From Steeton village, go up Mill Lane, turning right and then bending up the steep Barrows Lane for a half-mile or so, where in turns into Redcar Lane. There’s a row of old cottages on your left with a green lane track running into the fields at the back of them. Four fields along you’ll reach a long straight line of walling running uphill. Up here, above and past the long geological stretch of quarried rocks, the land levels out and two trees sit next to each other by walling. The carving’s beneath them.
Archaeology & History
Close-up of carving
Rediscovered in the summer of 2024 by Thomas Cleland, a deeply worn cup-mark is the primary feature of this petroglyph on the topmost section of the stone, with the remains of a faint incomplete ring around one side of it. Three or four other smaller cup-marks can be seen close to the main one. There may be another cup-marked stone on an adjacent rock, with a lines running away from it, but we need to see that in better light or have one of the computer-tech doods to give it their attention to know for sure.
Cup-Marked Stone (destroyed): OS Grid Reference – SE 152 393
Also Known as:
Carving no.195
Archaeology & History
A basic cup-marked stone could once be seen up near the top of the slope behind the Bay Horse pub as you’re heading up to Baildon village. The site would seem to have been destroyed following the demolition of buildings thereby. A photograph of the carving was taken and it was described, albeit briefly, by Sidney Jackson (1961), who told:
“A small boulder with two cups in it was found at the junction of a narrow bye road leading to 30 Lane Ends, Baildon, with the road which runs behind the Bay Horse Inn, on 12 April (1961), by Mr Alan E. Rowe, 10 Beaufort Grove, Bolton, Bradford and a photograph of it was taken for the Museum Reference Collection.”
Years back I contacted the Bradford Museum about this photo and they were about as helpful as a zionist in Palestine! – i.e., I never got to see it. It would be good if someone could locate the image.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Jackson, Sidney, “Cup-marked Boulders, Baildon Finds,” in Cartwright Hall Archaeology Group Bulletin, volume 6, no. 6, 1961.
From the Askwith Moor car-park (SE 1757 5067), walk along the road north for a few hundred yards until you reach the gate on your right and head through the heather to the Death’s Head carving. From here walk in a northwesterly direction up the gentle slope for 50-60 yards and, before reaching its crown, keep your eyes peeled for a low flat stone with a curvaceous crack running roughly halfway across it. If the heather’s deep, you might not have a cat in hell’s chance of finding it!
Archaeology & History
This carving isn’t much to look at on two levels: i) it’s a pretty simplistic design with no rings, and (ii) it’s very faint and almost impossible to see until the light is just right—except for one of the cups, which itself might be natural (there are a few like that amidst the Askwith complex). It’s very much a carving for the purists among you, as I always say. Nonetheless, for the record:
Crap sketch of designFaint cups visible
The most notable element is the single “cup mark” on the more easterly section of the stone, on one side of the natural crack. It catches your eye and is what makes you give the stone a little more attention, although I couldn’t make up my mind whether this was Nature’s handiwork or humans. It may be a bit of both. On the other side the crack we can see a small group of very faint eroded cup-marks — just! What seems to be three of them cluster in a small triangle formation, but one of these may be natural (tis hard to say for sure), with another isolated cup closer to the crack, and a final one further to the outer edge of the stone. All are very faint but stood out when the sun was low on our recent visit here. Give it your attention when you’re next having a look at the settlement and cairnfield close by.
From the Askwith Moor car-park (SE 1757 5067), walk along the road north for several hundred yards and go through the gate on your right. Head northeast through the heather to the Death’s Head carving and keep along the same direction for barely another hundred yards onto the ever-so-slight crown of a small hillock. This is a hut circle you’re standing in/on. A few yards away just to the southeast of where you’re standing is the very denuded remains of this ring cairn.
Archaeology & History
Low remains of rubble wall
Not visible when the heather’s in full growth, it’s nonetheless worth visiting if you’re trying to get a picture of the prehistoric landscape hereby. Less than 10 yards southeast of the notable hut circle on the small crown of a hill, it was first noticed by Sarah Walker on a group visit here recently. Roughly 12 yards across, the most notable section of the circle is the remains of the rubble bank on its east and southeastern sides, raised a few feet above ground level. The majority of the monument comprises of a scatter of various rocks and small stones within and round the edges of the circle. There’s a lot of scattering from other adjacent remains, such as the hut circle and nearby walling, that give the initial impression of it being little more than a spurious mess of stone; but the more you walk around and inside it, the more you come to recognize its structure.
It has that Bronze Age hallmark look about it, but without an excavation this is just educated guesswork. It might actually be older. The widespread mass of prehistoric remains all round here shows that it was once a mass of activity in prehistoric times. It’s a brilliant area, even if you can’t find this particular site!
Cup-and-Ring Stone (destroyed?): OS Grid Reference – SE 314 537
Archaeology & History
The chances of this carving still being alive, so to speak, are pretty slim. It was reported by a Mr. Sullivan to the old Yorkshire petroglyph researcher Stuart Feather back in 1965, in the days when English archaeologists didn’t really give a shit about rock art. Sad but true. The carving was found in the grounds of what used to be the ICI Fibres Research Centre, in the present landscape of Hornbeam Business Park, a hundred yards or more west of Hookstone Beck. According to Feather’s report, the carving consisted of “a single-ringed cup and a groove” surrounding “two short pecked grooves and a meandering groove leading off,” all with clear signs of being pecked and carved in the old-school manner. All trace of the carving has vanished and it was probably destroyed by the Industrialists. (the grid-reference to this site is an approximation)
Easiest way is to park up at the Askwith Moor car-park spot, turn right and walk along the road for about 350 yards until you reach the gate on the right (not the one across the road!). You then need to head to the Death Head’s Stone carving about 450 yards across the moor to the east. It’s pretty conspicuous. From here, walk through the heather 80-odd yards northwest. You’ll walk past some extensive rubble walling (whose nature yet eludes us) before you get there.
Archaeology & History
Looking down at the cups
Discovered recently by Sarah Walker on a venture to see the extensive settlement and graveyard around Snowden Crags, this petroglyph is a simple basic design cut into a relatively large flat stone just above ground level. Found less than 100 yards east of the dubious Snowden Carr (565)carving, there are two large cup-marks on this one: one of them is an inch deep and two-inches across and may originally have been geophysical in nature, but has subsequently been worked by human hands. To its side is another much fainter and shallower cup-mark about the same width. On some photos there’s what appears to be a very faint large ring surrounding the faint cup, but until visits are made at low sun and the stone brushed with water, we cannot be sure whether it’s real or just a trick of the light. There may be more cups on this stone beneath the peat. We didn’t brush it all off.
Some 30-40 yards to the east is the rubble of an extensive prehistoric man-made structure, the nature of which has yet to be discerned. The Snowden Moor cairnfield begins immediately to the northwest, with the first tomb barely 50 yards away.
Take the A85 road east out of Crieff and after roughly 2 miles at Gilmerton, turn left up the A822 Dunkeld road. Go along here for nearly 2½ miles, where you’ll reach the Foulford golf course on the right-hand side of the road. Directly opposite the entrance into the golf course, a dirt-track leads you into the fields where, laying alone and standing out like a sore thumb about 300 yards away, you’ll see a large rounded boulder sitting there minding it’s own business. You can see it quite clearly from the roadside. Nice n’ easy.
Archaeology & History
For such a large conspicuous stone, you’d think there’d be quite a lot written about it as well as hope for a good ornate design—but alas!, both hopeful expectations are lacking. Although, as usual, there’s more to it than is described in the official records—although not much more….
Long stone & its cupmarksCups along the spine
As you walk towards it, it seems as if a rounded earthfast boulder is in front of you, but once you reach it you realise that it’s nothing of the sort. Indeed, the more you looked at the stone, the more it seems as if it might have stood upright not too many centuries ago; the prevalence of other standing stones in the area being well known. But, along the spine of this long stone, a number of cup-marks speak out to you: at least seven of them, perhaps eight. There are a number of smaller “cups” roughly along the same length of stone, but these are Nature’s handiwork; but, it looks as if one or two of the man-made cups might have started their lives as Nature’s indentations and been worked into the symbols that still remain to this day.
Faint ring around a cupNose of stone, looking E
The official records tell us of the cup-marks, but says nothing of the faint but distinct rings around two or three of the cups. The most notable one, albeit faint, is near the southeastern part of the stone, where the ring seems to be an artistic partnership of Nature and man. You can make it out in the photo, albeit not too clearly. Nearer to the middle of the stone at least one of the cups has a semi-circle around it and, just to the side of it, a natural crack in the stone has been enhanced and carved into a short line. On the whole, it’s not a visually impressive carving and the design is troublesome to see if the lighting isn’t right (as usual), but is worth having a look at if you’re in the area. Very little’s been written about it apart from brief notes in the regional megalithic surveys of both Finlayson (2010) and Watson (2006).
References:
Finlayson, Andrew, The Stones of Strathearn, One Tree Island: Comrie 2010.
Watson, David, A Simple Introduction to the Stone Circles and Standing Stones of Perthshire, Photoprint 2006.
Acknowledgements:Huge thanks for use of the Ordnance Survey map in this site profile, reproduced with the kind permission of the National Library of Scotland.
Take the same direction as if you’re visiting the Ardoch (2) carving, starting from the Foulford golf course on the A822, roughly halfway between Gilmerton and the entrance to the Sma’ Glen. From here, take the track eastwards into the hills and literally ¾-mile along you reach the pylon; keep going along the same track for another 200 yards and on your left watch out for the track-cum-footpath going up the slope past Ardoch (2), onto the hilltop, then through the gate and down the path northeast for about ⅔-mile until you reach the burn. Keep going uphill for 80 yards and through the cronky gate, head 70 yards to your left to the large single rounded boulder.
Archaeology & History
Main scatter of cups
One of several petroglyphs in the area, this is the most notable in terms of its size. It rests just below the two Stroness hut circles which sit on the small level piece of ground nearly 100 yards further up the slope. A considerable scatter of cup-marks cover much of the upper surface of the boulder, some faint, some not so faint, with a number of them painted in a slight cover of lichens at the topmost section of the rock. The carving was first described somewhat blandly by George Currie (2004), who simply wrote:
“Large boulder, 2 x 2m, just W of hut circles; 16+ cups, 40–50 x 14–20mm.”
Faint line near the edgeCups among the lichens
It’s actually south of the hut circles; and there are certainly more than sixteen cup-marks, as the photos here indicate. At the time of my visit here recently, the sun was falling and was just below the level that permitted a perfect highlighting of the cup-marks, but there seemed to be at least 25 of them, scattered in no particular order over much of its upper surface. One curiosity that seemed apparent was a long carved line running along a long slender edge along on the southern side of the stone, from a large cup-mark down to near the southwestern edge, meeting another smaller cupmark. I not 100% certain that it’s actually been carved and it may just be one of Nature’s scratches along the rock, but it does seem to have that “man-made” stamp on it. Another visit in differing light will show us one way or the other.
References:
Currie, George, ‘Buchanty Hill (Fowlis Wester parish): Cup-marked Rocks’, in Discovery & Excavation Scotland, volume 5, 2004.
If you’re coming here you’re obviously making a day out of it! You’ll be taking the shortest route to the Ardoch (2) petroglyph, via the Foulford golf course along the A822, roughly halfway between Gilmerton and the entrance to the Sma’ Glen. From here, take the track eastwards into the hills, and literally ¾-mile along you reach the pylon; keep along the same track for another 200 yards and on your left watch out for the track-cum-footpath going up the slope past the petroglyph, onto the hilltop, then through the gate and down the path for about ⅔-mile until you reach the burn. On the other side, go through the gate and 100 yards uphill through another one, walk immediately to your left alongside the fence. About 20 yards from the wall, look at the ground. Zigzag about!
Archaeology & History
Two distinct but very overgrown hut circles sit next to each other on the first ridge above the burn. When they were first built—sometime in the Bronze Age most likely—the landscape here was slightly different to what we see today. Scattered woodland of hazel, birch and Scots pine lived all across these hills and the small burn 100 yards below would have been much faster flowing, with trout and smaller fish in plentiful supply. The large cup-marked stone between the burn and these huts would have had some magico-religious meaning to the people living here. Indeed, it may have been carved by the people who built the huts, or they might have rested here due to its presence. I point out these simple ingredients to give a little more life to a site which, today, seems so isolated, lonely and unimpressive. It’s essential that we paint the history of this and all our ancient monuments with the colourful shades they lived within: of the forests and their animals, so as to give these seemingly bland lifeless remains a feeling in order to rekindle their history.
Apart from the large petroglyph less than 100 yards below, these hut circle are apparently in isolation if we go by the record books. And they’re difficult to make out when the grasses are tall—as they were when I visited recently. They are both roughly the same size—about 11 yards across—and, most likely, each housed a small family. The one closest to the wall is the slightly smaller of the two. It was first reported by Miss Comrie (1972) who initially only noticed one of the two huts—probably due to the long grasses. She told that,
“On an area known as Buchanty Hill at 1000ft is a hut circle with a diameter of 11mand wall width of 2m. Situated in a hollow, sheltered from the north and with an entrance on the downward-side facing south. The walling has no obvious inner or outer facing.”
On my visit to this place, the silence was deafening and the fading daylight painted the hills with a stunning velvet breath all across the veil of Her body. It’s a gorgeous isolated place that you might aswell sit down with after you’ve finished looking at the rock art…
References:
Comrie, J.E.M., “Fowlis Wester Parish: Hut Circle,” in Discovery & Excavation, Scotland, 1972.
Ardoch (2) carving, with Milquhanzie hillfort behind
We took the long route to get here, via Fowlis Wester village, up to the car-park near the standing stones, then walk for 1¾ miles along the track: past the stones, veering right to go downhill then uphill, past the Ardoch (1) petroglyph and bearing right at the next split in the track, then right again at the next split. Then, crossing a small burn and curving round the next bend, keep your eyes peeled for the track-cum-footpath that reaches uphill on your right (NE). A shorter route is via the Foulford golf course (found along the A822 roughly halfway between Gilmerton and the entrance to the Sma’ Glen): take the track from there, eastwards into the hills, and literally ¾-mile along you reach the pylon; keep walking along the track for another 200 yards and on your left watch out for the same track-cum-footpath. Walk up there for about 400 yards and, 35 yards to the right of the fence, you’ll see a large flat stone.
Archaeology & History
This is a most curious design, sitting way up near the top of this unnamed hill on its western face. It’s curious as there are number of odd elongated cup-marks which, to me at least, should be described as footprints. We find such designs on a few carvings (such as the one at Dunadd, and St. Columba’s Stone, etc), but they’re pretty rare. The best can be found on the Cochno Stone a few miles north of Glasgow, with additional toes on the design… but that’s for another site profile – and an essay, perhaps, should I ever get round to writing it! Anyhow…
It was first described, albeit briefly, by a Mr Comrie in 1972, who told us that,
“On a south-west facing slope of Buchanty Hill at 950ft is a boulder measuring 1.60m x 1.40m with 22 cups and 11 dumb-bells, 6 of which are distorted by a fault of quartz in the stone.”
Central “footprints”“Footprints” & cup-marks
But his description of what he saw as eleven “dumb-bells” is somewhat extravagant. Six, perhaps seven would seem the more probable. I was hoping to find that the Scottish Rock Art Project doods might have spent some of their million quid in doing a computer enhancement of this carving in order to confirm it one way or the other, but this was one of hundreds that they never looked at. Very poor… (and they only described two so-called dumb-bells here!) The only other mention I’ve found of the place is in Finlayson’s (2010) fine survey of local megaliths, but only in passing.
The dumb-bells or “footprints” on this carving are small: fairy footprints, one might say. The main ones are seen near the middle of the stone on its flat smooth surface. Another—perhaps two—occur along a curious geological cut that runs in a straight line, north-south (roughly) over the rock. This curious line has a series of deeply cut elements, mainly cup-marks, which give the impression of being enhanced or worked upon in much more recent centuries, looking almost as if they possessed some utilitarian function. They’re most odd and are certainly much younger than the very worn cup-marks that are scattered across the stone in no particular order. One of them seems to have a very faint ring around it. You can just make it out in one of the photos.
Looking southeastA nice close-up
So we’re looking at a multi-period carving done (probably) over several centuries. Some of the cup-marks are barely visible unless the light is just right. On my first visit here, the day was grey and overcast and some elements of the design were all but invisible; but on my second visit, one a beautiful evening, then wetting the rock, it shone out in all its splendour…. Well – as good as could be expected considering it may be five thousand years old! But the footprints are the stand-out features of the design.
In a lengthy essay on this motif that’s found on numerous European petroglyphs, Miroslav Verner (1973) points out several traditional and theoretical meanings ascribed to the symbol, which may be relevant to the stone here. The footprints may mark the rock as a pilgrimage site; or a representation of the location of a theophany, or genius loci. In some places it can be a signature of the so-called artist; or a symbol of victory; and even a symbol which possesses the power to cure fevers and other ailments. This latter tradition was known to have been practiced at the mightily impressive Blarnaboard (3) carving near Aberfoyle.
Another important feature of this carving its position in the landscape: more than a thousand feet above sea level, you sit here and the vista ahead of you reaches far far away into the distance from east to south to west. The skies above and around it are open and seemingly endless from here. It’s impressive and, most likely, these attributes are mythically significant to its meaning. Have a look at the place: take a day out and sit here for a while and get your own impression of the place. You’ll like it…
