From Masham take the Fearby Road & go through the village, onwards & past Healey village and less than a mile on where the road forks, bear to the right past and go along the gorgeous little-known vale of Colsterdale. Less than 2 miles on, walk up the notable track veering to your right that goes diagonally uphill and past the bottom of West Agra farm along the wallside till you reach the gate. Thru the gate, walk immediately uphill on your right following the walling for a coupla hundred yards until you reach another gate into the field on your right. You’ll see a cluster of large boulders in the first field, which you need to walk past and look at the large boulder up against the walling in the next field. You can’t miss it!
Archaeology & History
Photo by Geoff Watson
First mentioned — albeit briefly — in Brown’s (2008) work, this large bedrock stone, covered down its eastern side by a line of drystone walling, has a good scattering of cups and lines, mainly on its central and westerly side. A cluster of them were etched onto a natural rise near the middle of the rock, which itself has a long circuitous line running around its northern and western sides, which you can just see below centre in the photo (below left). Altogether on this side of the rock surface there appears to be some 56 cup-marks plus a number of long carved grooves curling in differing directions: some of these appear to have been Nature’s handiwork that were subsequently modified by human hands. It’s an impressive-looking petroglyph.
Main rock surfaceCluster of cups – by QDanT
If we go over to the other side of the walling, we find more cup-markings. This discovery led Paul & Barbara Brown (2008) to classify the site as being two separate carved rocks — calling them 3a and 3b — thinking that the much smaller carved area on the other side of the wall, “may have originated from WAP 3a’s quarried southern section.” On this smaller section we find some 7 cup-markings with possible carved lines running off the edge of the stone and some running roughly parallel to the walling. Whatever the truth of the Browns’ assertion, this is a fine carving well worth looking at!
References:
Brown, Paul & Barbara, Prehistoric Rock Art in the Northern Dales, Tempus: Stroud 2008.
From Masham, take the Fearby Road to the village, keep going on the same road through Healey village and less than a mile on where the road forks, bear to the right past and go along the gorgeous little-known vale of Colsterdale. It’s bloody beautiful! Less than 2 miles on, walk up the notable track veering to your right that goes diagonally uphill and past the bottom of West Agra farm along the wallside till you get to the gate. Thru the gate, follow the wall immediately uphill to the right for a coupla hundred yards until you reach a gate into the field on your right. The cluster of large boulders in front of you is where you need to be!
Archaeology & History
Cluster of cups on WAP-2b (image by ‘QDanT’)
This carving is to be found on the largest of the boulders in this cluster. It’s a large scattered cluster of cup-markings and natural bowls all over the rolling surface of the rock. It was first described in the Browns’ (2008) survey, although as they have given this and one of the adjacent stones incorrect grid-references, it made it troublesome to initially work out which carving was which! But the photos here certainly lets you know which one I’m describing! In the event that I’ve got the wrong title for this one, someone lemme know and I’ll remedy the situation!
Brown (2008) describes this design as being “cups some linked by grooves, a rectangular feature and eroded cups and depressions.” We couldn’t work out any further elements on the stone, but the cloudy conditions when we were here prohibited a decent view of the surface.
References:
Brown, Paul & Barbara, Prehistoric Rock Art in the Northern Dales, Tempus: Stroud 2008.
From Masham, take the Fearby Road to the village, keep going on the same road through Healey village and less than a mile on where the road forks, bear to the right past and go along the gorgeous little-known vale of Colsterdale. It’s bloody beautiful! Less than 2 miles on, walk up the notable track veering to your right that goes diagonally uphill and past the bottom of West Agra farm along the wallside till you get to the gate. Thru the gate, follow the wall immediately uphill to the right and, about 100 yards up, watch out for the large flat stone by the side of the footpath. You can’t really miss it.
Archaeology & History
Initially we thought that this carving was one described in Paul Brown’s work as ‘West Agra Plantation no.1’, but this is clearly a different carved stone. It is found close to WAP-1 (as he called it), but a few yard further up alongside the footpath by the walling. With two large bowls on the top of the stone and another at the edge, two average-sized cup-markings are several inches away to the bottom-right of the largest bowl. What seems to be a carved line runs from one of the cups. We need to visit this stone again and look at it when there’s better lighting conditions so we can get a more accurate assessment of its nature.
References:
Brown, Paul & Barbara, Prehistoric Rock Art in the Northern Dales, Tempus: Stroud 2008.
From Masham, take the Fearby Road to the village, keep going on the same road through Healey village and less than a mile on where the road forks, bear to the right past and go along the gorgeous little-known vale of Colsterdale. It’s bloody beautiful! Less than 2 miles on, walk up the notable track veering to your right, diagonally uphill. Walk along till you get to the moor edge. Go thru the gate and follow the swerving uphill path to the bottom of Slipstone Crags. Once you level out at the Crags top, look across the small valley to your left and, on t’other side, you’ll notice a standing stone upright in the heather, just 100 yards on the flat on the other side of the valley. Head right for it!
Archaeology & History
Looking west
There are no known written references to this standing stone, which we visited for the first time yesterday, in a brief wander to the nearby Agra Woods cup-and-ring stones a few hundred yards southeast. The monolith stands some four-and-half-feet tall and, at its base, is more than three feet broad and just one foot wide. Just to its side and almost completely covered in peat and vegetation is what may have been another once-upright companion asleep in the Earth. Another possibly fallen stone is less than 10 yards west. The upright stands on the flat moorland overlooking the confluence of two (once) fast-flowing waters of Brown Beck and Birk Gill; and the landscape that reaches out from here is something to behold!
We found the remains of other old monuments on the moor, but some were obviously related to the industrial mining not far away. However, two or three other small upright stones and a large stone circular structure were also located which very obviously predated any industrial or medieval workings. We need to revisit this moorland and spend more time exploring to see what other things are hidden, lost midst the peat and heather.
From Masham, head westwards along the country lanes to Fearby village (passing the old cross on the green), through old Healey village (where once stood four stone circles, seemingly destroyed) and onwards to Gollinglith. From here, keep going up the winding steep lane until you’re at the top where, on the right-hand side of the road, a footpath takes you diagonally northwest over the uphill fields. When you hit the walling which leads to the woods, follow it up and, once at the corner of the trees, follow the track back eastwards along the wall edge, keeping your eyes peeled when you pass the second line of walling that runs down the slope. You’re damn close!
Archaeology & History
One of a cluster of fascinating carvings in this remote region of the upland Dales, this is perhaps the most impressive multiple-ringed carving of the group, known collectively as the West Agra Plantation group. The carving was rediscovered sometime in 2002 by Emily McIntosh and was described by Brown & Brown (2008) thus:
“This boulder measures 5.5 x 3.1 x 1.28m and has a multiringed motif 50cm in diameter linked by a number of grooves and isolated cups.”
Teddy with his rings! (after ‘QDanT’)Primary cup-and-multiple-rings (after ‘QDanT’)
But this barely does the stone justice. The main focus is on the cup with six surrounding rings, intersected by an intrusive double-line from outside the series of rings then running into the central ring itself — though not touching the focal cup at the very centre. This double line points to the southeast and is somewhat akin to a sliver of light running to or from old solar designs. It is a little bit like some aspects of the carved stones found on Ilkley’s Panorama Stones (though Ilkley’s carvings are much fainter). At the end of the intrusive double-line is a small cluster of cup-marks. There’s also another curious singular carved line running outwards from the third ring, running out of the concentric rings then heading off further down the stone. More cups and lines scatter other parts of the stone and there may be another faint line running from near the central cup all the way out of the rings close to the main ‘ray’ of lines.
Photo by Geoff Watson
A large standing stone can be seen if you walk a few hundred yards east along the side of the wall. It’s quite impressive.
Apparently the woodland in which this carving (and its associates) can be found is supposedly ‘private’ and one is supposed to contact some group calling itself Swinton Estates to set foot in the woods. Not the sorta practice we usually put up with in Yorkshire. If anyone has their contact details, please add them below in the event that anyone has need to ask ’em about going for a walk here.
References:
Brown, Paul & Barbara, Prehistoric Rock Art in the Northern Dales, Tempus: Stroud 2008.
From the scruffy Askwith Moor lay-by car-park, along Askwith Moor road, follow the fence north up along the roadside until you reach the gate on your right. Go thru this and head due west into the moor, towards the small cluster of other carved stones (carvings 581, 582, etc), particularly the Small Rings Stone (carving 579). Around here, you’ll notice a cluster of about 10 mounds in the heather, which seem to be prehistoric cairns, and this particular stone rest against the northwestern side of one of them, about 30 yards west of carving 579. If you’re patient, you’ll find it! (if you fancy a look at all these on the moor, gimme a shout & I’ll take you straight to ’em – but you need to make a booking!)
Archaeology & History
This carving takes a bitta finding amidst the mass of deep heather and open moorland and is probably only gonna be of interest to real cup-and-ring fanatics. But it’s the setting which makes it more intriguing — for me anyhow!
Trying to highlight the internal CnRSolar Stone carving
Like other carvings on this moorland, we find it in direct association with a prehistoric tomb (though it aint been excavated), resting up against the edge of one. However, it seems to have been moved from its original position and may, perhaps, have actually faced the other way at some time in the past. We might never know. However, some student in the recent past saw fit to name this small carving the ‘TV Stone’, thanks to the slightly cronky outline of an old television screen, with its small half-cup-and-ring near the bottom corner of the rock. You can see where they were coming from!
Boughey & Vickerman (2003) made only a brief note of the stone, seeing only the cup-and-half-ring here; but there seems to be a faint cup-marking near the middle of their TV screen, along with faded evidence of an incomplete ring around it. You can just about make it out in the poor photos we took of it. (sadly, we were without water when we visited it, which would have highlighted the additional cup-and-slight ring more clearly)
Close-up of cup-and-half-ring
We gave this stone the title ‘Solar Stone’* as it seems more appropriate and would certainly have more mythic relevance to the people who carved this. The curious natural ring, or TV outline, running round most of the stone (with the faded cup-and-part-ring near its centre) may have been attached with more animistic attributes than us moderns tend to give things — children notwithstanding! Circular forms in Nature have universal tendencies in more traditional cultures with such heavenly bodies as sun or moon, which might have been relevant here with the stones association with a tomb.
…Again, we might never know…
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
* though did debate in somewhat primitive northern lingo: “Ugh – errr…solar? lunar? Ey? — Solar? Lunar?” uttering the same queried mantra numerous times between ourselves till we got tired and stuck with ‘solar’, as seems common these days (though I preferred ‘lunar’, it’s gotta be told!).
Lilla Cross is situated on Fylingdales Moor, north Yorkshire, between Pickering and Whitby at the junction of two major moorland footpaths. It is located close to the Fylingdales Ballistic Missile Early Warning Station – which resemble giant golf balls on the horizon.
Archaeology & History
Woodwark’s 1930s photo of Lilla Cross
The ancient cross is 10 foot high and free-standing but it sits upon what is probably a ruined Bronze-Age bowl barrow called Lilla Howe; the recumbent stones that lie around the base of the cross may form part of that. It is a sturdy, stocky cross that has some letters carved onto it, one in particular being a large letter “C” possibly meaning Christos (Christ) and with that a small thin cross; there are a few other faint letters but these are difficult to decipher now. A plaque on a nearby stone gives information about the cross. I think Lilla Cross was used as a sort of Medieval milestone or way-marker – hence the lettering on the cross.
In 1952 the cross was moved to Sil Howe near Goathland but 10 years later in 1962 it was returned to its original site on top of Lilla Howe. In the 1920s excavations on the barrow revealed some artefacts of jewellery, but no remains of Edwin’s trusty chief minister were found; the jewellery was, in fact, said to date from the mid 9th century. Lilla Cross has been referred to by historians as the oldest christian cross on the north York Moors.
Folklore
Lilla Cross on 1854 Map
According to the legend, in AD 625 or 626 King Edwin of Northumbria was travelling with his entourage across the moors, but an assassin had been dispatched by the king of the west Saxons to kill Edwin. The assassin lunged forward with his poison tipped sword, but Lilla his chief minister at the king’s court, leapt in between his sovereign and the swordsman. Poor Lilla took the full thrust of the sword and died on the spot thus saving the king from being murdered. King Edwin, who was greatly impressed by this selfless act of devotion, ordered that Lilla being a newly converted christian be buried here in a christian way though he asked that a number of articles be placed with the body including gold and silver. The king then had a cross erected in memory at the spot where Lilla died. But it seems likely that the cross dates from the 10th century, though there may have been an earlier Saxon cross here. References:
Ogilvie, Elizabeth & Sleightholme, Audrey, An Illustrated Guide to the Crosses on the North Yorkshire Moors, Village Green Press: Thorganby 1994.
White, Stanhope, Standing Stones and Earthworks on the North Yorkshire Moors, Fretwell & Cox: Keighley 1987.
Woodwark, T.H., The Crosses on the North York Moors, Whitby Literary & Philosophical Society 1934.
The cross stands high-up on Danby High Moor between Hutton-le-Hole and Castleton, just by the junction of two moorland roads to Rosedale and Westerdale, in north Yorkshire. The monument stands on private land. (Ed. – though in Yorkshire, many of us ignore such signs)
Archaeology & History
Mr Woodwark’s 1930s photo of Young Ralph
First described in old deeds from the early 13th century, Ralph’s Cross stands nine feet high on a solid stone base. There is uncertainty about its age; the present-day cross could date from the 18th century though some historians date it to around 1200, certainly the base could date from that time. It seems likely that a much older cross once stood on this site — perhaps an Anglo-Saxon one that was actually made of wood. At that time it may have been referred to as ‘The Roda Cross’ (Rude Cross). More than likely the cross acted as a medieval highway marker because it stands at the junction of two moorland roads. Originally there were some letters carved on the cross, one in particular, being the letter “R” for Ralph was carved on the south face.
Over the centuries the cross has suffered damage and vandalism by being knocked down, particularly in the 1960s and again in 1984 after which it lay in two pieces. However, in 1985 the cross was lovingly restored and re-erected by some local men, Mr Robert Dixon, Mr Tom Rudd and Mr Michael Smith, at the English Heritage Commission’s stone masonry workshop at Mount Grace Priory. The middle section of the cross was made from new stone from nearby quarries; the top section was not badly damaged, but a section of delta metal was inserted inside the shaft to make a secure link between the sections and the cross-head. The cross is a listed monument.
A few hundred yards to the south stands another cross called ‘Old Ralph’ which is just 5 feet high and is located on Blackey Ridge. This cross dates from the beginning of the 13th century and is perhaps a memorial to Ralph, bishop of Guisborough.
Folklore
According to legend, the cross was set up to mark the resting place of a monk from Farndale and a nun from Rosedale. They would often meet here and a romantic liason of sorts occurred, but they were found out by their superiors and came to a nasty end, possibly with their deaths. But the most common folk-tale tells us that a farmer called Ralph from Danby found the dead body of a traveller at this spot. He was so moved by this that he decided to erect a cross in memory of this poor unfortunate traveller, who had starved to death and was found to be penniless. Ralph had a hollow carved into the top of the cross so that more wealthy travellers, those on horseback, might place a few coins for the benefit of any less fortunate travellers, or as a thanksgiving for having reached this point on their journey. The poor traveller was able to take a coin, if he/she could reach the hollow, and buy a hot meal at the nearest inn. Ralph then vowed that such a terrible thing would never ever happen again, and it seems to have worked, thanks to him.
References:
Ford, Joseph, Some Reminiscences and Folk-Lore of Danby Parish & District, Horne and Son: Whitby 1953.
Ogilvie, Elizabeth & Sleightholme, Audrey, An Illustrated Guide to the Crosses on the North Yorkshire Moors, Village Green Press: Thorganby 1994.
Woodwark, T.H., The Crosses on the North York Moors, Whitby Literary & Philosophical Society 1934.
Takes a bitta finding this one! Take the B6265 road north out of Skipton, and about a mile along, turn left up the small road to Stirton village. But once on the level and the open countryside opens to your right, where there’s a notable bend in the road and a track goes up into the field, stop! Walk up past the closed fields and, where the open country starts, veer to the left track (not up the official footpath). Keep walking up here till you’re approaching the bend in the old walling; but veer into the grasses, right, about 50 yards before it. Good luck!
Archaeology & History
Very recently, Mr Paul Hornby called us to come and check a number of features he’d come across on a portion of open countryside not far from Skipton. At the very least it was gonna be a nice day out, ambling abaat and seeing some potentially new prehistoric sites — and we weren’t to be disappointed!
Close-up of cupsSingle cup-mark nearby
Although this site aint much to write home about, it is found close to a number of other recently rediscovered prehistoric features. Upon a fairly large stone a coupla hundred yards east of a supposed tumulus to the southern ridge of Sharp Haw, we find an arc of three cup-markings on the rock’s northeastern face, with a possible fourth cup along the same line (though I aint sure misself). And that’s it I’m afraid. Nowt else. (and I’ll try getting some better images when we’re next up there) Another stone nearby to the west has a near-perfect single cup-marking on its flat surface.
ACKNOWLEDGEMENTS:
Huge thanks to Paul Hornby for the use of his photos!
From the lovely village of Summerbridge (near Pateley Bridge), go up the steep Hartwith Bank road, going straight across at the crossroads for another few hundred yards, passing the old tombs of Graffa Plain on your right…and they’ll start appearing on your left-hand side (west). Do not go into the expensive National Trust car-park. Instead (if you’ve already gone too far), about 100 yards before the Car Park you’ll find a small dirt-track on your left a short distance away. But if you drive past the rip-off car park, another 100 yards on there’s another spot where you can easily park up on the right-hand side of the road. Then cross the road and follow y’ nose…
Archaeology & History
The OS grid reference given above is an approximation — for obvious reasons. This is a huge area that’s covered by Britain’s finest natural megalithic features, obviously sculptured by Nature Herself — though many are the historians who sought to give Druids the credit here. God knows how! The area over which these magnificent rock sentinels live covers some 60 acres and is some 1000 feet above sea level. The view from the hill around which the encircling parade of rocks guards is excellent, allowing our eyes to catch focus on the distant lands of Whernside, Simon’s Seat, York Minster, the Cleveland Hills and Kilburn’s white horse. It’s quite a view.
Easternmost Rocking StoneIdol Stone (Godfrey Higgins 1826)
But this tends to be overlooked when you first visit the place, as the rocks which surround and walk alongside you overwhelm with impressions not encountered before. To those with spirit, you’ll be bouncing and running all day here, clambering upon rocking stones, jumping between dodgy gorges that await falls, and just aching to climb pinnacles that deny you. But then, if you need the selfishness of silence, this arena will only grant such solace when the rains are about, or dense fog and low cloud keeps others from this haunting amphitheatre. And it’s not surprising… The mass of rocks contort into the most beautiful and curious simulacra, which would not have gone unnoticed, nor deemed unimportant in the sacred landscape of our ancestors…
Brimham Rocks have been written about since the 17th century, though they didn’t receive the serious attention of outsiders until the 19th, when numerous Victorian writers — from antiquarians and geologists, to archaeologists and Druids — got to hear about the place. And by the beginning of the 20th century, a veritable mass of articles had been written in journals and travelogues of all persuasions! These quiet Yorkshire Rocks had become truly famous!
Brimham Rocks (Walbran 1856)Old Woman and her consort
A lengthy essay was written in the distinguished archaeology journal of its time, Archaeologia, by northern historian Hayman Rooke (1787), who thought that some of the rocks here had been tampered with by the druids; with the legendary Cannon Rock in particular possessing oracular properties. The site as a whole was, he posited, a temple for Druids in ancient days. Certainly the place would have been deemed as sacred, whether by the druids or our more remote neolithic and Bronze Age ancestors.
Harry Speight & his mates, c.1890
In Harry Speight’s magnum opus, Nidderdale (1894), he described these rocky giants as best as he could, admitting as others before and since, that no mere words can convey the impression that only a personal encounter liberates, saying:
“The Brimham Rocks are among the greatest natural wonders of Yorkshire, and many have been the theories from time to time advanced as to the cause of their extraordinary aspects… The resemblances to natural and artificial objects are most striking. There we have the Elephant Rock, the Porpoise Head, the Dancing Bear (a very singular, naturally-shaped specimen), the Boat Rock, showing the bow and stern completely, etc. Then there is the great Idol Rock, a most mysterious-looking object, of almost incredible size and form. It is a perfectly detached block, fully twenty feet high, weathered along face joints into three roughly circular pieces, each from 40 to 50 feet in circumference, piled one above the other; the whole mass, weighing by estimation over 200 tons, being poised on a pyramid 3½ feet in diameter; the pivot itself supporting this immense column having a diameter of barely 12 inches.
“East of the guide’s house are the famous Rocking Stones, consisting of a group of four rocks, which were discovered to be movable in the year 1786. The two on the west side weighing approximately 50 and 25 tons, require but little force to vibrate, while those on the east side, though much smaller are not so well poised and do not move readily. Each of the larger stones has a basin-like cavity on the top, and a kind of knee-hole open to the north, said to be the work of Druids. Close to the Rocking Stones are the appropriately-named Oyster-shell Rock, and the Hippopotamus’ Head. Turning now some thirty yards north of the Idol Rock we ascend Mount Delectable, where is the agreeable Courting or Kissing Chair, happily at not too close quarters with the above Hippopotamus’ Head and Boar’s Snout. The Chair consists of a single seat, but why it should be so called, I had better leave the amorous lover to solve. West of these is the more sober Druid’s Reading Desk, with its church-like lectern on a stout stone base. The we come to the Lover’s Leap, a gigantic and abrupt face of beetling crag, weathered to the west, and rising to a height of 60 to 70 feet, with three immense fragments balanced in a very remarkable manner at the summit. The rock is in tow principal sections, and an iron hand-rail has been fixed across the chasm to enable visitors to look down from the top. Further south are the Frog and Tortoise Rocks, the latter presenting from one point of view a capital resemblance to a tortoise creeping up the face of the crag towards the imaged frog. A little below this is a good imitation of a cannon, projecting from the edge of the cliff. In addition to these singular resemblances there are many others which the guide points out, such as the Yoke of Oxen, Mushroom Rocks, Druid’s Oven, Dog’s Head, Telescope, and the curiously perforated Cannon Rock, etc.”
In a later work, Speight (1906) also mentioned the existence of a Druid’s Circle some 300 yards west of the main natural temples, but this site appears to have been destroyed. Thankfully the large standing stone on Hartwith Moor, a mile to the south, can still be found upright…
Folklore
Idol Stone (Hargrove 1809)
In folklore, there’s little surprise this place was held by just about every 18th and 19th century historian as a ‘druidic site.’ But more interesting – in the light of Paul Devereux’s (2001) work on acoustic archaeology – is what Edmund Bogg (c.1895) said of these huge contorted stones:
“In bygone days these immense stones were supposed to be the habitation of spirits. The echo given from the rocks was said to be the voice of the spirit who dwelt there, and which the people named the Son of the Rocks. From a conversation we had with the peasantry not far from here, it seems the ancient superstition had not yet fully disappeared.”
This is precisely the notion of spirit given to rocky places elsewhere in the world, where the very echo was perceived as the ‘voice of the rocks’. Meditate on it a bit, in situ. (a fine summary of this notion and its implications — which has crept into archaeology of late — can be found in Paul Devereux’s work, Stone Age Soundtracks)
One of Brimham’s southwestern rocks was known as the Noon Stone when Mr Rooke (1787) came here. There are many stones with this name scattering Yorkshire and other northern counties, each with the same mythic background: that the sun casts a shadow from it at midday to indicate the time of day. Of this Noon Stone Mr Hooke also told us that,
“On Midsummer Eve fires are lighted on the side. Its situation is apposite for this purpose, being on the edge of a hill, commanding an extensive view. This custom is of the most remote antiquity.”
On the very southern edge of Brimham’s Rocks (some might say beyond their real border) is the Beacon Rock — and it is aptly named: as in the year 1887 on the day of Queen Victoria’s Jubilee, a great beacon fire was lit here, signalling to others in the distance. Its title however, pre-dates Victoria’s Jubilee, though we don’t know how far back in time it goes…
…to be continued…
References:
Bogg, Edmund, From Eden Vale to the Plains of York, James Miles: Leeds c.1895.
Devereux, Paul, Stone Age Soundtracks: The Acoustic Archaeology of Ancient Sites, Vega: London 2001.
Grainge, William, The History and Topography of Harrogate and the Forest of Knaresborough, John Russell Smith: London 1871.
Harrison, William, A Descriptive Account of Brimham Rocks in the West Riding of Yorkshire, A. Johnson: Ripon 1846.
Michell, John, The Earth Spirit: Its Ways, Shrines and Mysteries, Thames & Hudson: London 1975.
Michell, John, Simulacra, Thames & Hudson: London 1979.
Rooke, Hayman, “Some Account of the Brimham Rocks in Yorkshire,” in Archaeologia journal, volume 8, 1787.
Speight, Harry, Nidderdale and the Garden of the Nidd, Elliot Stock: London 1894.
Speight, Harry, Upper Nidderdale, with the Forest of Knaresborough, Elliot Stock: London 1906.
Walbran, John Richard, A Guide to Ripon, Fountains Abbey, Harrogate, Bolton Abbey, etc, Johnson: Ripon 1856.
