prehistoric rock art

Ballakelly, Santon, Isle of Man

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Cup-Marked Stone: OS Grid Reference – SC 32144 71990

Also Known as:

Oatland

Archaeology & History

This carving is one that was found inside the remains of a chambered cairn and so, as with all things petroglyphic, it deserves its very own site profile. It’s been mentioned before—in fact many times before, from the legendary J.T. Blight (1868) to our modern researchers—although it was curiously absent in Ron Morris’ (1989) otherwise excellent survey. When Mr Blight described the tomb, he told us that,

“Its outer ring, of which but three or four stones are left, was about 45 feet in diameter; the inner one 15 feet, with a kistvaen in its midst. As on the external face of one of the uprights of the inner circle there are rows of cup carvings … it may be presumed that this was always exposed to view.”

The same year, Barnwell (1868) mentioned the same carvings—albeit briefly—telling us “that one of the stones has several rows of the curious cups.” The design faced to the north, which is the traditional direction relating to Death in most northern hemisphere cultures.

As you can see, this design is similar to other petroglyphs that some students have suggested have a numeric nature (see the Idol Stone on Ilkley Moor for example). You can understand why! The basic linearity of the cups, in rows, certainly gives that impression and indeed it’s not unreasonable to make such an assumption—but, as always, we simply don’t know. A similar design was found on a stone at Ballagawne in the parish of Kirk Arbory, but the cups were much deeper and deemed as being a medieval game played on stone, known as Nine Man’s Morris. The original function of the game may have been divinatory.

References:

Barnwell, E.L., “Notes on the Stone Monuments in the Isle of Man,” in J.G.,Cumming (ed.) Antiquitates Manniae, London 1868.
Blight, J.T., “Stone Circles and Megalithic Remains,” in Gentleman’s Magazine 1868.
Cubbon, A. M., Prehistoric Sites in the Isle of Man, Manx Museum: Douglas 1971.
Cumming, J.G. (ed.), Antiquitates Manniae, Manx Society: London 1868.
Gale, J. & Darvill, T., “A Survey of the Ballakelly Chambered Tomb,” in Darvill, & T. Billown (eds.), Neolithic Landscape Project, Isle of Man, 1997, Bournemouth University 1998.
Henshall, A. S., “Manx Megaliths Again: An Attempt at Structural Analysis,” in P. Davey (ed.), Man and Environment in the Isle of Man, BAR: Oxford 1978.
Kermode, P.M.C., “The Ancient Monuments of the Isle of Man,” in Archaeologia Cambrensis, volume 84, 1929.
Kermode, P.M.C. & Herdman, W.A., Manks Antiquities, University of Liverpool 1914.
Simpson, James, Archaic Sculpturings of Cups, Circles, etc., Upon Stones and Rocks in Scotland, England and other Countries, Edmonston & Douglas: Edinburgh 1867.

Pen Twyn, Bargoed, Glamorgan

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Cup-Marked Stone (lost): OS Grid Reference – SO 1491 0045

Archaeology & History

Sometime in the 1940s, a certain Lady A. Fox recorded a cup-marked stone “in the vicinity of Pen-twyn” near Bargoed. Its position in the landscape is a good one: on a geological promontory and overlooking the valley below. The find was indexed by the Ordnance Survey, but apart from it’s grid-reference, all attempts to locate the design have so far proved unsuccessful.

It was mentioned briefly in the Royal Commission (1976) survey of Glamorgan, then subsequently listed in the surveys of Sharkey (2004) and Nash (2007), but none of them were able to locate it. And hence, I post it here, in the hope that some local hunter will be able to recover it from its hiding place!

References:

Mazel, A., Nash, G. & Waddington, C. (eds.), Art as Metaphor: The Prehistoric Rock Art of Britain, ArchaeoPress: Oxford 2007.
Nash, George, “A Scattering of Images: the Rock Art of Southern Britain,” in Art as Metaphor, ArchaeoPress: Oxford 2007.
Royal Commission on the Ancient & Historical Monuments, Wales, An Inventory of the Ancient Monuments in Glamorgan – Volume 1: Pre-Norman, Part 1: The Stone and Bronze Ages, HMSO: Cardiff 1976.
Sharkey, John, The Meeting of the Tracks: Rock Art in Ancient Wales, Gwasg Carreg Gwalch: Llanrwst 2004.

Careg Bica, Dyffryn Clydach, Glamorgan

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Cup-Marked Stone: OS Grid Reference – SS 72500 99602

Archaeology & History

An interesting new cup-marked stone found by Paul Blades is this smooth rounded (female) stone that may originally have had some relationship with the tall standing stone of Careg Bica 160 yards to the south. Around ten cup-marks are etched onto its surface, in a seemingly random arrangement (as usual!). Although it seems to be an isolated carving, it’s likely that others will exist in the area.

The direction and proximity of the standing stone may have had some relationship with the carving. In traditional northern hemisphere societies, the cardinal direction North is generally associated with darkness and death, primarily due to the fact that this is the area in the heavens where neither sun or moon ever appear; whilst South relates to life and positive natural associations due to it being the high point of the sun during the day. This animistic attribute existed till recently in the water-lore of northern England and Scotland where “south-running streams bore a high repute.” Whilst such mythic attributes are well established, any cardinal relationship here is purely speculative.

Acknowledgements: Huge thanks to Paul Blades for use of his photos in this site profile – and of course for finding the stone!

Table Rock, Rivock, Silsden, West Yorkshire

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Cup-Marked Stone: OS Grid reference – SE 07326 44696

Also Known as:

Carving no.43 (Boughey & Vickerman)

Getting Here

If you’re coming via the Keighley-Bingley (Airedale) road, go up to Riddlesden and then up the winding Banks Lane until it meets the edge of the moors. At the T-junction, turn left and about 330 yards along on your right there’s a dirt-track. Walk up here, sticking to the track (not the footpath) towards the cliffs of Rivock ahead of you, going through the gate and into the Rivock woods area. About 450 yards on from the gate on your right-hand side you’ll see the long straight length of walling that runs uphill—and about 60 yards up here, on the left-hand side of the wall you’ll see a very large boulder. Y’ can’t really miss it!

Archaeology & History

This large natural block, embedded into the hillside about 80 yards below the Wondjina Stone and its companions, is nothing much in the petroglyphic visual scale of things, but is worth checking out for a break if you’re checking out the other good designs in the Rivock cluster. Upon its sloping flat two-tiered surface there are just a small number of randomly spaced cup-marks of varying sizes: six at least, but perhaps as many as nine altogether. In times gone by (many years ago) we thought one of them might have had a very faint ring around it, but on my last couple of visits here I couldn’t see anything.

References:

Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.

Rivock Top, Silsden, West Yorkshire

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Cup-Marked Stone: OS Grid Reference – SE 0745 4470

Getting Here

Best approached via the Wondjina Stone, then over the wall and follow the geological ridge that bends into the trees. It’s difficult to find amidst the dense forest and is another one of those carvings that’s probably only for the purists amongst you.

Archaeology & History

If you’re doing the Rivock rock art tour, you might as well give this a go once you’ve checked ou the decent ones nearby. Here, on a rather large stone we find, on its uppermost ridge, three faint cup-marks next to each other in a very slight curve. The cup-mark in the middle is slightly larger than its two compatriots and might be natural. If you were to wet the rock when the sunlight is just right, you’ll probably get a better idea of its real appearance—otherwise we’ll have to let the computer-gadget lads suss it out!

Mixing Stone, Low Snowden, Askwith, North Yorkshire

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Cup-and-Bowl Stone: OS Grid Reference – SE 18074 51241

Getting Here

Follow the directions to reach the Ancestors’ Stone and the Sunrise Stone; and there, roughly halfway between them, right by the edge of the old collapsed walling, you’ll see this rise of a stone with a large ‘bowl’ on top. That’s it!

Archaeology & History

Laid upon the same geological ridge as our Ancestors’ and Sunrise carvings, there are one, possibly two faint cup-marks visible on the low flat surface near the edge of this rock, barely visible unless the light’s right. But the important element here, perhaps regardless of the cup-marks, is the ‘bowl’ or rock basin on top of the stone. Internally, it’s smoothed equally on all sides and, due to being in-between the two impressive petroglyphs, may well have had a practical function to it. Bear with me on this one…

Stone ‘bowls’ or cavities—natural and otherwise—have been made use of in many cultures for simple functional purposes, such as grinding flour, herbal mixes, etc. We find such traditions in some of the bullauns of Ireland and Scotland; whereas in similar stone bowls known as cat troughs in nearby Haworth, milk was poured to appease the spirits of the land (this tradition was still being maintained in 2001!). Folklore and traditions of such rock basins spread far and wide beyond the UK: one of the German terms for rock basins is Opferkessel, meaning ‘sacrificial basin’ and suggests ritualistic usage by early societies. Elsewhere on Earth there are numerous accounts of the ritual use of petroglyphs in which indigenous peoples tell of their use of plant- or rock-based paints (in many cases red ochre) to decorate the carvings. And it’s this element that I’m interested in here.

The Sunrise and Ancestors’ Stones 10-15 yards either side of this Mixing Stone are ideal candidates for such petroglyphic paintings using early ochre and other stone or plant-based agents. Such activities would always have been ritualised, either in honour of ancestors, genius loci, calendrical rites, or whatever the pertinent ingredient was at that place and time. I’m suggesting simply that the rock basin on the Mixing Stone was used for just such purposes. This is no spurious suggestion, but at the same time it’s important to recognise that my thoughts here represent merely an idea, nothing more—not a fact. Whilst we know full well that these carvings were imbued fundamentally with animistic properties—a simple ‘fact’—this functional idea is just that—an idea. Students and petroglyph-nuts need to understand this. And the faded cup-marks at its edge are perhaps merely incidental…. though I don’t buy that misself!

Killiesmont, Keith, Moray

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Cup-Marked Stone (destroyed): OS Grid Reference – NJ 4124 5308

Archaeology & History

Diagonally across the road from Killiesmont, about a hundred yards up the sloping field on “a piece of ground called the Helliman Rig,” could once be seen a large flat stone with cup-markings on its surface. Walter Gregor (1881) told that,

“It lay on the top of a rising ground, and commanded a very wide view of the country, stretching for many miles over the hills of Banff and Moray. In a part of it the rock–a kind of slate–came to the surface. In the rock were cut out nine cups in three rows.”

The carving was earlier described in one of the Topographical Gazetteers of Scotland (1848) where its story is bound up with local tradition and folklore of the land where it lie. There it was described as being “a flat circular stone of about 8 feet in diameter, in which there are a number of holes, but for what purpose tradition is silent.” Subsequently the local historian J.F.S. Gordon (1880) talked of this “large flat circular Stone, of about 8 feet in diameter, in which there was a number of half-pierced holes…. It was too large for a Quern or even a Millstone; and its purpose remained an enigma.”

The stone came to light when a local farmer was digging in the field and, “at the upper end of the Rig, there was found a rude Cist among a heap of stones, which contained ashes.” The cup-marked stone was “turned up” at the same time. It has sadly been destroyed—along with the associated cairn that probably had some relationship with the carving. Prehistoric tombs and rock art are frequent bedfellows and it seems likely that the equation occurred here. But the location of the site had some fascinating local lore told of it…

Folklore

The location of this carved stone in the field called ‘Helliman Rig’, was also known as the Guidman’s Croft or the Gi’en Rig. This was a portion of land that was never to be touched or ploughed as it was “given or appropriated…to the sole use of the devil, in order to propitiate the good services of that malign being.” This devilish tradition superseded the earlier faith of it being a place set aside for the fairy folk and their allies—nature spirits no less. And it’s a tradition found in many places across Scotland and elsewhere, as the account in the Scottish Gazetteer told :

“Like other crofts of this description in Scotland, the present remained long uncultivated, in spite of the spread of intelligence (pedantic bastard! PB). The first attempt to reclaim it was made not more than 50 years since, when a farmer endeavoured to improve it; but, by an accidental circumstance, it happened that no sooner had the plough entered the ground than one of the oxen dropped down dead. Taking this as an irrefragable proof of the indignation of its supernatural proprietor, the peasant desisted, and it remained untilled till it came into the possession of the present occupant…”

This of course fortified the old folklore in the eyes of local people. I’ve found that even up to recent times, such folklore is still held quite seriously by some of the old folk in the mountain villages and hamlets.

References:

Anon, The Topographical, Statistical and Historical Gazetteer of Scotland – volume 2, A. Fullarton: Edinburgh 1848.
Gregor, Walter, Notes on the Folk-lore of the Northeast of Scotland, Folklore Society: London 1881.
Gordon, J.F.S., The Book of the Chronicles of Keith, Grange, Ruthven, Cairney and Botriphnie, Robert Forrester: Glasgow 1880.

Ancestors’ Stone, Low Snowden, Askwith, North Yorkshire

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Cup-and-Ring Stone: OS Grid-Reference – SE 18083 51229

Also Known as:

Carving no.606 (Boughey & Vickerman)

Getting Here

If you’re coming up from Otley or Askwith, take the same directions as if you’re going to visit the impressive Naked Jogger Carving (stone 612), not far from the well-known Tree of Life Stone. From the Naked Jogger carving, walk up to the small outcrop of rocks that bends above you. There’s a small collapsed line of walling just behind the outcrop. Walk along this up the slope as if you’re heading for the Sunrise Stone carving, but only 30 yards along, low down and right into the edge of the wall itself, you’ll see this elongated piece of stone. That’s the spot!

Archaeology & History

If you’ve caught the petroglyph-bug, you’ll like this one! It received its name from the curious fusion of natural cracks with the man-made pecked lines that shows, quite distinctly when the light is right and the stone is wet, the outline of two humanesque forms joined to each other. Figurative rock engravings of ancestors in the UK are extremely rare and when we came across this example, we noticed how the design could be interpreted as two Askwith Moor ancestor figures. Figurative rock art images elsewhere in the world such as the magnificent Wandjina paintings and the extensive galleries of figures engraved at Murujuga (Burrup Peninsula) in Western Australia, might provide an initial comparison, though more specific work needs to be done to better understand this unique petroglyph.

You can almost make out the figures in the above photo: the upper torsos of two beings on the right-hand side of the rock, almost fused together. And the carved shapes of these “ancestral beings” are morphically similar to some elements in the Sunrise Stone just 50 yards away – which themselves remind me of a Northumbrian carving near Doddington known as West Horton 1a. (Beckensall 1991) But we should’t get too carried away by the idea because—as we can see here in the sketch of the carving—when looked at from a different angle above, we could infer the right-hand carved elements to be representative of an animal: a deer, perhaps. Rorscharch’s once more tickle the exploring mind….

The rock has been quarried into at same time in the past (just like the nearby Sunrise Stone), leaving us to wonder what the complete carving might have looked like. No doubt some pieces of it will be in the collapsed walling either side of the stone. All we have left to see are the two unfinished cup-and-rings above the natural cracks that give rise to the “ancestral being” appearance. The faint double cup-and-ring has curious linear arcs to its side, with two well-defined cups enclosed by two of them. It’s a nice-looking carving when the light is good. The petroglyph was carved over a long period of time, as evidenced by the differing levels of erosion in different sections of the design. It’s a common attribute. The oldest section is the faint double cup-and-ring, whose mythic nature was added to / developed at a much later date, perhaps even centuries later.

In the always-expressive archaeocentric description of Boughey & Vickerman’s (2003) otherwise valuable tome, they told this carving to be,

“Long, narrow, thick rock of medium grit. Six cups, one with a double ring with a tab out and two with at least partial single rings, grooves.”

Evocative stuff!

It’s very likely that this carving had some mythic relationship with its close neighbours either side of it, probably over a very long time period and I’m inclined to think it somehow related to the rising of the sun, just like its solar companion further up the slope. Please note how I emphasize this ingredient in the site profile of its neighbour, the Mixing Stone 10-15 yards away—roughly halfway between this and the Sunrise Stone. A distinct place of ritual was happening in this close-knit cluster of carvings…

References:

Beckensall, Stan, Prehistoric Rock Motifs of Northumberland – volume 1, 1991.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Reeder, Phil, “Snowden Carr Rock Carvings,” in Northern Earth Mysteries, no.40, 1990.

Craig Hill cluster (4), Kenmore, Perthshire

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Cup-and-Ring Stone: OS Grid Reference – NN 81303 44419

Getting Here

From Kenmore go east up the steep mountain road towards Glen Quaich, or if you’re coming from Amulree, go west along the same glen. After 2½ miles (4km) up the Kenmore route (nearly 9 miles on the Amulree route) you’ll reach a small lochan on your left (you’ve got a very small parking spot a coupla hundred yards before the loch). A gate and stile past the loch takes you east along a track into the moors. More than a mile on, the track splits, but you need to keep to the left and follow the track along the wall-side for another 400 yards or so, where you’ll see a small crag of rocks 100 yards down the slope on your right. Once here, the elongated rock with a “seat” that you can sit in is the stone in question.

Archaeology & History

At first sight this stone doesn’t seem to have anything petroglyphic about it, and—as when we visited the other carvings in this Craig Hill cluster—the weather was grey and overcast, so it was difficult to discern anything at first. But as we walked round and round inspecting the Craig Hill cluster-5 carving, a glance at this adjacent stone seemed to indicate one or two cup-marks within the curious chair-like aspect of the rock, but we couldn’t initially work out whether they were simple geophysical elements or not.

Very faint cup-&-half ring near the centre

So we poured water onto the stone in the hope that something might show up. And the more we walked round and round, bending down, looking from as many angles as possible, not only did we see what looked like several cups, but one of them had a half-ring that curved round what may or may not be a natural cupmark. You can see it pretty clearly in the attached photos. In other photos that we took, the faint cup-and-half-ring seems to plays its part in a line of three or four other cups; although in order to ascertain whether these elements are man-made or not, we could do with the help of a good geomorphologist.

Acknowledgements: Huge thanks to Prof Paul Hornby for use of his photos in this site profile; and to Myrna Hurley for getting us up there. Cheers doods. 😉

Meikle Whitefield, Cargill, Perthshire

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Stone Circle (destroyed): OS Grid Reference – NO 173 342 (approximation)

Archaeology & History

In an archaeological report by Alexander Hutcheson for the Scottish Society of Antiquaries in 1884, he described and illustrated an impressive cup-and-ring stone that was formerly built into the walls of a demolished house ¾-mile from its original position near Meikle Whitefield farm. Upon destruction of that house, the farmer of West Whitefield—a half-mile from its original position—then moved the stone it into his front garden. According to tradition, said Hutcheson, this stone

“was originally removed from a circle of stones, which had stood about half-a-mile eastward, but which have now been buried or broken up.”

Despite the local tradition, Hutcheson was some what sceptical of it, thinking that it

“seems very unlikely that such a weighty stone should have been transported for half a mile merely to serve as a foundation stone for a cottage, when the ground around was capable of supplying as many stones as would be required.”

You can see his point; but there are known circumstances where individual stones from megalithic rings have been preserved. Hence, like John Barnatt (1989) in his magnum opus who preserved the folk memory of such sites, we include it here. The tradition may well be valid. Added to this is the fact that in just a few square miles hereby we once had a large cluster of stone circles, a few of which still remain.

Refeences:

Barnatt, John, Stone Circles of Britain (2 volumes), BAR: Oxford 1989.
Hutcheson, Alexander, “Notice of a Cup and Ring-marked Stone, and of Incised Stones Recently Discovered at Cargill, and of an Incised Boulder at Fowlis Wester,” in Proceedings Society Antiquaries Scotland, vol. 18, 1884.