This is another of the many unrecorded cup-and-ring carvings in the region—and one in a small cluster hereby. It was rediscovered several years ago on a Northern Antiquarian outing and, thankfully, remains in good condition. Encrusted by layers of gorgeous lichens, deep into the rock, it has hence proven difficult to explore the entirety of the exact design without tearing off the old lichen covering—which I’ve no intention of doing.
Lichen Stone, from above
There are at least a dozen cup-markings etched onto the upper surface of this curved stone, with the majority of them clustering around its eastern side. It seems there’s only one cup-marking on the western section of the rock, with the majority of them carved near the middle of the rock and then moving to its eastern section. But the curious features are the interlinking carved lines which you can see have been highlighted on the top and sides of the stone. Initially you get the impression that they’re natural, but it becomes obvious the more you look at them that they’re an integral part of the carving. Some of the lines typically link-up with other cups, whilst a number of them have been carved along and down the vertical faces of the rock, primarily on the east and north-east edges. At least seven of them have been done and they all reach down to ground-level.
Cups & carved linesCarved lines highlighted
It seemed obvious that an even larger design was apparent on the rock, but the stone had been covered in an age of lichen (hence the name) which I didn’t want to disturb; and although no distinct cup-and-ring can be seen here, it looked as if one such motif might have been hiding beneath the lichen cover. But let’s leave the rock and lichen to their own quiet life and move on our way…. to the other carvings nearby, like the impressive Fraggle Rock, or the more basic Snake Stone. Then follow your nose and seek out the other carvings in these fields…
On the A81 road from Aberfoyle to Strathblane, about a mile south of Aberfoyle take the tiny right turn (keep your eyes peeled!) to Gartmore. At the end of the village, turn right at the T-junction. Just over a mile along the tiny road, just over the tiny road-bridge, turn right again up up the dead straight road to Drymen for nearly a mile and park up. A dirt-track is on your right: walk along here for ¾-mile (1.2km) and in a large field on your left a huge rock sits (no carvings on it). Keep walking on the track and where the field ends, a path to your left runs above a small burn. Naathen, 150 yards along here, look down at the waters and there’s a clump of large rocks. Check ’em out!
Archaeology & History
Morris’ old photo (from PSAS 1967)
This stone and others were mentioned in MacNair’s (1973) essay in the popular history guide to the region, after it had seemingly been rediscovered a few years earlier by Ron Morris (1967; 1969), who listed it in his petroglyph catalogues. It was originally located at the top of the slope above the burn, but was rolled down here shortly after Morris discovered the cup-and-rings on it. The farmer at the time had made a bore-hole into the rock with the intention of blowing it up, but Morris found it just in time and the stone managed to survive!
Faint CnR’s just visible
It’s a large rock with a decent ornate design that was clearly visible when Morris surveyed it (see photo, right). It comprises of, “a cup-and-two-rings, 18cm (7in) diameter, 6 cups-and-one-ring (2 of which are tangential) and at least 8 cups. All rings are complete. Greatest carving depth 2cm (¾in).” There also appears to be a line of four or five small cup-marks running in a short line by one of the lower cup-and-rings, but these are very faint indeed. The double cup-and-ring mentioned by Morris is the one at the top-centre in my photo, but the next cup-and-ring down may also be a double-ring. At the top-right of the photo is where two cup-and-rings are conjoined.
Since being rolled down the slope to the side of the burn, the carving’s much more in the shadows and is more difficult to work out. Sadly on the day when I visited here, Nature bestowed on me a wet and cloudy day, so the design was even more difficult to see, as my photos illustrate.
Morris (1981) told that “other stones in the immediate vicinity bear possible cup-marks,” and one of these may exist just a couple of stones away (Corrie 2), leaning up into the grasses: this is another rock that has been pushed down the slope and has curious natural cup-markings on it, with one or two that could be man-made, but we need a geomorphologist to have a look at it and tell us one way or the other.
References:
Edlin, Herbert L. (ed.), Queen Elizabeth Forest Park, HMSO Edinburgh 1973.
MacNair, A.S., “History,” in Edlin’s Queen Elizabeth Forest Park, HMSO 1973.
Morris, Ronald W.B., “The Cup-and-Ring and Similar Early Sculptures of Scotland; Part 2 – The Rest of Scotland except Kintyre,” in Transactions of the Ancient Monuments Society, volume 16, 1969.
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.
Cup-and-Ring Stone: OS Grid Reference – SK 231 691
Archaeology & History
Ball Cross 2 Carving (after Beckensall)
One of three carvings that were located inside the walling of the Ball Cross hillfort during excavations here in the early 1950s by J. Stanley. (1954) Each carving is distinctly unlike the other in design (see Ball Cross 1 and Ball Cross 3) and it’s highly probable that they were incorporated into the Iron Age structure with their original mythic functions—of neolithic or Bronze Age origin—disused. It is not unlikely that this and its compatriots were originally found in association with the nearby prehistoric tombs.
Ball Cross 2 Carving (photo by Dean Thom)
The broken piece of rock consists of a broken section of an almost archetypal ‘cup-and-ring’—although with this design, no central ‘cup’ occurs: a pattern found at several other multiple-ring stones, like the Grey Stone near Leeds. Although Stan Beckensall (1999) described this to have “8 concentric rings”, his drawing and the photo here by Dean Thom, clearly show only seven such ‘rings’. The carving presently lives in a protective box in Sheffield Museum (though beware the listing they give of the designs, as some are incorrect).
References:
Barnatt, John & Reeder, Phil, “Prehistoric Rock Art in the Peak District,” in Derbyshire Archaeological Journal, 102, 1982.
Beckensall, Stan, British Prehistoric Rock Art, Tempus: Stroud 1999.
Beckensall, Stan, Circles in Stone: A British Prehistoric Mystery, Tempus: Stroud 2006.
Cooper, Ali, Archaeology Walks in the Peak District, Sigma: Wilmslow 2010.
Morgan, Victorian & Paul, Rock Around the Peak, Sigma: Wilmslow 2001.
Stanley, J., “An Iron Age fort at Ball Cross Farm, Bakewell,” in Derbyshire Archaeological Journal, volume 74, 1954.
Acknowledgements: HUGE thanks to Dean Thom for the use of his photo, plus helpful references on this site.
This is another carving (one of three here) that was removed from its landscape setting when found during excavations of the Iron Age hillfort of Ball Cross in the 1950s, and then placed into a box in Sheffield Museum, decontextualizing it and leaving future researchers slightly in the dark as to its possible nature. In removing the carving from its site, the stone was left with additional scratches and grooves slightly damaging the stone. Not good!
Ball Cross Carving (after Beckensall)Ball Cross Carving (after A. Cooper)
Although unlike the Ball Cross 2 and 3 carvings, the design here is structurally very similar to that found east of Gardoms Edge, with this one comprising of a large unbroken carved oval, with at least twelve cup-marks inside. Or as Beckensall (1999) described, it “has 12 cups inside a flattened ring.” Again, like the Gardoms Edge carving, a single cup-mark was etched outside of the enclosed ring. It was found with its companion carvings built into the main walled structure of the hillfort. It’s unlikely that the stones date from the same age as the hillfort: more probable that they were re-used in the structure, with their mythic nature perhaps already long forgotten…
References:
Barnatt, John & Reeder, Phil, “Prehistoric Rock Art in the Peak District,” in Derbyshire Archaeological Journal, 102, 1982.
Beckensall, Stan, British Prehistoric Rock Art, Tempus: Stroud 1999.
Beckensall, Stan, Circles in Stone: A British Prehistoric Mystery, Tempus: Stroud 2006.
Cooper, Ali, Archaeology Walks in the Peak District, Sigma: Wilmslow 2010.
Morgan, Victorian & Paul, Rock Around the Peak, Sigma: Wilmslow 2001.
Stanley, J., “An Iron Age fort at Ball Cross Farm, Bakewell,” in Derbyshire Archaeological Journal, volume 74, 1954.
Acknowledgements: HUGE thanks to Dean Thom for the use of his photo, plus helpful data on this site.
Cup-and-Ring Stone: OS Grid Reference – SK 2752 7328
Archaeology & History
Gardoms Edge 2 carving, in Sheffield Museum (photo – Dean Thom)
This carving is one of two cup-and-ring stones that were removed from this area and transported to Sheffield Museum, decontextualizing them from their landscape presence (this should not be done unless very severe damage is happening, or their destruction is imminent). It’s quite an intriguing carving, similar in design to one found not far away at Great Hucklow, the Middleton Moor 479 carving, etc. Like many Pennine cup-and-ring stones, it was located in a prehistoric cairn field (or necropolis), with hut circles not far away too, and really should have remained in situ for the benefit of future researchers.
Gardoms Edge carving (after Beckensall 1999)
The carving was cut into one end of a small rock and comprises of a singular unbroken, large oval, within which are enclosed thirteen or fourteen cups, plus a single cup on the outside of the ring. Lunar associations may be invoked by the 13 cups, enclosed within one cycle of the year. But I’m speculating of course. It’s probable that other carvings in the area remained undiscovered.
References:
Barnatt, John & Reeder, Phil, “Prehistoric Rock Art in the Peak District,” in Derbyshire Archaeological Journal, 102, 1982.
Barnatt, John & Robinson, F., “Prehistoric Rock Art in Ashover School and Further New Discoveries Elsewhere in the Peak District,” in Derbyshire Archaeological Journal, 123, 2003.
Beckensall, Stan, British Prehistoric Rock Art, Tempus: Stroud 1999.
Beckensall, Stan, Circles in Stone: A British Prehistoric Mystery, Tempus: Stroud 2006.
Acknowledgements: HUGE thanks to Dean Thom for the use of his photo here.
Take the B846 road out of Aberfeldy over the bridge towards Dull and Weem. As you go through Weem, watch closely for the signpost directing you into the trees of Weem Rock and Woods on the right. Follow this tiny road up until you reach the parking circle in the edge of the trees. Follow the directed footpath up into the woods & keep to the winding track, keeping your eyes peeled for the first large rocky crag above you, with a huge tree growing out of the edge. Once you get to the top of the steps and onto these crags, look right in front of you!
Archaeology & History
The nearest ‘officially recognised’ cup and ring carvings to the one we’re gonna see here, are those described by Kaledon Naddair (1990) in his brief descriptions of the Glassie Farm carvings a short distance northeast in the same woods. Other than that, I can find no account of the carvings I’m about to describe – other than a couple of short local history walking guides, which tell that one of the carvings here is “modern.” And that much is plainly evident.
Close-up of one section of the main design
There are at least seven carved stones here – all very close to each other on the top of an impressive crag with a large old tree growing out of the edge of the cliff. But the carvings are located on the flat ground above the cliffs and, it would seem, may well be modern. But I thought that since there are no accounts of the site on-line and no remarks in the Canmore registers, they should be mentioned as future students may mistake them as ancient. There is the possibility (unless someone can show us otherwise) that one or two of them are prehistoric, but I think it’s best we surmise that they are all recent additions in the landscape for the time being. And damn good designs they are too!
The triangular rock designs
The first and most notable of the group of seven (at least), is on the large earthfast triangular flat rock, pointing out to the cliff’s edge and the hills across the valley. This is where the greatest cluster of multiple cup-and-rings can be seen. Double- and triple rings surround several of the central cup-markings, with the traditional lines running out from the central cup. There are a great number of single cups scattering the surface; and we also find a typical ‘rosette’ element, comprised of a central cup surrounded by eight singular cups, which some students have interpreted as solar and lunar symbols (amongst other things) when found on other carvings (there is a prehistoric Rosette Stone is known on Ilkley Moor; but similar examples are known in Ireland, Northumberland and elsewhere).
Below this triangular rock (perhaps attached beneath the) is another long piece of earthfast stone, with more carvings on. But when Lindsey Campbell and I came here yesterday, it was obvious that some elements along this section of stone were carved in recent years. Two double-cup-and-rings are at the bottom-left of this section of rock, with a scattering of other cup-marks reaching across its surface. Several of these are obviously quite new.
Another multiple cup-and-ring
The third notable example is to the top-right of the triangular rock. This stone is mainly of quartzite rock, apart from near the top-end, where another multiple cup-and-ring (four, with a possible fifth broken ring fading away) stand out very blatantly. This carving also seems to be not that olde…
From this third quartz carving, look 10 yards (if that!) back towards the trees and there’s a large boulder. On the surface of this is another multiple cup-and-ring that was very obviously new, and several other cup-markings, also quite new. I presume that the other sections carved onto this stone have also been etched by the same modern artists.
Another boulder with new carvings
As I looked back to the main triangular carved stone, I noticed other small pieces of stone peeking up from the ground and, upon closer inspection, found one small rounded triangular piece with another multiple cup-and-ring that just fit onto the rock. And close by this was another long piece of stone which, when I rolled the turf gently back, found three simple cup-markings along the surface.
A seventh carving was found on one of the rocks that is falling slightly down the slope, close to the fourth ‘new’ carving that I described. This was heavily covered in moss and autumn’s fallen leaves, and I wasn’t about to take the moss away just for the sake of my curiosity. But it was obvious that other cup-markings were on the sloping face of this large stone.
We’ll have to venture back here soon and get some better photos and, with any luck, find some old locals who can tell us when the carvings first appeared. It’s quite a superb spot for a bimble, with the healing waters of St. David’s Well and his cave close by—and the woods were, so local legends tell, inhabited by dragons and good heathen creatures in centuries past. But the proximity of the Druid school—formed by the Ionian druids no less—around the 6-7th century, may have thankfully preserved these old tales and relate to some of the many other monuments found in this area. Although some of these carvings (possibly all) are of recent years, this is a gorgeous spot well worth exploring… And if anyone knows precisely when they were done – please let us know!
Cup-Marked Stone near centre (courtesy Mike Short)
Mike Short tells: Walk ENE along Thornhill Drive (no vehicular access) to gate across road at the last house on the Drive and continue on for approx 475m where road starts to narrow slightly, becomes a little steeper and gently turns to E. Thornhill Drive is now cut into the hillside at this point with an upwards sloping bank on the S side of the path. After approx 25m further on at approx SE 20375 37950 look out on the S side of the path for a pile of boulders sitting on bedrock on top of the bank and a large rectangular tabular rock on the side of the bank. Ascend the bank and from the boulder pile the panel is approx 22m 200º(T) in the middle of an ephemeral E-W path more defined to W.
Archaeology & History
The profile (and ‘How to Get There’) for this recently discovered cup-marked stone was forwarded to me by fellow rock art explorer, Mike Short. The carving is another basic design found in Calverley Woods, between Leeds and Bradford, nearly halfway between the missing petroglyphs of West Woods 2 and Sidney Jackson’s Calverley Woods Stone. Rediscovered by Lisa Volichenko some time ago, Mike described the new carving here as follows:
Looking down on the 3-4 cups (courtesy Mike Short)Sketch of the carving (courtesy Mike Short)
“Panel is carved on W sloping face of a sub-triangular earthfast coarse-grained sandstone boulder 0.81m X 0.50m X 0.38m, the longest axis lying almost exactly N-S. Carving consists of 3 cups, the most N of which is elliptical approx 65mm X 55mm; the central cup is elliptical approx 50mm X 40mm and the most S is circular diameter approx 40mm. On the N edge of the W face is a shallow elliptical depression thought to be of natural origin. There is an area of damage along the ‘crest’ of the boulder close to its S end.
“Carved rock is the most E of five rocks, measuring between 0.70m and 1.15m in length, in very close proximity forming an arc, 3 of which are in the footpath and one of which is resting on a large slab of rock almost completely covered by soil and vegetation.”
And so the small number of cup-marked stones in this woodland slowly grows. One wonders how many more are hidden beneath the roots of the trees—and are all of the lines and cups atop of the great Hanging Stone, a short distant away, all Nature’s handiwork…?
Acknowledgements: Huge thanks for Mike Short for the data, photos and sketch of this carving.
Take the A59 road from Harrogate and Skipton and at the very top of the moors near the Gill Head Enclosures, take the small Kex Ghyll road up past the disused quarry works north for a mile or so. At the junction go left, past the Outdoor Centre, thru West End up Whit Moor Road, then go left down to Brays Cross Farm and over the ford. Note the clump of trees on the moors to the west and take the path there. Once here, a large outcrop of rocks will be seen about 150 yards on the moor to the west. That’s the spot! Otherwise, follow the directions of the legendary wandering Teddy!
Archaeology & History
This dramatic looking outcrop of rocks rising out of the ground a half-mile due west of Bray farmhouse has long been known as the rocks of the ravens: oracular birds of ill-omen in all peasant traditions, yet carrier birds of shamans in their Underworld ventures, from accounts in Russia and Scandinavia, through the Scottish highlands and into Yorkshire’s northern hills, as folklore records show. Whether such mythical figures used the Raven Stones here for such magick, we have no firm accounts; but the existence of the many cup-markings on this particular rock (and others in the outcrop) show that animistic traditions of some form or another occurred here in prehistoric times at the very least.
Looking across the stoneLooking down on the cups (after QDanT)
Records of this place as an archaeological spot are scant indeed. It is passed with barely a mention by those Victorian antiquarian giants, Bogg, Grainge and Speight. The rock art students Boughey & Vickerman (2003) give the wrong grid reference here, but added the site to their inventory, saying only that it is “long, low, exposed bedrock. 22-25 cups; some very weathered and smooth.” A series of channels runs down the slope of the stone, but there are probably natural. However, a cup-and-line does occur on the eastern side of the carving.
References:
Armstrong, Edward A., The Folklore of Birds, Collins: London 1958.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Take the B6265 east out of Grassington, thru Hebden, for another 2 miles till you pass the tiny road down to Skyreholme on the right. Another few hundred yards on, past Nussey Farm and Dry Gill house, park up and look for the track going south into the moors. Go down the track called Black Hill Road for a few hundred yards till y’ reach the gate on the right. A track bends downhill to the psilocybin-rich pastures of Nussey Green. Several hundred yards on, to the right-hand side of the track, we find this and its companions. Look around!
Archaeology & History
Quick sketch of design
This medium-sized, recumbent standing-stone-shaped boulder has perhaps fifteen cup-markings on it. It’s a plain carving with others of a similar ilk in the area. First described by Stuart Feather in 1970 as one of “two cup-marked rocks” he found when ambling around; in Boughey & Vickerman’s (2003) survey they give it the wrong grid reference, though describe it correctly as a “long flat rock of irregular outline (with) fourteen to sixteen cups.” A cluster of other carvings are nearby, though some have been destroyed through mining operations.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Feather, Stuart, “Appletreewick, W.R.,” in Yorkshire Archaeological Register, 1969, Yorkshire Archaeological Journal, part 168, 1970.
From Ilkley, take the directions up to the Panorama Woods 232 carving. From here you can step from this rock over the stride onto the cup-marked carving 231b, and then go onto the next adjoining rock surface a little lower down. From here, you’ll see another mossy rock surface in front of you by a yard or two. That’s the one!
Archaeology & History
The three cup-markings
Here’s another simple cup-marked stone, probably only for the purists amongst you—although in visiting here please take into account the primary carving’s association with other more prominent designs that once existed only a few yards to the west where the houses now stand. There is also the cluster of other carvings right next to this stone. A prehistoric settlement was also in evidence adjacent to this carving which was destroyed in the latter half of the 19th century.
Close-up of the cupsJohn Hedges 1986 drawing
Described simply in John Hedge’s (1986) fine survey as a small “piece of rock with three clear cups and one depression.” Boughey & Vickerman’s (2003) survey added nothing more and merely copied the same words. For some reason or other (mebbe cos I’m simple!) I really like this otherwise innocuous design and its close simplistic relatives. It’s probably due to the trees amidst which the stones are found and the bright mosses on the rocks, giving the site a slightly extra sense of more living genius loci than others on the top of these moors, where the winds move the subtle spirits with greater ease.
19th century addition
If you step down and look at the vertical side of this stone, you’ll notice a more modern stylistic carving etched onto the surface. Not as deep as the prehistoric cups on the top, it seems probable that a local artist by the name of Ambrose Collins carved this on here (and other similar designs on other rocks nearby) in the late 19th century.
References:
Bennett, Paul, The Panorama Stones, Ilkley, TNA: Yorkshire 2012.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
