Found high on the moors several miles south of Hawes, this is a small almost insignificant water source that I sat with, drinking in both the landscape and the waters many moons ago in a daydreaming amble. It’s history is only remembered in the name it was given, no doubt by some local to the Ordnance Survey lads in their own, albeit more focussed assessment on these hills. Its name puzzled me for a long while and I wondered if some untold story lay behind it. Sadly that doesn’t appear to be the case. Although there are doubtless many tales that could be told of the people who, through the centuries, have sat and drank the waters here, we know none.
Its name very probably derives from the misapprehended dialect word ‘cannel’ which, as Mr Wright (1898) explains, is simply “a ditch…gutter, watercourse,” which seems appropriate here. Of the place-names shown on the 1856 OS-map, it seems the most likely solution to the word.
As for a place to sit and have a drink, it’s very refreshing after the rains have fallen. All too often nowadays, as with many of the old hilltop watercourses, their life-blood is falling back to Earth…
References:
Wright, Thomas (ed.), English Dialect Dictionary – volume 1, Henry Frowde: London 1898.
Not marked on any map of the area (that I can find), this little-known possible holy well is described just once in one of Mr Blakeborough’s (1912) numerous regional history tomes. Although he doesn’t explore the origin of the well’s name (which we find repeated at other water sources in northern Britain), the Scottish writers, Ruth & Frank Morris (1982) tell how examples of wells with this name in Scotland owe their names to the curious early christian figure of St. Brendan, whose annual saint’s day is May 16. Whether this applies here I cannot tell.
We need some help locating the place, as it seems to have fallen off the radar. The best I can do is give Mr Blakeborough description, who wrote of this Brandy Well:
“Speaking of superstitions reminds me of a tradition that the water in Brandy Well, half way up Carlton Bank, has most wonderful curative properties, and that a wish made here when drinking, is pretty certain to be fulfilled. The well is by the road side and the water is no doubt just about as pure as it could possibly be, coming as it does, after much filtering through peat, straight from the hills. There may be something more than mere superstition in the health giving properties of this water, especially in conjunction with the climb up the hill amid pine trees and the inhaling of the invigorating air.”
Its exact location is difficult to pin down. There is no sign of any Well along the roadside between Carlton village and where the road eventually levels out on the northwest side of the hill. It certainly isn’t the Mere Beck Spring on the south-side of the hill (is that still there and what is its history?); but there is however a ‘Spring’ shown on the early OS-maps on the east-side of the hill, along an old track at roughly NZ 52233 02357. Could this be it? Or has the old Brandy Well been destroyed? In an area littered with prehistoric and mythic sites, it would be good to relocate this one.
This Stone is situated on Old Lane, Cowling, North Yorkshire. To get here coming from Crosshills, you come straight through the village and past the shops . About 250 yards after the shops you will come to a sharp left hand bend, as you have gone round this corner you will see a sign pointing to Oakworth (Old Lane). You need to turn left here (up by the cemetery) and continue for about half a mile up that lane till you come to a sharp left hand bend. Once you have gone round that left hand bend you will see a driveway on the right, the stone is situated opposite in the gateway. Hope you can find it and enjoy it like i do every time i pass it.
Archaeology & History
…and from another angle
I’ve driven past this stone most days and never noticed the markings, then one particular day the weather was a bit miserable but the lighting was just right to illuminate this little gem. Was this lump of rock a standing stone or have modern day folk took advantage and moved it here to be used as a gatepost? I don’t think we ever will know.
(Editor’s Note – Somewhere at the back of my moss-infested mind, is some inkling that a carving on a gatepost similar to this was uncovered in the 1950s or ’60s by either Stuart Feather or Sidney Jackson. I’ll trawl thru the old magazines in the coming months and see what I can find. It’s bugging me! It may well be a different carving (let’s hope it is!), and until then this has to be classified as a new discovery. PB)
Standing Stones (destroyed?): OS Grid Reference – NZ 9171 0952
Also Known as:
Robin Hood’s Pillars
Archaeology & History
The 2 stones on 1853 map
References to these old standing stones are scarce—at least in archaeology books anyway. Even the usually diligent masters of Burl (1993) and Thom (1990) missed them! But thankfully our folklorists and antiquarians with their keen interest in popular culture have written about these long lost monoliths, which could once be seen in fields just a mile or so south of Whitby town.
The earliest known account of the site is as the “Robyn-Hood-stone” in records dating from 1540 CE cited in the Cartularium Abbathiae de Whiteby (1881). It was later described in land registers in 1713 and the fields in which they stood were—and still are—respectively known as Robin Hood’s Close and Little John’s Close.
These Whitby monoliths—like their namesakes in Northamptonshire— weren’t too big. In Mr Young’s (1817) early description, when the stones were still visible, he told how Robin Hood’s stone was “a stone pillar about a foot square and four feet high”, and Little John’s Stone was “a similar pillar about two-and-a-half feet high.” Mr J.C. Atkinson, the editor of the Cartularium (1881), also told that the two stones were “still in situ in the earlier part of the present century,” continuing:
“Both stones have now been removed, and are, I was informed, set up again near the enclosing fence of the field in which they stood. Almost beyond question , like the other monoliths of the district, they marked the site of ancient British interments.”
So—do the remains of these old stones still exist somewhere close by as J.C. Atkinson said, either in the walling, as a gatepost, or just pushed over and now covered in grass (like the long lost Thief Thorne standing stone near Addingham)? Are any northern antiquarians living close by who might enable their rediscovery?
Folklore
A number of writers exploring the mythic histories of Robin Hood have included this site in their surveys, usually repeating the earlier creation myths about them that could be heard in popular culture. The Whitby historian George Young (1817) told the tale:
“According to tradition, Robin Hood and his trusty mate, Little John, went to dine with one of the Abbots of Whitby, and, being desired by the Abbot to try how far each of them could shoot and arrow, they both shot from the top of the Abbey, and their arrows fell on the west side of Whitby Laithes, beside the lane leading from thence to Stainsacre; that of Robin Hood falling on the north side of the lane and that of Little John about a hundred feet further, on the south side of the lane.”
Whitby folklorist P.S. Jeffrey (1923) took this myth literally, saying how the distance of the arrows fired by the respective folk heroes was “scarcely credible, as the distance in each case is about a mile-and-a-half.” However, the earlier historian Lionel Charlton (1779) thought the incredible feat quite credible!
The distance between the Abbey and the stones is 1.36 miles (2.2km); but it may be that the direction related in the tale was more important than the distance, as the alignment between the two sites runs northwest to southeast—or southeast to northwest, whichever you prefer!—and may relate to an early astro-archaeological alignment. Might…..
References:
Anonymous, “Robin Hood in Yorkshire“, in Yorkshire Folk-Lore Journal – volume 1, T.Harrison: Bingley 1888.
For people who like to visit the sacred sites that determined a cross-over from Earth-based animism to one which ceased sanctifying the Earth, this ancient water source in the cellars beneath York Minster would be a good example. Sadly, the church has closed off access to this ancient heritage and you can no longer see it. Yet despite the fact that the modern-day christians have closed off your encounter with this important heritage site (York Minster’s website doesn’t even mention its existence!), we should not forget its mythic history…
As you walk into the building (at some great expense, it has to be said), the location of the holy well is said to be at its more western end, albeit in the crypt underground—although there does seems to be some confusion with some authors about exactly where the well is positioned.
1850 sketch of well
The earliest account we hear of the place relates to when the northern tribal King Edwin, along with his sons Osfrid and Esfrid, came here to be “baptized” in the waters of this clear spring “on Easter day, April 12, 627” CE. Immediately thereafter a small wooden chapel was constructed next to or above the well. From then on, as the centuries passed, the renown of the well grew and eventually the magnificent ritual temple of York Minster was eventually built. The waters eventually became dedicated to St. Peter and an annual festival occurred here soon after the Midsummer solstice on what became known as St. Peter’s Day (June 29). After the year 1462, a secondary festival date was also given to the site by the Church and another annual celebration occurred here on October 1 too. Its waters remained accessible to people for drinking, healing and rites throughout the centuries. It is only now, in the 21st century, that its sacrality and spirit has been closed-off. This is a situation that must be remedied!
In Mr Goole’s (1850) survey of York Minster, his architectural illustration of the building showed that the water from the well had been brought up onto the ground floor, on the southeast side of the inner cathedral building in the easternmost vestry, and named as St Peter’s Pump. This is illustrated in the 1850 drawing above-left.
A whole series of early writers mention the well in earlier centuries—of whom a brief sample is given here. When Celia Feinnes came here in the 17th century, she said that,
“In the vestry of York Minster there is a well of sweet spring water called St Peter’s Well ye saint of ye Church, so it is called St Peter’s Cathedral.” (Smith 1923)
Mr Torre (1719) gave it equal brevity, saying simply that,
“at the south-west corner thereof is a draw-well (called St. Peter’s Well) of very wholesome clear water much drunk by the common people.”
In R.C. Hope’s (1893) national survey of sacred wells, he told that
“There is a draw well with a stone cistern in the eastern part of the crypt of York Minster… The Crypt is about 40 feet by 35 feet.”
The well was even included in Murray’s Handbook to Yorkshire (1892) as being “in the southwest corner of the Minster.” William Smith (1923) included the site in his fine survey, telling his readers that,
“The water is excellent in quality, which in measure, so chemists say, is due to the lime washed into it by the rain from the walls of the Minster. The water has for centuries been used for baptisms, and is so used today. The well has now for some years been covered with a pump.”
Folklore
In Geoffrey of Monmouth’s famous early History, we find that King Arthur visited here. …And one final note, about which we know not for certain whether it was relevant to the holy well hiding in the crypt, but a fascinating heathen custom was enacted here in bygone days, almost above the spring. Mistletoe, as Christina Hole (1950) told,
“was ceremonially carried to the cathedral on Christmas Eve and laid upon the high altar, after which a universal pardon and liberty for all was proclaimed at the four gates of the city for as long as the branch lay upon the altar.”
Mistletoe is one element that is known to have been sacred to the druids (not the present-day druids!) and was sacred to the ancient Scandinavians (who came here), and also possessed the powers of life and death in its prodigious folklore and phytochemistry. Fascinating…
…to be continued…
References:
Bord, Janet, Cures and Curses: Ritual and Cult at Holy Wells, HOAP: Wymeswold 2006.
Take the same directions as if you’re going to visit the Naked Jogger Carving (stone 612), not far from the well-known Tree of Life Stone. From the Naked Jogger carving, walk up the small outcrop of rocks that bends above you. Barely 100 yards up when you reach the top, you’ll notice a single large sloping stone barely 50 yards ahead of you in the same field. That’s the spot!
Archaeology & History
This is a little-known beauty of a carving just off the edge of the quiet moors that are littered with prehistoric remains. It was only rediscovered a few years ago — by myself if you believe the writings of rock art student Keith Boughey (2010) in his essay (scattered with mistakes) on the validity of so-called “amateurs” exploring petroglyphs. But I’d never even visited this carving until two years ago! The stone was in fact found during a field-walk by early members of the Northern Earth Mysteries group in August 1989 (Wilson 1990) and subsequently described and illustrated for the first time by Phil Reeder (1990).
Close-up of main cluster
As can be seen in the photos accompanying this site profile, the rock on which the carving has been done has, at some point in the past, been cut into and its edges have been hacked away and destroyed, literally cutting into the overall design. We have no idea what the original size of the stone was, obviously, but this petroglyph was once larger than the design that we see at present. Such is the price of ‘progress’, as some folk call it.
Anyway – a few months after the carving was rediscovered, Phil Reeder (1990) wrote:
“After a visit to the Tree of Life stone…a cursory inspection by the NEM Group was made on nearby rock outcrops, part of which showed evidence of recent exposure due to soil erosion.
“One stone in particular stood out as five shallow cups and associated rings could be discerned. When cleaned, it became apparent that further carvings extended beneath a thin eroding soil layer. When this layer was cleared, a complex set of carvings were revealed.
“Only preliminary work at the site has been carried out to date, but it appears that the carvings comprise of at least 28 cups, 13 of which have associated rings; several of the cups are linked by gutters forming an intricate design, one gutter part enclosing 11 cups. The carvings on the lower edge of the stone have weathered badly and are difficult to interpret.”
Reeder’s so-called “amateur” description is a good one. Certainly more accurate than the subsequent one by Boughey & Vickerman (2003):
“Large rock of coarse grit whose surface slopes with the hill. About forty cups, some large, many with single rings, and many curving grooves, the whole forming a remarkable, complex design.”
Phil Reeder’s 1990 drawing
Boughey & Vickerman’s sketch
We can see in the respective drawings by both Reeder (left) and Boughey & Vickerman (right) that some elements which should have been included in the ‘official’ drawing were missed, yet had been accurately included in the earlier ‘preliminary’ drawing, as Mr Reeder put it. I hope that readers will forgive me pointing out these seemingly minor elements; but I do it to illustrate the ineffectiveness of more recent rock art students who are gaining the title of ‘experts’ in this field. It’s important to recognise that, in this field of study, “experts” are few and far between indeed… I’ve certainly yet to meet any!
Northern end of carving
Southern side of carving
The carving is mentioned briefly in Beckensall’s (1999) introductory study, with little comment. But of note here is not only the curious linear feature running between two cup-and-rings, but the position of the stone in the landscape. For if you sit either upon or next to this carving, you are looking east straight across the gorgeous Fewston valley directly at the prominent wooded hill of Sword Point. As it slopes down into the present-day greenery of fields and scattered woods, the Wharfe Valley spreads out to the distant east and, as the sun rises and scatters its rays onto the wet morning stone here, the design on the rock awakens with much greater visual lucidity than that which our daytime eyes bestow to us. In all likelihood, sunrise was an important element in whatever mythic function underscored this curious carving, with its human-like figure rising on its southern side, emerging from the edge of the rock, personifying perhaps the rising solar disc and the living landscape as the daylight breath awoke Earth’s creatures; or maybe it signifies a symbolic group of people gathered together watching the sunrise…
Of course, I’m dreaming…
References:
Barnett, T. & Sharpe, K. (eds.), Carving a Future for British Rock Art, Oxbow: Oxford 2010.
Beckensall, Stan, British Prehistoric Rock Art, Tempus: Stroud 1999.
Boughey, Keith, “The Role of the Amateur in the Study of UK Prehistoric Cup-and-Ring Art,” in Barnett & Sharpe, Oxford 2010.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Chappell, Graeme, “North Yorkshire Rock Art – New Discoveries,” in Northern Earth, no.62, 1995.
Michell, John, The Earth Spirit, Thames & Hudson: London 1975.
Reeder, Phil, “Snowden Carr Rock Carvings,” in Northern Earth Mysteries, no.40, 1990.
Along the B6265 Pateley Bridge-Grassington road, roughly halfway between Stump Cross Caverns and the turn to Skyeholme and Applecross (New Lane) is a dirt-track on your right-hand side called Black Hill Road. Walk down here for a few hundred yards till y’ reach the gate on the right. A track goes downhill to the psilocybin-rich pastures of Nussey Green. Several hundred yards down, to the right-hand side of the track, we find this and its several companions. Look around!
Archaeology & History
Sketch showing cups
Just a few yards away from the Skyrehome Carving-404, this very basic petroglyph was rediscovered by Stuart Feather (1969) during one his many forays in this area. Although the stone has what initially seems to be a number cup-marks on it, it seems only two of them are man-made. The rock art students Boughey & Vickerman (2003) think there may be up to four of them.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Feather, Stuart, “Appletreewick, W.R.: Black Hill,” in Yorkshire Archaeological Journal, volume 42, part 167, 1969.
Going down (south) off the B6265 Black Hill Road towards Skyreholme, turn right and go all round the hill ahead of you, but instead of looking to the right (where other carvings, described elsewhere, are found), turn left where the collapsed entrance to a mine-shaft is visible about 50 yards up the hill on the left. Walk up here, keeping to the right side of the collapsed mine, till you reach this rock.
Archaeology & History
Only for the purist petroglyph fanatics amongst you, the rock art students Boughey & Vickerman (2003) allege there to be four cup-markings here—and debatable ones at that—but we could really only make out the topmost cup, shown in the picture and an elongated one (which they think may have been two cups merged into one). A faint “X” is also carved on the stone, possibly from the mining days.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
For people who like to visit the sacred sites that determined a cross-over from Earth-based animism to one which ceased sanctifying the Earth, this ancient water source in the cellars beneath York Minster would be a good example. Sadly, the church has closed off access to this ancient heritage and you can no longer see it. Yet despite the fact that the modern-day christians have closed off your encounter with this important heritage site (York Minster’s website doesn’t even mention its existence!), we should not forget its mythic history…
As you walk into the building (at some great expense, it has to be said), the location of the holy well is said to be at its more western end, albeit in the crypt underground—although there does seems to be some confusion with some authors about exactly where the well is positioned.
1850 sketch of the well
The earliest account we hear of the place relates to when the northern tribal King Edwin, along with his sons Osfrid and Esfrid, came here to be “baptized” in the waters of this clear spring “on Easter day, April 12, 627” CE. Immediately thereafter a small wooden chapel was constructed next to or above the well. From then on, as the centuries passed, the renown of the well grew and eventually the magnificent ritual temple of York Minster was eventually built. The waters eventually became dedicated to St. Peter and an annual festival occurred here soon after the Midsummer solstice on what became known as St. Peter’s Day (June 29). After the year 1462, a secondary festival date was also given to the site by the Church and another annual celebration occurred here on October 1 too. Its waters remained accessible to people for drinking, healing and rites throughout the centuries. It is only now, in the 21st century, that its sacrality and spirit has been closed-off. This is a situation that must be remedied!
In Mr Goole’s (1850) survey of York Minster, his architectural illustration of the building showed that the water from the well had been brought up onto the ground floor, on the southeast side of the inner cathedral building in the easternmost vestry, and named as St Peter’s Pump. This is illustrated in the 1850 drawing above-left.
A whole series of early writers mention the well in earlier centuries—of whom a brief sample is given here. When Celia Feinnes came here in the 17th century, she said that,
“In the vestry of York Minster there is a well of sweet spring water called St Peter’s Well ye saint of ye Church, so it is called St Peter’s Cathedral.”(Smith 1923)
Mr Torre (1719) gave it equal brevity, saying simply that,
“at the south-west corner thereof is a draw-well (called St. Peter’s Well) of very wholesome clear water much drunk by the common people.”
In R.C. Hope’s (1893) national survey of sacred wells, he told that
“There is a draw well with a stone cistern in the eastern part of the crypt of York Minster… The Crypt is about 40 feet by 35 feet.”
The well was even included in Murray’s Handbook to Yorkshire (1892) as being “in the southwest corner of the Minster.” William Smith (1923) included the site in his fine survey, telling his readers that,
“The water is excellent in quality, which in measure, so chemists say, is due to the lime washed into it by the rain from the walls of the Minster. The water has for centuries been used for baptisms, and is so used today. The well has now for some years been covered with a pump.”
Folklore
In Geoffrey of Monmouth’s famous early History, we find that King Arthur visited here. …And one final note, about which we know not for certain whether it was relevant to the holy well hiding in the crypt, but a fascinating heathen custom was enacted here in bygone days, almost above the spring. Mistletoe, as Christina Hole (1950) told,
“was ceremonially carried to the cathedral on Christmas Eve and laid upon the high altar, after which a universal pardon and liberty for all was proclaimed at the four gates of the city for as long as the branch lay upon the altar.”
Mistletoe is one element that is known to have been sacred to the druids (not the present-day druids!) and was sacred to the ancient Scandinavians (who came here), and also possessed the powers of life and death in its prodigious folklore and phytochemistry. Fascinating…
…to be continued…
References:
Bord, Janet, Cures and Curses: Ritual and Cult at Holy Wells, HOAP: Wymeswold 2006.
This is a frustrating site entry. Not only do we not know where it is, this carving is not listed in any of the modern books on British petroglyphs, yet it was described and referenced by the famous archaeologist Jacquetta Hawkes following its discovery more than 80 years ago. After a brief mention of the carving in Frank Elgee’s (1933) Archaeology of Yorkshire, an article describing the carving was penned in the journal Man, from which I draw the only information available. It appears to have been found in the early 1930s (no date or discoverer is cited), but has a couple of peculiarities which may bring the authenticity of the stone into question. Mrs Hawkes (1934) told that the carved stone was,
“found in the bed of a moorland beck in the village of Arncliffe, Littondale, West Riding of Yorkshire. It is of buff-coloured limestone measuring 21 inches x 12 inches x 6 inches in thickness; the decorated surface is almost flat. The curvilinear pattern is executed in regular incisions about 4mm wide and 3mm deep; portions of it have been obliterated by water actions and, as is illustrated in the illustration, at one end the surface has broken away altogether. The whole stone has been much battered and may well be only a fragment of a much larger one. The state of preservation suggested that it had been in the stream for a considerable period; it is therefore probable that it was washed down from the open moorland above Arncliffe. In the original (carving), the design is more coherent than it here appears owing to the fact that in the water-worn portions faint lines are visible to the eye which cannot be shown on a tracing.
“Mr W.J. Hemp, who has kindly examined the Arncliffe tracing, identifies the style of the design with the ‘entrail’ pattern of the well-known Pattern Stone from the chambered cairn of Bryn Celli Ddu in Anglesey…
“The technique of the Arncliffe tracing is comparable with the simple incisions which form the oldest of the four techniques recognizable in the Irish megalithic tumuli, where its early date is indicated by the fact that some examples are demonstrably older than the construction of the tumuli in which they occur…
“Mr Frank Elgee, who has also been good enough to comment on the Arncliffe tracing, cannot suggest immediate comparisons from this neighbouring group (around Ilkley, PB), but such evidence as there is he considers to be against assigning a date earlier than the MIddle Bronze Age.”
The late great Eric Cowling also mentioned the stone in his prehistoric survey of the mid-Pennines, but added no further details of his own and seems to have just copied what we have just read.
The fact that the ‘carving’ was found in a stream-bed may mean that the markings on the stone were due to natural erosion; and the fact that the rock was limestone may give added weight to this idea. However, the fact that Mrs Hawkes, Frank Elgee and W.J. Hemp thought the carving to be authentic cannot be overlooked. The area is also rich in prehistoric remains (see Douky Bottom, Dewbottoms, Yockenthwaite, Blue Scar, etc) The design itself is an odd one and has none of the traditional hallmarks consistent with neolithic and Bronze Age cup-and-ring stones, but seems more reminiscent of much earlier mesolithic and palaeolithic images of carved animals and dancing human figures.
If anyone knows more about this site, particularly its whereabouts (perhaps in private possession or hiding in some museum box, where increasing numbers of cup-and-rings are wrongfully kept), or whether the ‘carving’ has been disregarded as little more than natural weathering, it would be good to know for certain.
References:
Cowling, E.T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.
Elgee, Frank & Harriet, The Archaeology of Yorkshire, Methuen: London 1933.
Hawkes, Jacquetta, “A Prehistoric Carved Stone in Littondale,” in Man, volume 34, 1934.
