Ashlar Chair, Burley Moor, West Yorkshire

Legendary Rock:  OS Grid Reference – SE 12075 44833

Ashlar Chair, looking southeast

Also Known as:

  1. Carving no.111 (Hedges)
  2. Carving no.115 (Boughey & Vickerman)
  3. Druid’s Chair
  4. Etching Stone

Getting Here

There are two large boulders here, one of which was deemed the Ashlar many moons back. You can approach it from the lazy way: park y’ car at the top of the road by the Whetstone Gate TV masts and walk east right along the boundary path till you get here. The better way is from Twelve Apostles: from there walk a coupla hundred yards north to the Lanshaw Lad boundary stone, where a small path heads west. Along here for another coupla hundred yards, then hit the footpath south for the roughly the same distance again. You’ve arrived!

Archaeology & History

The Ashlar Chair is ascribed in folklore, said Harry Speight (1892), “to be a relic of druidism,” as one of its titles in ages past was the Druid’s Chair.  In the nineteenth century it also became known as the Etching Stone, (Smith 1961-63) but it has retained its present title for more than two hundred years.  Shaped more like a couch than a chair, its present title—the Ashlar—is important in ritual Freemasonry, which has two aspects to it: the ‘rough’ and the ‘perfect’.  The first represents the neophyte; the latter, the illumined one.  Oaths are sworn on the ashlar, and laws are spoken from it.  In its higher aspect it is representative of the spiritual maturity  of evolved man.

Ashlar Chair on 1851 map

Although there are no public records as to who gave the site its present name, the land which lays before it, The Square, is an even greater indicator that this rock was was considerably more than just a curious place-name, for the open moorland that is overseen from Ashlar Chair—The Square — is 396,000 square yards of flat open heathlands that have never been archaeologically explored.  The Square is also one of the most important elements of Freemasonry: representing the manifest universe, its laws are spoken from the Ashlar. (Jones 1950)

Between the two of them, represented here in the landscape near the very tops of these moors, we have a form of late geomancy, although the names of our geomancers are nowhere to be found.  It is obvious though, simply from the name of the land, that dramatic ritual of some form was enacted here.  In recent times, ritual magickians from differing Orders have found the place most effective, as have wiccan folk and other pagans who have frequented it at the summer solstice.  The possibility that some members of the Grand Lodge of ALL England (a legendary Masonic Order, said by the modern London masons not to have existed until the eighteenth century) gave this place its name is not unreasonable.  Records show that in the fourteenth century at least one member of the Order, Sir Walter Hawksworth, frequented ritual circles on these moors; and another member of the same Lodge from the nearby Washburn valley was an ally to the Pendle and Washburn witches who, we know, met on these moors at Twelve Apostles stone circle and probably the Ashlar.  But it proves nothing I suppose. (I tend to believe (not a necessarily healthy viewpoint) that the Grand Lodge did use the Ashlar as one of their moot points, along with the Pendle and Washburn witches.)

Its primary geomantic attribute is as an omphalos.  Geographically the Ashlar Chair is the meeting-point of Bingley, Burley, Morton and Ilkley moors and, metaphorically speaking, when you stand here you are outside the confines of the four worlds yet still a purveyor of them.

Nature’s cups-and-grooves on the Ashlar

Upon the large rock itself it are carved the faint initials, “MM, BTP, ISP and IG, 1826.”  Several early records described cup-and-ring designs on the Ashlar: firstly in Forrest & Grainge’s (1868) archaeological tour; then in Collyer & Turner’s Ilkley (1885); and lastly by the great Yorkshire historian and topographer Harry Speight (1892, 1900), who said “it bears numerous cups and channels.”  Although we can see some of these on top of the Ashlar, they are mainly Nature’s handiwork.  It is possible that some man-made cup-and-rings once existed on the rock, but if so they have eroded over time.

References:

  1. Bennett, Paul, The Old Stones of Elmet, Capall Bann: Milverton 2001.
  2. Collyer, Robert & Turner, J.H., Ilkley Ancient & Modern, William Walker: Leeds 1885.
  3. Forrest, C. & Grainge, William, A Ramble on Rumbald’s Moor, among the Dwellings, Cairns and Circles of the Ancient Britons in the Summer of 1867 – Part 1, W.T. Lamb: Wakefield 1868.
  4. Jones, Bernard E., Freemason’s Guide and Compendium, Harrap: London 1950.
  5. Speight, Harry, Chronicles & Stories of Old Bingley and District, Elliott Stock: London 1892.
  6. Speight, Harry, Upper Wharfedale, Elliott Stock: London 1900.

© Paul Bennett, The Northern Antiquarian


Panorama Woods (236), Ilkley, West Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 10395 47039

Faint cup-and-ring carving

Also Known as:

  1. Carving no.68 (Hedges)
  2. Carving no.236 (Boughey & Vickerman)

Getting Here

From Ilkley, take the Wells Road heading towards White Wells, bending round the bottom of the moor, making sure you keep left along Westwood Drive (not further up the moor along the Keighley Road).  Keep along Westwood Drive – it becomes Panorama Drive after a while – until you come to the small copse of woods on your right, a short distance before the end of the road.  Go along the footpath by the wall at the side of the house, bending into the woods after 10 yards.  Another 10 yards on, you’re near the edge a drop down the slope, where a number of large rocks are seen.  Look around!

Archaeology & History

Carving 236 (after Boughey & Vickerman)

A singular cup-and-ring carving can be seen, rather faintly, near the nose-end of this large mossy stone, close to the edge of the ridge.  It is one of a small cluster of carvings that remain in this small bit of woodland.  Other highly ornate carvings could once be seen in the same stretch of woodland — where the rich houses now stand — amidst remains of a prehistoric enclosure or settlement of some sort.  All remains of this settlement have been destroyed, which is a pity as it may have given us helpful information about the nature of this carving and its nearby relatives.

References:

  1. Bennett, Paul, The Panorama Stones, Ilkley, TNA: Yorkshire 2012.
  2. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
  3. Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.

© Paul Bennett, The Northern Antiquarian 


Rivock End, Riddlesden, West Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 07782 43878  

Getting Here

Clusters of cup-markings

From the B6265 valley road between Bingley and Keighley, just near Riddlesden Hall, take the road up and over the canal into Riddlesden, bearing left up past West Riddlesden Hall and up Banks Lane. As you reach the T-junction at the top, where you hit the Silsden Road that goes round the moors, park up.  Turn left and walk along the Silsden Road, counting the field on your left, moorland-side.  At the fourth, go through the gate uphill, keeping to the walls on the right and going through the second gate up.  Walk straight on for nearly 130 yards (119m) where you’ll see this group of three earthfast rocks right next to each other.

Archaeology & History

‘Ring of cups’ motif

Not included in any pervious archaeological survey, this is a fine cup-marked stone with at least 25 cups etched into this average-sized rock, halfway up this field of stones.  When this carving was rediscovered on Friday, 6 January, 2012, it was noticed that a couple of cup-marks were peeking out from the edge of the grasses covering the rock — and so a careful and gradual uncovering of the rock itself was slowly exposed and see if the initial suspicions of an authentic carving were correct.  Thankfully it turned out right!

When first spotting this, I undercovered more beneath the soil, although it’s not clear how much of this stone is covered in carvings, as the Earth has grown considerably over the top of it.  There is also what seems to be a geological curiosity on the eastern section of the stone; whereby some apparent ‘cups’ seem to have been created by natural process.  However, these have been added to by human hands at a distant time, long ago.  The cup-marks themselves vary in size, from small ones barely an inch across, to larger ones measuring some 3-inches in diameter; and oddly, the cups seem to get larger the further west you travel across the stone!  More research is needed at this site to ascertain the a more complete image of the petroglyph.

…to be continued…

© Paul Bennett, The Northern Antiquarian


Dave’s Stone, Rivock, Riddlesden, West Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 07634 44209

Getting Here

Rock with cup-markings

From the B6265 valley road between Bingley and Keighley, just near Riddlesden Hall, take the road up and over the canal into Riddlesden, bearing left up past West Riddlesden Hall and up Banks Lane. As you reach the T-junction at the top, where you hit the Silsden Road that goes round the moors, park up. Takes the footpath across the road and walk straight uphill, all the way to the top just above where the tree line ends and you’re on the moorland flat.  Bear right, over one wall, then walk 20-30 yards further and the stone in the photo here should be roughly under thine nostrils!

Archaeology & History

There’s no previous record of this as a cup-marked stone, so it needs adding here.  I’ve gotta admit that I’m not 100% sure about it as a real prehistoric carving — but considering the dubious nature of the nearby Carving no.58 and the Rivock Nose Stone, this is roughly somewhere in-between in terms of its legitimacy as an ancient carved stone.  Certainly I’ve come across other cup-markings, adjudged by newly-qualified ‘professionals’ as fine, but which I find highly questionable — so this one that Dave Hazell came across a couple of years ago should certainly be added to their professional rock art catalogues.

Close-up of the cupmarks

It’s simple enough: a four-feet long stone, whose top east-facing edge has been worked in more recent centuries by the miners who dug on the slopes below (perhaps to turn it into a gatepost?).  There are three notable ‘cups’ that are clearly visible on the photos here.  The topmost cup is something pretty recent, having had industrial attention given it; the largest cup may be natural; but the one in the middle seems to be what our English Heritage rock-art enthusiasts term a legitimate prehistoric petroglyph.  It certainly seems a good one!  Have a look for yourself and see what you reckon! It’s in a good spot and is certainly worth the wander, if only to have a look at other cup-and-rings in the region.

© Paul Bennett, The Northern Antiquarian


Rivock Edge (60), Silsden, West Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 07476 44475

Also Known as:

  1. Carving no.22 (Hedges)
  2. Roof Stone

Getting Here

Cup-mark on top of the rock

From the B6265 valley road between Bingley and Keighley, just near Riddlesden Hall, take the road up and over the canal into Riddlesden, bearing left up past West Riddlesden Hall and up Banks Lane. As you reach the T-junction at the top, where you hit the Silsden Road that goes round the moors, park up. Cross the road and follow the footpath up the field, but walk up the side of the field-wall where the woods are, all the way to the top. On the flat, you’ll see a gap in the woods on your left, and the triangulation pillar atop of Rivock Edge 150 yards away.  Head towards it, watching out for one of the natural rocks rising near the middle of the grasses. It’s one of them!

Archaeology & History

Faint cup-and-ring, centre of photo

Exactly halfway between the cup-marked Niplet Stone and the large flat Carving 58 (Boughey & Vickerman survey) is this natural long upright rock, shaped in the form of a house-roof, with its apex running along an axis SE-NW, its sloping sides dropping either side into the deep wet heather.  Upon its crown is what may be a singular cup-marking, almost perfectly formed, though is just as likely to be Nature’s handiwork as much as anything else.  But on its western-face, within the mass of old lichen painting the rock surface, a more distinct man-made cup-mark has been cut.

On its eastern face, close to where the rock meets the boggy Earth, a singular faint cup-and-ring design can be made out, albeit a somewhat mis-shapen one.  It’s easily missed if the lighting isn’t too good as it’s very eroded indeed.  The carving was first described in Mr Hedges (1986) survey, where he told:

“Rough grit rock with ridge, in crowberry and heather with cup and ring on E edge and possible cups and grooves.”

The stone’s certainly worth visiting, as a number of other cup-and-ring stones scatter this region — half of them officially recorded, but nearly as many again that aren’t.  It’s a good area to explore.

References:

  1. Bennett, Paul, “The Prehistoric Rock Art and Megalithic Remains of Rivock & District (parts 1 & 2),” in Earth, 3-4, 1986.
  2. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
  3. Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
  4. Morris, Ronald W.B., “The Prehistoric Rock Art of Great Britain: A Survey of All Sites Bearing Motifs more Complex than Simple Cup-marks,” in Proceedings of the Prehistoric Society, volume 55, 1989.

© Paul Bennett, The Northern Antiquarian 


Rivock Edge (58), Silsden, West Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 07466 44497

Also Known as:

  1. Carving no.21 (Hedges)

Getting Here

Take the same directions as if you’re visiting the Rivock Edge 060 Carving.  It’s 25 yards NNW – you can’t really miss it!

Archaeology & History

Rivock Edge, carving 58

This large flat rock, with a couple of long lines almost splitting the rock into sections, was first mentioned as a prehistoric site in John Hedges (1986) survey, where he described it simply as, “Large rough grit rock with possible four cups, in crowberry.” Boughey & Vickerman (2003) said even less about it!  One of the cups is very distinct, but the others are somewhat faded and perhaps even dubious.  It’s still worth a look at, if only due to the other better carvings nearby.

References:

  1. Bennett, Paul, “The Prehistoric Rock Art and Megalithic Remains of Rivock & District (parts 1 & 2),” in Earth, 3-4, 1986.
  2. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
  3. Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.

© Paul Bennett, The Northern Antiquarian 


Snowden Carr Carving (569), Askwith Moor, North Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 17746 50923

Getting Here

Inma’s Drawing of the Carving

Takes a bitta finding unless you’ve got a GPS system, or someone like me to show you where it is! The best way’s probably via the Askwith Moor Road car park, up the road 160 yards till you hit the straight line cut into the moor on your right, where the landscape’s been damaged.*  Walk along this for less than 100 yards, then walk right, through the heather and onto the singular tree roughly 200 yards away.  From here, walk 75 yards (strides) north from the tree.  You’re damn close!

Archaeology & History

About 20 feet from a line of ancient walling in an area pretty rich in prehistoric sites, is this medium-sized stone with a lovely cup-and-ring design.  The carving was first recorded by fellow antiquarian, Eric Cowling (1937), in his short survey of other carved stones in the area.  He called this ‘carving no.7’ and described it, thus:

“In the central area of Snowden Carr is a barrow group, which occupies a slight ridge running from the edge of the bog to the east, almost to the moor road on the west.  The ridge is almost devoid of vegetation except at the higher end.  Here, on a heather-covered boulder, is marking no.7.  The cups are smaller than usual, and only one ring completely surrounds a cup.  The lines linking the cups are only lightly incised, and the whole marking has a delicate appearance.”

Old photo of the carving
Cowling’s 1937 drawing

I first visited this stone in the 1980s with fellow rock art student and author, Graeme Chappell, and for some reason it has always impressed me (I recall Graeme laughing whilst I made joyous noises and stroked the rock, reverentially!).  Cowling’s description of the stone as ‘delicate’ is appealing, as the stone and its design has a nurturing aspect to it, female in nature. (forgive me — but many of these stones tend to capture me in such ways!)  The stone was described more clinically in Boughey & Vickerman’s (2003) more recent survey as follows:

“Fairly large, flat, smooth grit rock with crack.  Up to seventeen possible cups, one with complete ring, one with partial ring, one with possible ring; connecting groove.”

Doesn’t quite capture the feel of the place, which I’m sure they’d admit.  The next time I’m up here, I’ll get some better photos of the carving.

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
  2. Cowling, E.T., ‘A Classification of West Yorkshire Cup and Ring Stones,’ in Yorkshire Archaeological Journal 1940.
  3. Cowling, E.T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.
  4. Cowling, E.T. & Hartley, C.A., ‘Cup and Ring Markings to the North of Otley,’ in Yorkshire Archaeological Journal 33, 1937.

ACKNOWLEDGEMENTS: Huge thanks to one of my fine ladies, Inmaculada Ibanez-Sanchez, for the drawing! Cheers Inma!

* A pipeline was laid across the moor here, and subsequent work (I presume by the same company) was done again in early 2011, cutting through and damaging several prehistoric monuments and destroying at least one prehistoric cairn.  An archaeological survey of the region should have been done before any work proceeded here, but I’m unaware of any such excavations, or archaeological reports preceding or concurrent to the ecological and historical damage performed.

© Paul Bennett, The Northern Antiquarian


Eastwoods Rough 3, Dacre, North Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 1850 6177

Getting Here

Cup-marked stone

Follow the same directions as if you’re going to the excellent Morphing Stone cup-and-ring carving.  From the carving, look up the field to the where the dirt-track is and, by the closest gate with a tree near it, walk straight towards it.  Roughly halfway between the Morphing Stone and the gate you’ll find — eventually — the small stone in the photo with well-defined cups on it.  You might need to wander back and forth until you find it, as there’s many rocks to check out here!

Archaeology & History

Possible cup-marked rock

This small cup-marked stone was rediscovered by Danny Tiernan in the late afternoon of Thursday, August 18, 2011, just as the heavens opened and the rains poured down!  With at least one well-defined cup-mark and another two near the edge of the stone where the grasses had grown, this stone probably needs another look at it, as there may be more beneath the surface, much like when we first found at Morphing Stone.

Danny also found and photographed another larger boulder, a bit further up the field closer to the fence, where what may be a single cup-mark is clearly seen living on top of the rock.  It’s one of those dodgy English Heritage ones though, so I’ll let those ‘qualified’ chaps check this one out and give it their expertise!  It could well be another unrecorded cup-marked stone though…

Links:

  1. Eastwoods Rough & other Nearby Sites

ACKNOWLEDGEMENTS: Thanks to ‘QDanT’ for him & Teddy’s photos, above.

© Paul Bennett, The Northern Antiquarian


Lochmaloney, Kilmany, Fife

Cup-and-Ring Stone (destroyed):  OS Grid Reference – NO 379 204

Archaeology & History

J.R. Allen’s 1882 sketch

Here’s another old carving that has succumbed to the lack of animistic respect endemic in modern culture.  Ronald Morris (1981) reported that this carved rounded boulder was “dynamited by the farmer and (is) now no longer extant.”  First described in 1882 and later included in the Fife Inventory (1935), the large smooth rock used to lay within a nice copse of dense gorse, measuring 2½m x 1¾m across and about 1m high from ground level.

It was uncovered in 1872 and mentioned briefly for the first time in Arthur Mitchell’s (1874) fine essay on the antiquities of Cromar, where he told that “Dr. Batty Tuke tells me there is a cup stone on a moor forming part of Lochmalonie farm, in the parish of Logie, Fifeshire.”  His notes were followed up by the great Romilly Allen (1882), whose sketch is all that remains of this ancient site.  The carving was subsequently included in one of Ron Morris’s (1981) survey of Scottish petroglyphs, describing it simply as,

“2 cups-and-one-complete ring (one mostly weathered off), diameters 10cm (4in) and 27 cups (carving depth and angle of slope not now known.”

Its isolation from any other known petroglyphs is a little odd and there is every possibility is accompanied a prehistoric burial of some sort; although from the attitude of the farmer, all trace of that would have gone too.  On a more positive note, when Batty Tuke spoke with Romilly Allen about this carving, he told that he has “frequently noticed well-marked cups on dry stone dykes in the Glenduckie area.”  Petroglyph explorers amongst you might want to spend some time meandering in this neck o’ the woods….

References:

  1. Allen, J. Romilly, “Notes on some Undescribed Stones with Cup Markings in Scotland,” in Proceedings of the Society of Antiquaries Scotland, volume 16, 1882.
  2. Mitchell, Arthur, “Vacation Notes in Cromar, Burghead and Strathspey,” in Proceedings of the Society of Antiquaries Scotland, volume 10, 1874.
  3. Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.
  4. Royal Commission on Ancient & Historical Monuments, Scotland, Eleventh Report with Inventory of Monuments and Constructions in the Counties of Fife, Kinross and Clackmannan, HMSO: Edinburgh 1935.

© Paul Bennett, The Northern Antiquarian


Queen’s Wood, Acharn, Kenmore, Perthshire

Cup-and-Ring Stone:  OS Grid Reference – NN 7640 4291

Also Known as:

  1. Canmore ID 25010

Getting Here

Ornate cup-and-ring in Queens Wood (after RCAHMS 2004)

From Kenmore, take the road towards Acharn on the south-side of Loch Tay for about a mile. Just as you go out of Acharn, watch for the small road of Queens Drive on your left going uphill. Go up here, following the tree-lined burn (stream) towards the superb Falls of Acharn, crossing the track over it and winding uphill still, until the track veers left across open fields towards the large woodland 400 yards east.  Just before the track meets the trees, notice the small burn running into the woods.  Follow this for some 200 yards – and where it bends more sharply to go uphill, keep going for another 75 yards upstream until you meet with another opening going east.  The rocky outcrop here is where this carved stone is found.  Look around!

Archaeology & History

Hidden deep within the woods where wet feet and good ankles come together, is this fine example of a cup-and-ring stone, perhaps having something in times of olde to do with the meeting of the waters.   A cluster of urisks and prehistoric remains scatter this lovely rolling section of southern Loch Tay, but I’ve found nothing specific to this bitta woodland that might give added mythos to the site.  The carving was described in Mr Stark’s (2005) fine little work on the local rock art, saying:

“A rock outcrop, situated in woodland between Acharn Burn and the burn running down to Remony House, bears at least thirty-six cupmarkings.  There are twenty-four plain cups, three cups each with a single ring, three cups each with double rings, and a cup surrounded by three faint rings, which has a gutter leading to the NW.  The cups range from 40mm to 75mm in diameter and from 60mm to 120mm in depth.”

The next time we visit the place, I’ll make sure I get some good photos – and visit the stone circle and settlement a few hundred yards further up the hill…

References:

  1. Stark, Gordon (ed.), Cupmarked Stones in Strathtay, Breadalbane Heritage Centre 2005.

© Paul Bennett, The Northern Antiquarian