Get up to the Swastika Stone, then head west along the footpath towards the Piper Stone. Shortly before there, you’ll see the small cup-marked Piper’s Crag (3) carving, just by the walling. From this carving, just step a few yards down the slope and on the smooth sloping rock face is this faded carving. You’ll see it.
Archaeology & History
A larger than normal single cup-mark near the bottom slope of this rock has an incomplete ring around its east and southern edges, possibly with another broken element of it on its northern edge. It’s difficult to work out whether or not this is one of Nature’s curious markings and so needs looking at in different lights to work it out, one way or the other. It’s included in Boughey & Vickerman’s (2018) updated rock art survey, but there are a number quite natural cup-marks in that tome, so we need to exercise a little bit of caution here. However, it does seem to have a greater degree of authenticity than some of the other dubious single cup-marked stones in their book. Check it out on your way to the Piper’s Stone.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding Supplement, 2018.
Heading up from Ilkley, follow the directions to reach the Swastika Stone, then keep walking (west) along the footpath to the small clump of trees, and keep walking past them too and keep going along the same path as if you’re heading toward the Piper’s Stone. About 200 yards before reaching it, just where the gate and boundary stone is in the old walling, there’s a small line of crags to the right of your feet and there, at the edge of the path, is the stone in question. You’ll see it (unless it’s a cloudy gray day, in which case you might struggle).
Archaeology & History
This is one of a number of cup-marked stones that you’ll find scattering this part of the moor, almost all of which are Nature’s handiwork (a few of these natural carvings have somehow found their way into Keith Boughey’s [2018] updated West Riding rock art book). I’m not 110% certain that this doesn’t have Nature’s name on it either, but it’s got a greater degree of probability to it than some of the others. It’s a simple little thing, as y’ can see, consisting of just the two cup-marks, smaller than usual, living next to each other. If it’s the real deal, we can surmise that it may have been carved by a young person back-in-the-days. In the walling just above this stone you can see the medieval boundary stone, which might—just might—have a prehistoric pedigree to it….
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding Supplement, 2018.
This is an outstanding site visible for miles around in just about every direction – so getting here is easy! If you’re coming from Harrogate, south down the A658, turn right and go thru North Rigton. Ask a local. If you’re coming north up the A658 from the Leeds or Bradford area, do exactly the same! (either way, you’ll see the crags rising up from some distance away) As you walk to the main crags, instead of going to the huge central mass, you need to follow the line of walling down (south) to the extended cluster of much lower sloping rocks. Look around and you’ll find it!
Archaeology & History
On the evening of May 27, 2024, I received a phone call from a Mr James Elkington of Otley. He was up Almscliffe Crags and the wind was howling away in the background, taking his words away half the time, breaking the sentences into piecemeal fragments. But through it all came a simple clarity: as the sun was setting and the low light cut across the rocky surface, a previously unrecorded cup-and-ring design emerged from the stone and was brought to the attention of he and his compatriot Mackenzie Erichs. All previous explorations for rock art here over the last 150 years had proved fruitless—until now!
On the east-facing slope of the stone, just below the curvaceous wind-and-rain hewn shapes at the very top of the boulder, is a singular archetypal cup-and-ring. It’s faint, as the photos show, but it’s definitely there. What might be another cup-and-ring is visible slightly higher up the sloping face, but the site needs looking at again when lighting conditions are just right! (you can just about make it out in one of the photos) But, at long last, this giant legend-infested mass of Almscliffe has its prehistoric animistic fingerprint, bearing fruit and giving watch to the countless heathen activities going back centuries. Rombald’s wife Herself might have been the mythic artist of this very carving! (if you want to read about the many legends attached to the major Almscliffe rock outcrop, check out the main entry for Almscliffe Crags)
Going along the B6160 road from Grassington to Kettlewell and taking the little road to Arncliffe on your left just a few hundred yards past Kilnsey Crags, after ¾ of a mile keep your eyes peeled for the small parking spot on the left-side of the road, with the steep rocky stream that leads up to the Sleet Gill Cave. Walk up this steep slope, following the same directions to reach the Sleets Gill Top enclosure. From here you’ll notice a large gap in the rocky crags about 200 yards WSW that you can walk through. On the other side of this gap, along a small footpath about another 200 yards along you’ll reach a large ovoid rock. Just before this, on your right, is a long rocky rise with distinct drystone walling below it. That’s the spot!
Archaeology & History
Encircling a slightly sloping area of ground that stretches out beneath a long line of limestone crags is this notable walled enclosure running almost the full length of the rocky ridge. Measuring 40 yards (36m) in length by 10 yards (9m) across at its greatest width, this elongated rectangular enclosure has all attributes of being Iron Age in origin, much like many others in this area. However, in comparison with the others close by, this is a pretty small construction and—if used for human habitation, as is likely—would have housed only two or three families.
Within the enclosure itself, near its western end, we find an internal line of walling that creates a single room: enough for a single family, or perhaps even where animals were kept. Only an excavation would tell us for sure.
One notable interesting feature exists roughly halfway along the enclosure, up against the crag itself: here is small man-made stone “cupboard” of sorts, akin to some modern pantry. You’ll get an idea of it in the photo. At first I wondered if this would have been a sleeping space, but, unless it was where a shaman liked to encase him/herself inside a domestic household cave (highly improbable), it would have served a simple pragmatic function. Make up your own mind.
I liked this place. It’s surrounded by crags on almost all sides with some ancient spirit-infested rocky hills very close by, giving it a beautiful ambience. Immediately below the enclosure is what looks to be a large dried-up pool, which was probably well stocked with fish. A perfect living environment. Check it out!
Go up the B6160 road from Grassington to Kettlewell and just a few hundred yards past the famous Kilnsey Crags, take the little road to Arncliffe on your left. After ¾ of a mile, keep your eyes peeled for the small parking spot on the left-side of the road, with the steep rocky stream that leads up to the Sleet Gill Cave. Walk up to the cave, then keep going up the same steep slope to the wall/fence above. You can get over the wooden fence and keep following the wall until it just about levels out nearly 200 yards up. From here, walk 100 yards to your right where the land rises up and you’re at the edge of the walled enclosure. Look around.
Archaeology & History
On top of a small rise in the land is this large, roughly rectangular walled enclosure measuring about 55 yards across at its longest axis (roughly WNW to ESE) and averaging 24 yards wide. The walling is pretty low down and, in some areas (mainly on its eastern edges) almost disappears beneath the vegetation—but you can still make it out – just! The southernmost edge of the enclosure is built upon a the edge of a natural rocky outcrop (typical of many enclosure and settlement sites in this neck o’ the woods) and when you stand on this section you see a very distinct rectangular enclosure, sloping down from here. This would likely have been where animals were kept as it makes no sense as a human living quarter due it being on a slope. But below this, where the land levels out, another low line of ancient walling reaches towards the high modern walls. This is one of three lines of ancient walling running, roughly parallel to the more modern walls (which themselves may have an Iron Age origin) from the main enclosure.
The entire structure is Iron Age in origin, but the site would have been in continual use throughout the Romano-British period and possibly even into early medieval centuries (though only an excavation would confirm that). Its basic architecture is replicated in the many other prehistoric settlements that still exist on the hills all round here (there are dozens of them). You’ll see this clearly when you visit the High Sleets enclosure less than 400 yards southwest from here.
Follow the directions as if you’re visiting the fascinating Wondjina Stone and its companion. From here look at the large rocks on the edge of the drop a few yards away (west) and you’re looking for the flattest rectangular rock jutting out over the edge of the slope, about 15 yards from the walling. The carvings of Rivock (2) and (3) are on the adjacent rocks.
Archaeology & History
The southernmost of (at least) three cup-marked rocks on the edge of this outcrop, it isn’t a carving I’d necessarily include in my own surveys nowadays. It’s a dubious one to say the least. Nonetheless, earlier surveyors added it in their catalogues.
First mentioned in John Hedges’ (1986) survey, this large and roughly flat rectangular boulder possesses three or four questionable cups close to the edge of the stone. Boughey & Vickerman (2003) subsequently included it in their own work—copying Hedges’ notes—and told it to be a “large rock. About three cups on NW side.” Have a look at it when you visit the other more impressive Rivock carvings nearby and see what you think…
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Morris, Ronald W.B., “The Prehistoric Rock Art of Great Britain: A Survey of All Sites Bearing Motifs more Complex than Simple Cup-marks,” in Proceedings of the Prehistoric Society, volume 55, 1989.
Take the same directions as if you’re visiting the fascinating Wondjina Stone and its companion. From here, just a few yards to the west, are the large rocks overhanging the steep hill, several of which have cup-markings on them (including the carvings Rivock Nose [1] and [2]). This particular carving is the one closest to the wall. You can’t really miss it!
Archaeology & History
A simplistic design that’ll only be of interest to the real geeks amongst you; but you might as well give it your attention when you’re looking at the adjacent Wondjina Stone. On its large surface, the most notable ingredients are the three large cups that run (roughly) in a straight line from the middle of the stone to its outer pointy edge. You can see them pretty clearly in the photo. Several other cup-marks can be seen on the more northwesterly side of the stone.
It was first described in John Hedges (1986) survey, whose notes were simply copied in the subsequent survey of Boughey & Vickerman (2003) where, in their traditional way, gave a very basic description, saying, “Large gritstone outcrop: 3m x 2m. Five cups towards NW edge.”
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Morris, Ronald W.B., “The Prehistoric Rock Art of Great Britain: A Survey of All Sites Bearing Motifs more Complex than Simple Cup-marks,” in Proceedings of the Prehistoric Society, volume 55, 1989.
On the moorland road from Dick Hudson’s pub, head east along the Otley Road for more than 1½ miles, past the T-junction right-turn at Intake Gate (to Hawksworth) and just a quarter-mile further on park-up at the roadside (opposite Reva Reservoir). Walk (north) thru the gate into the field and after 300 yards through another gate into the next field. From this gate, walk straight north to the Fraggle Rock cup-and-ring stone, then go down the slope NNW for nearly 50 yards and just above the old track you’ll see the edge of this stone peeking out!
Archaeology & History
One of a number of previously unrecorded carvings in these fields, this is a pretty simplistic but unique design. The first thing you’ll notice is at the top-corner of the stone where, like many rocks on these moors, a nicely-worn cup stands out. Erosion obviously…. or so it first seems. This cup-mark has another two by its side, along the top edge of the stone which, again, initially suggested them to be little more than natural. But in rolling back the turf this assumption turns out to be wrong; for, along the west-side of the rock you’ll see a notable pecked groove running down to another cup-mark about twelve inches below, kinking slightly just before it reaches that cup. You can see this in the photo. Now, if we return to the prominent cup-mark at the top corner of the stone, in certain light there seems to be a very faint incomplete ring around it – but we can’t say for certain and it needs to be looked at again in better light.
The name given to this carving (thanks to Collette Walsh) comes from the wavy lines that go into the middle of the stone from the long pecked line. These wavy lines are natural, although one portion of them might have been artificially enhanced. It’s difficult to tell one way or the other and we’ll have to wait for the computer boys to assess this particular ingredient. Just above these “waves” is a single eroded cup-mark nearly 2-inch across. And that’s that!
Tumulus (destroyed): OS Grid Reference – NZ 6692 2154
Archaeology & History
This long lost burial mound was first located by the local antiquarian William Hornsby in the early 20th century. It had been constructed close to the summit of the prominent rise of Cat Nab, immediately east above Saltburn. Its position was shown on the 1930 OS-map of the area. Destroyed by quarrying, it was thankfully excavated by Hornsby in 1913; and although his finds were never published, he left notes which told us that,
“there were two cremations and the sherds of at least three vessels: a collared urn, a pygmy cup and a vessel with an everted rim.” (Crawford 1980)
Crawford (1980) told that these finds could been seen in the Middlesborough Collection.
References:
Crawford, G.M., Bronze Age Burial Mounds in Cleveland, Cleveland County Council 1980.
Acknowledgements:Huge thanks for use of the Ordnance Survey map in this site profile, reproduced with the kind permission of the National Library of Scotland.
Along Halifax Road (A649), get to the Shears Inn and then take the footpath at the back of the pub that runs down the side of the fields and alongside the allotments. Less than 150 yards down, just through the stile into the edge of the field on your left, you’ll see the side-edge of a large flat stone in the grasses. Check it out!
Archaeology & History
Along with the Attack Well and Tree Root Well, this was one of three springs close to each other that gave local villagers their water supply in bygone times. When we visited here at the height of a long warm spell in the summer of 2023, there was still was a small amount of clear water trickling beneath the long flat slab of stone — although it was somewhat clogged-up with vegetation. It wouldn’t take much work to completely clean this out and use the fresh drinking water once again.
The well gained its name from its position in the land, with balk, being “a portion of a field left unploughed”, or “a strip of ground left untilled” and variants thereof.
References:
Wright, Joseph, The English Dialect Dictionary – volume 1, Henry Frowde: London 1898.
Acknowledgements: Huge thanks to the great Gary Ferner, for use of his photo and the day’s venture!