Standing Stone (destroyed): OS Grid Reference – SE 299 612
Also Known as:
Temple Yarmer
Archaeology & History
It was the legendary Harry Speight who described this in his monumental historico-topographical exploration of the Nidd valley in the 1890s. Nothing else, it seems, has been said of the place, though something of considerable archaeological importance was once here. Not only does he tell of the previous existence of “a large circular enclosure…the outer ditch having a circumference of nearly 1000 yards” at Yarmer Head, but,
“In the hollow on the east side of this hill was formerly a large natural marsh or lakelet, near which remains the base of an immense menhir or standing monolith, erected doubtless in heathen days to commemorate a great victory, or perhaps a treaty.”
The stone is not shown on the early OS-maps (although they did miss quite a lot of sites), and whatever its reason for being here might never be known as all traces of this giant monolith appears (yet again) to have vanished. There is an ancient boundary line immediately below the hill, on its eastern side, so perhaps the stone was an ancient marker along this. Do any local folk round Nidd know owt more about this once important megalithic site?
References:
Speight, Harry, Nidderdale and the Garden of the Nidd, Elliot Stock: London 1894.
The same directions as for the Eastwoods Farm Cup: from Summerbridge, go west on the B6541 towards Dacre Banks, where there’s the signpost for the Nidderdale Way footpath. Follow this past the disused quarry and into the meadows. When you hit the Monk Ing road, bear right (north) and keep going till you’re 100 yards from Eastwoods Farm. Go right, down into the field for about 30 yards or so. Look around!
Archaeology & History
Described in Boughey & Vickerman’s (2003) survey as a “low, medium-sized, quadrant-shaped rock standing up from surroundings, with hollowed out central area.” This hollowed-out central area is, in all likelihood, the remains of a previously unrecognized old cross-base, although investigating archaeologists have somehow missed this. The stone’s proximity to the old Monk’s Way — a medieval trade route used by the local monastic Order — would give added weight to this assertion. A perusal of field-name records here may prove fruitful.
Our authors counted “eight possible small, badly worn cups, (with) three grooves running from central basin, all possibly natural.” The grooves may well be natural, but I’d say that one or two of the cups appear to be genuine. The large hollow in the middle of the stone may originally have been a cup-marking (or maybe even a cup-and-ring — but we’ll never know), before it became used as a site to erect a primitive cross.
Several other cup-and-ring carvings can be found around here — the Eastwoods Farm Cup is in the same field nearby— with the great likelihood of there being others hidden amidst trees or grasses, waiting to be re-awakened! The hugely impressive Morphing Stone and a prehistoric lightning-carving can be found in the next field, full of rocks, on the other side of the stream.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.
From the large village of Summerbridge, go west along the B6541 towards Dacre Banks, where you’ll see the signpost for the Nidderdale Way footpath. Follow this past the disused quarry and onto the meadows. When you hit the Monk Ing road, bear right (north) and keep going till you’re 100 yards from Eastwoods Farm. Go right, down into the fields for 50 yards or so. Look around!
Archaeology & History
A previously unlisted single cup-marked stone which is likely to become overgrown by the grasses pretty soon. Several other carvings are in close attendance in this field. It’s not far from the cup-marked Eastwoods Cross Base (aka CR 637) in the same field, but a little further down. In all probability there are other carvings yet to be found in this area. The rock art student Keith Boughey (2007) mentioned it briefly in an article on the other carvings nearby, saying simply:
“A small area of rock (very possibly bedrock) measuring 40cm x 14cm at its greatest extent pokes up through the turf, showing one worn but clear cup-mark on its western edge (Fig 3). On its own, this marking would not be significant were it not for the fact that four other carved rocks are already recorded from this particular locality.”
To get here, follow the same directions as if you’re going to the Morphing Stone. This carving is in the same field, but about 100 yards SSW of there, just to the south-side of the Nidderdale Way footpath. There’s plenty of rocks about, but with a bit of patience or a natural rock-art dowser’s nose, you’ll find the carving easily enough!
This is another relatively recent find — though I wonder whether the nearby ‘Fertility Stone’ (about 500 yards north, in some walling) should switch names with this carving, as this one gives the distinct impression of sperm fertilizing the egg! Don’t you agree!? The name of the Tadpole Stone was given to it by Michala Potts — and the photograph and design are used, courtesy of Richard Stroud. In the next field from here, towards Eastwoods Farm, we find the Eastwoods Cross base and cup-markings and adjacent cup-marked stone. Not far away are other carvings, aswell as a number of other Bronze- and Iron-Age sites.
This design was described in Keith Boughey’s (2007) article on the rock art around Eastwoods Farm, telling how it
“was discovered by Kevin Cale and reported to the N.Y.C.C. SMR back in 2001… A low profile moss-covered earthfast rock a little over 1m in diameter in any one direction immediately S of the Nidderdale Way about 100m east of the end of Monk Ing Road and S of Eastwoods Farm at SE 18601 61643 and 172m O.D. Its domed surface carries a somewhat unusual design interestingly reminiscent of the design carved at the previous site which lies in the same field and landscape 160m to the north-west… An oval or egg-shaped groove enclosed up to six cups; a groove or channel, often referred to as a ‘comet tail’ in rock art motif vocabulary, runs from the central group of the six out beyond the enclosing groove, bends sharply and continues down over the sloping face of the rock. A wide groove at the base of the rock running into the present turf line may be a further element of the carving.”
References:
Boughey, K., “Prehistoric Rock Art: Four New Discoveries in Nidderdale,” in Prehistoric Research Section Bulletin, no.44, Yorkshire Archaeological Society 2007.
Various ways to get here. I s’ppose the easiest is from Dacre village. If you go just past Sunny House, take the footpath on your right & walk along it, roughly straight across a number of fields, until you hit the footpath known as the Nidderdale Way. The field you’re now in should be scattered with numerous rocks all over the place (if it aint, you’re in the wrong place), reaching down towards the trees. Walk straight towards the trees for another 100 yards and the carving is somewhere hereabouts under your nose! You’re very close! If, however, you decide to walk up the Nidderdale Way from Dacre Banks, the field you need is the one immediately to your right just before you reach the Monk Ing Road trackway. The Tadpole Stone (or Eastwoods Rough II carving) is in the same field, close to the Nidderdale Way path — check that out aswell!
Archaeology & History
This is a large carving I found in April, 2006, in the company of rock-art student Richard Stroud (who sent us the pictures). Twas in the midst of a fine day wandering about checking some of the ‘known’ sites in the area, when we happened across two or three previously unknown sites — and as the day wore on, just before we were gonna head for home, this little beauty poked the edge of its head out of the turf! It had the pair of us in near rapture, with numerous “Wow’s” and excitable expletives coming from our mouths! We’re easily pleased us rock-art doods — but then it is a beauty when you first see it.
We came here several times in the weeks following its initial discovery, and it seemed that on each visit, we found an additional aspect to the carving. It seemed to keep changing each time we came here — hence the name ‘Morphing Stone’!
The prime feature in the carving is the very large oval-shaped ‘ring’ with huge carved bowl in the middle and several outlying cups-markings around it. Although it’s not plain to see in the photos, there’s a large tongue-shaped protuberance jutting out from one side of the main ringed feature. You can also see a small cluster of cup-marks on the top-right of the rock: from here — though it isn’t easy to see in the photo — a long straight line links up with the edge of the major central ring. Other lines run off on the top of the main feature and there are several other cup-markings on different parts of the stone. It’s obviously best to see the carving “in the flesh”, so to speak, to get a good impression of what it actually looks like. And, to those of you who might wanna venture up here, there are several others nearby.
A year or two after rediscovering the carving, rock art student Keith Boughey (2007) described the stone, saying:
“Measuring 2.61m from N-S and 1.88m from W-E at its greatest extent, the carved surface carries quite a complex design… At its N end is a large cup/basin with an approximate diameter of 25-30cm, surrounded by a ring that may or may not be complete: 2 cups have been incorporated into the ring on its N and W side. W of this ring a groove leads off S to a further possible cup. On the E side of the large central cup are 3 further cups of varying size. These motifs are all enclosed within a wide groove, which forms almost a dome pattern. Out of the ring, a further groove runs NW out of the design, bisecting the enclosing groove, curving round to form a handle shape before running back in towards the large central cup. The groove shows signs of continuing E towards the edge of the stone. Just outside the W edge of the enclosing dome is one well-defined cup. S of this, in a slight depression, are 2 further cups of differing size. A straight groove appears to run SW out of the enclosing dome shape on its E side towards further motifs on the stone’s S side. The groove may run into an area of cup marks, but there appears to be a break before it continues. When exposed, the carvings looked quite fresh and sharp, suggesting that they had remained covered for some considerable time – possible since antiquity or at least from a time in the prehistoric past when cup-and-ring-markings had begun to lose their significance and were no longer required to be visible in the landscape.”
To those of you who like the new computer images of cup-and-rings, the three below are samples from a number of such images done after the stone had been discovered. Intriguingly, the long line running between the cluster of cups to the large cup-and-ring doesn’t show up too well; but the barely perceptible line running out, zigzag-fashion, from the large central cup-and-ring, shows up much clearer than when looking with the naked eye.
A site that was illustrated by the early Ordnance Survey lads between the haunted Boggart Crag and Brimham Rocks to the south, I haven’t thoroughly explored this area so don’t know if anything at all remains of what was described. It may or may not have been an early folly. The earliest reference to this missing circle comes from Mr Hayman Rooke’s (1787) essay on the Brimham Rocks complex in Archaeologia journal. Described in context with other prehistoric remains in the locale, Mr Rooke said,
“About a quarter of a mile further to the west (of Brimham Rocks) is a Druid circle, with a vallum of earth and stones, thirty feet diameter. It is exactly of the same construction as those on Stanton Moor, in the Peak of Derbyshire. There are likewise several small tumuli. Thirteen of them are ranged in a kind of circle, the largest not above eighteen feet in diameter. They are formed of earth and large stones. Two of these I opened; towards the bottom the effects of fire appeared on the stones; and ashes were scattered about, but there were no urns to be found.”
This description was echoed a few years later by Ely Hargrove (1809) and reiterated by Godfrey Higgins (1829) in his work on the Druids, but neither authors added anything new (strongly implying they never actually saw this ‘circle’). The last description I’ve found of the site is in Mr Speight’s (1906) survey — which gives the reality of the site considerably more credence! He told us:
“About 80 yards west of the Cannon Rock is a large tumulus, and about 300 yards still further is a Druid’s Circle, thirty feet in diameter, mentioned by Hargrove in 1809.”
But that’s it! Nowt else! It would seem from Hooke’s initial writing, that we are perhaps looking at a lost cairn circle in this locale, but until someone finds it we will never know for sure.
Intriguingly, there are a number of other prehistoric remains not far from this seemingly lost ‘circle’. There’s a large standing stone not far away on Standing Stone Hill a half-mile south (kinda gives the game away really, dunnit!?) which I first saw as a kid; some cup-and-ring stones nearby; and the seemingly lost tumuli of Graffa Plain, southeast of Brimham Rocks, showing that prehistoric folk were up to the usual tricks nearby. But the ‘circle’ is seemingly lost. Is there anyone out there who knows anything more about yet another one of Yorkshire’s lost stone circles? More information about the circle or the tombs would be very welcome!
References:
Hargrove, Ely, The History of the Castle, Town and Forest of Knaresborough, Hargrove & Sons: Knaresborough 1809.
Higgins, Godfrey, The Celtic Druids, R. Hunter: London 1829.
Rooke, Hayman, “Some Account of the Brimham Rocks in Yorkshire,” in Archaeologia journal, volume 8, 1787.
Speight, Harry, Upper Nidderdale, with the Forest of Knaresborough, Elliot Stock: London 1906.
