Cup-and-Ring Stone: OS Grid Reference – NU 029 261
Also known as:
Deershed Plantation Stone
Archaeology & History
This is a small but impressive stone, presently housed in the Musuem of Antiquities in Newcastle. It was first mentioned by Mr H.L. Honeyman (1934) as being donated to Newcastle’s Society of Antiquaries by a Mr J.M. Strother of Fowberry Moor Farm in 1934. He described the carving as,
“a sculptured ring-marked stone, 1ft 2in by 1ft 2in, bearing a cup with three rings and duct. Found in Island Plantation (camp), Fowberry Moor, Chatton, 22.7.34, by Mr Wake.”
Stan Beckensall (1983:127) described it in passing his early work on Northumberland rock art, then again in his updated edition.
Beckensall, Stan, Prehistoric Rock Art in Northumberland, Tempus: Stroud 2001.
Honeyman, Herbert L., ‘The Society’s Meetings: July,’ in Proceedings of the Society of Antiquaries of Newcastle-upon-Tyne (4th Series), 4:7, October 1934.
From Ilkley go up to Middleton and from there go up Harding Lane and, where the road bends left a track goes straight north onto the moors. Go up this until you’re onto the moor proper. Keep going until you’re following the line of walling, where a small stream is trickling right by your right-hand side. Follow this to its source a coupla hundred yards up. Stop!
Archaeology & History
First mentioned by Stuart Feather in 1965, this simple cup-marking has a long line squirming away to the edge of the rock on which it’s carved. The cup-marking is some 3 inches across and about ½-inch deep, with the long line about 24 inches long. There’s really nowt much to look at here unless you’re a real cup-and-ring freak — though note that the carving occurs on a broken piece of stone just where a spring of water emerges from the ground. Some archaeo’s have a notion that sometimes our cup-and-ring stones have some sorta relationship with water — though they’re not into sticking their necks out and saying anymore than that! And of course, some carvings obviously relate to water. This one here is a strong contender, with the long wiggly line perhaps representative of the stream running from its source, which itself is the cup-mark.
However, we might just aswell surmise that the carving here was executed by some bored teenager, just testing out his first antler pick, or flintstone, telling his mates, “I woz ‘ere!”
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
ather, Stuart, ‘Cup and Ring Boulders,’ in the Cartwright Hall Archaeology group Bulletin, 10:7, July 1965.
Best approached from the south, up Hardings Lane, then where its bends and the track of Parks Lane goes onto the moor, follow it. Onto the moor, keep on the track as it follows the walling until you reach the gate on your right. From here you’re close: head into the grasses and heather (left) not far off the western edge of the footpath at the eastern end of Dryas Dike. Look around!
Archaeology & History
This lovely looking carving “quite near to the footpath and enclosed fields above March Ghyll reservoir,” was first described by Stuart Feather. (1965) It can be found on a small flat stone and is easily obscured if the grasses are long – but it’s worth searching for. It’s an archetypal cup-and-ring stone, consisting of a cup-and-five rings, a cup-and-ring, and a cup-and-three rings — though they are rather faint and can be missed in bad light. As with other carvings, it’s best to splash water over it (as me & Richard did in the photo above) so you can see it a bit clearer. Feather (1965) told us:
“The symbols are very fine, consisting of three cup-and-rings. One of them, a quadruple, concentrically-circled cup with part of a fifth, unfinished ring. The cup is very shallow, 1 inch across, and the circles…½ inch wide and shallow, with an overall diameter of 8 inch for the four circles; 9 inch with the other unfinished section. The single cup-and-ring has a cup ¾-inch in diameter, ½-inch deep and a 4-inch diameter ring somewhat broader than the other rings on the rock and abutting on the north side against a slightly raised part of the rock surface.”
The triple-ringed cup is of similar dimensions to the larger example, with the cup being 1½ inch across and deep, with the circles being 7 to 7½-inch across.
About a half-mile northeast of here is the old Langbar Stone where I got the distinct impression that the same person was responsible for both of these carvings. God knows why!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Feather, Stuart, ‘Mid-Wharfedale Cup-and-Ring Markings: No.32-3, Middleton Moor,’ in the Cartwright Hall Archaeology group Bulletin, February 1965.
The easiest way to get here if you’re coming for the first time is via the A6068 Glusburn to Cowling road. On the south side of Cowling, take the small road Old Lane, uphill on the east side of the road (very easily missed – keep your eyes peeled!) and keep going up until the road just about levels out, where there’s a muddy parking spot on your left (the giant Wainman’s pinnacle is down the path from here). Cross over the road and head up towards the giant Hitching Stone. When you reach the first fence, cross over it and follow it into the boggy heathlands to your right (west-ish). Head into the tribbly grass and keep walking for 3-400 yards till you see the large rock growing out of the Earth.
Archaeology & History
Not far from the legendary Hitching Stone is this curiously-shaped boulder sitting peacefully and alone in its landscape. It is in fact a large cup-marked boulder, previously unrecorded until being described in The Old Stones of Elmet. There are no totally guaranteed cup-markings on top of the stone (many of ’em seem to be natural, though some could have been etched all those years ago and have weathered well); instead they are curiously etched at the base of this large rock, just above ground-level.
As can be seen in the photos, on its lower south-facing edge there are around 20 well-defined cups that clearly stand out. No other cup-marked stones appear to be nearby (surely there’s a few more kicking about…?).
An earlier assertion I made (2001) about the nearby Hitching Stone aligning with the winter solstice sunrise from here was recently put to bed following the morning observations of myself and Dave Hazell on December 21st, 2010, when — as can be seen in the photo here — the midwinter sun emerges from the land a few degrees of arc further southeast than expected. However, I aint checked what the alignment here would have been when the cup-markings were first etched here, around 5000 years ago perhaps… Would any of you archaeo-astronomers out there know about this?
Follow the same directions to reach the Big Rock carving. From here walk less than 100 yards up the slope, veering to your left and where you reach the rushes (Juncus grasses), walk up and keep your eyes peeled for the singular upright rock. Or as ‘Redkiteyorks’ said, go “up the slope 82.4 metres, 54.5 degrees(True) from IAG108 (Big Rock).” It aint hard to find really…
Archaeology & History
Another stone mainly for the purists amongst you. Little has been written on this possible carving. Boughey & Vickerman (2003) said simply:
“Large rough rock. Two possible cups on top and one further possible cup on W vertical face. Doubtful”.
References:
Boughey, K.J.S. & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Hedges, John (ed.), The Carved Rocks of Rombald’s Moor, WYMCC: Wakefield 1986.
Near the western end of the Middle Ridge, south of Dryas Dike, it’s probably best reached following the same directions to find carving no.435, walking past it but then following the footpath down onto the moor 100 yards further down the slope. Walk along here for about 200 yards till you get to the boundary stone. You’re close!
Archaeology & History
First described by Stuart Feather and described by him in 1966, this small rounded stone comprises of nine or ten cup-markings with a long, enclosing line that circuitously goes around four or five of them. It’s a curious-looking design which, from one angle, gives the impression of a smiley face — hence the name (this is Boughey & Vickerman’s name for it — not mine!).
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Feather, Stuart, ‘Mid-Wharfedale Cup-and-Ring Markings – no.43 and 44: Middleton Moor, Ilkley,’ in Cartwright Hall Archaeology Group Bulletin, 11:4, 1966.
From the little hamlet of Langbar, head up to the steep footpath to Beamsley Beacon and from there along the footpath get yourself between the giant cairn known as The Old Pike and Round Hill. About halfway between these two points the moor levels out (with brilliant views in all directions) and 200 yards southeast of the upright boundary stone, this well-defined carved rock is just a few yards north off the footpath. It seems to be just over the boundary line of Middleton Moor and onto the Beamsley Moor side (not that you give a shit when you’re up here ambling about – but the cartographers like to get things right I s’ppose!).
Archaeology & History
Near the very top of the moor this one — this is a small carving that I rediscovered in March 2005, much of it covered in peat and heather. It’s very similar to some of the central designs found on the Baildon Moor cup-and-ring carvings, with four cup-markings (3 are deep) in a slight arc to the southern edge of this small, squared stone, very much like carvings 126 and 130 in the Boughey & Vickerman (2003) survey. However, unlike the Baildon Moor examples, no burials seem to accompany this carving—although the surrounding heather may be hiding other archaeological remains.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Follow the same directions to reach the Middleton Moor carvings, numbers 436 and 437, up along the footpath. This is the easiest to find as it’s right beside the footpath – as Richard Stroud’s photograph clearly shows.
Archaeology & History
Near a cluster of other cup-and-ring marked rocks, this decent example can be found besides what may be a prehistoric trackway running roughly east-west over the Long Ridge to Foldshaw Ridge. Amazingly, this stone was never previously catalogued until Boughey & Vickerman’s survey in 2003. Just goes to show what y’ can find if y’ gerrof yer arses and look for yerselves! Comprising at least thirty cups and several lines, one faint cup-and-ring is discernible on the western edge of the stone.
If you walk westwards, back up to the hilltop from here (only a couple of hundred yards), a single upright stone which some might consider megalithic, stands right before your eyes! An excellent spot!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Follow the same directions to get to the Middleton Moor Carving 437, along the Ridge Way footpath, and this stone is just a few yards away.
Archaeology & History
This all-but insignificant carving was first described in Boughey & Vickerman’s (2003) survey, as a “small rough grit rock sloping into turf” with what may be two faint cup-markings etched on its surface. Unless you’re a bittova rock-art fanatic, this might not be of much interest to you! (thanks to Richard Stroud for use of his photo!)
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Head for the gorgeous little hamlet of Langbar, a few miles northwest of Ilkley. Less than ½-mile before the village, keep your eyes out for the footpath bearing east onto the moors at Moor End Farm (right-hand side of road if you’ve travelled from Ilkley). Walk along the Long Ridge footpath to where the fields on your left finish and the moorland proper opens up. Hereabouts, check the stones in the heather to your right! If you amble about looking, you’ll find it!
Archaeology & History
This is another one of those carvings for the purists amongst you. Less than ten yards off the footpath on Long Ridge is this medium-sized rock with several cup-marks, and lines, on both its top and vertical faces. Boughey & Vickerman (2003) think there to be at least five cups on the top, with perhaps nine on the vertical east face, though some of these are debatable. (the drawing I’ve done is from their book)
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.