One of two petroglyphs housed in the Gala House Museum, whose background is somewhat of a mystery. When the northern antiquarian Paul Hornby visited the museum, his enquiries regarding its history and place of origin drew a blank. This small squared block of stone has obviously been broken from a larger piece, but the whereabouts of its adjoining fragments are unknown. The section that remains that we see here is somewhat more complex than it’s companion petroglyph, comprising as it does (in the photo on the right) a concentric cup-and-two-rings,with another arc above it that has a carved line running vertically into it. An elongated cup-mark sits to the side of this line. On the lower-left side we can see where a fragment of the stone has been broken off and here is a cup marking with a double arc above it, that may originally have been another cup-and-two rings. The curious angular lines at the bottom of the stone look like more recent scratches, perhaps from an industrial machine (tractor?) created when the stone was moved from its place of origin. If anyone knows anything about this carving, please let us know.
Acknowledgments: Big thanks to Prof Hornby for use of his photo.
Cup-and-Ring Stone: OS Grid Reference – NT 4917 3590
Archaeology & History
Gala House Museum stone
A curious stone, inasmuch as nothing seems to be known about it! When the northern antiquarian Paul Hornby visited the Gala House Museum he was pleasantly surprised to find this multiple-ringed petroglyph on display. Upon enquiring as to its history and original location, he was informed that it had been donated locally but nothing was known about it. Incredible! One of two carvings in the museum (the origin of the other carving is equally mysterious), this portable petroglyph has three rings surrounding the central cup, which has a short line running out of it and to the edge of the third ring. The petroglyph may have come out of a nearby prehistoric tomb. If anyone knows anything about this carving, please let us know.
Acknowledgments: Big thanks to Prof Hornby for use of his photo. 🙂
Cup-and-Ring Stone: OS Grid Reference – SE 0845 4529
Archaeology & History
Discovered by Stuart Feather in the late 1950s, this was one of two carvings found very close to each other (see Bucking Hill 2) whose exact location are unknown (the grid-reference cited here is a reasonably accurate approximation). In his short article where he mentions the Bucking Hill 2 carving, he then told of,
Sid Jackson’s vague drawing of the carving
“the discovery a few yards away of a small stone bearing a cup-and-ring mark providing evidence for at least one other symbol from this small hill. This stone, only 14in long, 8in wide, and 6½in thick, has a cup 1¾in in diameter, ⅞in deep with a shallow channel 1½ long running from it.
“Round the cup, which is very symmetrical and has the pecking clearly defined, is part of a concentric channel which, if it were a complete circle, would have a diameter of 4in. The channel, which starts near to the small channel that runs from the cup, goes only halfway round the cup and is obviously unfinished. It is irregular in width and depth and in marked contrast to the workmanship of the cup.”
He then queries as to whether this small carved stone could have come off the larger cup-marked Bucking Hill (02) boulder close by. We may never know, but when we consider the lack of general erosion on this cup-and-ring (the pecking was still visible), it would obviously have remained upside-down in the peat for a few thousand years! There was an old cairn a short distance away on the top of Bucking Hill and it may have come from there. Anyhow, Mr Feather subsequenly took this portable carving home with him and it’s subsequently been donated to the Ilkley Manor House Museum where it should be visible. (can someone send us a photo so we can add it to the site profile?)
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Feather, Stuart, “Mid-Wharfedale Cup-and-Ring Markings – Nos 21 and 22: Bucking Hill, High Moor, Rombald’s Moor,” in Bradford Cartwright Hall Archaeology Group Bulletin, 9:5, 1964.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Cup-Marked Stone: OS Grid Reference – SE 0844 4529
Archaeology & History
This was one of two carvings reported by Stuart Feather (1964) that were very close to each other (see Bucking Hill 3), both of which consisted of simplistic designs but which, he thought, may once have been part of the same rock. Its precise whereabouts are not known (the grid-ref is an approximation). He wrote:
“On the southern slopes of Bucking Hill, a fine gritstone rock 5ft 6in by 4ft 6in by 1ft 6in high, has a very clear cup-mark 2in in diameter and ½in deep carved 8in from the straight eastern edge of the rock.”
Feather thought that the edge of the rock had been cut and quarried for use in the boundary wall to the east. He may have been right.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Feather, Stuart, “Mid-Wharfedale Cup-and-Ring Markings – Nos 21 and 22: Bucking Hill, High Moor, Rombald’s Moor,” in Bradford Cartwright Hall Archaeology Group Bulletin, 9:5, 1964.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Cup-and-Ring Stone (lost): OS Grid Reference – SE 0828 4507
Archaeology & History
Described by Boughey & Vickerman (2003) as being located somewhere “below Dirk Hill Sike” in the Rivock woods plantation, this is (or was) a “medium, upstanding rock lying NW-SE (with) one possible heavily weathered large cup-and-ring: cup 75mm diam. and ring 200mm diam.” However, the authors give no references to this site, nor images, or notes as to who rediscovered this stone. In their survey they also included one of the Bucking Hill carvings twice, giving the impression that there was more here than had previously been reported. These errors have subsequently been repeated elsewhere on-line. In saying this, there are a number of rocks scattered in this area which may have had carvings on them, but it’s been heavily forested and, recently, the trees have been felled and so many of them will have been damaged, turned over, or simply destroyed as a result of the forestry shennanigans.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Coming via the Keighley-Bingley (Airedale) B6265 road, go up to Riddlesden and then up the winding Banks Lane until you reach the T-junction. Turn left here and about 330 yards along, on the right-side of the road is a dirt-track. Walk up here, sticking to the track (not the footpath) towards the cliffs of Rivock ahead of you, going through the gate and into the Rivock woods area. 450 yards on from the gate, on your right you’ll pass the long straight line of walling running uphill and literally 275 yards further along the track from here, walk straight up into the trees for 20 yards where, just before the slope begins to truly veer into an “uphill” state, you’ll see the stone in question!
Archaeology & History
Cups on east-side of stone
In 1961 when Stuart Feather rediscovered this carving, the “rock was almost completely covered by a six-inch layer of peat and vegetation.” But, like all good rock art explorers, he slowly and carefully peeled it all back and brought back to light another one of Rivock’s olde stories. We know not what the story on the rock might tell, but it looks good nonetheless! Feather counted “several cups carved on it”, but a few more have ben discerned since then. When Boughey & Vickerman (2003) described it in their typically minimalist way, they told it be a “large square rock with surface in slope of hill. About nineteen cups.” Evocative stuff!
Sketch of basic designFaint line visible, left-side
When I first saw visited this carving as a young lad, the thing which stood out to me more than anything was the long but faint line that ran down one section of the stone. Added to this was an equally faint arc attached to the side of the line, like a “D” form. A few months later I did a sketch of it on my second visit, but I’ve looked and looked and seem to have lost it. (not good) The one I’ve done here is a recent one. As we can see, a series of cup-marks straddle each side of the D-line and are plainly visible, which implies that the line was carved much earlier than the cups. Of course, it’s possible that the cups were repeatedly forged over and over many times over a century or more and the D-line, for whatever reason, left untouched.
Another interesting aspect of this D-line is its repetition in the much more ornate petroglyph 35 yards to the east (presently known as Rivock 67 until we devise something more appropriate). The recently rediscovered Slinger Stone 100 yards south may also have the same feature, but this needs further surveying before we can say for sure.
References:
Bennett, Paul, ‘The Prehistoric Rock Art and Megalithic Remains of Rivock & District (2 parts),’ in Earth, 3-4, 1986.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Feather, Stuart, ‘Mid-Wharfedale Cup-and-Ring Markings: No. 14, Rivock,’ in Cartwright Hall Archaeology Group Bulletin, 7:1, 1962.
Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Acknowledgements: With thanks to Andy Roberts for giving this stone its modern name.
Cup-Marked Stone (lost): OS Grid Reference – NO 003 650
Archaeology & History
When you’ve visited the impressive cup-marked stone at Dalnavaid, this long lost carving might be worth seeking out by the real explorers among you. It’s not been seen for a hundred years and was only reported in brief by the reputable local historian Hugh Mitchell (1923). It’s located a mile north of the Dalnavaid carving, up in the hills on the other side of the road, “on the East side of Clunskea Burn, and on the West shoulder of Ben Skievie.” He described the carving as “having some 16 or 18 cups, and at present it forms part of a grouse butt.”
So if we locate the grouse-butt (they’re usually not too difficult to find), the carving will obviously follow. Mitchell gave us an extra piece of info regarding its location. He described the existence of several other seemingly prehistoric remains within a few yards of the grouse-butt, curious “pit dwellings”, three of them:
“they are of circular shape, about 9 feet in diameter and nearly 5 feet below the surface of the ground, and had evidently been roofed over at one time. The entrance to each is at the lowest level and acts as a drain, to keep the house dry. They are almost the only examples in the district of neolithic dwellings.”
Let us know if you find it!
References:
Mitchell, Hugh, Pitlochry District: Its Topography, Archaeology and History, L. Mackay: Pitlochry 1923.
We took the A872 road on the south-side of Denny to Dennyloadhead and Longcroft, but a few hundred yards before you go under the M876, keep your eyes peeled for Drove Loan on your left. Go down here for literally ¼-mile (0.4km) where there’s a footpath into the woods on your left. Walk on the path into the trees and you’ll reach a track that heads to your right (east). Less than 200 yards on, you’ll see a pond on your right and above here is a small quarried rock outcrop. This carving’s up top, on the gently sloping rock behind carvings no.2 and no.3.
Archaeology & History
Half-covered in mud and vegetation, the first thing you’ll notice on this sloping smooth surface is what looks to be a standard cup-marking, all on its own. But it has company—albeit quiet and faint. A single incomplete cup-and-ring can be seen about 18 inch above (north-ish) this single cup-mark, which may itself be natural. You can make out the cup-and-ring pretty clearly in the photos.
When we found this, we began to clear the rest of the stone but stopped pretty quickly as a scatter of broken glass was mixed into the mud and I was lucky not to cut my hand open. Some kids have evidently been getting pissed here and have left their mess on the rock. But there may well be more symbols beneath the mulch, so if any local folk want to clean it, please make sure to wear some good gardening gloves to protect your hands! And if you find any other hidden elements, please let us know! 🙂
The quickest and easiest route is to take the A924 road from Pitlochry to Kirkmichael. It’s a gorgeous route in itself! Anyhoo… Once you’re out past the houses of Pitlochry and Moulin, you begin to make the real ascent up the winding road, past the hairpin bend and, 5 miles up where the road has levelled out and the craggy moorlands surround you, green fields begin to appear on your left. The first farm on your left is Dalnacarn and less than a half-mile past here, on your right, a small track takes you to Dalnavaid house. Walk along here, past the house and into the field, then the next field where a section rises up towards the fencing. On top of this are several rocks. You can’t really miss it!
Archaeology & History
This typically female rounded rock has, unusually, a series of cups in almost three rows along its easternmost slope, with one or two single cups on its top and southern side. It was first described by Fred Cole (1908) merely as “a small boulder, with a remarkable triple row of cup-marks, resting on a cairn-like mound”; but it wasn’t until John Dixon (1921) came here that a full description appeared. He told us,
Primary rows of cupsLong worked (?) line
“About 200 yards due east of (Dalnavaid) house a ridge or spit of land juts out from the adjoining hillside on to an almost level field. The ridge has sloping sides, and the nearly flat top is 10 or 12 feet above the general surface of the field. Near the end of the ridge stands the cup-marked stone… The dimensions of the stone are: length 4 feet 8 inches; width 3 feet; height from 1 foot 11 inches to 2 feet 4 inches. The cups are all near the north-east side of the upper surface of the stone, and are more or less in rows. Some are large, with a diameter of 3 inches and a depth of nearly 1 inch; others are much weathered, and vary from small, scarcely measurable, hollows, to cups 2 inches in diameter and ½ inch deep. The hollows are no doubt cups almost obliterated by ages of weathering. Reckoning them so, there are in all thirty or thirty-one cups. All are of the plain type, without rings or connecting grooves.”
Looking (roughly) west
A few years later Mitchell (1923) counted 26 cups on it. Along the western side of the stone are two natural cracks that run across it roughly north-south. It wasn’t until I crouched down to look at what seemed to be another cup on its vertical face that I noticed how these lines appeared to have been enhanced by human hands.
For petroglyph enthusiasts, this is a decent carving well worth the visit. What looks to be a cup-and-ring design is found on a stone due south of here and, in all probability, others are hiding away nearby—the “lost” cup-marked stone of the Clunskea Burn, a mile north of here, being one such place. Let us know if y’ find it!
On the north side of Cookridge, find Smithy Lane and go to the western-end, where it meets up with a dirt-track. Walk straight along here by the side of the cricket-pitch and then take the first turn left where you walk along the other edge of the cricket pitch. About 150 yards along, the track hits the woods; keep along here for about another 200 yards where you’ll find a small footpath on your left goes into the woods. Once you’re in in the trees, walk to your right, following the wall, for about 50 yards where you’ll see a large flat stone by the holly trees. That’s it!
Archaeology & History
Rediscovered by the Leeds historian Don Cole in the 1940s, this complex multi-period carving etched onto a flattened rock surface is an unusual outlier from the Rombalds Moor complex several miles to the west. At its heart, around the semi-natural deep “cups” near the middle of the southern side of the stone, is the oldest part of the carving comprising a very faint incomplete triple-ring design which, as we move around it, almost has the look of a Newgrange-lozenge form to it. But I’m unsure…
Very faint incomplete triple-ring at top-middleWaves & cups and rings
More obvious (apart from the deep “cups”), and the first thing you notice as you approach the stone, are the later and much more well-defined elements on the east side of the stone: a curious wave-form writhes from the edge of the rock across its smooth surface, beneath which we find a cup-and-ring and a number of single cup-marks, some enclosed inside a rounded box, with others sat between the curved carved line and the stone’s edge. The “rounded box” with its three cups at first seems to be on its own, but as the light changes you’ll notice a much fainter (possibly older) rectangular box attached to it; no cups are visible inside this.
A hundred yards due south in the same woodland you’ll find the Gab Woods (2) carving.
One interesting feature is the name of the woodland in which the stone resides. In Thomas Wright’s massive dialect work, Gab is a northern dialect word meaning “to talk”, or “idle chatter” (and variants thereof); this is echoed in Blakeborough’s (1911) Yorkshire survey; and Wilkinson’s (1924) local study tells simply it to be “idle talk…able to talk glibly and with much plausibility—a Town Hall Square orator for instance.” This makes the place as something akin to being “the woodland that talks”, “the chattering woods” or “the talking woodland”, etc. You can make up your own mind as to what this might mean… *
References:
Blakeborough, Richard, Wit, Character, Folklore and Customs of the North Riding of Yorkshire, W. Rapp: Saltburn 1911.
Wright, Joseph, English Dialect Dictionary – volume 2, Henry Frowde: London 1900.
Acknowledgements: Huge thanks must go to Peter Murphy for recovering this impressive carving from beneath the carpet of soil and vegetation, and so enabling it to be seen by others once more. Also big thanks to the usual culprit of James Elkington, as well as Sarah Walker and Sarah Jackson.
* a Scottish dialect variant of gab relates to the mouth, tongue, taste.
