In the vicinity of the denuded ring-cairn and old tumulus of Wortshorne Hill, the Calderdale historian Mr J.A. Heginbottom (1979) described finding this simple cup-marked rock, a hundred yards or so northwest of the old circle. In my ambles here I was unable to locate it. The stone may have been reburied or destroyed. Prehistoric cup-marked carvings are (officially at least) rare things in Lancashire – and usually where you find one, others lurk close by. Do any local folk out there know anything more about this site?
References:
Heginbottom, J.A., The Prehistoric Rock Art of Upper Calderdale and the Surrounding Area, YAS: Leeds 1979.
Although cited as being on Weston Moor, it is closer to Askwith village. From the village, take the north road and shortly before reaching the T-junction, park-up (somewhere!). There’s a small copse of trees on your right and fields above them – that’s where you’re heading. You might have to bimble about a bit before the rock catches your attention, but it’s worth the wandering. Look around!
Archaeology & History
Sketch of the design c.1985
This is an excellent, archetypal cup-and-ring stone that’ll be loved by any real rock art student! Cups-and-multiple rings are the main visual feature to this stone, along with another 20 single cups and another primary cup-and-ring, all on a medium-sized sloping rock face. The carving was first described by Cowling & Hartley (1937). Since their initial discovery, several other writers have mentioned it with little further comment. The smaller but impressive double cup-and-ring carving 543 can be seen at the bottom left of the woodland in front of you – well worth seeing if you’re visiting here!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Cowling, E.T. & Hartley, ‘Cup-and-Ring Markings to the North of Otley,’ in Yorkshire Archaeological Journal, 33, 1937.
Hotham, John Paul, Halos and Horizons, Hotham Publishing: Leeds 2021.
We were fortunate & taken here by the renowned local megalith authority, Pete Glastonbury – but without Pete’s help you might be ambling here & there for quite a while. It’s on the eastern side of The Ridgeway, down the slope past the stone known as The Polisher, across the flatland sea of many rocks until it begins rising again a few hundred yards east. Where a long straight embankment rises up a few feet (a boundary line), the rock’s just a few yards above it. Walk around!
Archaeology & History
Lacaille’s 1962 sketch of the Fyfield carving
Archaeologist A.D. Lacaille (1962) appears to have been the first person to have written about this little-known site, describing it as being “between the south-western corner of Totterdown Wood and Delling Cottage.” Here is what he described as,
“a cluster of unmistakably artificial and mostly well-preserved cup-markings on the smooth south-easterly sloping surface of a recumbent sarsen.”
And from the photos accompanying Lacaille’s article, it obviously looked a decent carving as well — and so it has transpired. Lacaille (1963) briefly mentioned the carving again a year later in his lengthier essay on the nearby Polisher Stone up the slope a few hundred yards away. But then Wiltshire’s only known cup-marked stone was all-but ignored by archaeologists and left in the literary wilderness until, years later when rock art became a fad in such circles, regional archaeologists Pete Fowler & Ian Blackwell (1998) described the carving as “a cluster of several round depressions…each about two inches across”; though incorrectly ascribed it as the “southernmost example” of cup-marked stones outside of Cornwall.¹ Another rock-art student known as Mr Hobson, following his excursion to the site with the regional authority Pete Glastonbury, wrote:
“The cups themselves are very smoothed out, and fit the bill from the drawing. The horseshoe is very evident, as is the ‘slug’ mark, possibly a half-finished groove from one of the cups near the horseshoe. There are also some angular, yet serpentine (?) grooves at turf level on the south side of the stone. These look like they might be enhanced natural marks in places.”
The rock itself isn’t in its original position, having been moved from another point very close by (probably only yards away). It is sited on the edge of an old boundary line — which made me wonder whether the ‘U’- or ‘C’-shaped ingredient in the carving was a later addition, perhaps of one of the old land-owners hereabouts. The cups however, seem typical of the thousands that we find in northern Britain.
The isolation of this carving is rather anomalous. Others should be in the area but archaeo-records are silent (though the majority of Wessex archaeologists are academically illiterate when it comes to identifying such carvings). The carving may simply be the product of nomadic northerners, showing what their tribes do ‘up North’, so to speak. However, considering the tough nature of southern sarsen stones, it’d have taken ages to etch just this one stone. You can visualise it quite easily: southern tribal folk looking on, somewhat perplexed, as a northern traveller tried to convey what they etch on their stones in the northern lands, only to struggle like hell with cup-marks they’d do with ease on the softer rocks of their homelands. Wessex tribes-folk may have watched, seen the trouble their traveller had over such inane and (perhaps) meaningless carvings, and didn’t see the mythic point s/he was trying to convey…
Curious ‘U’ or ‘C’-shaped feature
Or maybe not!
The lesson with rock-art tends to be simple: where there’s one carving, others are nearby. The rule aint 100% of course — but when we were here the other day I was wanting to dart here, there and everywhere to check the many thousands of outcrop rocks that scatter this entire area. Us rock-art nuts tend to do things like that. It’s a madness that afflicts…
There were one or two stones with ‘possible’ single cup-markings on them, but I wasn’t going to start adding them to any catalogues. They were far too questionable. I was wanting something a bit more decent than that. And then, when Mikki, June, Pete, Geoff and I got to the collapsed long barrow known as the Devil’s Den a few hundred yards further down this rock-strewn sea of a valley, there was something with a bit more potential that we came across…
Folklore
In recent years this cup-marked stone has already attracted imaginative notions, with little foundation. Archaeologists Fowler & Blackwell (1998), in their otherwise fine book, think this carving was related to goddess worship, describing how,
“On Dillion Down…the Great Mother’s help was permanently invoked by patiently indenting a special stone with symbols of her potency.”
Adding that this “was a new idea brought in from the North, and Fyfield was the only place to have such a stone.” Weird! I could’ve sworn there were plenty of other rocks between here and there!
References:
Fowler, Peter J., Landscape Plotted and Pieced: Landscape History and Local Archaeology in Fyfield and Overton, Society of Antiquaries London 2000.
Fowler, Peter & Blackwell, Ian, The Landscape of Lettice Sweetapple, Tempus: Stroud 1998.
Lacaille, A.D., ‘A Cup-Marked Sarsen near Marlborough, Wiltshire,’ in Archaeological Newsletter 7:6, 1962.
¹ Along with the cup-markings atop of Devil’s Den a few hundred yards to the south, across in Somerset we had the Pool Farm example; there are a number of examples in Dorset, including the Badbury Rings carving; plus others in Devon, etc.
A half-mile south of the superb Brimham Rocks complex, take the straight road south until you hit the second farmhouse (and accompanying caravans). Go up the public footpath past Highfield Farm and just check with the landowner’s permission to wander his land if you want to see the stone. They’re OK about it if you ask. The lady there is very amiable and will tell you what’s what, giving directions right to it, telling us it was off the footpath in the middle of one of his fields.
Archaeology & History
Archaeology texts are, once more, silent about this stone (and other monuments in the region), making you wonder just what the hell some of them are paid for! The stone appears to have given its name to the land upon which it stands which, as the locals tell, “has always been known as standing stone hill.” And no wonder — it’s a bloody decent standing stone! On its northern face we find well-eroded lines running down the stone, similar to the weathering found on the Devil’s Arrows a few miles to the east.
Standing Stone Hill stoneLooking south
Although just over 6-feet tall, this is a solid bulky old fella. But the spot he presently occupies isn’t his original standing place. He was found knocked over and lying on the ground in the middle of the 20th century, slightly out of position. But he was thankfully stood back upright by the local land-owners sometime in the 1960s, where he’s been stood ever since. It must have been one helluva job! And making it more difficult was the intriguing geological nature of the Earth right beneath this field. As the lady who now own the land told us,
“When the fields were tilled we found that all of them were easy to turn over, except the one with the stone in it! There’s virtually no soil of any depth to write home about,” she said. “It stands on only a few inches of soil and then you hit solid rock right underneath it. All the other fields are OK – but this one’s the odd one out.”
And before the fields were farmed, just over a hundred years ago, all this land was covered in moorland heather. Then the land was enclosed, the Earth’s heathland stripped out of existence and turned over to agriculture. But thankfully the standing stone was left here. It makes you wonder what else was destroyed when the moorlands were industrialised…
The stone does get a brief mention in Boughey & Vickerman’s (2003) Prehistoric Rock Art of the West Riding, where they mention there being “three possible cups in (a) line on one side” of the standing stone, but these are little more than Nature’s handiwork and nowt else. There are a couple of other cup-and-rings nearby which are the real thing – but the ‘cups’ on this stone aint man-made.
To get here, start from Bingley centre, go through Myrtle Park, across the river bridge and turn right at the dirt-track. Walk on & go over the old bridge/ford of Harden Beck, keeping with the track until the next set of buildings and be aware of a footpath left here. Take this and cross the golf-course, bearing SE until you reach the edge of Cottingley Woods. Take the distinct footpath into the trees & walk up the vivid moss-coloured path until you reach the level at the top where the woods become more deciduous. Here, turn left for 100 yards into the bit of woodland which has been fenced-off and walk about. You’ll find it!
Archaeology & History
Cottingley Woods Fairy Stone
This is a truly superb cup-and-ring stone which anyone into the subject must take a look at! It was first found by the old forester here, Ronald Bennett, in 1966 — ten years before the rock art student Keith Boughey (2005) mistakenly reported it to have been found “by Valerie Parkinson…in 1976.” Everything about it’s excellent — but I think the setting in woodland is what really brings it out.
The first published account and photograph of this superb carved stone seems to have been in Joe Cooper’s (1982) precursory essay on the Cottingley Fairies in an article he wrote for The Unexplained magazine in the 1980s. A few years later I included the stone in a short article on local folklore (Bennett 1988), then again much later in The Old Stones of Elmet (2001). It was curiously omitted from Boughey & Vickerman’s (2003) survey, as were the other carvings that are found very close by. Not sure why… But of the small cluster here (I’ll add the others later), this carving stands out as the best of the bunch by far! Its name has nothing to do with the Cottingley Fairy folk down town: it simply originates from my own teenage thoughts and the true ambience of the setting. Check it out!
Joe Cooper’s 1982 photoFairy Stone carving
The rock is typical millstone grit and its carved upper surface measures roughly 3 yards east-west and 2 yards north-south, sloping gently into the ground. As the photo shows, this is an elaborate design seemingly centred around two large and another smaller circular form, each enclosing a number of internal cups, ring and lines. The next time we’re over there, we’ll try get some clearly images and make a detailed drawing of the old fella! In the event that you visit here, check out the other three carvings close to this primary design — and try work out which one of the three was carved by the scouts in more modern times! Another simple cup-marked stone was recently found in the undergrowth a short distant east of this group.
Sketch of the design in 1981
Recently the carving was given attention with what’s known as photogrammetry software: this enables a more complete image of the 3-dimensional nature of objects scrutinized. In the resulting photos (which I’m unable to reproduce here due to copyright restrictions), a previously unseen long carved line was detected that runs across the middle of the larger of the two enclosing rings. Hopefully in the coming months, those with the software (can’t remember whether it’s English Heritage or Pennine Prospects who won’t allow it) might allow us to reproduce one or two of their images to enable the rest of the world to see what their images have uncovered. After all, considering that we peasants brought this carving to their attention, you’d at least hope they could repay the finds. Some of these larger organizations, despite what they may say, simply don’t swing both ways!
Folklore
In an early edition of my old Fortean archaeology rag of the 1980s, I narrated the tale of one Anne Freeman, who was walking through the woods here. When she reached the top of the woods, near some stones she heard a loud chattering and allegedly saw two tiny figures barely one-foot tall wearing red outfits and green hats in “medieval peasant dress”. Andy Roberts (1992) later repeated the tale and illustrated the carving in his Yorkshire folklore work.
In the 1960s, the old ranger Ronnie Bennett (no relative of mine) who first found these carvings, also reported that he saw little people here: “not one, but three,” as he said. Not fairies with wings, but more gnome-like.
References:
Bennett, Paul, Of Cups and Rings and Things, unpublished: Shipley 1981.
Bennett, Paul, ‘Tales of Yorkshire Faeries,’ in Earth 9, 1988.
Bennett, Paul, The Old Stones of Elmet, Capall Bann: Milverton 2001.
Ellers Wood is at the very northern edge of the beautiful parish of Askwith and has a very particular ambience of its own. The small cluster of at least 5 cup-and-ring stones in this lovely little woodland gives you the impression that they stood out on their own, living here representing the genius loci of this luscious watery vale, all-but-hidden from all but the lucky few. It’s very likely that there are still more carvings hidden away nearby.
The best way to check them out is simply to walk down past the haunted Dobpark Lodge, where it turns into a footpath and where it crosses the lovely old packhorse bridge at the valley bottom, walk a few hundred yards up the river-side (at the bottom of the fields) until you reach Ellers Wood. Once there, look around. This one’s on the west side of the main stream, close by where it meets up with another small burn coming down from the western wooded slopes.
Archaeology & History
First sketch of the carving, c.1994
In the same region as the Ellers Wood 618 and other carvings and very close to the river, somehow this heavily cup-marked stone evaded the prying eyes of such notaries as Cowling, Stuart Feather and Sidney Jackson – all of whom ventured to look at the other petroglyphs in Ellers Wood. But with good fortune, Graeme Chappell and I re-discovered this fine-looking carving in our explorations in 1993-94 and gave it back the attention it truly deserves.
The main feature here is the clustering of cups into sections, as the drawing indicates. It is listed as “stone 614” in Boughey & Vickerman’s (2003) survey.
References:
Boughey, K.J.S. & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Exeter 2003.
Cowling, E.T., ‘A Classification of West Yorkshire Cup and Ring Stones,’ in Yorks. Arch. Journal 1940.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Cowling, E.T. & Hartley, C.A., ‘Cup and Ring Markings to the North of Otley,’ in Yorks. Arch. Journal 33, 1937.
Grainge, William, The History and Topography of the Forest of Knareborough, J.R. Smith: London 1871.
Grainge, William, History and Topography of the Townships of Little Timble, Great Timble and the Hamlet of Snowden, William Walker: Otley 1895.
Follow the same directions for the Ellers Wood 614 and 618 carvings, as it’s nearby. The best way to check them out is simply to walk down past the haunted Dobpark Lodge, where it turns into a footpath and then when you reach the lovely old packhorse bridge at the valley bottom, walk upstream for 3-400 yards until you reach the next small wooded region. Once there, look around…..
Archaeology & History
Ellers Wood is at the very northern edge of the beautiful parish of Askwith and has a very particular ambience of its own. The small cluster of at least 5 cup-and-ring stones in this lovely little woodland gives you the impression that they stood out on their own, living here respresenting the genius loci of this luscious watery vale, all-but-hidden from all but the lucky few.
Cowling’s 1937 sketch1991 sketch of CR-619
Beautifully preserved, this carving was first described in an article by Cowling & Hartley (1937), then included in Cowling’s Rombald’s Way (1946). As with the other cup-and-rings close by, the characteristic grouping of certain cups is here focused into three sections by enclosing rings. This was something I used to call ‘central design’ features, which occur in different locales with their own individual geographical patterns/structures. These central designs are non-numeric in nature, though have a tendency to cluster in patterns of 2, 3 and 4. (I need to write a decent essay on this to outline what I’m on about with greater clarity!)
References:
Boughey, K.J.S. & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Exeter 2003.
Cowling, E.T., ‘A Classification of West Yorkshire Cup and Ring Stones,’ in Yorks. Arch. Journal 1940.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Cowling, E.T. & Hartley, C.A., ‘Cup and Ring Markings to the North of Otley,’ in Yorks. Arch. Journal 33, 1937.
Grainge, William, The History and Topography of the Forest of Knareborough, J.R. Smith: London 1871.
Grainge, William, History and Topography of the Townships of Little Timble, Great Timble and the Hamlet of Snowden, William Walker: Otley 1895.
Follow the same directions to reach the other Ellers Woods carvings, staying on the western-side of the river close to where it meets with Snowden Beck, just north of the footpath. Check it out in winter and early Spring — any later in the year and it might be a little overgrown.
Archaeology & History
A truly lovely, lichen enriched carved rock in a lovely little part of the Fewston valley. The place has a distinct genius loci that’s very different from its carved rock companions on the moorland hills a short distance away. As I’ve said elsewhere: the surroundings of trees and richer fertile growth is something we must remember to ascribe to these carvings when we encounter them, as the landscape in places such as Ellers Wood is much closer to the scattered forested landscape that profused when first these stones were inscribed.
Section of CR-618
First described by Cowling & Hartley in 1937, it was later included in Cowling’s (1946) more extensive prehistoric survey of mid-Wharfedale. There may be as many as 38 cup-markings cut onto the rock here, along with several lines and grooves. A meditative dreaming site indeed…
References:
Boughey, K.J.S. & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Exeter 2003.
Cowling, E.T., ‘A Classification of West Yorkshire Cup and Ring Stones,’ in Yorks. Arch. Journal 1940.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Cowling, E.T. & Hartley, C.A., ‘Cup and Ring Markings to the North of Otley,’ in Yorks. Arch. Journal 33, 1937.
Grainge, William, The History and Topography of the Forest of Knareborough, J.R. Smith: London 1871.
Grainge, William, History and Topography of the Townships of Little Timble, Great Timble and the Hamlet of Snowden, William Walker: Otley 1895
Go up the A93 road from Blairgowrie, after 5 miles turn right at the Bridge of Cally and up Glen Shee. After another 3½ miles, keep your eyes peeled for the iny road on the right signposted to the Drumturk Cheese farmshop. Go up this long tiny winding road, a mile up past the cheese place (which are gorgeous btw!) and onto the open moors. Keep on this road for another 2¼ miles where you can park up near the entrance to the huge wind-farm. Walk up the track to the windmills, bearing right at the first junction, then right again at the next one. From here, walk to the second windmill and from its base walk down, east, into the heather for about 80 yards. You’re damn close!
Archaeology & History
Drumderg (3) carving
On this T-square-shaped earthfast stone, a hundred-and-twenty yards north of the impressive Drumberg (2) petroglyph and just 10 yards below the remains of an impressive hut circle, we find this somewhat plain cup-marked design. It was covered pretty deeply beneath the heather when we came here and it took some time before we could see what we were looking at. The grey skies and poor daylight didn’t help matters either, as the cups were difficult to make out at first, but, thankfully, you can just about see them in the photos.
There are between five and seven shallow but distinct cup-markings on the flat surface, one of which may have a faint ring around it. In truth, this carving’s only gonna be for the real geeks amongst you.
Takes a bitta finding and aint too accessible for those of you who need footpaths! Below the eastern slopes of Addlebrough Hill, by the present source of the Gill Beck right beneath the Dove Stones (the water tastes gorgeous), are the ruinous remains of an old sheepfold. In the field immediately behind (south) of here are a number of small rocks. Look around and you’ll find the stone in question!
Archaeology & History
Unless you’re a real rock-art-freak, I can’t imagine too many of you checking this one out! When Richard Stroud and I visited this spot a few years back (2006), it was a mixture of love and madness that brought us here!
Dove Stones Carving
Amidst the many stones scattered hereabouts, one of them possesses two clear cup-marks on a stone measuring roughly 3ft by 2ft, along the line of a much ruined ancient wall. This might be the one that Beckensall and Laurie (1998) described in their Prehistoric Rock Art of County Durham, Swaledale and Wensleydale, as “a rock with several cups (which) has recently been noticed on Thornton Rust Moor, near the Dovestones” — though it seemed blatantly apparent to us that there were only two cups here, not “several”. However, Brown (2008) appears to list the site, citing it as having “two cups”, just like the one we found, and being “found in prehistoric low field settlement wall,” which fits the picture perfectly — although Brown gives a slight difference in grid-reference to the one Richard Stroud took. It looks a good area to scout around and, I reckon, find previously unrecorded sites.
References:
Beckensall, Stan & Laurie, T., The Prehistoric Rock Art of County Durham, Swaledale and Wensleydale, County Durham Books 1998.
Brown, Paul & Barbara, Prehistoric Rock Art in the Northern Dales, Tempus: Stroud 2008.
