Dun (lost): OS Grid Reference – NN 539 386 (approximation)
Looking towards Laraig Bhreislich, from the south
Also Known as:
Dun croisgh
Lairig Breisleich
Laraig Bhreislich
Archaeology & History
Although this site doesn’t appear in the modern records, the remote situation of the place suggests that some remains of the site could remain and be uncovered by diligent explorers and students. It is one of several lost “circular forts” that were described in William Gillies’ (1938) detailed historical text, that were first highlighted on a map of 1769. His brief description of this old fort told,
“The name ‘Duncroisg’ in Glenlochay, bears witness to the fort that once stood at the southern entrance to Laraig Bhreislich, the pass leading over the mountain to Glenlyon.”
There is is the possibility that some of the remote shielings clustered on the level at Airigh Allt an Eilein and Riabhaich used stones from this ancient site for their construction. On the level to the south of here are the overgrown remains of a prehistoric cairn, not included in archaeological surveys.
Note – Huge sections of prehistoric man-made walling have been located in the area, comprised of gigantic boulders, more reminiscent of enclosure walling. The remains are extensive and huge, but severely overgrown in this remote landscape. Watch This Space!
Folklore
Although not named specifically, this site would have been another of the Forts of the Fiann, or tribes of the hero-figure, Finn. The valley immediately adjacent to the location of the fort is still known as Fionn Ghleann, with the waters of Allt Fionn Ghleann strongly flowing through.
References:
Gillies, William A., In Famed Breadalbane, Munro Press: Perth 1938.
Caisteal Samhraidh stone, looking west down Glen Lochay
Go halfway down Glen Lochay to Dalgirdy house by the cattle-grid, then go up the burn by its side and follow the directions to reach the small standing stone above the shielings of Allt Ghoaordaidh. From here, head east, keeping to roughly the same contour line as you walk along. About half-a-mile on, keep your eyes peeled. If you’re into ambling off-track up mountains, you’ll find it. If you’re not into such things, you could be in trouble!
Archaeology & History
Caisteal Samhraidh stone, looking east to Duncroisk
There are no previous literary references to this standing stone, leaning at an angle, halfway up the southern slope of Mheall Ghaordie. Between 3-4 feet tall, the monolith appears to have had packing stones around it, although when I stumbled across it in a lengthy amble a few weeks ago, the daytime temperature was above 100° F and I’d been out all day with no food, so my investigative faculties weren’t at their best! The stone may have been part of some ancient walling along the edge of the mountain, but if so, it wasn’t obvious. A few yards higher up the slope, a very large overgrown heap of rocks seemed evident – but again, I wasn’t sure whether this was artificial or geological. All along this mountain and up the curve of Allt Ghoaordaidh to the west are such immense clusters of ancient rocks and boulders, that the mound behind here just seemed to merge into the background of all the rest.
Looking SE down Glen Lochay
The ruined Iron Age enclosure of Tullich is less than half-a-mile south of here, and the possible prehistoric standing stones of Tirai another half-mile to the east. Prehistoric rock art scatters the glen east of here and masses of ancient walled structures run up and down hidden ridges and slopes. There is in fact scattered an excess of archaeological remains all along the edges of this long valley, indicating considerable human population in bygone centuries (before the Clearances came) reaching way back into prehistoric times. The old people of Glen Lochay would have been able to furnish us with a mass of important historical tales and myth about so many now-forgotten places, before the carnage of the agriculturalists and capitalists destroyed their way of life. This standing stone, no doubt, would have had tales said of it. Today, only the spirits of the glen are able to whisper such insights…
One helluva climb to reach this little fella. I simply started at Dalgirdy cottage, some 5 miles along Glen Lochay, on the right-hand side of the road. Then, walk right up the burnside, all the way up until it begins to level out and the old shielings appear. When you’ve got to where they just about finish, about 50-70 yards on the east side of the burn, you’ll see the small stone standing upright, all alone. You can’t really miss it!
Archaeology & History
Allt Ghaordaidh, looking south-ish!
No previous written records exist that describe this small standing stone, whose nature and age may be akin to that at nearby Tirai, found amidst the derelict village a couple of miles east, lower down the slopes — i.e., it may have simply been part of some of the ancient village remains and shielings found close by, either side of the rushing burn. But whether it’s only medieval or much more ancient than that, its position in the landscape alone (much like Tirai’s uprights), deserves to be known about.
There are considerable amounts of ancient remains scattering the mountains slopes all round here: some have been catalogued, but a lot of it has not. This little standing stone is at last alive again! (take good food and kit when visiting here)
Take the single-track Glen Lochay road down past the Bridge of Lochay hotel at the edge of Killin, as if you’re gonna visit the superb cup-and-ring carvings opposite Stag Cottage (or Duncroisk 1). Immediately past the garden of Stag Cottage is a small copse of trees and a couple of old wartime-looking buildings in the field above the roadside. Go up past these buildings and onto the rise at the back. You’re here.
Archaeology & History
This is a fascinating site of multi-period historical usage, which Dugald MacInnes (2001) thinks may have its origins in the early Bronze Age or neolithic; but which I reckon was probably first used in the Iron Age. Either way, we have here a large interesting well-preserved prehistoric stone enclosure, that has yet to be excavated. I first came across it whilst gathering firewood from the adjacent copse and was quite puzzled by what seemed to be an extensive curved line of ancient walling running from its east to northeastern section, typical of prehistoric Iron Age walled structures common in northern England and beyond. I must have paced back and forth along a 75 yard length of this section of walling a half-dozen times, wondering what the hell this place was. And the more I looked at this section of the enclosure, the greater my conviction grew that this was constructed in prehistoric times. And thereafter came the puzzle.
Looking down at the walled enclosureNW section of walling
For along the southern walled section were a number of much more modern medieval and much later walled sections, including the remains of buildings that looked barely Victorian in age and nature. The site was obviously being used presently by the local farmer for his cattle. And so it became obvious that here was a large oval-shaped stone-walled enclosure or settlement that had been used over and over again through many centuries, with its origins seeming to be Iron Age in nature. Measuring approximately 195 yards (178m) in circumference, the structure has a maximum E-W diameter of 78 yards (71m) and N-S measurement of 44 yards (40m).
The mass of evidence for prehistoric activity is all round this hidden enclosure, with the fascinating clusters of cup-and-ring stones of Duncroisk and Corrycharmaig close by. The small standing stones of Tirai 600 yards NW, and a similar prehistoric enclosure at Tullich ¾-mile NW show ample evidence of prehistoric man in this part of Glen Lochay.
Despite the size of the place, no literary reference of it occurs before MacInnes and his team came here. His description is as follows:
“An oval enclosure, its boundaries formed principally from large water-worn boulders interspersed with drystone walling and in part by an earthen bank in the easternmost section, sits atop of a natural terrace about 155m OD. The terrace slopes steeply to the west and south and cut into the western slope is a track, the course of which cannot be determined beyond the extent of the slope. This track displays revetment in the form of stone coursing.
“The SW corner of the enclosure is angular rather than the rounded character of the other sections. The W and SW sections are composed of coarsely constructed stonework in which large, 1m wide, often 1m high, water-worn boulders at two to three metre intervals, are interspersed with smaller boulders which form crude drystone coursing.
“The NE section is formed largely of large boulders, one of which is 1.5m in width and 1.2m high by 0.8m wide. Sections of the northern part would appear to be robbed out, perhaps to construct the modern wall which lies about 25m to the north. There are no remaining large boulders there, however, which could indicate their absence in the original construction of the enclosure. The central section of the northern perimeter may be constructed of two outer skins of boulders, forming a wall about 0.9m wide, 0.4m high on its exterior, but reducing to 0.3m on its interior side. Two sections could possibly be filled with a rubble core.
“The E section is formed by a low 0.3m high earthen grass-covered bank with occasional boulders. This bank is about 0.2m high relative to the interior, but is about 0.5m to.0.8m high on its exterior side. The NW side shows on the western side more evidence of double skin, rubble construction. Close inspection of the stonework around the perimeter of the enclosure has revealed no evidence of shot-holes. However a monolith situated in the NE has been split, but this would appear to be natural. The interior of the enclosure is more or less level and grass-covered. There is however, a slight drop in level in the western third of the interior. This is defined by a linear slope which may be a lynchet.”
Northern section of enclosureUpright stone in eastern wall
Northeast of the enclosure about 40 yards away is the normal drystone walling running along the sloping hillside. But more intriguingly to archaeologists is the second line of much more ancient walling 76 yards (70m) further up the grassy slope, running at an angle across and uphill in a northwesterly direction. This line of walling has a distinctly Iron Age flavour to it and is composed of some very large upright monoliths, almost Bronze Age in nature! It continues into the next field for some 400 yards and onto Duncroisk Burn — the other side of which we find another line of ancient walling with an impressive cup-and-ring stone incorporated.
There’s tons more to be said of this region…
…to be continued…
References:
MacInnes, Dugald, An Archaeological Field Survey of a Deserted Settlement at Duncroisk Farm, Glen Lochay, Association of Certified Field Archaeologists: Glasgow 2001.
Go thru Killin and, just past the Bridge of Lochay hotel, take the tiny road on your left. Go down here for 3 miles till you pass the gorgeous Stag Cottage (with its superb cup-and-rings in the field across the road) for another 300 yards, until you see Duncroisk Farmhouse set back on your right. On the other side of the road, go thru the giant deer-gates (close ‘em behind you) to the river-bridge and across it. Walk along the track till you reach the turning to Corrycharmaig House on the right (over the stream), but here, go up into the field thru the gate. Walk up the hill ahead of you with its trees on the left, walking up onto the grassy level, over the deer-fence, then up again to the rounded knoll another 100 yards up. You’re here!
Archaeology & History
On my first visit to this stone, in overcast and wet conditions — the easternmost of at least four separate carved rock faces along the same geological ridge — I only noticed a handful of cup-marks etched onto the northeastern section of the stone. But I was sure there were supposed to be more. And when I returned home to check up, found that Ron Morris (1981) said there were “40 widely scattered cups of which, however, 29 well-defined cups are in a compact group, of which 6 are in a line.” Much more than what I saw! And when I checked further, it was evident that even more cup-marks were once visible on the rock. In the very first description of this carved stone, E.A. Cormack (1952) told:
“On the easterly area there are about 70 small cups, roughly one inch in diameter, in groups of ten to twelve. Most are on the flatter rock surface, but some are on the steeper slope facing south, which also bears the marks of deep glacial scorings.”
A sample of cups on ‘Corrycharmaig 1’
So on our visit here again a few weeks ago when we stayed at Corrycharmaig house*, a couple more visits allowed a slightly better investigation, albeit in even wetter and cloudier conditions than our first visit! And the more we looked, the more we could see; and it was plainly evident that a number of cup-marks had become receptacles for moss-growth! We counted at least 40 cup-markings on this ‘Corrycharmaig 1’ stone, but it seemed pretty obvious that beneath the grasses and vegetation, more carvings would be found.
Walking SSE along the same rocky ridge brings you to the other rock faces of Corrycharmaig 2, 3 and 4 — all with their own carvings. Corrycharmaig 2 possessing the only known complete cup-and-ring on the ridge. More carvings remain hidden nearby…
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR 86: Oxford 1981.
Royal Commission on the Ancient & Historical Monuments of Scotland, Archaeological Sites and Monuments of Stirling District, Central Region, Society of Antiquaries of Scotland 1979.
* Huge thanks Sylvana!! – please let us know when we can stay again!
Follow the same directions to reach the Duncroisk Crosses stone. From here, look up the slope to your right and you’ll see the line of fencing running uphill. Follow this until you reach the ruined remains of the old sheepfold building. From here, look towards the tree-lined gorge of Duncroisk Burn, a few hundred yards west and walk towards it for about 50-60 yards. There’s a group of three rocks hereby, two are large, but the carving’s on the smallest one in the middle.
Archaeology & History
This cup-marked stone was rediscovered as a result of the fine archaeological survey work by that Glasgow bunch of Certified Field Archaeologists, in their assessment of remains in and around Duncroisk Farm. As well as mentioning — albeit briefly — the carvings of Duncroisk Farm and Duncroisk Crosses, Dugald MacInnes (2001) and his team came across another that hadn’t been recorded before. Described in their survey as ‘feature 2’, he told,
“Some 20 metres downslope from the sheep fank and about 60 metres NW from it, there is a group of large boulders. On the southeast sloping face of one of these there are three previously unrecorded cup-marks. These are oriented vertically on a northeast to southwest alignment and are no more than 4cm apart. They are all about 7cm in diameter and 2.5cm deep.”
The carved rock is a relatively small one sitting roughly in between two much larger rocks, both of which are easily visible from the Duncroisk Crosses stone less than 100 yards down the slope. It’s probably only gonna be of interest to the rock-art purists among you and some may even question its veracity, particularly the bottom of the three cups, which gives the impression of being unfinished. If you visit the site in summer and autumn it will be much harder to find, as it gets overgrown with bracken. (we did take a number of photos of this stone, but managed to somehow delete them all before saving to disk – so have gotta check it again when we next visit here)
References:
MacInnes, Dugald, An Archaeological Field Survey of a Deserted Settlement at Duncroisk Farm, Glen Lochay, Association of Certified Field Archaeologists: Glasgow 2001.
Follow the same directions to get to the Corrycharmaig 3 carving; and just a yard or two to the right of the far western edge of the rock, you’ll see another smaller slightly sloping rock, closer to the fencing, with faint cup-markings. That’s the one! (note that the 10-figure grid reference given here might need adjusting slightly)
Archaeology & History
This small slightly sloping piece of exposed rock is on the western extremity of the Corrycharmaig cluster of carvings, but is a distinctly separate piece of rock from the Corrycharmaig 3 stone (though part of the same outcrop). The stone itself has two sections to it, with a natural crack in the rock defining eastern and western section — both of which possess cup-marks.
The easternmost section of the stone has seven cup-marks, some of which were only recently uncovered. A large single cup-mark sits near the middle of this portion of the rock; this is probably what Mr Cormack (1952) was talking about when he told that, “further west (of the Corrycharmaig 3 carving, PB) is one isolated larger cup of 4-inch diameter.” On the western side of the stone, we find just two or three cup-marks, though one large cup-marking here would seem to be Nature’s handiwork.
It is highly likely that beneath the excessive vegetational growth around this carving and others along this ridge, other sections of prehistoric carvings remain to be found.
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR 86: Oxford 1981.
Royal Commission on the Ancient & Historical Monuments of Scotland, Archaeological Sites and Monuments of Stirling District, Central Region, Society of Antiquaries of Scotland 1979.
Follow the same directions to get to the cup-marked stone on the slope behind Duncroisk Farm. Once here, look up the hillside and about 100 yards above you there’s the fence, and a gate in the fence. Go through that gate and walk uphill for some 20 yards where you’ll meet with a large sheet of flat sloping rock with a stream by its side. The crosses are on this rock sheet at the top left-hand side.
Archaeology & History
Although the stone here is pretty easy to find, the insignia carved on the rock itself can be troublesome to see. The accounts by both Cormack (1952) and Morris (1981) each recommend visiting the site around sunrise, but an hour before sunset is also profitable if you wanna see the design with any clarity. And of course, if you keep the rock-face wet (the adjacent stream is handy here) the carvings stand out even better!
Main section of carvingSolar cross & arrow?
It’s a quite superb carving in a truly superb setting, come rain, shine or mist — but for the cup-and-ring aficionado’s amongst you this one might not get y’ going, as we’re looking at a carving that was probably born of the more recent mythic period. Although there are between two and four faded cup-markings here, the principal designs do not echo the more usual neolithic and Bronze Age carvings scattering this part of Perthshire. Instead we find very worn examples of what have been variously called “solar wheels”, “Greek crosses”, Celtic crosses, etc. We also find simple carved ‘arrows’ at the ends of both natural and man-made lines in the rock; along with very distinct ‘eye’ or vulva symbolism. (Crawford 1957) Added to this is the possibility of human figurines discernible in the carving, very similar indeed to those found in Spain (Kuhn 1956) and elsewhere.
Mr Cormack’s 1952 rubbing of the stone
The site was first described by E.A. Cormack (1952) who wrote the following, (slightly edited) piece:
“Examination of the rough and sloping rock surface revealed an interesting group of inscribed figures, confined to an area of about 8 by 2½ feet, four of which included a cross within a circle. The figures are difficult to discern, except when thrown into relief by early morning sunlight, but are clearly demonstrated on a rubbing.
“The crosses may be described in three groups:
“Group 1 — a) Near the upper edge of the rock is a cross within a circle of 8-inch diameter. The vertical axis of the cross is extended below the circle for 4 inches, resting on an ill-defined rectangular base, and upwards for 5 inches to form an arrow-head with 3-inch barbs. At the junction of the shaft of the arrow with the top of the circle is a pair of contiguous rings of about 1-inch diameter. The cross is deeply cut, to about a half-inch depth, with equal arms 4 inches long and 1 inch broad. The left arm of the cross extends beyond the circle, but this may be due to the circle being slightly excentric in relation to the cross. The lower right quadrant of the circle is marred by a natural crevice in the rock, but careful examination shows that the circle does not cut the right arm of the cross.
b) On each side of this figure is a roughly circular marking, one about 4 inches above and to the left, of 3-inch diameter, and the other 2 inches to the right, of about 5-inch diameter. In each there is an indefinite depression across the centre.
“Group 2 — a) About a foot below and to the right of Group 1 there is a boldly cut cross within a 7-inch circle. Again the vertical arm of the cross is extended above and below the circle, downwards for 5 inches to a curved arrow-head with 4-inch barbs, and upwards as an equal armed 5-inch crosslet above which is a 4-inch circle with the central axis continued through it. (The junction of this axis through the circle with the top of the small cross is slightly angled.) The main cross and circle are cut to fully half an inch in depth and one inch in breadth, but the upper part of the figure is much less distinct.
b) About 8 inches to the left of the upper part of the above figure is a very faintly incised cross within a 2½-inch circle. It is difficult to discern on the rock, but can be seen in the photograph and is very clear on the rubbing. It also appears to have an arrow-head above it.
“Group 3 — a) A foot below and to the right of Group 2 is a clearly cut cross within a 6½-inch circle. A natural cleft in the rock has been used for one axis of the cross, which lies obliquely to the others already described, and this axis terminates in an arrow-head 3 inches below the circle, and another slightly smaller arrow-head is cut 2 inches above the circle; in each case the angle formed by the arrow being towards the circle.
b) Immediately below the last cross is a curious hieroglyph not easy to make out on the rubbing, but clear in the photograph. On an 18-inch vertical axis can be seen from above downwards an arrow-head, an oblique line to the left, a faint 2-inch circle, a transverse stroke, and finally two oblique lines to the right. A natural crevice to the left of the figure rather confuses the picture.”
Ron Morris’ (1981) description wasn’t as detailed and he was initially hesitant about using the site in his rock art survey of the area, as he thought it “most likely to be early christian” in nature and period. He changed his view after talking with an associate at Bergen University, who pointed out that the symbols found here up Glen Lochay were “exactly the same as Norway’s second commonest symbol, the ‘Cross-ring’, which is contemporary with their cup-and-ring series.” Morris described the carvings here as:
“3 ‘cross-rings’ and 7 other rings, some of which have traces of crosses within them. There are also grooves, some extending from a ‘cross’-line to form an ‘arrowhead’, and one group, with ring above, rather resembles a ‘man.’ Largest ring diameter, 20cm (8in) and greatest carving depth, 1cm (½in).”
Examples of the artistic symbolism found at this ‘Duncroisk Crosses Stone’ are scattered throughout western Europe from the Bronze Age period onwards: notably at Dowth and Clonfinloch in Ireland (Brennan 1983; Coffey 1912); Jonathan’s Cave, Fife (Simpson 1867); Valcamonica, Italy (Anati 1961); and all over Norway and Sweden (Coles 2005; Gelling & Davidson 1969; Janson 1966). In more recent times we find these curious symbols etched inside the prehistoric chamber of Ty Illtud (Grinsell 1981) — but these are thought to be later additions. However, the universal nature given to such interconnecting symbols such as those found here is, simply, ritual magick. We find it across the Himalayas, Africa, north and south America – just about everywhere. It would be quite wrong to believe that the presence of an encircled ‘cross’ on this stone relates it to a christian belief system, as such a motif is found in many non- and pre-christian societies with a mythic nature akin to that of the swastika, i.e., of a world unfolding or emerging from a centre-point and the arms of the ‘cross’ outwards defining the directions and boundaries of any specified cosmology: be it landscape, heavens, spirit worlds, pregnant belly, etc.
Solar cross? Eye? Vulva?…or dancing human figure?
As Cormack (1952) described, the respective groups of carvings are integrally linked by an interconnecting line that joins the symbols in the respective groups to the other symbols. The fact that the connecting ‘lines’ are natural is meaningful in the relationship between humans and Nature; but moreover, the connecting line linking the symbols strongly implies sequential reasoning and magickal import. Indeed, these three distinct clusters (see Cormack’s rubbing) are functionally akin to magickal sigils, examples of which are found across the ancient and modern world. This is a notion that must be given serious consideration as a function in the carved stone of ‘Duncroisk 4’. Equally we can see in one section of the carving what may be a dancing human figurine, very much like rock carvings found elsewhere in Europe and beyond.
Both Erich Neumann (1973) and Alex Marshack (1972), for slightly different reasons, would also see the images carved here as early expressions of human development: either through i) the emergence of archetypal patterns and the interpretative interplay of the ego, or ii) the intellectual evolution of magickal appliance, whereby imagery and human action are recognized as meaningful in a wider natural sense. In the case of Duncroisk 4 it would more likely possess magickal import, as symbols were much more than ‘art’ and possessed meaning on several interconnecting levels, one of which being ritual function — an element that modern archaeology is slowly learning to incorporate into its analyses.
Dancing Siberian ShamanDancing shaman figure?
A more in-depth comparative essay is really needed to give a clearer exposition defining the nature of this carving… My personal view is that the carving represents, not some solar design, but one of Britain’s earliest artistic examples of human beings, in this case dancing and beating a drum or bodhran. It may indeed be the earliest pictorial example of a bodhran in the country. I’d say so. There is also the distinct possibility that the dancing figure is a shaman. We have many petroglyphs from all over the world that highlight such a character, integral to all early cultures—and this is as likely a contender as any for such a figure. (see Gough 1999; Whitley 2000, etc) It may however, be a warrior with a shield. You see the problems we can have with these damn carvings! 🙂
Folklore
This carved rock is said by local people to have been where a ‘Celtic’ saint delivered sermons to the heathen populace. The saint concerned is likely to be the one who tradition tells gave his name to the small glen immediately across the track from here: St. Charmaig. Halfway up the small glen is a small cave, barely accessible, with untouched remains of dried roots and other elements of human habitation therein. A few hundred yards to the north in old Finn’s Glen, is the forgotten Waterfall of the Oracle which sometimes isn’t even there!
References:
Anati, Emmanuel, Camonica Valley, Alfred Knopf: New York 1961.
Brennan, Martin, The Stars and the Stones: Ancient Art and Astronomy in Ireland, Thames & Hudson: London 1983.
Coffey, George, New Grange and other Incised Tumuli in Ireland, Dolphin: Poole 1977.
Coles, John, Shadows of a Northern Past: Rock Carvings of Bohuslan and Ostfold, Oxbow: Oxford 2005.
Grinsell, Leslie V., “The Later History of Ty Illtud,” in Archaeologia Cambrensis, 131, 1981.
Janson, Sverker & Westman, David, Rock-Carvings at Fiskeby, Esselte AB: Stockholm 1966.
Kuhn, Herbert, The Rock Pictures of Europe, Sidgwick & Jackson: London 1956.
Marshack, Alexander, The Roots of Civilization: The Cognitive Beginnings of Man’s First Art, Symbol and Notation, Weidenfeld & Nicolson: London 1972.
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR 86: Oxford 1981.Neumann, Erich, The Origins and History of Consciousness, Bollingen Princeton University Press: New York 1973.
Royal Commission on the Ancient & Historical Monuments of Scotland, Archaeological Sites and Monuments of Stirling District, Central Region, Society of Antiquaries of Scotland 1979.
Simpson, James, Archaic Sculpturings of Cups, Circles, etc., Upon Stones and Rocks in Scotland, England and other Countries, Edmonston & Douglas: Edinburgh 1867.
Whitley, D.S., The Art of the Shaman: Rock Art of California, University of Utah Press 2000.
Pretty easy to find this. Go up Glen Lochay for 3 miles or so, on the road past the brilliant Stag Cottage carvings for a couple of hundred yards where you’ll see an old run-down army-looking building and past that is a curious large wooden and wire construction. Go up the farm-track next to this, past Duncroisk Farm, taking the footpath through the gates that go up to the side and behind the farm. You’ll see a rounded grassy knoll ahead of you. Head straight for it!
Archaeology & Folklore
This carving would appear to have been described for the first time by Mr Cormack (1952) in his longer essay on the cross-marked stones nearby. He said briefly:
“On the top of a small rock-strewn knoll about 300 yards behind Duncroisk farmhouse is a recumbent boulder, at one corner of which is a group of five fairly deep cup-marks of 2- to 3-inch diameter.”
Little else has been said of the site and even Ron Morris (1981) only gave the carving a brief mention in his survey, saying in passing how “east of a prominent rocky knoll, on whose summit is a cup-marked boulder…”, as he journeyed further uphill to explore the fascinating Duncroisk 4 carving with its scant cup-marks, human figurine and other curious insignia. And although this carving is probably only worthwhile for the real fanatics amongst you, I like the place — sad fella that I am!
Cup-marked stone, looking southClose-up of cups
There are five very distinct cup-marks etched onto a small, almost triangular section of the rock, sat close to a couple of other larger stones on top of the grassy knoll overlooking the glen, not far from some iron age walling. The cups are etched onto the topmost (northern) section of the rock, which is defined by a natural crack running across the surface, almost splitting one part of the stone from the other. The five cups are in no discernible linear formation. A possible sixth cup-mark and extended line may have been started on the other side of the crack on the stone, but its execution was stopped for some reason. This is by no means certain though.
Of some note is the larger stone immediately adjacent on top of this knoll, which — as Paul Hornby pointed out — is encrusted full of small garnets all over its surface. This may or may not have some significance to the cup-marked stone here. According to Mr Hornby, the nearby cup-and-ring stone at Duncroisk Burn also has garnets in it.
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR 86: Oxford 1981.
Royal Commission on the Ancient & Historical Monuments of Scotland, Archaeological Sites and Monuments of Stirling District, Central Region, Society of Antiquaries of Scotland 1979.
Corrycharmaig 3 stone, with Meall Dhuin Croisg rising…
Go thru Killin and, just past the Bridge of Lochay hotel, take the tiny road on your left. Go down here for 3 miles till you pass the gorgeous Stag Cottage (with its superb cup-and-rings in the field across the road) for another 300 yards, until you see Duncroisk Farmhouse set back on your right. On the other side of the road, go thru the giant deer-gates (close ’em behind you) to the river-bridge and across it. Walk along the track till you reach the turning to Corrycharmaig House on the right (over the stream), but here, go up into the field thru the gate. Walk up the hill ahead of you with its trees on the left, walking up onto the grassy level, then up again to the rounded knoll another 100 yards up. You’re here!
Archaeology & History
This is the most visually impressive of the set of four cup-marked rocks along this ridge — although if you visit here when the light is poor, or the sky’s overcast, you’ll be lucky if you can actually see much of the material. For example, I counted 38 cups on this particular stone on a day when the sky was bright, but upon checking later, found that Mr Morris (1981) described there being, “40 widely scattered cups of which, however, 29 well-defined cups are in a compact group of which 6 are in line.” Whereas more recently the Canmore website told there to be,
Corrycharmaig-3 carvingClose-up of line of cups
“At least 48 cupmarks are visible on the most westerly exposure. The cupmarks range in size from 25mm in diameter and 5mm in depth to 100mm in diameter and 40mm in depth. A straight line of six cupmarks arranged close together is orientated running from NW to SE.”
This line of six cups is very distinct and stands out as the most notable aspect on this carving, probably because it gives a sense of ‘order’ or linearity, whereas the rest of the carving (as with oh so many of them, thankfully) possess that non-linear feature of scattered cups and lines, dissolving reason and ego, and eliciting the natural meditative state, if one so cares to allow. On our most recent visit here, our eyes and fingers traced what appeared to be the faint remains of a carved line running along the bottom edge of the row of cups and then bending around the bottom cup in the same line — a little bit like the carved lines which run around the edges of the row of cups on Ilkley Moor’s Idol Stone. You can just make this ‘line’ out in the photo, below.
Cup-mark and flintClusters of cups and faint line
On our most recent visit to the site when we stayed at Corrycharmaig house below (huge thanks to Sylvana!), other sections of the carving were visible that we’d missed before, highlighting at least 45 cup-marks that we counted. Several of the cups had been exposed by animals (sheep or deer – we couldn’t tell) cutting into the soaking wet earth and in carefully checking a couple of cups whose edges were exposed, found a small worked flint within one of the cups! I looked at it, held it, puzzled over it, then laid it back where we’d found it. You can see it in the photo here, on the right.
This carving obviously grows on you with time. And like its carved companions of Corrycharmaig 1, 2 and 4 both left and right of here, the stone rests within a natural theatre of dreams, eliciting — if only in a slight way — the non-focal perspective necessary to receive the carvings as its executor knew…
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR 86: Oxford 1981.
Royal Commission on the Ancient & Historical Monuments of Scotland, Archaeological Sites and Monuments of Stirling District, Central Region, Society of Antiquaries of Scotland 1979.
