Easy to locate: it’s just by the roadside on the left-hand side of the road, Jinny Lane, coming out of the village, just after the last house where the field begins.
Archaeology & History
Nowt to write home about, as they say. The waters here trickle from the earth into an old stone trough — but they don’t look too appetizing (even I didn’t have a drink, which is something of a rarity!). Its the folktale accompanying this little site, giving a distinct hint of some heathen past, that I found intriguing.
Folklore
Here was once the spirit of a woman called Jinny – who gave her name to the road it’s on – that wandered betwixt the well and an old stone, once found further up the hillside (after a bitta digging, we found the remains of the old stone, previously an authentic monolith). It was said that if you wandered along the road on certain moonlit nights, her spirit would chase you. To make matters worse, the ghost was a headless one!
Jinny’s spirit originally resided, peacefully, in the broken old stone atop of the hill. At a certain time of the year, the spirit of the stone would venture downhill to drink from the waters here (much as we find at Rollright and other places). But one day a xtian priest came along and, because of its heathen association, broke the old stone in half and cursed the spirit which roamed between the sites. Thereafter, Jinny’s ghost wandered in torment, with her head hacked off, scaring people half to death when they saw her. And so, another priest was eventually called who, to the satisfaction of local people, eventually put Jinny’s ghost to rest, as they say. It seems to have been a successful ritual, as no-one has reporting seeing the headless ghost for many a long year.
References:
Byrne, Clifford H., Newchurch-in-Pendle: Folklore, Fact and Fiction, Marsden Antiquarians: Nelson 1982.
This site can be reached with relative ease from Colne’s train station by crossing the road and going up Bridge Street, turning immediately left along Shaw Street for several hundred yards until you reach Waterside Road on your left-hand side. From here, as Mr Tom Sharples told, “St. Helen’s Well is presently within the area of overgrown and unmanaged scrub woodland adjacent to Waterside Road.” Look around!
Archaeology & History
First described on the Megalithic Portal by the pseudonymous Brionnfhionn, this recently rediscovered holy well can be found on the southern side of Colne, at Waterside. A few months after the MegPortal announcement, a more detailed overview of the site was published on GoogleDocs, from where Mr Tom Sharples has kindly allowed us to repeat the information that both he and Susan Bryant-Lauder compiled there.
The site was relocated after reference had been found in Geoff Crambie’s (1978) A Colne Festival, where he wrote:
“1935 saw the end of St. Helen’s Mill in Waterside. Built by Nicholas England in 1835, it was named after the St. Helen’s Well nearby, which was reputed to have been named by the Romans.”
The local writer Dorothy Harrison (1988) also mentioned the site, though only in passing, when she told,
“Along with St. Helen’s Well, Buck Spout provided the main source of drinking water in Waterside.”
There has to be some more information about this little-known site hidden in some old Lancastrian history or folklore work, somewhere – surely!?
References:
Crambie, Geoff, A Colne Festival, Turner & Earnshaw: 1978.
Harrison, Dorothy (ed.), The History of Colne, Pendle Heritage Centre 1988.
Go up the nicely-named Wildcountry Lane at the staggered crossroads on the edge of Barrow Gurney for about a half-mile, watching out for the dip in the road where it crosses the stream. Walk up the stream here for a coupla hundred yards, keeping your eyes peeled for the small spring on your left just past where a footpath crosses the stream.
Archaeology & History
Little of historical nature is known of this site, found in the dip near the stream, though it was much frequented in bygone centuries as a curative place for sore eyes.
Folklore
Although named after the little people, Phil Quinn (1999) wrote that,
“even the oldest villager cannot remember how the fairies became connected with this well. All that is told is that the people would go to the well to bathe their eyes, for the water was believed to be good in the treatment of all eye complaints. A local woman remembers that her father, who worked the land in this neighbourhood, would always drink from the well using a cup which was never taken away or used for any other purpose.”
It is likely that the fairy association here derived from the proximity of a nearby prehistoric tomb, cairn or similar archaeological remain. The aptly-named Barrow Wood immediately east and other ‘barrow’ place-names nearby would add weight to this notion. (faerie-lore has widespread associations with prehistoric tombs and similar relics)
References:
Quinn, Phil, The Holy Wells of Bath and Bristol Region, Logaston: Almeley 1999.
The nature of this site seems a little disputed. Shown on modern OS-maps and cited as being visited and seen in April 1967,the Canmore website also describes it in the present tense — but when I.A. Crawford (1965) wrote of this site he told that, “this standing stone…has been destroyed in fencing operations” — i.e., building a fence or wall, not some doods having a fencing fight!
Equally curious would be the stature of the site; as in the Royal Commission report (1928), the stone was told to be only 2-feet tall — which would mean that if this site is included as an authentic archaeological site, then we’re gonna have to double or treble the number of standing stone sites nationally! There are masses of ‘monoliths’ two-feet tall and above which are in the ‘natural’ category. But this stone, for whatever reason (the folklore probably), has been granted the providence as an authentic standing stone.
Folklore
Tradition told that this old stone was “alleged to mark a battle site” in ancient days. The variation on this theme tells that the stone marked the grave of a man who was slewn in battle here. Seems likely that there will be prehistoric tombs nearby…
References:
Crawford, I.A., ‘Carra Bhroin, S.Uist,’ in Discovery & Excavation in Scotland, 1965, SRG & CBA 1965.
Royal Commission on the Ancient & Historical Monuments & Constructions of Scotland, Inventory of Monuments and Constructions in the Outer Hebrides, Skye and the Small Isles, HMSO: Edinburgh 1928.
Head up to the Cow & Calf Rocks and walk to the large disused quarry round the back (west). You’ll notice a scattered copse of old pine trees on the edge where the hill slope drops back down towards Ilkley; and there, two raised hillocks (unquarried bits) rise up where the pine trees grow. The carvings are on the flat rocks atop of one of the two hillocks. If you’re walking up from Ilkley, once you’ve crossed the cattle-grid in the road and the moorland slope opens up above you, just walk uphill towards the copse of trees and watch out for the rock outcrop in the picture here.
Archaeology & History
Very well-known to locals, folklorists and archaeologists alike, the remains of these old glyphs have caught the attention of artists, historians and Forteans alike for the images and tales surrounding them. It was obvious that in times past, that the carved remains that we see today would have extended considerably further, but the quarrying destroyed much of it. Indeed, we’re lucky to have this small section of carved rock still intact!
The rocks were first described as the Hanging Stones in the local parish records of 1645, and their name probably derives from the old-english word hangra, meaning ‘a wood on a steep hill-side,’ which is very apt here. The first known description of the site as possessing cup-and-rings appears to have been in a small article in the local Leeds Mercury newspaper in 1871. Several years later J. Romilly Allen (1879) wrote a lengthier descripton of the site:
“The crags from which these masses have been detached are known by the name of hanging stones, and at their eastern extremity is a large quarry. Between this quarry and the overhanging edge of the cliff a portion of the horizontal surface of the rock was some years ago bared of turf, thereby disclosing the group of cup and ring sculptures shown on the accompanying drawing. It will be seen that the design consists of twenty-five cups of various sizes, from 1 to 3 inches in diameter. Seven of the cups are surrounded by incomplete rings, many of them being connected by an irregular arrangement of grooves. The pattern and execution are of such a rude nature as almost to suggest the idea of the whole having been left in an unfinished state. The sides of the grooves are not by any means smooth, and would seem to have been produced by a process of vertical punching, rather than by means of a tool held sideways.”
Allen and other archaeologists from this period saw some considerable relevance in the position of this and the many other cup-and-rings along this geological ridge, telling:
“The views obtained from all points over Wharfedale are exceedingly grand, and this fact should not be lost sight of in studying remains that may have been connected with religious observances, of which Nature worship formed a part.”
J. Romilly Allen’s 1879 drawing of the carvingsWater-assisted double-ring on eastern rock
A common sense point that seemed long-lost to many archaeologists, adrift as they went in their measurements of lithics and samples of data charts for quite a number of years. In recent years however, this animistic simplicity has awakened again and they’ve brought this attribute back into their vogue. Let’s hope they don’t lose sight of it again!
There are tons of other archaeological references to this fine set of carvings, but none add anything significant to anyone’s understanding of the nature of the designs. We must turn to psychoanthropology, comparative religion and folklore if we want to even begin making any realistic ‘sense’ (if that’s the right word!) of this and other cup-and-rings. Curiously, the nature of this and other carvings is a remit archaeology has yet to correctly engage itself in.
Hanging Stones carving with “twenty-first century informal unauthorised carvings” added
On a very worrying note, we need to draw attention to what amounts to the local Ilkley Parish Council officially sanctioning vandalism on the Hanging Stones, other prehistoric carvings and uncarved rocks across Ilkley Moor. As we can see on a couple of photos here, recent vandalism has been enacted on this supposedly protected monument. Certain ‘officials’ occasionally get their headlines in the local Press acting as if they’re concerned about the welfare of the ancient monuments up here, but in all honesty, some of them really don’t give a damn. The recent vandalism on this stone and others has now been officially recognised as an acceptable “tradition” and a form of — get this! — “twentieth / twenty-first century informal unauthorised carving” and has been deemed acceptable by Ilkley Parish Council as a means to validate more unwanted carving on the moorland “in the name of art”! Of course, their way of looking at this has been worth quite a lot of money to a small group of already wealthy people. But with Tom Lonsdale and Ilkley Council validating or redesignated ‘vandalism’ as “twenty-first century informal unauthorised carvings”, this legitimizes and encourages others to follow in their shallow-minded ignorant footpath, enabling others with little more than a pretentious ‘care’ for both environment and monuments to add their own form of ‘art’ on cup-and-ring carvings, or other rocks on the moors.
Ancient monument with more “twenty-first century informal unauthorised carvings” added
You can see in some recent vandalism — sorry, traditional “twentieth / twenty-first century informal unauthorised carving” — at the top-right of the Hanging Stones photo to the side, a very ornate ‘Celtic’-style addition, akin to the quality carved by well-known stone-mason Pip Hall who, coincidentally, has now been granted a lot of money to “officially” carve her own work on another stone further down the valley from here. With Miss Hall, Mr Lonsdale, poet Simon Armitage and Ilkley Parish Council each playing their individual part in encouraging what is ostensibly vandalism…errr…sorry – I keep getting it wrong – I mean traditional “twentieth / twenty-first century informal unauthorised carving” on the Hanging Stones monument and other cup-and-ring stones on the moor, we can perhaps expect a growth industry in this field…..especially if you’re wanting to make more money for yourself in the name of art or poetry. And if you apply to Rachel Feldberg of the Ilkley Arts Festival, you may get good money for your work… Seriously! (this is no joke either)
Please contact Ilkley Parish Council and other relevant authorities and express your dismay at their lack of insight and concern for the knock-on effects of their decisions on this matter. Other plans to infringe even further onto Ilkley Moor are in the business pipeline…
Folklore
Just underneath the carved overhanging rocks (walk off the knoll to the bottom of the rocks, facing the town), is a small recess or sheltered cavity which, told Harry Speight (1900),has
“From time immemorial (been) known as ‘Fairies’ Kirk’, and traditions of it having been tenanted by those tiny sprites, the fairies, still exist among old people in the neighbourhood.”
Tradition goes on to tell that when the Saxons arrived here, they were wont to build a christian church by the Hanging Stones, but the little people strongly resented this and fought hard against the invading forces. As the Saxons started building the edifice of the new religion, during the night the fairy folk took down the stones and moved them into the valley below. In the morning when the Saxons found this had happened, they carried the stones back up to begin building again; but each night, the fairy folk emerged and again took the stones to the valley bottom again. Eventually, after much hardship, the Saxon folk gave up the idea of building on the Fairie’s Kirk, as it was known, and the church that still remains in Ilkley centre was decided as an easier place to build their edifice.
Traditions such as this (of fairies moving stones back to whence they came, or away from ancient archaeological sites) are found throughout Britain and appear to be simple representations of the indigenous peasant hill-folk who strongly objected to their own sacred sites (rocks, trees, wells, etc) being supplanted by the invading religious force.
In more recent years the observation of curious light phenomena over these rocks have been seen, both over here and the Cow & Calf Rocks…
…to be continued…
References:
Allen, J.R., ‘The Prehistoric Rock Sculptures of Ilkley,’ in Journal of the British Archaeological Association, vol.35, 1879.
Bennett, Paul, The Old Stones of Elmet, Capall Bann: Milveton 2001.
Bogg, Edmund, Higher Wharfeland, James Miles: Leeds 1904.
Collyer, Robert & Turner, J. Horsfall, Ilkley: Ancient and Modern, William Walker: Otley 1885.
Gelling, Margaret, Place-Names in the Landscape, Phoenix: London 2000.
Hedges, John (ed.), The Carved Rocks of Rombald’s Moor, WYMCC: Wakefield 1986.
Leeds Mercury, ‘Prehistoric Remains at Ilkley’, 20 April, 1871.
Michell, John, The Earth Spirit: Its Ways, Shrines and Mysteries, Thames & Hudson: London 1975.
Size Nicholas, The Haunted Moor, William Walker: Otley 1934.
Smith, A.H., English Place-Name Elements – volume 1, Cambridge University Press 1956.
Speight, Harry, Upper Wharfedale, Elliott Stock: London 1900.
Stone Circle (destroyed): OS Grid Reference – SP 470 464?
Also Known as:
Ringstone Well
Archaeology & History
In 1239 CE we find records of a field-name site called “Ringstoneswelle.” Although the place-name writer Margaret Gelling (1954) initially ascribed this as the watering-place of some dood called Hringstan, it is in fact the only record that I’ve found of a “stone circle by a well” in the village. This etymological root is confirmed in A.H. Smith’s English Place-Name Elements (vol.1, p.265) as a probable stone circle.
Folklore
There is also the curious field-name legend of a place in Cropredy called Kirk or Church Piece, where a christian church was being built, but in the morning all the stones had been uprooted & moved back from whence they came. This happened several times according to the folktale – a story that has with all the hallmarks of a megalithic site. (see Grinsell’s Folklore) To me it seems likely that the nearby Cup and Saucer Stone also had something to do with this lost stone circle.
In the same area we have another intriguing bit of folklore that was reported in an early edition of the Banbury Guardian (1932) which told that,
“on one of the top stones of a wall in front of one of the farmhouses is what is supposed to be the Devil’s footprint and there are nail-marks in the stone, but how it gots it name is a puzzle. At the back of the vicarage gardens is a small jetty called HellHole, the old ‘Old Man’ must have visited this village a time or two.”
Are there any local antiquarians or historians who can throw further light on this seemingly lost megalithic ring?
References:
Anonymous, ‘Cropredy and its Legends,’ in Banbury Guardian, December 29, 1932.
Bennett, Paul & Wilson, Tom, The Old Stones of Rollright and District, Cockley: London 1999.
Gelling, Margaret, The Place-Names of Oxfordshire – volume 2, Cambridge University Press 1954.
Grinsell, Leslie V., Folklore of Prehistoric Sites in Britain, David & Charles: London 1976.
Smith, A.H., English Place-Name Elements – Part 1, Cambridge University Press 1954.
Attributed by Michael Dames (1996) and others before him as the abode of the Dagda and the house of the sun, this huge monument was recorded in the Irish Annals as being destroyed in 1101 AD following a great battle. A site of mythic importance to the very early Irish Kings and Queens, and used by the shamans of the tribes, The Grianan is a place of of legendary importance to folklorists, historians and archaeologists alike and has been widely described over the last 150 years. Although the site you see today was hugely reconstructed between the years 1874 and 1878, it’s still impressive and, wrote George Petrie (1840), commands,
“one of the most extensive and beautifully varied panoramic prospects to be found in Ireland”!
Used over very long periods of time, the archaeologist Brian Lacy (1983) described the Grianan, on the whole, as,
“a restored ‘cashel’*, centrally placed within a series of three enclosing earthen banks; the site of an approaching ‘ancient road’; and a holy well.”
Early ground-plan of the Grianon
Lacy’s description in the Donegal Inventory is considerable and culls from the various surveys and reports done in the past. First surveyed by George Petrie in 1835, the internal body of the stone-built site is roughly circular and measures around 25 yards across, with a singular entrance on its eastern (sunrise) side. A stone ‘seat’ is at the end of the internal passage. At the centre of the huge ‘room’, Petrie recorded traces of a rectangular stone structure that he thought might have been the remnants of some old chapel built sometime in the 18th century.
More than 25 yards outside of the primary stone building is another surrounding embankment, oval in shape, low to the ground and with another singular entrance to the east — though this entrance is not in line with that of the main structure. At a further distance out from this embankment are the remains of another two oval ‘enclosures’, though the the remains of the outermost one is considerably more fragmented.
Although the replenished ‘fort’ dates from the Iron Age, early remains here are thought to have been of Bronze Age origin. A ‘tumulus’, now gone, being one such find here.
Folklore
There is much legend here. The creation myth narrated by Scott (1938) tells that it was,
“built originally by the Daghda, the celebrated king of the Tuatha de Danann, who planned and fought the battle of the second or northern Magh Tuireadh against the Formorians. The fort was erected around the grave of his son Aeah (or Hugh) who had been killed through jealousy by Corgenn, a Connacht chieftain.”
From similar legendary sources, it is told that,
“the time to which the first building of Aileach may be referred, according to the chronology of the Four Masters, would be about seventeen hundred years before the christian era. There are strong grounds for believing that the Grianan as a ‘royal’ seat was known to Ptolemy, the Greek geographer, who wrote in AD 120. In his map of Ireland he marks a place, Regia…which corresponds fairly well with its situation.”
By the outer banking on the south-side of the fortress is the remains of a much-denuded spring of water, the old water supply for this place. It gained the reputation of being a holy well, dedicated to St. Patrick.
…the be continued…
References:
Dames, Michael, Mythic Ireland, Thames & Hudson: London 1996.
Harbison, Peter, Guide to the National Monuments in the Republic of Ireland, Gill & MacMillan: Dublin 1982.
Lacy, Brian, Archaeological Survey of County Donegal, DCC: Lifford 1983.
Petrie, George, ‘The Castle of Donegal,’ in Irish Penny Journal, 1, 1840.
Scott, Samuel, ‘Grianan of Aileach,’ in H.P. Swan’s Book of Inishowen, Buncrana 1938.
Swan, Harry Percival, The Book of Inishowen, William Doherty: Buncrana 1938.
Way off from seemingly anywhere this one – on the southern foothills of the great Cuillins, by the western edge of a seemingly unnamed loch. (most unusual) Take the Elgol road (A881) south from Broadford, nearly to its end, keeping an eye out for Kirkibost a few miles from the very end of the road. Just past here, stop and walk the track west to Camasunary a half-mile along, through the small forestry-bit, then follow the line of the trees north and keep going a bit more till y’ reach the nice stream that feeds that unnamed loch. Cross the stream!
Archaeology & History
Alexander Thom’s 1967 drawing
A fascinating little site this one! Perhaps consisting of as many as eight stones at one time, only three stand visible today. Alexander Thom (1967) reported finding other stones in this circle “being buried in the peat, but prodding revealed their position roughly” — as shown on his drawing here. There may at one time have been as many as eight stones here, but the site itself is quite small, making a ring of stones only 21-feet across (or 8 megalithic yards as Thom had it). The ruinous state of the site was put down to the stupidity of the Church of Scotland issuing “instructions that all stones in Skye were to be thrown down” a few centuries back.
Aubrey Burl’s later ‘four-poster’ summary
Aubrey Burl reported that “there were once at least 4 stones here, the tallest being of 6ft 6ins (2m) high,” and wondered whether this was one of the many ‘four-poster’ stone circles that scatter Scotland and elsewhere. An issue he seemed comfortable to proclaim a few years later in his survey of such sites. (Burl 1988) Of those stones still standing, the tallest is just 5 feet high; but there’s the impressive 11½-foot long monolith laying on the southeast edge of the ring! Mr Burl also pointed out that some
“casual digging inside the ring around 1860 uncovered a blackpolished stone about 1½ ins (4cm) long, ‘somewhat resembling a small pestle.'”
I found the proximity of the Cille Mhaire burial ground a mile west of here more than a bit intriguing (though didn’t have time to assess its geomantic relationship further). And the reported presence of prehistoric cairns nearby imply that the Na Clachan Bhreige ‘circle’ had some relationship with death and burial.
Folklore
The folkname of ‘The False Stones’ comes from that well-known tale of the site “supposedly being the remains of three men turned into stone for deserting their wives.” Something which Otta Swire (1964) thought was likely told by christian converts. It would have probably replaced an earlier tale of the stones being the site where some ancestral spirits lived. Swire also told that,
“these were once, if tradition is to be believed, Stones of Wisdom who could both foretell the future and show justice as between man and man.”
Burl (1988) also points out how,
“The name, Na Clachan Bhreige, has been variously pointed translated as ‘the judicial stones’, a place where medieval law courts were held, as in several other Scottish rings. It has also been interpreted as ‘the stone of lies, or falsehood.'”
References:
Burl, Aubrey, Four Posters: Bronze Age Stone Circles of Western Europe, BAR: Oxford 1988.
Grinsell, L.V., Folklore of Prehistoric Sites in Britain, Hale: Newton Abbot 1976.
Swire, Otta F., Skye: The Island and its Legends, Blackie & Sons: Glasgow 1961.
Thom, Alexander, Megalithic Sites in Britain, Oxford University Press 1967.
Thom, A., Thom, A.S. & Burl, Aubrey, Megalithic Rings, BAR: Oxford 1980.
Pretty easy really. Get to the ancient St. Michael’s Church on the dead-end road just outside of Linton village. As you approach it, look into the field on your right. Y’ can’t miss it!
Archaeology & History
Linton ‘Standing Stone’
This is an oddity. It could perhaps be little more than one of the Norber erratics found a few miles further north — but it looks more like a smaller version of one of the Avebury sarsens! Just under six-feet tall, it was shown to me by Adrian Lord yesterday (when the heavens subsequently opened and an outstanding downpour-and-half followed), who’d come across it only a week or two earlier themselves when they visited the ancient church next door. The stone certainly aint in any archaeology registers (no surprise there); and as one local man we spoke to yesterday told us, “there used to be several other standing stones in the same field, cos I remember ’em when I was a kid. ” The gent we spoke to seemed to know just about everything about the local archaeology and history of the area (one of those “damn good locals” you’re sometimes lucky to find!). He told us that the other stones which used to be there had been moved by the local farmer over the years, for use in his walls. So it seems that this is the last one standing. What looks like several other fallen stones can be seen further down the field, just next to the church. But this one’s pretty impressive.
Close-up of gnarled rockLooking south-ish!
The church of St. Michael next door was, tells the information inside, built upon some old pagan site — which gives added thought to this upright stone perhaps being the ruin of an old circle, or summat along those lines. The church, incidentally, is built right next to the River Wharfe.
Not far from here we find an almost inexhaustible supply of prehistoric remains at Grassington and district (less than a mile north). A huge excess of Bronze- and Iron Age remains scatter the fields all round the town. And aswell as the Yarnbury henge close by, there is — our local man told us, “another one which no-one knows abaat, not far away”!
Folklore
The folklore of this area is prodigious! There is faerie-lore, underworld tales, healing wells, black-dogs, ghosts, earthlights – tons of the damn stuff. But with such a mass of prehistoric remains, that aint too surprising. And although there appears no direct reference to this particular stone (cos I can’t find a damn reference about it), the old Yorkshire history magus, Harry Speight (1900), wrote of something a short distance away along the lane from the church. He told that,
“In the field-wall beside the road may be seen some huge glacial boulders, and there is one very large one standing alone in the adjoining field, which from one point of view bears a striking resemblance to a human visage; and a notion prevails among the young folk of the neighbourhood that this stone will fall on its face when it hears the cock crow.”
Just the sort of lore we find attached to some other standing stones in certain parts of the country. And in fact, from some angles, this ‘ere stone has the simulacrum of a face upon it; so this could be the one Speight mentions (though his directions would be, unusually, a little out).
There are heathen oddities about the church aswell: distinctly pre-christian ones. An old “posset-pot” was used for local families to drink from after the celebration of a birth, wedding or funeral here. And at Hallowtide – the old heathen New Year’s Day,
“certain herbs possessed the power of enabling those who were inclined to see their future husbands or wives, or even recognizing who was to die in the near future.”
And in an invocation of the great heathen god (the Church called it the devil), Speight also went on to tell that:
“The practice at Linton was to walk seven times round the church when the doomed one would appear.”
In a watered down version of this, local people found guilty of minor transgressions in and around Linton (thieves, fighters, piss-heads, etc),
“was compelled to seek expiation by walking three time around Linton Church.”
This would allegedly cure them of their ‘sins’! Rush-bearing ceremonies were also enacted here. On the hill above, the faerie-folk lived. And until recently, time itself was still being measured by the three stages of the day: sunrise, midday and sunset; avoiding the modern contrivances of the clock, and maintaining the old pre-christian tradition of time-keeping. Much more remains hidden…
References:
Speight, Harry, Upper Wharfedale, Elliott Stock: London 1900.
Various ways here, but for the sake of newcomers I’d say it was best following directions from Burnsall. From here, take the Appletreewick road thru the village, past the left turn a few hundred yards along, and another 500 yards or so there’s a split in the road: take the one on your right! Follow this up, keeping right (don’t turn into Perceval Hall, tempting though it may be!) and park-up where the road turns into a track. Walk up the track, past the haunted junction, bearing left uphill up Black Hill Road until you reach the very peak of the track where, in the walling on your left, you’ll see this big boulder. If you can’t see it, you’re bloody close!
Archaeology & History
This is at the very peak of Black Hill Road, with excellent views of Simon’s Seat climbing to the immediate south, the prominent and rounded Nursery Knot Hill immediately north, and grand views to peaks east and west. It is very likely this position had something to do with it being deemed worthy of relevance. The rock itself defines a point along the old boundary line.
Skyreholme Wall Boundary carving
One peculiarity on this boulder is the deep cup-mark with a strange ‘lip’ to it, which has been mentioned by others in the past. This is surrounded by at least five others cups — not dissimilar to some of the ‘rosary-designs’ of cup-and-rings further north.
The rock art student’s Boughey & Vickerman’s (2003) drawing of this design is pretty accurate — where they call it stone 413 — though it doesn’t actually give this carving the justice it deserves. They also erroneously tell that some of the cups here are doubtful.
Check it out for y’self. This is an excellent stone for cup-and-ring lovers! (with plenty of other sites scattered about all round here)
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
