Follow the same directions as to reach the Tree of Life Stone carving. From here walk 7 or 8 yards east. You can’t miss it!
Archaeology & History
Coped Stone carving (after Boughey & Vickerman)
About 20 feet away from the more renowned Tree of Life Stone — and seemingly linked to it by a small stretch of ancient walling that runs between the respective stones — is this rather large boulder close to the walling with at least seven cup-marks on it. A number of vague lines run down and around the edges of some of the cups, but they can be somewhat hard to see if the light conditions aint right (I don’t recommend trying to suss it out on dark grey overcast days — unless you’ve got awesome eyes!). Immediately next to this rock is a large collection of small stones, looking to be the remains of some man-made construction from time past. The nature of this pile of rocks has yet to be ascertained, but it would be reasonable to assume that it was at one point earlier a much larger pile that has been plundered for use to make the drystone walls hereby. Less than 10 yards below this and the Tree of Life Stone carving is a line of ancient walling, at least Iron Age in nature, possibly earlier, running for some distance east-west up and across the moorland.
Cup-marks near top of the stone
The carving was described for the first time, albeit very briefly, by Eric Cowling (1937) in his lengthier description of the Tree of Life Stone, saying how “a small coped stone to the east has several scattered cups” on its surface — meaning this old thing! Boughey & Vickerman’s (2003) survey (2003) describe it as a
“medium-sized, upstanding, worn rock. Seven or eight possible cups, mostly at the top of S face, but one at its bottom of E face.”
…And the poor old fella has had nowt else said of it until now! I reckon this carving will only be of interest to the most serious of meditators or hardened rock-art freaks!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Cowling, Eric T., “Cup and Ring Markings to the North of Otley,” in Yorkshire Archaeological Journal, part 131, 33:3, 1937.
Cowling, Eric T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.
Probably the easiest way to get here is by starting on the Moor Road above Burley Woodhead, where the road crosses the Rushy Beck stream. Looking upstream, follow the footpath up the right-hand side of the waters, nearly all the way to the top. Where it crosses a footpath near where the moor begins to level out, look up to your right and you’ll see the raised crown of stones a coupla hundred yards off path, NNW. That’s it!
Archaeology & History
This very large Bronze Age cairn was reported by Faull & Moorhouse (1981) to have been surrounded by a multiple stone circle, citing it to have been shown as such on an estate map of Hawksworth Common in 1734. When I contacted the Yorkshire Archaeology Society to enquire about this map, it could not be located. (This needs to be found!) No evidence of such a stone circle presently remains, though there were at least two standing stones once to be seen at the edge of this tomb, though only one of them — now laid more than five-feet long in the heather — is still evident on the western side of this giant tomb. But anyone who might know anything about the 1734 Estate Map – pleeeeez gerrit copied or take a photo of it! Then stick it on TNA so everyone can see whether the circle surrounded this, or the Great Skirtful of Stones, 500 yards to the south.
Single cup-marked stone on outer edge of Little Skirtful
The Little Skirtful is in better condition than its big brother on the hill to the south and — unlike the Great Skirtful — there are said to be at least five cup-marked stones amidst the great mass or rocks constituting this site. There could be more. The carvings are just single cup-markings etched onto small portable stones, typical of sites like this. They are found near the centre above a small cist and outwardly towards the northern edges of the cairn (for more info about them, see the main entry for the Little Skirtful Carvings).
It’s been said by Stan Beckensall (1999, 2002) that no cup-marked rocks “are known near…the really large cairns” on the moor—meaning the Little Skirtful and her allies—but this isn’t true as there are at least 4 definite carvings (a possible fifth seems likely) on the moorland immediately around the Little Skirtful. Though to give Beckensall his due, if he got his data from the Ilkley archaeologists, his information isn’t gonna be too accurate, as they’re quite unaware of many sites on these moors! A good number of local people have a much greater knowledge-base on such matters than those in paid offices, as this and other websites clearly shows. The times they are a-changin’, as one dood said, not so long ago…!
Folklore
Paul Bowers & Mikki on top for scale!
The creation myth of this place tells that the giant Rombald (who gives his name to the moor) was in trouble with his wife and when he stepped over to Almscliffe Crags from here, his giant wife – who is never named – dropped a small bundle of stones she was carrying in her apron. (In traditional societies elsewhere in the world where this motif is also found, it tends to relate to the site being created by women.) Harry Speight (1900) tells us of a variation of the tale,
“which tradition says was let fall by the aforementioned giant Rumbalds, while hastening to build a bridge over the Wharfe.”
Variations on this story have said it was the devil who made the site, but this is a denigrated christian variant on the earlier, and probably healthier, creation tale. Similar tales are told of the Great Skirtful of Stones, 500 yards south.
References:
Beckensall, Stan, British Prehistoric Rock Art, Tempus: Stroud 1999.
Beckensall, Stan, “British Prehistoric Rock Art in the Landscape,” in G. Nash & C. Chippindale’s European Landscapes of Rock Art, Routledge: London 2002.
Bennett, Paul, The Old Stones of Elmet, Capall Bann: Chieveley 2001.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAA 2003.
Collyer, Robert & Turner, J. Horsfall, Ilkley: Ancient and Modern, William Walker: Otley 1885.
Colls, J.N.M., ‘Letter upon some Early Remains Discovered in Yorkshire,’ in Archaeologia 31, 1846.
Cowling, E.T., Rombald’s Way, William Walker: Otley 1946.
Faull & Moorhouse, West Yorkshire: An Archaeological Survey – volume 3, WYMCC: Wakefield 1981.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Speight, Harry, Upper Wharfedale, Elliott Stock: London 1900.
Wood, Butler, ‘Prehistoric Antiquities of the Bradford District,’ in Bradford Antiquary, volume 2, 1901.
In James Simpson’s precursory essay (1866) to his monumental Archaic Sculpturings (1867), he details the former existence of a decent piece of prehistoric rock art, lost to us until very recently by the intrusive diggings of one Thomas Kendall of Pickering. Simpson wrote:
“A large mass of sandstone in the moor above Robin Hood’s Bay, near Whitby, had some sculpturings upon it, part of which were split off by Mr Kendall of Pickering, in whose garden I have seen the slab of carvings which he thus procured. Mr Kendall’s slab is about five feet long and two and a-half broad. Upon its surface are three or four isolated cups about an inch and a-half in breadth, and five or six others surrounded by ring-cuttings… Two or three of the ring-cuttings consist of single circles. One consists of a triple circle and straight radial groove. The ends of the circles, as they reach the traversing groove, turn round and unite together, as in the horse-shoe pattern… The two remaining circles, which are respectively five inches and eight inches in breadth, and consist of cups surrounded by two and by three circles, are conjoined together by a long gutter. The upper circle shows a single-and the lower a double horse-shoe pattern. In the uppermost or double circle the rounded ends of the rings are united and bestridden by a shallow right-angled line; and the ends of the lowest or triple circle are in part also conjoined by the gutter which runs from the double circle above, and by a cross straight line which runs off from it. The circles are more imperfectly finished than usual, and at some parts present almost an appearance of being punched out rather than cut out.”
Cup-and-Ring Stone, once near Robin Hood’s Bay
In recent years, thanks to the cup-and-ring huntings of Chris Evans and Graeme Chappell, the carving has re-emerged from its lost position and, it would seem, is located in someone’s garden in Pickering. The carving is catalogued as Stone REM 1/P1 in Brown & Chappell’s (2005: 257) work on North Yorkshire rock art. Hopefully, in the months to come, we’ll have a decent photograph and description of its present condition. Fingers crossed!
References:
Brown, P.M. & Chappell, Graeme, Prehistoric Rock Art in the North York Moors, Tempus: Stroud 2005.
Simpson, J.Y., ‘On Ancient Sculpturings of Cups and Concentric Rings’, in PSAS volume 6, 1866.
Simpson, James Y., Archaic Sculpturings of Cups, Circles, etc., upon Stones and Rocks in Scotland, England and Other Countries, Edmonston and Douglas: Oxford 1867.
The same directions as for the Eastwoods Farm Cup: from Summerbridge, go west on the B6541 towards Dacre Banks, where there’s the signpost for the Nidderdale Way footpath. Follow this past the disused quarry and into the meadows. When you hit the Monk Ing road, bear right (north) and keep going till you’re 100 yards from Eastwoods Farm. Go right, down into the field for about 30 yards or so. Look around!
Archaeology & History
Described in Boughey & Vickerman’s (2003) survey as a “low, medium-sized, quadrant-shaped rock standing up from surroundings, with hollowed out central area.” This hollowed-out central area is, in all likelihood, the remains of a previously unrecognized old cross-base, although investigating archaeologists have somehow missed this. The stone’s proximity to the old Monk’s Way — a medieval trade route used by the local monastic Order — would give added weight to this assertion. A perusal of field-name records here may prove fruitful.
Our authors counted “eight possible small, badly worn cups, (with) three grooves running from central basin, all possibly natural.” The grooves may well be natural, but I’d say that one or two of the cups appear to be genuine. The large hollow in the middle of the stone may originally have been a cup-marking (or maybe even a cup-and-ring — but we’ll never know), before it became used as a site to erect a primitive cross.
Several other cup-and-ring carvings can be found around here — the Eastwoods Farm Cup is in the same field nearby— with the great likelihood of there being others hidden amidst trees or grasses, waiting to be re-awakened! The hugely impressive Morphing Stone and a prehistoric lightning-carving can be found in the next field, full of rocks, on the other side of the stream.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.
From the large village of Summerbridge, go west along the B6541 towards Dacre Banks, where you’ll see the signpost for the Nidderdale Way footpath. Follow this past the disused quarry and onto the meadows. When you hit the Monk Ing road, bear right (north) and keep going till you’re 100 yards from Eastwoods Farm. Go right, down into the fields for 50 yards or so. Look around!
Archaeology & History
A previously unlisted single cup-marked stone which is likely to become overgrown by the grasses pretty soon. Several other carvings are in close attendance in this field. It’s not far from the cup-marked Eastwoods Cross Base (aka CR 637) in the same field, but a little further down. In all probability there are other carvings yet to be found in this area. The rock art student Keith Boughey (2007) mentioned it briefly in an article on the other carvings nearby, saying simply:
“A small area of rock (very possibly bedrock) measuring 40cm x 14cm at its greatest extent pokes up through the turf, showing one worn but clear cup-mark on its western edge (Fig 3). On its own, this marking would not be significant were it not for the fact that four other carved rocks are already recorded from this particular locality.”
Dead easy! Follow the directions to the unmissable Haystack Rock, then look at the small upright stone about 40 yards west, just off the footpath.
Archaeology & History
This is another one of the many carvings I first saw when I was a small lad, about 12 years old, in one of my countless walkabouts over these moors. It’s thought by some to be a small cup-marked standing stone (it’s possible I s’ppose, but improbable); whether that’s the case or not, it certainly has three distinct cup-markings on its east-facing vertical face. There are also what appears to be lines cutting through the cups and running out to near the edge of the stone which may or may not be natural. A small, cute little thing! Boughey and Vickerman (2003) make a note that this carving may be recent — but if so, it was done some considerable time before 1975, when I first clapped eyes on it!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock art of the West Riding, WYAS: Wakefield 2003.
Hedges, John, The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Follow the directions for getting to the Haystack Rock, then bear right (west) along the footpath, past the little Three Cups Stone, until the path bends and goes up onto the moor. A hundred yards or so, walk left into the heather (you’re straddling the remains of considerable prehistoric walling and enclosure remains by now) and look around. You’ll find it!
Archaeology & History
I was only about 12-years old when I first saw this and the nearby prehistoric carvings — but when I came to look for any references to it as a boy, there were none I could find at the time. Then, ten years later when John Hedges (1986) brought out his fine work on the cup-and-ring art of Ilkley Moor, its presence was shown in pen-and-ink at last. Found amidst the remains of an extensive settlement or series of walled enclosures, the carving’s name comes from the curious urn-like element that Hedges showed faintly. There is also an additional ring around one of the cups above the ‘urn’.
Excavations that were done on the prehistoric ‘enclosure’ close to this petroglyph in the 1990s, uncovered the remains of a decent amount of ‘grooved ware’ pottery and worked flint (Edwards & Bradley 1999), dated between 2900 and 2600 BC. As such pottery has been found elsewhere in Britain within and/or near earthworks and other prehistoric remains (obviously!), its incidence here isn’t really too much of a surprise. However, Edwards & Bradley (1999) speculate — albeit vaguely — that there may be a link between the cup-and-rings here and the pottery, saying, “if so, the rock carvings (here) might be indicating a place of special significance.”
This may be so: considering the prevalence of rock-art along the geological ridge and its close association with the large number of burial cairns. If it can be ascertained that the charred remains of humans were kept inside the pottery or vases, the relationship between death and the carvings (well established on this part of Ilkley Moor) would be reinforced.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.
Edwards, Gavin & Bradley, Richard, ‘Rock Carvings and Neolithic Artefacts on Ilkley Moor, West Yorkshire,’ in Grooved Ware in Britain and Ireland (edited by Cleal, R. & MacSween, A.), Oxbow: Oxford 1999.
Hedges, John, The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
The Young Idol Stone (bottom) and its parental Idol Stone above
Take the directions to reach the Haystack Rock, then head onto the moor following the southeast footpath for a few hundred yards, towards where the moor slopes uphill. 20-30 yards before the uphill slope, a yard to the right of the path, a coupla yards below the well-known Idol Stone carving – you’ll find it!
Archaeology & History
Described simply as a “small, rounded, smooth grit rock,” this long-tooth-shaped stone has just two cup-markings on its upper face: one on the more southern tip, and the second smaller cup several inches below it – as shown on the photo. The adjacent carving seen at the top of the photo is the parent guardian, Idol Stone! If you visit this, or any adjacent carvings here, please remember that all along this moorland plain are numerous unexcavated prehistoric tombs. You’re effectively stood at the edge of, or within, a huge prehistoric cemetery.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Hedges, John, The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Head for the binary-like Idol Stone carving and keep walking on the footpath, up the hill. Once on top of the ridge, walk along it to your right (west) for about 300 yards, then walk south (left) into the flat heathland plain. Look around!
Archaeology & History
I’m probably not reading it right – but it seems this large stone with several distinct cup-marks on its vertical south-face, isn’t in the surveys of either Hedges (1986) or Boughey & Vickerman (2003). If someone can correct me on this one – please do!
Green Crag Top Stone, looking north
This is quite a large boulder, as the photos here show. At least two average-sized cup-markings have been etched onto the south face, and two larger ones accompany them on the same edge. There’s another larger cup-mark on the northeast side of the stone, and a possible companion, which may or may not be artificial. Then on top of the stone we have several large cups and a ‘bowl’ — though some of these upper markings may be natural, or just well-eroded cup-marks. It’s hard to tell for sure!
Now I’m gonna have another look in the Hedges, Boughey & Vickerman surveys. They surely can’t have missed this!
It’s not too far from the main footpath from Ilkley to the Twelve Apostles stone circle. As its discoverer C.W. Dymond (1880) said, “It lies alone, on and near the foot of a steep slope, about a furlong, or less than five minutes’ walk, north from the ruins of a small stone-circle (Twelve Apostles) which crowns the crest of the pass leading south-south-east from Ilkley to Eldwick, and just one mile and three-quarters from the former place. If approached therefrom, it will be easily found about two hundred yards to the east of the point where the road surmounts the steep, to enter upon the upper plain.” Otherwise, walk through the Twelve Apostles from the main footpath and out the other side, following the land where it slopes down and, near the bottom, you’ll see this large stone sitting quietly on its own…
Dymond’s 1880 sketch
Archaeology & History
Not too sure about the veracity of this one to be honest. It was first described by archaeologist C.W. Dymond (1880) as “a stone marked with a striking group of cups” – but these are small and untypical of the usual markings. “The stone is 9 ft. 6 ins. in length, 6 ft. 3 ins. in breadth, and about 2 ft. in thickness; its upper surface dipping a little, with the ground, toward the north. Upon it may be seen a group of small cups, for the most part about half an inch in diameter,” he said.
Dymond thought that the design on the rock may have represented parts of the night sky, saying, “here we may have a rude attempt to portray the starry heavens spanned by the galaxy ; and that the outlying groups may have been intended to represent two of the constellations perhaps Orion, and another not so easily identified.” But I think we can take this with a pinch of salt.
Included in Hedge’s (1986) survey without comment, Boughey and Vickerman (2003) correctly thought that the “small peck marks which are not typical cup-marks” might be “doubtful”.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorks Archaeology Service 2003.
Dymond, C.W., ‘Cup Marks on Burley Moor,’ in Journal of the British Archaeological Association, volume 36, 1880.
Hedges, John, The Carved Rocks of Rombalds Moor, WYMCC: Wakefield 1986.
