Follow the directions for getting to the Haystack Rock, then bear right (west) along the footpath, past the little Three Cups Stone, until the path bends and goes up onto the moor. A hundred yards or so, walk left into the heather (you’re straddling the remains of considerable prehistoric walling and enclosure remains by now) and look around. You’ll find it!
Archaeology & History
I was only about 12-years old when I first saw this and the nearby prehistoric carvings — but when I came to look for any references to it as a boy, there were none I could find at the time. Then, ten years later when John Hedges (1986) brought out his fine work on the cup-and-ring art of Ilkley Moor, its presence was shown in pen-and-ink at last. Found amidst the remains of an extensive settlement or series of walled enclosures, the carving’s name comes from the curious urn-like element that Hedges showed faintly. There is also an additional ring around one of the cups above the ‘urn’.
Excavations that were done on the prehistoric ‘enclosure’ close to this petroglyph in the 1990s, uncovered the remains of a decent amount of ‘grooved ware’ pottery and worked flint (Edwards & Bradley 1999), dated between 2900 and 2600 BC. As such pottery has been found elsewhere in Britain within and/or near earthworks and other prehistoric remains (obviously!), its incidence here isn’t really too much of a surprise. However, Edwards & Bradley (1999) speculate — albeit vaguely — that there may be a link between the cup-and-rings here and the pottery, saying, “if so, the rock carvings (here) might be indicating a place of special significance.”
This may be so: considering the prevalence of rock-art along the geological ridge and its close association with the large number of burial cairns. If it can be ascertained that the charred remains of humans were kept inside the pottery or vases, the relationship between death and the carvings (well established on this part of Ilkley Moor) would be reinforced.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.
Edwards, Gavin & Bradley, Richard, ‘Rock Carvings and Neolithic Artefacts on Ilkley Moor, West Yorkshire,’ in Grooved Ware in Britain and Ireland (edited by Cleal, R. & MacSween, A.), Oxbow: Oxford 1999.
Hedges, John, The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
The Young Idol Stone (bottom) and its parental Idol Stone above
Take the directions to reach the Haystack Rock, then head onto the moor following the southeast footpath for a few hundred yards, towards where the moor slopes uphill. 20-30 yards before the uphill slope, a yard to the right of the path, a coupla yards below the well-known Idol Stone carving – you’ll find it!
Archaeology & History
Described simply as a “small, rounded, smooth grit rock,” this long-tooth-shaped stone has just two cup-markings on its upper face: one on the more southern tip, and the second smaller cup several inches below it – as shown on the photo. The adjacent carving seen at the top of the photo is the parent guardian, Idol Stone! If you visit this, or any adjacent carvings here, please remember that all along this moorland plain are numerous unexcavated prehistoric tombs. You’re effectively stood at the edge of, or within, a huge prehistoric cemetery.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Hedges, John, The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Head for the binary-like Idol Stone carving and keep walking on the footpath, up the hill. Once on top of the ridge, walk along it to your right (west) for about 300 yards, then walk south (left) into the flat heathland plain. Look around!
Archaeology & History
I’m probably not reading it right – but it seems this large stone with several distinct cup-marks on its vertical south-face, isn’t in the surveys of either Hedges (1986) or Boughey & Vickerman (2003). If someone can correct me on this one – please do!
Green Crag Top Stone, looking north
This is quite a large boulder, as the photos here show. At least two average-sized cup-markings have been etched onto the south face, and two larger ones accompany them on the same edge. There’s another larger cup-mark on the northeast side of the stone, and a possible companion, which may or may not be artificial. Then on top of the stone we have several large cups and a ‘bowl’ — though some of these upper markings may be natural, or just well-eroded cup-marks. It’s hard to tell for sure!
Now I’m gonna have another look in the Hedges, Boughey & Vickerman surveys. They surely can’t have missed this!
It’s not too far from the main footpath from Ilkley to the Twelve Apostles stone circle. As its discoverer C.W. Dymond (1880) said, “It lies alone, on and near the foot of a steep slope, about a furlong, or less than five minutes’ walk, north from the ruins of a small stone-circle (Twelve Apostles) which crowns the crest of the pass leading south-south-east from Ilkley to Eldwick, and just one mile and three-quarters from the former place. If approached therefrom, it will be easily found about two hundred yards to the east of the point where the road surmounts the steep, to enter upon the upper plain.” Otherwise, walk through the Twelve Apostles from the main footpath and out the other side, following the land where it slopes down and, near the bottom, you’ll see this large stone sitting quietly on its own…
Dymond’s 1880 sketch
Archaeology & History
Not too sure about the veracity of this one to be honest. It was first described by archaeologist C.W. Dymond (1880) as “a stone marked with a striking group of cups” – but these are small and untypical of the usual markings. “The stone is 9 ft. 6 ins. in length, 6 ft. 3 ins. in breadth, and about 2 ft. in thickness; its upper surface dipping a little, with the ground, toward the north. Upon it may be seen a group of small cups, for the most part about half an inch in diameter,” he said.
Dymond thought that the design on the rock may have represented parts of the night sky, saying, “here we may have a rude attempt to portray the starry heavens spanned by the galaxy ; and that the outlying groups may have been intended to represent two of the constellations perhaps Orion, and another not so easily identified.” But I think we can take this with a pinch of salt.
Included in Hedge’s (1986) survey without comment, Boughey and Vickerman (2003) correctly thought that the “small peck marks which are not typical cup-marks” might be “doubtful”.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorks Archaeology Service 2003.
Dymond, C.W., ‘Cup Marks on Burley Moor,’ in Journal of the British Archaeological Association, volume 36, 1880.
Hedges, John, The Carved Rocks of Rombalds Moor, WYMCC: Wakefield 1986.
Various ways to get here, but the 2 most common are: (1) from Brunthwaite village, above Silsden, following the road uphill for a mile, then turning right (west) onto the moorland dirt-track to Doubler Stones Farm. Just before here there’s a footpath uphill (north) for 200 yards to the stones. (2) follow the Millenium Way footpath south up Addingham Moorside, onto Addingham High Moor. Keep going on the same path another 500 yards and they’ll appear ahead of you.
Archaeology & History
First described as the ‘Doublestones’ in the local Addingham parish records of 1786, these great mushroom-shaped rocks were later brought to the attention of archaeologists by J. Romilly Allen in 1879 and they greatly intrigued numerous Victorian antiquarians, who puzzled as much about their exotic forms as the cup-marks on their tops! Allen wrote of them:
“These rocks are by far the most remarkable freaks of Nature to be seen in the district. They occupy a prominent position, perched on the extremity of a rocky knoll which juts out into the valley; and as seen from below, with their weird forms standing out clear and sharp against the background of blue sky, they present so extraordinary an appearance that they would at once attract the attention of even the most unobservant. In general outline they resemble gigantic toadstools; and I presume that they are called Doubler Stones from the fact of their shapes being almost identical. They may be appropriately described as Nature’s Twins. The upper surface of the cap of one of these stones has three large basin-shaped cavities in it. Two of these lie along the central axis of the stone, and measure respectively 1ft 3in by 2ft 9in deep, and 1ft 9in by 1ft 3in by 9in deep. They are united by a deep groove, a continuation of which runs out over the edge of the stone at each end. There is another basin lying to the west side of the two central ones, with one of which it is connected by grooves. It measures 2ft by 1ft 9in and is 9in deep. There is no direct evidence that these basins are artificial; but it is quite possible that they may have been so originally, and have been enlarged by natural agencies. But in addition to the basins, are twenty-six cup-markings of distinctly artificial origin. They vary in diameter from 2 to 4 in. One group of cups appears to be arranged in parallel rows.”
Cup-marks on one of the Doublers (after Hedges 1986)Cowling’s 1946 drawing
Although the writer thought there were no artificial cup-markings on the other Doubler Stone (the one on the left in the photo), John Hedges (1986) and Boughey & Vickerman (2003) cite there to be at least two cup-markings on this rock. Other writers have given different numbers for the respective cup-marks thought to be on these rocks down the years.
If you’re into prehistoric rock-art, check this place out. If you’re a geologist and aint been here, you’ll be even more impressed!
Folklore
Approaching the Doublers (photo – James Elkington)
In Nicholas Size’s Haunted Moor (1934) he described the Doubler Stones as being the abode of ghosts and a place of sacrificial rites in ancient days. While in Guy Ragland Phillips’ Brigantia, we find that the word ‘doubler’ itself “is a large shallow dish, bowl or plate” – which we find on top of the greater one of these two well-worn-weirdoes. As well as being haunted, there is some other little-known, though not unexpected folklore here, which told these old stones to be the meeting place of witches in previous centuries.
In addition to this, we are told that the witches of Fewston valley to the west used to meet up with the more famous Pendle witches at these stones. One historian proclaimed that this notion was spurious, as it would be too far for the Pendle witches to walk – which says more about the historian in question than the people of previous centuries. The distance from Pendle to the Doublers can be traversed in a day and is an ideal meeting spot, away from the prying eyes of a wrathful Church, that sought war against the animistic practices of our ancestors.
References:
Allen, J. Romilly, ‘The Prehistoric Rock Sculptures of Ilkley,’ in Journal of the British Archaeological Association, volume 35, 1879.
Allen, J. Romilly, ‘Notice of Sculptured Rocks near Ilkley,’ ibid, volume 38, 1882.
Bennett, Paul, The Old Stones of Elmet, Capall Bann: Chieveley 2001.
Boughey & Vickerman, Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Hedges, John, The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Jennings, Hargrave, Archaic Rock Inscriptions, A. Reader: London 1891.
Phillips, Guy Ragland, Brigantia: A Mysteriography, RKP: London 1976.
Size, Nicholas, The Haunted Moor, William Walker: Otley 1934.
Take the directions to reach the Haystack Rock, then head onto the moor following the southeast footpath for a few hundred yards, towards where the moor slopes uphill. 20-30 yards before the uphill slope, a yard to the right of the path. It accompanies the Young Idol Stone with its two small cups, just a few yards away. Keep your eyes peeled and y’ can’t really miss it! If you hit the large slightly-pyramidal-shaped boulder with its well-worn lines running from its top (the Idol Rock), you’ve gone past it.
Archaeology & History
An intriguing carving this, and one which has always had me edging towards a manifest linear or logical myth underscoring its form. It’s the almost binary or primal numeric system in the lay-out of the cups which seems to do it. Few other carvings in the region exhibit this tendency.* If you aint seen it ‘in the flesh,’ check it out.
First described by that old Victorian J. Romilly Allen (1882), he seemed equally impressed by it, calling it “the most beautiful specimen of prehistoric sculpture,” continuing:
“The stone is of grit, and measure 3ft 2ins, by 2ft 6ins. Its upper surface is nearly horizontal, and has carved upon it cups varying in diameter from 2ins to 3ins. A row of cups in the middle of the stone are entirely surrounded by a groove. There is also a channel running round the outside. Single cups are often found encircled by one or more concentric rings; but it is very exceptional indeed to find several cups surrounded by a single groove, or to find the cups so symmetrically arranged as in the present instance.”
Idol Stone – looking SW
Prehistoric walling runs very close to this and the adjacent rock carvings, with the well-known ‘enclosure’ just a short distance to the east on the same moorland plain. This carving is very much on the edge of, or within, Green Crag Plain’s ‘Land of the Dead.’
This carving was one of several that Alan Davis (1983) measured in his exploratory survey on the validity of Alexander Thom’s ‘megalithic inch’ unit. This issue absolutely fascinated me as a boy, as it brought the attention of these curious non-linear images into the domain of mathematics and the higher sciences, instead of the lowly social sciences within whose domain archaeology is embedded, with its many inaccuracies and falsehoods. A number of astronomers and other academics did a great number of papers exploring potential units-of-length, surveying the carvings (and megalithic rings) in much greater detail than any previous archaeologist. Much of it was excellent work. However, the mythos of our ancient ancestors possessing great technical knowledge and mathematical ability was unfounded. In Davis’ (1983) paper — edited and expanded a few years later (1988) — he found no evidence of mathematical units of measurement here; though left the option ‘open’ for further discussion and analysis on several others, where multiple units of megalithic inches were measured. These findings however, are more likely the result of mere chance.
Idol Stone with “21st century informal unauthorised” art added
In 2011 some unnamed people visited the Idol Stone carving and vandalized it (this sadly happens more and more up here); but this form of vandalism is now being termed “twenty-first century informal unauthorised carvings” and is actually sanctioned by Ilkley Parish Council members, local businessman Tom Lonsdale and his affiliates as artistic “tradition”! Indeed, the damage done here and vandalism done on some other ancient carved stones that have been redesignated by Tom Lonsdale and friends as “twenty-first century informal unauthorised carvings”, legitimizes and encourages others to follow in their shallow-minded ignorance, enabling others to add their own form of ‘art’ on these supposedly protected monuments, on a region with an alleged SSSI status. They even encourage supposedly ‘nice’ people — y’ know the sort — to etch poems and such things onto the stones on the moors, in violation of regulations that apply to the general public. As a result, expect more vandalism — sorry…arty “twenty-first century informal unauthorised carvings” both here and elsewhere. This same appalling debacle — sorry, “tradition” — has been encouraged on the Haystack Rock, Hanging Stones and other prehistoric carvings on the moor.
Folklore
The name ‘Idol Stone’ was an invention of one of the Victorian romanticists, who saw heathen idolatry and perversion all over these moors (you’ve gotta ask y’self, what the hell were these people up to!?). Our old friend Nicholas Size (1934) told there to have been ghostly figures and druidic activities occurring at this site.
References:
Allen, J. Romilly, ‘Notice of Sculptured Rocks near Ilkley, with some Remarks on Rocking Stones,’ in Journal of the British Archaeological Association, volume 38, 1882.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Davis, Alan, ‘The Metrology of Cup and Ring Carvings near Ilkley in Yorkshire,’ in Science and Archaeology, 25, 1983.
Hedges, John, The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Hotham, John Paul, Halos and Horizons, Hotham Publishing: Leeds 2021.
Jennings, Hargrave, Archaic Rock Inscriptions, A. Reader: London 1891.
Size, Nicholas, The Haunted Moor, William Walker: Otley 1934.
Speight, Harry, Upper Wharfedale, Elliott Stock: London 1900.
We were up here again the other week: wind, hail and snow blowing like hell, thankfully keeping the place to ourselves! To get here, head up Cow Pasture Road from the train station and up to the Cow & Calf Hotel near the famous rocks. Go past it a 100 yards or so and look up onto the moors from here. You’ll see a great over-hanging rock on the slope above you which looks as though its gonna fall off at any moment. That’s the one!
Archaeology & History
Pancake Stone on 1851 map
Highlighted on the first Ordnance Survey map of the region in 1851, this prehistoric carved stone had been known as the Pancake Stone by local people long before any of the antiquarians brought literary attention to the site. Much has subsequently been written about this great petroglyph — more of a rocking stone than a boulder — seemingly hanging onto the edge of the geological ridge awaiting its fall down the slope; but I reckon it’s gonna be many more centuries before such a fate befalls it!
J.T. Dale’s 1879 drawing of the cups & carvingPreviously unpublished image by Mr J. Thornton Dale, 1879
Although a Mr J. Thornton Dale did a fine series of quite accurate drawings of this stone (and others on the moors) between 1878 and 1880, the first literary description of the Pancake rock carving appears to have been by the renowned J. Romilly Allen in 1882 (who evidently visited the stone on a cloudy or overcast day), saying that:
“On its upper surface are several cup-markings much obliterated by the actions of the weather, but some of them sufficiently distinct to prove their origin artificial, and to show that this rock was noticed in ancient times, and very possibly considered an object either of worship or superstition.”
Close-up of cups & rings
This latter assumption is highly probable. Strong animistic notions (moreso than usual) would be very evident here. Its position on the land with its outward focus from here towards other notable points in the landscape (Almscliffe Crags is one obvious focus); as well as looking at the rock itself from other viewpoints, give the stone considerable ritual importance. Sections of the moorland plain behind it—known as Green Crag—was the Land of the Dead in ancient times, and it is more than likely that death rites would have been enacted here — though we may never know what form they took.
Dale’s faded 1879 sketch of the Pancake Stone
The stone has what seems to be at least 54 cup-markings on its upper face, with numerous grooves meandering and connecting other points. In J. Thornton Dale’s 1879 drawing of the upper surface, you will note that a couple of the rings he included have all-but faded away and are not included in the more recent surveys. Of the primary design, rock art students Boughey & Vickerman (2003) described there being “six complete and five partial rings” amidst the morass, but much of the design is very worn and, originally, there was probably a bit more to it all. The rock upon which the main Pancake Stone rests also has some worn cup-marks etched on its surface, a couple of which can be made out in the top photo.
Folklore
Good old Nicholas Size (1934) added this site to his list as a place where he had visions of the old christian cult, upon whose bare face were enacted blood rites and sacrifice. One Beltane Eve when he decided to amble up onto the moor edge, he could see a strange glow coming from behind the rock. He continues:
“Then suddenly I noticed there was a figure dancing upon it. The figure seemed to swirl round and round with floating draperies, grey or white, and I can only say that it looked very uncanny. Stupidly, I wondered that anybody could be such a fool as to dance in the darkness upon that precarious footing…”
But such activities on these moors, at certain times of the year, have been enacted for many centuries. It’s just kept quiet and, as more modern pagans (as they like to call ’emselves) keep coming up here and to other places, so the original folk move to their older and increasingly more secluded spots… In the latter half of the 20th century the site was used as a focus by chaos magickians, shortly after the inception of that Current.
References:
Allen, J. Romilly, ‘The Prehistoric Rock Sculptures of Ilkley,’ in Journal of the British Archaeological Association, volume 35, 1879.
Allen, J. Romilly, ‘Notice of Sculptured Rocks near Ilkley, with some Remarks on Rocking Stones,’ in Journal of the British Archaeological Association, volume 38, 1882.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Hedges, John, The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Jennings, Hargrave, Archaic Rock Inscriptions, A. Reader: London 1891.
Size, Nicholas, The Haunted Moor, William Walker: Otley 1934.
Speight, Harry, Upper Wharfedale, Elliott Stock: London 1900.
Dead easy to find this one! Get to the Cow & Calf Hotel and walk up the slope onto the moor ahead of you. If you want a direction-pointer, head for the large, seemingly overhanging rocks which are the Pancake Stone, at the top of the ridge, but a few hundred yards to the right (west). Once you reach the level on the moor proper, you’ll see this large haystack-shaped boulder close by. That’s it!
Archaeology & History
This tends to be one of the spots I stop at when doing my tourist walks, to i) let folk get their breath back after ambling from the car park, via Hanging Stones and Map Stone; ii) to drink in the view, and, iii) to begin acquainting themselves with the landscape as it was when this stone was carved (over many decades, perhaps longer), and the animistic cosmology underlying people’s notions of their land. It can be quite an education…
Haystack Rock crushes local manFertility symbol, or Rorschach response?
The Haystack Rock was a very important boulder in the mythic landscape on this plain. It stands near the western end of the Green Crag Necropolis: a huge area of land on these moors where, quite simply, the people of these hills laid their dead. Effectively, the Haystack Rock stands on the edge of Ilkley Moor’s “Land of the Dead”.*
Highlighting this quite firmly, we find that prehistoric walling ‘separates’ this great boulder from the other part of the Plain close to its east and southern sides (walling on its western side is as yet unproven). It was a boulder that was specifically sectioned-off, away from any tombs. All along this Plain are numerous small cairns, many with rock-art nearby, and certain parts of the Plain are split into sections by ancient walling (though a precise map of the walling, tombs and rock-art on this moorland ridge has yet to be done).
J.Romilly Allen’s 1879 images
As far as the textbooks are concerned, we find the first mention of this great carved boulder came from J. Romilly Allen at the end of the 1870s. By 1900, a number of people had been here and written of its grandeur; but, as with cup-and-rings in general, its non-linear form and design elicited the usual notions of bewilderment, druids and puzzled ideas. Much like today really!
Drawing of the central design (after Hedges, 1986)
But this is a big and decent carving, with about 60 single cup-markings, 10 cup-and-rings, and various twizzly grooves and lines linking cups to others, and others going to seemingly nowhere. Some of these lines, of course, may be weathering, or weathered channels emerging from once shorter lines. We might never really know for sure what the original carving actually looked like. On the north-facing side is what looks like a decidedly human figurine etched onto this great boulder, in good old cup-and-ring style. I’ve shown this to a few hundred people and they all seem to make the same remark: it’s a woman with her legs wide open — an early form of sheela-na-gig on Ilkley Moor no less! But whether this was intentional (many folk think so), or just us seeing something we want to see (men in particular!), we might never know.
Ancient cup-marks with vandal marksMore cup-and-rings with vandal marks
The black-and-white illustration above that shows what seems to be just about all elements of the carving in considerable detail, may well be accurate, but it’s nothing compared to seeing the carving first-hand. When it comes to ancient rock-art, detailed drawings are one thing, but the real thing is altogether much much better! Check it out and see for yourself…
Folklore
I’m not too sure what credibility we should give to Nicholas Size’s (1934) extravagant claims, but this was one of the sites he alleged to have seen visions of druidic rites and ghostly figures!
References:
Allen, J. Romilly, ‘The Prehistoric Rock Sculptures of Ilkley,’ in Journal of the British Archaeological Association, 35, 1879.
Bennett, Paul, The Old Stones of Elmet, Capall Bann: Chieveley 2001.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock art of the West Riding, WYAS: Wakefield 2003.
Hedges, John, The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Size, Nicholas, The Haunted Moor, William Walker: Otley 1934.
* It’s gotta be pointed out that Ilkley Moor’s ‘Land of the Dead’ extends much further than just the Green Crag. Much of the extended land above here to the south was an important area, where at some places rites of the dead were performed. The supposed ‘settlement’ nearby (as well as the lesser known one on the moor west of here, on the moor above Ilkley Crags, near Cranshaw Thorn Hill) was likely to be a place where the dead were rested for a period. But more about that in the section on the Green Crag Settlement…
Get to the Twelve Apostles stone circle, then walk just 100 yards down the main footpath south, towards Bingley, and watch out for a small footpath immediately to your left. Walk on here and head for the rocky outcrop a half-mile ahead of you. Once past the outcrop, take the first footpath right and walk down for another 100 yards. Stop! – and walk into the heather. The circle’s about 50 yards away! You can of course come from the Menston side of the moor, following the same directions for the Great Skirtful of Stones, but keep walking on for another 200 yards, towards the rocky outcrop again, turning left down the path for 100 yards, before stopping and walking 50 yards into the heath again!
Archaeology & History
Roms Law circle
This is one of my favourite sites on these moors. I’m not 100% sure why – but there’s always been something a bit odd about the place. And I don’t quite know what I mean, exactly, when I say “odd.” There’s just something about it… But it’s probably just me. Though I assume that me sleeping rough here numerous times in the past might have summat to do with it, playing with the lizards, and of course…the sheep… AHEM!!! Soz about that – let’s just get back to what’s known about the place!
Grubstones is an intriguing place and, I recommend, recovers its original name of Roms or Rums Law. It was described as such in the earliest records and only seems to have acquired the title ‘Grubstones’ following the Ordnance Survey assessment in the 1850s. The name derives from two compound words, rum, ‘room, space, an open space, a clearing’; and hlaw, a ‘tumulus, or hill’ – literally meaning here the ‘clearing or place of the dead,’ or variations thereof. But an additional variant on the word law also needs consideration here, as it can also be used to mean a ‘moot or meeting place’; and considering that local folklore, aswell as local boundary records tell of this site being one of the gathering places, here is the distinct possibility of it possessing another meaning: literally, ‘a meeting place of the dead’, or variations on this theme.
The present title of Grubstones was a mistranslation of local dialect by the Ordnance Survey recorders, misconstruing the guttural speaking of Rum stones as ‘grub stones.’ If you wanna try it yourself, talk in old Yorkshire tone, then imagine some Oxford or London dood coming along and asking us the name of the ring of stones! It works – believe me….
The site has little visual appeal, almost always overgrown with heather, but its history is considerable for such a small and insignificant-looking site. First described in land records of 1273 CE, Roms Law was one of the sites listed in the local boundary perambulations records which was enacted each year on Rogation Day (movable feast day in Spring). However in 1733 there was a local boundary dispute which, despite the evidence of written history, proclaimed the Roms Law circle to be beyond the manor of Hawksworth, in which it had always resided. But the boundary was changed – and local people thenceforth made their way to the Great Skirtful of Stones on their annual ritual walk: a giant cairn several hundred yards east to which, archaeologically, there is some considerable relationship. For at the northern edge of the Roms Law circle is the denuded remnants of a prehistoric trackway in parts marked out with fallen standing stones and which leads to the very edge of the great cairn. This trackway or avenue, like that at Avebury (though not as big), consists of “male” and “female” stones and begins – as far as modern observations can tell – several hundred yards to the west, close to a peculiar morass of rocks and a seeming man-made embankment (which I can’t make head or tail of it!). From here it goes past Roms Law and continues east towards the Great Skirtful, until it veers slightly round the southern side of the huge old tomb, then keeps going eastwards again into the remnants of a prehistoric graveyard close by.
In my opinion, it is very likely that this trackway was an avenue along which our ancestors carried their dead. Equally probable, the Roms Law Circle was where the body of the deceased was rested, or a ritual of some form occurred, before taken on its way to wherever. It seems very probable that this avenue had a ceremonial aspect of some form attached to it. However, due to the lack of decent archaeological attention, this assertion is difficult to prove.
A previously unrecognised small single tomb is in evidence to the immediate southeast (5 yards) of the circle. There is also another previously unrecognised prehistoric trackway that runs up along the eastern side of the circle, roughly north-south, making its way here from Hawksworth Moor to the south. The old legend that Roms Law was a meeting place may relate to it being a site where the dead were rested, along with it being an important point along the old boundary line. Records tell us that the chant, “This is Rumbles Law” occurred here at the end of the perambulation – which, after the boundary change, was uttered at the Great Skirtful. This continued till at least 1901.
Northern section of the Ring
Modern archaeological analysis of the site is undecided as regards the actual nature of Roms Law. Ordnance Survey maps show it as an “enclosure” (which is vague); Faull & Moorhouse’s survey (1981) erroneously tell us it had no funerary nature, contrary to Eric Cowling’s (1946) report of finding bones and ashes from the small hole in near the centre of the ring, aswell as the 1880 drawing of the site in Collyer & Turner’s survey (above). And we find the single cairn on the south-eastern edge of the ring indicating burial rites of sorts definitely occurred here. Described variously by previous archaeologists as a stone circle, a ring cairn, cairn circle, an enclosure, aswell as “a rubble-fill wall of a circular house” (by some anonymous member of the West Yorkshire Archaeology Service, who didn’t respond to my queries about this curious assumption), the real nature of Roms Law leans more to a cairn circle site. A fine example of a cup-and-ring stone — the Comet Stone — was found very close to the circle, somewhere along the Grubstones Ridge more than a hundred years ago, and it may have had some relevance to Roms Law.
This denuded ring of stones is a place that has to be seen quite blatantly in a much wider context, with other outlying sites having considerable relationship to it. Simple as! (If you wanna know more about this, check out my short work, Roms Law, due out shortly!)
Describing the status and dimensions here, our great Yorkshire historian Arthur Raistrick (1929) told that:
“The larger stones still standing number about twenty, but the spaces between them are filled with stones of many intermediate sizes, so that one could with only considerable detail of size, etc, number the original peristalith.”
…Meaning that we’re unsure exactly how many stones stood in the ring when it was first built! Although a little wider, the Roms Law is similar in form to the newly discovered ‘Hazell Circle‘ not far from here. The site has changed little since Raistrick’s survey, though some halfwits nicked some of the stones on the southwestern edge of the site in the 1960s to build a stupid effing grouse-butt, from which to shoot the birds up here! (would the local council or local archaeologist have been consulted about such destruction by building the grouse-butt here? – anyone know?) Thankfully, this has all but disappeared and the moorland has taken it back to Earth.
There is still a lot more to be told of Roms Law and its relationship with a number of uncatalogued sites scattered hereby. Although it’s only a small scruffy-looking thing (a bit like misself!), its archaeology and mythic history is very rich indeed. “Watch This Space” – as they say!
Folklore
Alleged to be haunted, this site has been used by authentic ritual magickians in bygone years. It was described by Collyer & Turner (1885) “to have been a Council or Moot Assembly place” — and we find this confirmed to a great extent via the township perambulation records. Considerable evidence points to an early masonic group convening here in medieval times and we are certain from historical records that members of the legendary Grand Lodge of All England (said to be ordained in the tenth century by King Athelstan) met here, or at the adjacent Great Skirtful of Stones giant cairn 400 yards east.
The boundary perambulations which occurred here on Rogation Day relate to events just before or around Beltane, Mayday. Elizabeth Wright (1913) said of this date:
“These days are marked in the popular mind by the ancient and well-known custom of beating the parish bounds, whence arose the now obsolete name of Gang-days, and the name Rammalation-day, i.e., perambulation-day, for Rogation-Monday. The practice is also called Processioning and Possessioning… The reason why this perambulation of the parish boundaries takes place at Rogationtide seems to be that originally it was a purely religious observance, a procession of priest and people through the fields to pray for a fruitful Spring-time and harvest. In the course of time the secular object of familiarizing the growing generation with their parish landmarks gained the upper hand, but the date remained as testimony to the primary devotional character of the custom.”
And the calling of, “This is Rumbles Law” maintained this ancient custom when it used to be uttered here.
Go to the Cliffe Castle Museum on the outskirts of Keighley town centre (dead easy to find with car park to rear) and explore the museum! You’ll find it eventually!
Archaeology & History
Comet Stone, Cliffe Castle Museum, Keighley
This lovely-looking carving has been on a bit of walkabout over the last hundred years or so! We’re not quite sure exactly where it first lived, but old records tell that it was found upon the Grubstones Ridge, which is a small section of the moor around and/or between the Great Skirtful of Stones giant cairn and the curious Roms Law, or Grubstones Circle, both on the very tops of Burley Moor (most folk call think of it as just another section of Ilkley Moor). Here it lived (approx grid reference SE 138 446) for several thousand years until, many centuries later, in the mid-19th century, one of them there christian chaps came along – y’ know the sorts. He was the reverend J.A. Busfield and came to live upon the heathen edge of our Rombald’s Moor at a great house called Upwood. Like many of these weird people, he took a bit of a shine to our ancient relics and, amidst one of his sojourns to the Grubstones one day, came upon this multiple-ringed stone lying amidst the heather, close to the old circle of Roms Law. Liking it so much, he thought he’d have it as an ornament in the grounds of his hall at Upwood, on the southern edges of the moor overlooking Riddlesden and Keighley — and there it stayed, living quite comfortably, until 1925.
It then spent nearly fifty years living enclosed in the huge abode of Keighley Museum until, in 1971, it was presented by a certain Mr. R.W. Robinson of the same establishment, to Keighley Council, who thought in their weird ways to lean “it against a pile of rocks on the pavement of Bow Street, near Keighley Bus Station, with a small plaque,” telling of its tale and of other cup-and-rings nearby. And there it stayed until more recent years, when it was returned back to the Cliffe Castle Museum – safe, quiet and looked after each night!
Drawing of the carvingCowling’s early drawing
It’s a lovely, almost archetypal carving: a simple cup surrounded by four complete rings, with a ‘tail’ coming off the edge, similar to the image of a comet flying through the skies – which is, perhaps, what this carving represented. Of course, it could have been something completely different!
The region where this stone was located was an important area for the dead in ancient times – a motif that’s common to many cup-and-rings – and it seems probable that the stone itself was once part of a tomb, though we seem to have no record substantiating this. The carving was highlighted by William Cudworth as being in Upwood on a map dated 1847-51. The next description of it was by Arthur Raistrick in 1936. John Hedges (1986) listed it as stone-216 in his survey; then Boughey & Vickerman (2003) re-list it as stone 351.
NOTE – Don’t confuse this carving with another that is held in the same museum here, the Cliffe Castle or Baildon Moor 144 carving. Well worth having a look at!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Cowling, Eric T., Rombald’s Way, Otley 1946.
Hedges, John, The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Raistrick, Arthur, ‘Cup-and-Ring Marked Rocks of West Yorkshire,’ in YAJ, 1936.
