Tag: cup-and-rings

Nussey Green (404), Appletreewick, North Yorkshire

megalithix

Cup-Marked Stone:  OS Grid Reference – SE 0739 6254

Getting Here

Nussey Green CR404 (after ‘QDanT’)

Park at Stump Cross Caverns on the B6265 road, then walk down the road for 200 yards till you reach the track on your left running over the fields in the direction towards Simon’s Seat.  Walk on the track for about 600 yards until there’s a change of direction in the adjacent walling and then watch out for the dirt-track on your right, curving towards the small valley (if you hit the Skyreholme Wall carving (413), you’ve gone 100 yards past the turn-off). Go on here until you see the overgrown track on your left into a small disused quarry, and head right, down the grassy slope, checking out the few stones ion front of you 20 yards down.  You’re damn close!

Archaeology & History

Carving no.404 (after Boughey & Vickerman)

A simplistic carving that was first described by fellow antiquarian Stuart Feather (1964), this is one of at least four cup-marked stones in a small group here, above the valley of Skyreholme Beck — better known at this part of the valley as the Troller’s Ghyll, haunt of various heathen lore.  Although some of the carving has now been covered by the growing Earth, you can still see the majority of the design.

It is a flat, roughly triangular stone described by rock art students Boughey & Vickerman (2003) and having 13 cup-markings on it.  To get a full look at the entire carving, you may have to roll a bit of the turf away from one side of the rock.

Folklore

Although we have no lore relating to this specific carving, the small valley over which this carving looks was long known as the abode of the legendary bharguests, or black dogs: underworld creatures of earlier heathen myths.  Faerie lore can also be found a short distance further up the same stream.

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
  2. Feather, Stuart, “Yorkshire Archaeological Register 1963: Appletreewick, W.R.,” in Yorkshire Archaeological Journal, volume 41, 1964.

Links:

  1. Nussey Green Rock Art – more notes & images

© Paul Bennett, The Northern Antiquarian


Slade Carving (02), Blubberhouses Moor, North Yorkshire

megalithix

Cup-Marked Stone:  OS Grid Reference – SE 1411 5431

Also Known as:

  1. Owl Stone
  2. Sunset Stone

Getting Here

Cup-and-rings, looking NE

Same directions as the Slade 01 carving.  But once you reach the upstanding stone cairn on the rocky hill, walk 220 yards (less than 200m) WSW and look around.  You’re damn close!  If you find the large cup-marked Slade 03 carving,  walk back east about 10-20 yards and you can’t really miss it!

Archaeology & History

This is just one of at least seven previously undiscovered carvings on this section of moorland – and it’s worth looking for!  The two other names we gave it — ‘owl’ and ‘sunset’ — come from the very notable design: owl thanks to it having the appearance of large owl-like eyes, and sunset as the two cup-and-rings are etched on the western edge of the rock and, when we found it yesterday, the sun was setting (albeit to the NW) and the image prompted talks of setting suns, the land of the Dead and other such worldwide indigenous religious myths (Harvey 2000) — for without recourse to such ingredients, these carvings are vacuous archaeocentric museum pieces and nothing more.  And this carving at least deserves much more than mere cataloguing!  The internationally renowned archaeologist, O.G.S. Crawford (1957) would have entered this carving into his ‘eye’ and ‘owl’ motif, representative of goddesses or spirit-forms, as would Gimbutas. (1989)

…and from above

But this carving is archetypal, as we can see, though would appear to have no other etched features on the stone’s surface.  It is very close (if not within) the prehistoric graveyard that is plainly evident 30-40 yards south in the burnt heather and would very likely have had some mythic relationship with the dead (a symbiosis we have found in many cup-and-rings).  We plan further ventures here in the coming weeks in the hope that we can unearth other prehistoric remains.

References:

  1. Crawford, O.G.S., The Eye Goddess, Phoenix House: London 1957.
  2. Gimbutas, Marija, The Language of the Goddess, Harper Collins: New York 1989.
  3. Harvey, Graham (ed.), Indigenous Religions, Cassell: London 2000.

© Paul Bennett, The Northern Antiquarian


Slade Carving (01), Blubberhouses Moor, North Yorkshire

megalithix

Cup-Marked Stone:  OS Grid Reference – SE 1421 5440

Getting Here

Simple cup-marked stone

From Blubberhouses church by the crossroads, walk up the slope (south) as if you’re going to Askwith, for 100 yards or so, taking the track and footpath past the Manor House and onto the moor.  Once you hit the moorland proper, take the footpath that bears left going down into heather and keep going till you hit the dead straight Roman Road path running west onto Blubberhouses Moor.  Go on here for nearly a mile until you hit the stream and nearby Eagle Stone boulder.  Walk upstream from here, on its eastern (right-hand) side for 100 yards, then walk up onto the level moor, scattered with rushes.  Keep up here, heading towards the upright cairn open the skyline to the north.  Once here, walk 80 yards (73m) WNW and you’ll note a number of flat stones embedded in the heather around you.  You’re damn close!

Archaeology & History

Off-path and takes some finding and will all-but disappear when the heather grows back, so this one’s probably only for the purists amongst you.  But I like it anyway!  This is one of at least seven newly-discovered cup-marked stones hereby, including the nearby ‘Owl Stone’ with it’s big eyes!  There are just two cup-marks on the flat surface: one an archetypal large cup 3 inches across and a half-inch deep; the other, a small faint cup less than 2 inches wide and very shallow which is easily missed if you pay little attention.  On the photo here, the fainter cup is slightly above right of the centre.  The carving appears to be on the far eastern edges of the Slade Cairnfield.  Other undiscovered remains are likely to be found here.

© Paul Bennett, The Northern Antiquarian


Snowden Carr (597), Askwith Moor, North Yorkshire

megalithix

Cup-Marked Stone:  OS Grid Reference – SE 17965 51158

Getting Here

Find your way to the excellent Tree of Life cup-and-ring stone, then walk about 10-15 yards west.  It’s under your nose!

Archaeology & History

Single cup-marked stone

Another stone for the rock art purists amongst us: a singular cup-marking near the edge of the rock.  Although the photo here seems to show three cup-markings close to each other, only one of the three is in fact real.  The other two are simple geological creations.  But this fact seemed to go over the heads of some English Heritage archaeologists who reported to Boughey & Vickerman (2003) that this was a stone “with three cup markings” on it.  I’m not sure who trains EH rock-art enthusiasts, but they seem to have a tendency to mistake natural features with artificial cup-markings and their evaluations should be treated with considerable caution (you’ve gotta wonder who the students are that are teaching them).

The rock itself is found in close association with other prehistoric remains and may have been a part of enclosure walling.  Very close by are numerous well-preserved settlement remains, cairns and other cup-and-ring stones.

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.

© Paul Bennett, The Northern Antiquarian


Eller Edge (431), Pock Stones Moor, Thruscross, North Yorkshire

megalithix

Cup-Marked Stone:  OS Grid Reference – SE 09059 61506

Getting Here

From Appletreewick take the road east through Skyreholme and up Skyreholme Bank, bearing right at the fork in the tracks along the ancient Forest Road.  Keep going till you cross the Larnshaw Beck and keep walking along the track until it runs wallside.  Look over the wall and you’ll see this sloping-chair-shaped rock .  You’re here!

Cup-Marked stone 431

Archaeology & History

Worth looking at if you’re visiting the Spiral Stone of Eller Edge field and its large associate, but otherwise this cup-marked stone is probably only for the purist rock-art mad-folk amongst us!  There are what seem to be three decent cup-marks upon the sloping face of the rock here, with a possible pecked line to the side of two of them — though we have to consider the possibility that a geological condition is responsible for the easternmost cup.  Described in the Boughey & Vickerman (2003) survey simply as:

“Large triangular rock of smooth gritstone, quarried at SE and sloping into ground at W and N.  Three cups on top sloping face.”

Thirty yards up the slope along the wall-side you’ll find carving 432 with its single cup-marking.

 

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.

Links:

  1. Eller Edge Rock Art – more notes & images

© Paul Bennett, The Northern Antiquarian


Eller Edge (426), Pock Stones Moor, Thruscross, North Yorkshire

megalithix

Cup-and-Ring Stone:  OS Grid Reference – SE 08991 61486

Also Known as:

  1. Spiral Stone
Spiral Stone with cluster of cups (image © QDanT)

Getting Here

A slight walk to get here, but well worth it once you arrive!  From Appletreewick, take the road east through Skyreholme and up Skyreholme Bank track, bearing right at the fork in the tracks along the ancient Forest Road.  Keep going and after a couple of zigzags, you’ll cross the Larnshaw Beck.  Keep walking along the track until it runs wallside — and here, go straight down the field for 75 yards (best climbing over the rickety wooden bridge by the stream 50 yards back and walking up).  Although there are a number of other stones hereby, you can’t really miss this.

Archaeology & History

This carved stone and its close associates rest upon the green slopes overlooking the Blands Valley and further across upper Wharfedale and the lands beyond.  The majestic Simon’s Seat rises on the nearby western slope and there in the greater distance, once more reaches the sacred hill of Pendle, with whom so many other ancient sites commune within our northern lands.  It’s hard to say for sure that the Witch’s Hill was of little relevance to this and other stones, but only a fool would ignore the geomancer’s notes about this constant.

Eller Edge carving, looking south (image © QDanT)
Boughey & Vickerman’s drawing

The carving here doesn’t give much clues in any direct sense either.  We have an almost arrowhead-shaped rock with a dozen decent cup-marks or so cut along and near its western side; but the notable curiosity here is the small circular cluster of smaller cup-marks dotted in a near circular mass near the middle of the stone.

When Danny, Paul and I came here the other week, the initial impression of this cluster was one of a primitive solar symbol etched onto the rock; but the more we looked, the more it seemed that these small cups appeared to have been arranged in a very rough spiral lay-out.  Now I know that spirals are damn rare items in rock art (especially in this part of the world), but the more we looked and then subsequently checked Boughey & Vickerman’s (2003) illustration, the more evident it became.  Of course the ‘spiral’ could be merely fortuitous, but I’m not so sure misself.  In discussing this with our field archaeologist later, he suggested getting a rubbing of this part of the stone on his next visit.

The stone was first described by the petroglyph explorer Stuart Feather (1964) and later described by the rock art students Boughey & Vickerman (2004), simply as:

“Large, rough grit rock with face sloping SE down into grass at N.  About twenty cups to W, with three grooves at N corner and group of about twenty small cups at NE.”

A very intriguing carving.  And if you visit here, make sure you check out carving 424 and others in the same field.

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
  2. Feather, Stuart, “Appletreewick, WR,” in ‘Archaeological Register, 1963’, Yorkshire Archaeological Journal, volume 41, 1964.

Links:

  1. Eller Edge Rock Art – more notes & images

© Paul Bennett, The Northern Antiquarian


Burhill Kiln Allotment (415), Appletreewick, North Yorkshire

megalithix

Cup-and-Ring Stone:  OS Grid Reference – SE 07792 61829

Also Known as:

  1. Carving no.415 (Boughey & Vickerman)
Burhill’s cup-and-ring stone (image courtesy ‘QDanT’)

Getting Here

Probably the easiest way is to park up at Stump Cross Caverns on the B6265 road, then walk down the road for 200 yards till you reach the track on your left running over the fields in the direction towards Simon’s Seat.  Walk along the track past the Skyreholme Wall carving, where it starts going downhill and, 100 yards before you reach the fork in the tracks, look in the field on your left.  The other route is to go east through Appletreewick village up to and through Skyreholme as far as you can drive, where the dirt-track begins.  Keep going up till you hit the fork in the tracks.  Go left, then thru the first gate you come to and walk up into the second field up where the notable rock stands out.  If you can’t see it at first, look around!

Archaeology & History

Boughey & Vickerman’s plan of the carving

This carving was rediscovered by Stuart Feather (1964) in one of his ambles in the area — and he would have been pretty pleased when he found this one!  It is the most complex and ornate of all the prehistoric carvings in and around this large open field.  With at least nine cup-and-rings and more than fifty other cups etched onto its rounded upper surface, there are various other lines and grooves linking up some elements of this mythic design. The best ones are on the upright and sloping east-face of the rock, into the rising sun.  In animistic terms the rock is distinctly female in nature.

Illustrated in one of Stan Beckensall’s (1999) works, the rock art students Boughey & Vickerman (2003) also include it in their survey, but give an inaccurate grid reference for the site.  They nevertheless describe it as:

“Large upstanding rock with slightly domed top surface. Most of top surface decorated but weathering makes detail uncertain: over sixty cups, eight or more with rings, many grooves.”

Many other carvings can be found in the area.

References:

  1. Beckensall, Stan, British Prehistoric Rock Art, Tempus: Stroud 1999.
  2. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
  3. Feather, Stuart, “Appletreewick, W.R.” in ‘The Yorkshire Archaeological Register, 1963’, Yorkshire Archaeological Journal, 41 (part 162), 1964.
  4. Morris, Ronald W.B., “The Prehistoric Rock Art of Great Britain: A Survey of All Sites Bearing Motifs more Complex than Simple Cup-marks,” in Proceedings of the Prehistoric Society, volume 55, 1989.

Acknowledgements:  Huge thanks to the pseudonymous ‘QDanT‘ for use of the photo in this profile.  Cheers Danny!

© Paul Bennett, The Northern Antiquarian


Burnett’s Ridge (421), Appletreewick, North Yorkshire

megalithix

Cup-and-Ring Stone:  OS Grid Reference – SE 08103 61500

Also Known as:

  1. Carving no.421 (Boughey & Vickerman)
The beautiful stone… (courtesy ‘QDanT’)

Getting Here

One way is to go east through Appletreewick village up to and through Skyreholme (making sure you bear right at the turn and not go up the left turn, which takes you uphill and elsewhere!) as far as you can drive, where the dirt-track begins.  Keep going up till you hit the fork in the tracks, and here, look into the field on your right.   The other way is to park up at Stump Cross Caverns on the B6265 road, then walk down the road for 200 yards till you reach the track on your left running towards Simon’s Seat.  Walk all the way down this till you reach the fork in the tracks.  There’s a gate into the field just yards below the split in the tracks.  Go thru it and walk into the middle of the field where the stone unmistakably calls out for you to go sit with it for a while!

Archaeology & History

Boughey & Vickerman’s plan of the cup-marks

Sat near a ridge due north of the magnificent Simon’s Seat, this faded carved stone gets its name from the field in which it lives — and as Danny’s photo here shows, it’s a fine stone indeed in a very fine setting.  The cup-marks on its top were first described by Stuart Feather (1964), who found there to be around 20 cup-markings on the top, with some grooves — possibly natural, possibly man-made — linking them together.

However, in the fields north of here are a number of other cup-and-ring carvings, but much of the landscape has been damaged by industrial workings.  It makes you wonder how many there used to be here before the industrialists started digging the land up…

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
  2. Feather, Stuart, “Appletreewick, WR,” in Archaeological Register, Yorkshire Archaeological Journal, volume 41, 1964.
  3. Morris, Ronald W.B., “The Prehistoric Rock Art of Great Britain: A Survey of All Sites Bearing Motifs more Complex than Simple Cup-Marks,” in Proceedings of the Prehistoric Society, volume 55, 1989.

Acknowledgements:

Huge thanks to the pseudonymous ‘QDanT‘ for use of the photo in this profile.  Cheers Danny!

© Paul Bennett, The Northern Antiquarian


Corrycharmaig 3, Glen Lochay, Killin, Perthshire

megalithix

Cup-Marked Stone:  OS Grid Reference – NN 52774 35504

Also Known as:

  1. Allt Coire Charmaig

Getting Here

Corrycharmaig 3 stone, with Meall Dhuin Croisg rising…

Go thru Killin and, just past the Bridge of Lochay hotel, take the tiny road on your left.  Go down here for 3 miles till you pass the gorgeous Stag Cottage (with its superb cup-and-rings in the field across the road) for another 300 yards, until you see Duncroisk Farmhouse set back on your right.  On the other side of the road, go thru the giant deer-gates (close ’em behind you) to the river-bridge and across it.  Walk along the track till you reach the turning to Corrycharmaig House on the right (over the stream), but here, go up into the field thru the gate.  Walk up the hill ahead of you with its trees on the left, walking up onto the grassy level, then up again to the rounded knoll another 100 yards up.  You’re here!

Archaeology & History

This is the most visually impressive of the set of four cup-marked rocks along this ridge — although if you visit here when the light is poor, or the sky’s overcast, you’ll be lucky if you can actually see much of the material.  For example, I counted 38 cups on this particular stone on a day when the sky was bright, but upon checking later, found that Mr Morris (1981) described there being, “40 widely scattered cups of which, however, 29 well-defined cups are in a compact group of which 6 are in line.”  Whereas more recently the Canmore website told there to be,

Corrycharmaig-3 carving
Close-up of line of cups

“At least 48 cupmarks are visible on the most westerly exposure. The cupmarks range in size from 25mm in diameter and 5mm in depth to 100mm in diameter and 40mm in depth.  A straight line of six cupmarks arranged close together is orientated running from NW to SE.”

This line of six cups is very distinct and stands out as the most notable aspect on this carving, probably because it gives a sense of ‘order’ or linearity, whereas the rest of the carving (as with oh so many of them, thankfully) possess that non-linear feature of scattered cups and lines, dissolving reason and ego, and eliciting the natural meditative state, if one so cares to allow. On our most recent visit here, our eyes and fingers traced what appeared to be the faint remains of a carved line running along the bottom edge of the row of cups and then bending around the bottom cup in the same line — a little bit like the carved lines which run around the edges of the row of cups on Ilkley Moor’s Idol Stone.  You can just make this ‘line’ out in the photo, below.

Cup-mark and flint
Clusters of cups and faint line

On our most recent visit to the site when we stayed at Corrycharmaig house below (huge thanks to Sylvana!), other sections of the carving were visible that we’d missed before, highlighting at least 45 cup-marks that we counted.  Several of the cups had been exposed by animals (sheep or deer – we couldn’t tell) cutting into the soaking wet earth and in carefully checking a couple of cups whose edges were exposed, found a small worked flint within one of the cups!  I looked at it, held it, puzzled over it, then laid it back where we’d found it.  You can see it in the photo here, on the right.

This carving obviously grows on you with time.  And like its carved companions of Corrycharmaig 1, 2 and 4 both left and right of here, the stone rests within a natural theatre of dreams, eliciting — if only in a slight way — the non-focal perspective necessary to receive the carvings as its executor knew…

References:

  1. Cormack, E.A., “Cross-Markings and Cup-Markings at Duncroisk, Glen Lochay,” in Proceedings of the Society of Antiquaries, Scotland, volume 84, 1952.
  2. Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR 86: Oxford 1981.
  3. Royal Commission on the Ancient & Historical Monuments of Scotland, Archaeological Sites and Monuments of Stirling District, Central Region, Society of Antiquaries of Scotland 1979.

© Paul Bennett, The Northern Antiquarian


West Agra Plantation 3, Colsterdale, North Yorkshire

megalithix

Cup-and-Ring Stone:  OS Grid Reference – SE 14236 81675

Also Known as:

  1. WAP 3a & 3b (Brown & Brown)

Getting Here

West Agra 3 Rock

From Masham take the Fearby Road & go through the village, onwards & past Healey village and less than a mile on where the road forks, bear to the right past and go along the gorgeous little-known vale of Colsterdale.  Less than 2 miles on, walk up the notable track veering to your right that goes diagonally uphill and past the bottom of West Agra farm along the wallside till you reach the gate.  Thru the gate, walk immediately uphill on your right following the walling for a coupla hundred yards until you reach another gate into the field on your right.  You’ll see a cluster of large boulders in the first field, which you need to walk past and look at the large boulder up against the walling in the next field.  You can’t miss it!

Archaeology & History

Photo by Geoff Watson

First mentioned — albeit briefly — in Brown’s (2008) work, this large bedrock stone, covered down its eastern side by a line of drystone walling, has a good scattering of cups and lines, mainly on its central and westerly side.  A cluster of them were etched onto a natural rise near the middle of the rock, which itself has a long circuitous line running around its northern and western sides, which you can just see below centre in the photo (below left).  Altogether on this side of the rock surface there appears to be some 56 cup-marks plus a number of long carved grooves curling in differing directions: some of these appear to have been Nature’s handiwork that were subsequently modified by human hands.  It’s an impressive-looking petroglyph.

Main rock surface
Cluster of cups – by QDanT

If we go over to the other side of the walling, we find more cup-markings.  This discovery led Paul & Barbara Brown (2008) to classify the site as being two separate carved rocks — calling them 3a and 3b — thinking that the much smaller carved area on the other side of the wall, “may have originated from WAP 3a’s quarried southern section.”  On this smaller section we find some 7 cup-markings with possible carved lines running off the edge of the stone and some running roughly parallel to the walling.  Whatever the truth of the Browns’ assertion, this is a fine carving well worth looking at!

References:

  1. Brown, Paul & Barbara, Prehistoric Rock Art in the Northern Dales, Tempus: Stroud 2008.

Links:

  1. Agra Wood Rock Art – more notes & images

Acknowledgements:  For use of their photos, many thanks to Geoff Watson; and QDanT and his Teddy!

© Paul Bennett, The Northern Antiquarian