Rivock Nose (2), Keighley, West Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 07360 44629

Also Known as:

  1. Carving no.11 (Hedges)
  2. Carving no.46 (Boughey & Vickerman)

Getting Here

Follow the same directions for reaching the Wondjina Stone.  Once here, walk to the edge of the cliffs less than 10 yards away and the second largest of the rocks is the one you’re after. (the Rivock Nose [1] and [3] carvings are the rocks either side of this one)

Archaeology & History

Possible cup-markings at Rivock Edge
Possible cup-markings at Rivock Edge

I’ve gotta admit, I was slightly surprised to find this carving logged in both Hedges (1986) and Boughey & Vickerman’s (2003) surveys.  Although we find the distinct appearence of cup-markings near the edge of the cliff at the northwestern end of Rivock Edge, these seem a little too close to being natural to be comfortably acknowledged in archaeo-texts without notes the contrary.  I took a photo of them when we were up visiting the other day, but didn’t expect them to be in the books.  Not only do they include this probably natural example, they also add another two rocks found along the cliff edges (Hedges 12 & 13; B&V 45 & 47).  In the event that these carvings are deemed authentic, then those along the edge of the great Kirk cliffs above Steeton must also be added to the same pot.

In the photo here you can work out perhaps nine cup-marks near the edge of the cliff, which is what the textbooks say.  Make your own mind up when your next looking at the Wondjina Stone and others nearby.

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
  2. Feather, Stuart, ‘Mid-Wharfedale Cup-and-Ring Markings: Nos. 7 & 8, Rivock Edge,’ in Cartwright Hall Archaeology Group Bulletin, 6:8, 1961.
  3. Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.

© Paul Bennett, The Northern Antiquarian 


Niplet Stone, Rivock, Keighley, West Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 07481 44452

Also Known as:

  1. Carving no.23 (Hedges)
  2. Carving no.59 (Boughey & Vickerman)

Getting Here

Niplet Stone (after Hedges)
Niplet Stone (after Hedges)

Follow the same directions to reach the nearby Wondjina Stone, but as you reach the trig-point at the top of Rivock Edge, note the smooth rounded boulder 50 yards ESE.  That’s it!

Archaeology & History

Named after the sea of cotton grasses, or niplets (Eriophorum angustifolium), amidst which it lives for several weeks of the year, the cups-marks that make up this design can be terribly difficult to work out even in the best of lighting.  We have here a lichen-encrusted stone with perhaps as many as 25 cup-marks scattering, mainly, the top and westerly sloping face.  Although some of the cups are quite noticeable, the vegetative growth and simple erosion has made an accurate visual impression of the original carving very difficult — as the images plainly tell!  If I ever manage to capture the stone resting in a good mood, I’ll replace the photos I’ve got here!

Niplet Stone, looking SE
Niplet Stone, looking SE
Beautiful fusion of faded cups, lichen & great age...
Beautiful fusion of faded cups, lichen & great age…

Although I remember coming here and seeing this and the nearby carvings when I was a teenager, then a few years later on with Edna Whelan and Graeme Chappell, it seems that the first literary note of this carving after my own initial exploration was in the Ilkley Archaeology Group’s survey (Hedges 1986), where they make note of a flint that was found beside the stone.  Boughey and Vickerman (2003) later include the same stone in their work, but with no additional information.

References:

  1. Bennett, Paul, “The Prehistoric Rock Art and Megalithic Remains of Rivock & District (parts 1 & 2),” in Earth, 3-4, 1986.
  2. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
  3. Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.

© Paul Bennett, The Northern Antiquarian


Wondjina Stone, Rivock, Keighley, West Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 07366 44628

Also Known as:

  1. Carving no.10 (Hedges)
  2. Carving no.49 (Boughey & Vickerman)

Getting Here

Wondjina Stone, Rivock
Wondjina Stone, Rivock

A wonderful site, though a bittova walk for city-minded folk.  Head up the road from Riddlesden, Keighley, towards the southern edge of Rombalds Moor and keep going till you reach the road which surrounds the moor (called Silsden Road).  At the T-junction in front of you is a path which takes you onto the fields and moor.  Go over the stile and walk straight up the steepish field that follows the straight line of the forest, all the way to the top.  Climb over the wall on your left when you reach the top of the tree-line, walk past the triangulation pillar for 100 yards or so till you hit the end of the walling before it drops back into the trees.  The carving’s under your nose!

Archaeology & History

Wondjina Stone01
Rivock Edge’s ‘Wondjina’ carving

The name of this carving is based on a first impression I got of it when I came here as a young lad, still in my teens.  The ‘Wondjina’ is a name given to primal aboriginal spirits whose images are etched and painted on rock surfaces in various parts of Australia (usually rock overhangs or in caves).  Don’t ask me why, but that was the impression I first got of this stone — and it’s something that stays with me.  Some archaeo’s won’t like the association such mythic ancestral beings may have upon people’s notions of cup-and-ring art, but they tend to be the ones who have little educational background regarding the animistic nature of rocks in traditional and peasant societies: ingredients that are integral to these ancient carvings, as research worldwide clearly shows.

The carving was first described by our old Yorkshire historian Arthur Raistrick (1936) in an early essay on Yorkshire rock carvings; and then again in a later article by Stuart Feather. (1961)  The primary design is of a large single cup-and-ring at one end of the rock, with a series of seemingly unbroken lines reaching up (or perhaps moving away) from the cup-and-ring.  A long central line runs through the middle of the Wondjina ‘being’, which initially seems to have been a series of cups linked by this line; though these cups (at least four of them) have eroded over time and are difficult to see without good sunlight.  What seem to be several other very eroded cup-marks are also found on two of the other long lines.  These can be made out in the photograph here.

Close-up of lines & cup-marks
Close-up of lines & cup-marks

Another carving is on the stone right next to this one (2ft away) and there are several other cup-marked stones to be found along the same ridge (carving numbers 058, 059, 060, etc).  And for those of you into landscape archaeology, take the position of this carving into consideration.  The view from here is  quite superb and on clear days a number of prominent hills and important mythological landscape features stand out.  To those of you who think such things unimportant or of little relevance in the mythography of our ancestors — you’ve a lot to learn!  Otherwise, a visit to this carving and its associates is well worth a trek!

References:

  1. Bennett, Paul, ‘The Prehistoric Rock Art and Megalithic Remains of Rivock & District (2 parts),’ in Earth, 3-4, 1986.
  2. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
  3. Feather, Stuart, ‘Mid-Wharfedale Cup-and-Ring Markings: Nos. 7 & 8, Rivock Edge,’ in Cartwright Hall Archaeology Group Bulletin, 6:8, 1961.
  4. Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
  5. Raistrick, Arthur, “‘Cup-and-Ring’ Marked Rocks of West Yorkshire,’ in Yorkshire Archaeology Journal, 32, 1936.

© Paul Bennett, The Northern Antiquarian


Baldwin Stone, Silsden, West Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 06453 44658

Getting Here

Baldwin Stone - with its happy discoverer!
Baldwin Stone – with its happy discoverer!

From East Riddlesden, go up the road (over the swing-bridge) that takes you onto the moor-edge (ask a local if you have trouble).  Go all the way up till you hit the road which encircles the moor (it’s called the Silsden Road where you hit it).  Turn left for several hundred yards till you see the microwave tower just on the hillock to your right on Pinfold Hill (not the larger TV towers just below the forest).  Walk up there, then follow the edge of the walling till you hit the old Pinus sylvestris trees of Robin Hood’s Wood where 2 walls meet.  Go over the gate and walk to your right for about 200 yards, following the line of the walling.  You’re there!

Archaeology & History

Cluster of cups on southern edge
Cluster of cups on western edge

A newly-discovered cup-marked stone, located for the first time on Tuesday, June 9, 2009, by Michala Potts, who was out on an amble with some long-haired halfwit whizzing about getting excited about stupid cup-markings on stones, dragging her back and forth and leaving her in the middle of a bog!  On one occasion when this ‘ere fruitbat wandered off (again!), leaving her alone in the middle of the hills, she decided to check out some rocks a bit further up the slope where she’d been left alone.  And there, along the edge of some walling, right on the edge of the much-denuded Robin Hood’s Wood, a short distance west of Rivock, a curious stone popped out and caught her attention!

Was this a cup-marking she saw before her!?  It certainly was!  But she didn’t call out to this halfwit who’d left her to her own devices.  She let him just wander off to his sad heart’s content, whilst she got into the nitty-gritty of checking the stone out, uncovering the essentials of the carving while he bimbled off like a freak!  And what a nice carving it was she found…

Baldwin Stone - looking south
Baldwin Stone – looking west
First sketch of the stone

Although no accurate measurements were made of the stone (it was bigger than 10-inch!), at least 17 cup-markings were counted here: one singular and very well-preserved cup, alone on its southern edge, right by the walling.  But the main feature of the design is a cluster of cup-marks (at least 11) on the western side of the rock — one part of this cluster having the appearance of the figure 5 on a dice!  Several other well-defined cups occur on the central and more northern end of the rock.

Eventually, her sad stone-wandering fella returned, forlorn, having found no new carvings of his own (poor soul!).  And so she took his poor little hand, and took him to see the little prehistoric treasure she’s uncovered — and her sad little man got all smiley and … well, you know what they’re like!

Additionally however, for the archaeo’s amongst you: if you come wandering up here to check this carving out, you’ll notice the remains of many large upright stones in a lot of the old stone walls round here.  Many of these are the remains of Iron Age walling.

© Paul Bennett, The Northern Antiquarian 


Enclosure Carving, Ilkley Moor, West Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 12836 46147

Also Known as:

  1. Carving no.129 (Hedges)
  2. Carving no.288 (Boughey & Vickerman)

Getting Here

Enclosure Stone design (after Hedges 1986)
Enclosure Stone design (after Hedges 1986)

Nice n’ easy.  Get to the Haystack Rock and walk on the path west (past the Three Cups Stone) and where the path swings round following the edge of the small Backstone valley, keep going for 150 yards or so.  Keep your eyes out for the remains of walling in the Green Crag Settlement on your left.  This flat stone is amidst the heather in and amongst the enclosure (hence the name).  If you walk back and forth hereabouts for a short period, checking for flat stones amidst the heather about 20 yards off the path, you’ll find it!

Archaeology & History

Top-left section of CR-288 - note the carved line 'enclosing' the cups which aint on the archaeo-drawings
Top-left section of CR-288

This is another one of those carvings which had been seen by a number of people, bimbling about across this part of the moor, before it saw the literary light of day in Hedges Carved Rocks book (1986).  It’s a nicely-preserved design, usually covered over by much heather growth, but is worth the exploration if you like your cup&rings.  The drawing of this stone however (in both Hedges and Boughey & Vickerman) does not convey the actuality of the carving, as we can see here.  But that’s the case with many cup-and-rings: linear precision and the artisty of the carving are two very different things.  As we can see here, one section of the stone has a defined ‘enclosure’ of cups etched upon the rock surface: something that is clearly missed in the archaeologist’s drawing.  Check it out y’self and see what you think!

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
  2. Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.

© Paul Bennett, The Northern Antiquarian


Snowden Carr Carving (571), Timble, North Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 17776 51293

Getting Here

Take the same directions as to reach the Snowden Crags Necropolis, and where the small rounded hill rises up on the eastern end of the plain, look around and you’ll find the stone in question.

Archaeology & History

Up near the edge of the Snowden Moor settlement, just a few yards away from Carving-570, is this medium-sized earthfast boulder with what seems to be three or four cup-markings on its western-face. Boughey & Vickerman (2003) describe the stone as with a “deep gully, cups and enlarged cup, perhaps weathered carving but could be natural” — which seems a reasonable assessment. Certainly the cups seem weathered, although a couple of them may have been man-made.  At the side of the rock are the remains of a small cairn, and it is positioned next to the beginning of the Snowden Moor Cemetery.

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
  2. Cowling, Eric T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.

© Paul Bennett, The Northern Antiquarian


Pitchfork Stone, Ilkley Moor, West Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 11496 46039

Also Known as:

  1. Carving no. 102 (Hedges)
  2. Carving no. 256 (Boughey & Vickerman)

Getting Here

Pitchfork Stone, Ilkley Moor
Pitchfork Stone, Ilkley Moor

Follow the directions for getting to the great Badger Stone carving.  From here, walk eastwards on the footpath for about 400 yards.  Hereabouts walk off the path and down the slope just a few yards and amble back and forth, checking the various stones. Keep doing this until you find it! (luckily, this stone’s marked on the OS-map)  There are several other reasonable carvings nearby on the same plain…the Green Gates Stone (or carving no.257) for one!

Archaeology & History

The Pitchfork Stone (after Hedges, 1986)
The Pitchfork Stone (after Hedges, 1986)

First found (or rather, recorded) by our old friend Stuart Feather and described in Bradford’s Cartwright Hall Archaeology Group’s Bulletin in 1961.  It’s status was all-but-secret until Hedges edited the Ilkley Archaeology Group’s Carved Rocks work in 1986.  The stone’s a simple design as the illustration shows: an urn-like vessel with a cup in the middle; but the attached groove at the bottom gave one anonymous chap (who dared to use the modern name of RombaldII!) the idea of it looking like a pitchfork – so the name sticks!

The enclosing “lines” that make up the pitchfork aspect of the carving are pretty enhanced (as we can see in the photograph here) and may, just may, be the result of a more recent petroglyphic artist.

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
  2. Feather, Stuart, ‘Mid-Wharfedale Cup-and-Ring Markings – Nos. 2 & 3, Ilkley Moor,’ in Bradford Cartwright Hall Archaeology Group Bulletin, 6, 1961.
  3. Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.

© Paul Bennett, The Northern Antiquarian 


Cluster Stone, Ilkley Moor, West Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 13283 45920

Also Known as:

  1. Carving no.160 (Hedges)
  2. Carving no.325 (Boughey & Vickerman)

Getting Here

Follow the same directions for getting to the Idol Stone, then walk just 30 yards further up the path and it’s the big rock on your left-hand side.  Y’ can’t miss it!

Archaeology & History

Main section of cup-marks
Main section of cup-marks

This nice big boulder can be quite a temperamental chap, depending on how the light plays with the rock surface.  I’ve got some photos of this old stone where you can see next to nowt on it; where as others show clearly aspects of the design that aren’t on the archaeo-images.  But such is the nature of cup-and-rings I s’ppose!

Unlike its rather linear companion a few yards away, this great boulder has the more typical scattering of faded cups, lines and at least one cup-and-ring, etched with seemingly little purpose or structural design.  But as we know, the very notion of structural design in forms consistent to modern mind-sets were anathema to the neolithic people who were etching these patterns on rocks.  Indeed, even the notions of these images as ‘art’ as defined in modern times, has no relationship to the intrinsic reality of either cup-and-rings or reality per se, as experienced by our ancestors.  And I think we find an explicit affirmation of this in the Cluster Stone here.

Close-up of cup-and-ring
Close-up of cup-and-ring

Natural cuts in the rock have been heightened, for whatever reason, so that today the division between Nature’s marks and the mark of humans have become ambiguous as time has worn the features.  The clustering of cup-marks on certain parts of the rock was surely indicative of (what we would term) separate events/forms, whose mythic relationship were, however, intrinscially related.  This may be representative of a landscape map, or a series of events – but each would relate to one and other.  But, of course, we truly don’t know, so think I’d best shut up!

Cluster Stone design (after Hedges 1986)
Cluster Stone design (after Hedges 1986)

The carving itself, as we can see today, has perhaps as many as 40 cup-marks on it (Boughey & Vickerman safely vouch for 26), with five or six lines running across the surface, some of which have been modified by ancient peoples.  The cup-and-ring on the stone is quite distinct.  Neolithic or Bronze Age walling runs just a few yards away from here, but the precise line it takes has not been accurately assessed.

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.
  2. Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.

© Paul Bennett, The Northern Antiquarian


Little Haystack Rock, Ilkley Moor, West Yorkshire

Cup-and-Ring Stone: OS Grid Reference – SE 13654 45936

Also Known as:

  1. Carving no.184 (Hedges)
  2. Carving no.355 (Boughey & Vickerman)
  3. Haystack 2

The Little Haystack - looking west

Getting Here

Follow the same directions to reach the Pancake Stone.  Then walk eastwards along the footpath on the moorland edge.  After about 400 yards, keep your eye out to your right on the moorland proper where you’ll see this large boulder, seemingly isolated, of similar shape to the Haystack Rock, but a bit smaller.  That’s it! If you end up near the stream (Rushy Beck) you’ve gone way past it.

Archaeology & History

Four of the cups
Four of the cups on this lichen-rich surface
Little Haystack (after Hedges 1986)
Little Haystack (after Hedges 1986)

Found in the middle of the Green Crag Slack Plain, this large Haystack-Rock-shaped boulder stands out.  It sits amidst a cairn-field with other neolithic remains nearby.  The carving itself aint that impressive, and some parts of it seem almost dubious.  But both Hedges, Boughey and Vickerman include it in their surveys, describing the cup-marks and curious lines on its northeastern surface.  It’s nowt special to be honest.  You’d expect a bit more from the size of this old stone; but as those folk who know their rock art well will tell you, size aint everything when it comes the splattering of cups on a rock’s surface. We have four distinct cups pretty close to each other (as the photo shows), with another possible cup-and-ring and accompanying lines nearby.

The stone’s worth looking at though.  It stands out amidst the mass of single- and double-tombs scattered across the moorland plain — sitting amidst a veritable necropolis no less.

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.
  2. Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.

© Paul Bennett, The Northern Antiquarian


Snowden Carr Carving (570), Timble, North Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 17766 51295

Getting Here

Cup-marked stone no.570

Follow the directions to reach the Snowden Moor settlement and, from the Upper D-shaped enclosure (at SE 1782 5131) walk west up the sloped hillock 30 yards west and, on its top, head to its northern edge where a small cairn can be found.  The carving is next to it.

Archaeology & History

Very close to what seems to be the boundary between the Snowden Moor Settlement and its adjacent Cemetery is this small earthfast rock with three cup-markings on it, two of which may be linked by a small line.  I have to say that we have to be cautious about the veracity of this carving.  By the side of this stone is what seems to be the remains of a cairn.

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.

© Paul Bennett, The Northern Antiquarian