues. It was originally located at the top of the slope above the burn, but was rolled down here shortly after Morris discovered the cup-and-rings on it. The farmer at the time had made a bore-hole into the rock with the intention of blowing it up, but Morris found it just in time and the stone managed to survive!
Faint CnR’s just visible
It’s a large rock with a decent ornate design that was clearly visible when Morris surveyed it (see photo, right). It comprises of, “a cup-and-two-rings, 18cm (7in) diameter, 6 cups-and-one-ring (2 of which are tangential) and at least 8 cups. All rings are complete. Greatest carving depth 2cm (¾in).” There also appears to be a line of four or five small cup-marks running in a short line by one of the lower cup-and-rings, but these are very faint indeed. The double cup-and-ring mentioned by Morris is the one at the top-centre in my photo, but the next cup-and-ring down may also be a double-ring. At the top-right of the photo is where two cup-and-rings are conjoined.
Since being rolled down the slope to the side of the burn, the carving’s much more in the shadows and is more difficult to work out. Sadly on the day when I visited here, Nature bestowed on me a wet and cloudy day, so the design was even more difficult to see, as my photos illustrate.
Morris (1981) told that “other stones in the immediate vicinity bear possible cup-marks,” and one of these may exist just a couple of stones away (Corrie 2), leaning up into the grasses: this is another rock that has been pushed down the slope and has curious natural cup-markings on it, with one or two that could be man-made, but we need a geomorphologist to have a look at it and tell us one way or the other.
References:
Edlin, Herbert L. (ed.), Queen Elizabeth Forest Park, HMSO Edinburgh 1973.
MacNair, A.S., “History,” in Edlin’s Queen Elizabeth Forest Park, HMSO 1973.
Morris, Ronald W.B., “The Cup-and-Ring and Similar Early Sculptures of Scotland; Part 2 – The Rest of Scotland except Kintyre,” in Transactions of the Ancient Monuments Society, volume 16, 1969.
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.
Cup-and-Ring Stone: OS Grid Reference – SK 231 691
Archaeology & History
Ball Cross 2 Carving (after Beckensall)
One of three carvings that were located inside the walling of the Ball Cross hillfort during excavations here in the early 1950s by J. Stanley. (1954) Each carving is distinctly unlike the other in design (see Ball Cross 1 and Ball Cross 3) and it’s highly probable that they were incorporated into the Iron Age structure with their original mythic functions—of neolithic or Bronze Age origin—disused. It is not unlikely that this and its compatriots were originally found in association with the nearby prehistoric tombs.
Ball Cross 2 Carving (photo by Dean Thom)
The broken piece of rock consists of a broken section of an almost archetypal ‘cup-and-ring’—although with this design, no central ‘cup’ occurs: a pattern found at several other multiple-ring stones, like the Grey Stone near Leeds. Although Stan Beckensall (1999) described this to have “8 concentric rings”, his drawing and the photo here by Dean Thom, clearly show only seven such ‘rings’. The carving presently lives in a protective box in Sheffield Museum (though beware the listing they give of the designs, as some are incorrect).
References:
Barnatt, John & Reeder, Phil, “Prehistoric Rock Art in the Peak District,” in Derbyshire Archaeological Journal, 102, 1982.
Beckensall, Stan, British Prehistoric Rock Art, Tempus: Stroud 1999.
Beckensall, Stan, Circles in Stone: A British Prehistoric Mystery, Tempus: Stroud 2006.
Cooper, Ali, Archaeology Walks in the Peak District, Sigma: Wilmslow 2010.
Morgan, Victorian & Paul, Rock Around the Peak, Sigma: Wilmslow 2001.
Stanley, J., “An Iron Age fort at Ball Cross Farm, Bakewell,” in Derbyshire Archaeological Journal, volume 74, 1954.
Acknowledgements: HUGE thanks to Dean Thom for the use of his photo, plus helpful references on this site.
This is another carving (one of three here) that was removed from its landscape setting when found during excavations of the Iron Age hillfort of Ball Cross in the 1950s, and then placed into a box in Sheffield Museum, decontextualizing it and leaving future researchers slightly in the dark as to its possible nature. In removing the carving from its site, the stone was left with additional scratches and grooves slightly damaging the stone. Not good!
Ball Cross Carving (after Beckensall)Ball Cross Carving (after A. Cooper)
Although unlike the Ball Cross 2 and 3 carvings, the design here is structurally very similar to that found east of Gardoms Edge, with this one comprising of a large unbroken carved oval, with at least twelve cup-marks inside. Or as Beckensall (1999) described, it “has 12 cups inside a flattened ring.” Again, like the Gardoms Edge carving, a single cup-mark was etched outside of the enclosed ring. It was found with its companion carvings built into the main walled structure of the hillfort. It’s unlikely that the stones date from the same age as the hillfort: more probable that they were re-used in the structure, with their mythic nature perhaps already long forgotten…
References:
Barnatt, John & Reeder, Phil, “Prehistoric Rock Art in the Peak District,” in Derbyshire Archaeological Journal, 102, 1982.
Beckensall, Stan, British Prehistoric Rock Art, Tempus: Stroud 1999.
Beckensall, Stan, Circles in Stone: A British Prehistoric Mystery, Tempus: Stroud 2006.
Cooper, Ali, Archaeology Walks in the Peak District, Sigma: Wilmslow 2010.
Morgan, Victorian & Paul, Rock Around the Peak, Sigma: Wilmslow 2001.
Stanley, J., “An Iron Age fort at Ball Cross Farm, Bakewell,” in Derbyshire Archaeological Journal, volume 74, 1954.
Acknowledgements: HUGE thanks to Dean Thom for the use of his photo, plus helpful data on this site.
