cup-and-rings – Page 24

Craigenfeoch, Johnstone, Renfrewshire

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Cup-and-Ring Stone: OS Grid Reference – NS 4361 6173

Also Known as:

Canmore ID 43233
Craigton Woods Carving

The TNA Rock Art Team on site – Fraser, Frank, Lisa, Leo & Aish

Get yourselves to Johnstone or Elderslie (which just about fuse into each other) and off the B789 road, make your way to Johnstone Castle football ground on Auchenlodment Road and go uphill, past the housing estate, until the fields open up on either side. 350 yards further, woodland appears. Go past the hair-pin kink in the road and, 50 yards or so past this, walk into the trees on your right. About 20 yards in, a large sloping rock face is what you’re looking for… (there’s a decent car-park on the left-hand side of the road 400 yards further along if you’re driving here)

Archaeology & History

A seemingly solitary but vandalised petroglyph at the top of the Craigton Woods above Johnstone Castle estate: vandalized by the industrialists, whose quarry cut into a once larger rock, at whose edges cup-markings exist and whose design extended much further onto the now-vanished rock. The carving was also painted onto by some ignorant bastard many years ago (as the photos show); and one of the cup-and-rings here has either been damaged or isn’t prehistoric. The paint was daubed onto the stone in the 1960s and is shown in one of Ron Morris’ (1981) several descriptions of the site; and whilst it interferes with the design, it hasn’t damaged it anything like as badly as the industrialists have done.

Vandalism aside: it’s still quite an impressive carving, albeit hidden in the shadows of the surrounding trees. The design has been etched onto a large rock, some 35 feet long and perhaps up to 10 feet across, sloping at an angle of about 30-35° down (slippery when wet, as we all found out!). When we visited the site a few days ago, low cloud and mist didn’t really allow us a decent inspection of the site. But what we did find was more than our predecessors….

James Kirkwood (1938) gave the first literary account of the site—and in some detail. When he found the place it was “mostly covered with vegetation”, much like we found it on our visit. He wrote:

“The group of markings comprises five cups, each surrounded by a single encircling ring, whole lay-out being contained in an area of about 9 square feet. The setting corresponds almost exactly with the four cardinal points of the magnetic compass. The cup and ring to the north is the best preserved, the cup being 2½ inches in diameter and cut to a depth of 1 inch; the ring is somewhat elliptical, measuring 8½ and 7½ inches on its major and minor axes. A channel or gutter connects this cup with that within the eastern ring. The remaining cups vary from 2 inches to 2½ inches in diameter, and the rings from 6½ to 7 inches diameter. It is significant that the east and west cups are equidistant from the north one at about 15¼ inches; they are also equally spaced from the southeast cup at 19½ inches, and this latter dimension measures the distance from the west to the southwest cup. The four cups and rings on the main cardinal points are all moderately distinct, but the southwest sculpturing can only be very faintly discerned.”

James Kirkwood's drawing — James Kirkwood’s drawing

Kirkwood’s fascination with the alignments and measurements betwixt certain elements on the petroglyph was something of a fad at the time (resurfacing with some vigour in some quarters today), but is likely to have little if any authentic relevance with the animistic dynamics implicit in the function of the design.

When Ronald Morris (1981) entered the carving into his Southern Scotland survey, he made the now standard bland description of the carved elements:

“At least 5 cups-and-one-complete-ring (some ovoid), at least one with a long wavy groove downhill from the ring, and at least 5 cups, some of which may have been ringed. The ring marked ‘F’ in the (black-and-white photo, below) has been ‘improved’ since 1934 — the author has an older photograph showing it similar to the others. The 2 upper rings can only be seen just after sunrise, when wet—they are much weathered. Greatest ring diameter – 17cm (7in) and carving depths up to 2cm (1in).”

A good drawing of the carving would be worthwhile (are there any rock art-ists out there wanna join us on our next visit?), as the archaeological blandness never does petroglyphs descriptive justice. Ostensibly, from the bottom slope of the elongated stone—below where Fraser, Frank and Lisa are standing, right—a number of geophysical marks run across the stone. You can see in the photo how several geophysical ‘lines’ cut across the rock at an angle, roughly parallel, marked by the green vegetation. One of these is a small natural tunnel hole running through the stone, possibly made by the softer rock of a fossilized tree root or branch which has since disintegrated over time. Just above this ‘hole’ the carvings begin.

Outer cup, 'fan' & CnRs — Outer cup, ‘fan’ & CnRs

A number of possible cup-marks are overshadowed by the definite series of well eroded cup-and-rings (at least four of them) all close to each other, with lines connecting some to the others, including one which runs down to the tunnel hole. Some other lines on this part of the rock may or may not be geophysical (is there a geologist in the house!?). Close to the edge of the stone (where Fraser stands in the photo above) a singular cup-mark has been etched within a series of five lines, like an open fan, that all run to a point at the entrance of the natural tunnel in the stone. We were unsure as to whether these lines were natural or man-made (we need that geologist!); but it should be noted that an element very similar to this ‘fan’ of lines occurs in a carving near Killin, Perthshire, which we have yet to fully excavate—and in the Killin example the lines reach out from a central point like spokes on a bike wheel to an entire surrounding ring of cup-and-rings! Intriguing…

One of the cup-and-rings in this cluster has clearly been either vandalized or else carved within the last century, as the erosion on it is wholly different to the rest, and the angle of the cuts into the stone shows clearly that a metal tool has made it. However, as Ron Morris stated above, this was apparently not the case with this ‘ring’ when he visited it in 1934 (it would be good to see the photo which he says shows its original state).

Further up the slope of the rock we reach a near-parallel row of natural cracks across the stone. Inside this, about halfway along, a cluster of well eroded cup-marks exist—at least four of them. One of them has either a curved line arching out of it, or a semi-circular arc. Above the parallel cracks there is a large and very well eroded cup which, from differing angles, appeared to have faint sections of a ring around it, but we all agreed this was more a Rorschach response in our respective feeble minds!

We need to visit the site again in much better weather to gain a more accurate picture of the entire design. It appeared there were other elements to be seen here, but the lighting conditions were working against us that day…. That’s our excuse anyway!

References:

Kirkwood, James, “Notes on Cup and Ring Markings at Craigenfeoch, Renfrewshire”, in Transactions of Glasgow Archaeological Society, 9:2 (New Series), 1938.
Morris, Ronald W.B. & Bailey, Douglas C., “The Cup-and-Ring Marks and Similar Sculptures of Southwestern Scotland: A Survey,” in Proceedings of the Society of Antiquaries, Scotland, volume 98, 1966.
Morris, Ronald W.B., “The Cup-and-Ring Marks and Similar Sculptures of South-West Scotland,” in Transactions of the Ancient Monuments Society, volume 14, 1967.
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.

Acknowlegdments: With huge thanks to what Nina Harris called “the TNA rock art team” – Aisha Domleo (and Leo), Nina Harris, Frank Mercer, Lisa Samsonowicz & Fraser Harrick.

Grey Stone, Newsholme Dean, Oakworth, West Yorkshire

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Cup-Marked Stone: OS Grid Reference – SE 00621 40841

Also Known as:

Carving no.2 (Boughey & Vickerman)

Getting Here

Take the same directions as if you’re visiting the Cob Stone Field carving; but instead of going into the field on your right, walk down the track about 100 yards towards the large barn below. As you walk down keep your eyes peeled to the field on your left and, right up against the wall of the barn, you’ll see a large boulder resting quietly. That’s what yer after!

Archaeology & History

This large faded cup-marked rock whose western side has been split off in recent years, has a scatter of “up to 21 small shallow worn cups” on its upper surface. They can be difficult to see in some light, but they’re definitely there (as Ray Spencer’s photos clearly show), fading slowly into Nature’s winds and storms. A couple of ‘lines’ running down the edge of the stone are due to modern farm-workings.

Several other rocks in this and adjacent fields have what may be faded remains of other cup-markings, but without guidance from a geologist or a stone-mason, we can’t know for sure whether they’re authentic or not. It’s likely that there are other authentic carvings hiding in this area—they just need sniffing out!

References:

Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.

Acknowledgements: Huge thanks to Ray Spencer for us of his photos in this site profile. Thanks Ray.

Picketts Beck East, Askwith Moor, North Yorkshire

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Cup-and-Ring Stone: OS Grid Reference – SE 1708 5054 — NEW FIND

Getting Here

From the Askwith Moor Road parking spot, head across the road and take the directions to the Woman Stone carving about 510 yards (467m) across the moors to the west. From here, look straight down the slope and head towards the largest boulder at the bottom, 20-30 yards away. About 10-20 yards to the right of this, zigzag about in the vegetation until you find the small stone amidst the bracken. You’ll find it!

Archaeology & History

This small stone, whose natural contours and cracks have been utilised in the design of the petroglyph, may once have been part of a prehistoric tomb, perhaps rolled or thrown downhill from the nearby Askwith Moor Cairnfield. I say this due to the size and portability of the stone, i.e., it’s small and barely earthfast, giving an increased likelihood that its present position was not its original one. But we might never know…

It’s almost archetypal in design, being a primary cup-and-ring, with what appears to be a faint inner ring etched marginally within the larger notable incomplete circle, just an inch beyond the inner central cup. From this same cup runs a carved line, out to the near edge of the small stone. Single cup-marks occur on the edges of the rock, as can be seen in the photos: three, possibly four of them. One of the cups, where the stone narrows to a rounded point, may also have had a partial ring around it. When we found this stone a few weeks ago, the day was grey and overcast and the light was poor, so our photos do not highlight the carving too well.

(Note: the OS grid-reference for this stone is an approximation: pretty damn close, but not close enough. If someone ventures here and can get the exact grid-ref, we’d be most grateful.)

Wester Cairnfield (02), Askwith Moor, North Yorkshire

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Cup-Marked Stone: OS Grid Reference – SE 1698 5070

Getting Here

From the Askwith Moor Road parking spot, head west to the Askwith Moor cairnfield. Keep walking west, going downhill past the main cluster of rocks. If you begin zigzagging amidst the heather hereby, you’ll eventually come across this relatively small stone which, even when the heather is deep, thankfully rises to the surface. The Wester Cairnfield 1 carving is close by.

Archaeology & History

Although I presumed that Graeme Chappell and I found this petroglyph when we surveyed the area in the 1990s, I cannot find an early account of it in my files, so must presume that when James Elkington, James Turner and I came across it a few weeks ago, it was the first view of the stone in many a century… It’s another simple carving, only of interest to the mad rock art hunters out there.

...and from another angle — …and from another angle

When we first found it, it seemed to me (with the sunlight effects on the stone) that two cup-marks had been etched here; but as Mr Elkington pointed out, from the angle he was looking at the stone, there were another two. He was right. But it’s nothing special to look at, sadly, and is probably only of interest to the real hardcore petroglyph nutters amongst you. (please note that the grid-ref for this carving needs revising and may be 50 yards either side of the one given)

Wester Cairnfield (01), Askwith Moor, North Yorkshire

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Cup-Marked Stone: OS Grid Reference – SE 16966 50674

Getting Here

From the Askwith Moor Lane parking site, take the directions to the Askwith Moor Cairnfield. Walk westwards for about 100 yards down the gradual slope, towards the boggy land below, but before reaching the reeds, still in the moorland heather, there are a scatter of rocks. Just keep zigzagging about until you find it. It’s a reasonably large stone.

Archaeology & History

'Cup mark' on vertical face — ‘Cup mark’ on vertical face

This is one of several simple cup-marked stones found down the slopes about 100 yards west of the Askwith Moor Cairnfield. When James Elkington, James Turner and I re-surveyed this area again recently, I wondered whether it was a newbie or had already been located when Graeme Chappell and I did our tedious surveying of this region in the 1990s—and it turned out that we did! The carving is nothing special to look at, even if you’re a petroglyph zealot. Comprising of a distinct single cup-mark on the top nose of the rock, another is visible on the vertical south face, and another possible is on its eastern face.

When we look at the early maps of this area, we find that to the north and south of this stone once existed ‘Shooting Houses’. As we can see on the attached map, the position of one of the shooting targets is very close to the location of this stone and so we must conclude that the cups on the vertical face were done by gunshot and are not prehistoric. However, the distinct cup on top of the stone retains its prehistoric link.

Lower Lanshaw Stone (02), Askwith Moor, North Yorkshire

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Cup-and-Ring Stone: OS Grid Reference – SE 16059 50875

Getting Here

Lanshaw cup-and-ring nearby — Lanshaw cup-and-ring stone

Start at the Askwith Moor parking spot on Askwith Moor Road, then walk down the road (south) 300 yards till you reach the gate and track on the other side of the road, heading southeast. Following the track onto the moor and take the footpath on your right after 75 yards. Follow this along until you hit the gate & fence. Climb over this, then follow the same fence along (left) and down, and keep following the fence and walling all the way on until you reach the very bottom southwestern edge of Askwith Moor itself. Now, walk up the slope to your right and, near the top of this rise 250 yards away, past Lower Lanshaw 01 carving, in some ancient walling, you’ll find it!

Archaeology & History

A very faded cup-and-ring carving can be found about 30 yards northeast of the Lower Lanshaw cup-marked stone, just as the hill slopes down to the overgrown stream. It rests on the lower edges of the prehistoric (probably Bronze Age) enclosure in which other archaeological remains can be found. Although the photo here highlights what seems to be 3 cups on the south-face of the rock, only one of them seems authentic. A pecked “line” also seemed evident, but the light conditions were poor when we were here. It does seem that there’s a faded ring around one of the cups, as you can see in the photo.

Stanbury Hill North, Bingley Moor, West Yorkshire

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Cup-Marked Stone: OS Grid Reference – SE 1097 4339

Getting Here

Take the directions as if you’re visiting the ornate petroglyphs known as the Lunar Stone and the Spotted Stone. Walk past them and down the slope, NW, as if you’re heading to the small valley a few hundred yards away. As you reach the bottom of the slope, closer to the stream, a large boulder catches your attention. This carved stone is just a few yards before you reach it.

Archaeology & History

This simple cup-marked design below the northern slope of Stanbury Hill has, on its northeastern sloping face, a single cup-mark; then, past a curiously-etched line (probably more recent) is a larger circular feature, like a very shallow ‘bowl’ as in the one found in the superb Stag Cottage petroglyph complex 300 miles north (and several other carvings). A few yards away, a large single cup-mark has been etched onto another stone. As with quite a few carvings in this region, they have been missed in the standard archaeocentric surveys.

Mask Stone, Port of Menteith, Perthshire

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Cup-and-Ring Stone: OS Grid Reference – NN 56107 01712 – NEW FIND

Also Known as:

Ballochraggan 12a

Getting Here

Take the same directions to locate the cup-and-ring stone of Ballochraggan 12. There are several rocks adjacent. The one immediately next to it, to the northeast, is the one you’re looking for. Be gentle and careful if you’re gonna look at it — deadly serious, be very careful indeed!

Archaeology & History

One of the most intriguing and most fascinating of all the prehistoric carvings I’ve yet to discover. Not that this was all my own work. If it hadn’t been for Paul Hornby, we might have simply walked past it as being little more than a single cup-marked stone—and in this area, single cup-marks tend to be little more than geological in nature.

After we’d looked over several of the registered carvings close by, I did my usual meandering back and forth, stroking stones and seeing if there were any carvings that had been missed by previous surveyors. And in walking past a small piece of smooth rock, a singular cupmark seemed to stand out. I walked past it, shouting across to my colleague.

“It looks like we’ve got a single cup-mark here Paul,” I said, “with possible half-ring.” Thankfully Mr Hornby gave it his better attention.

Mask Stone, with faint 'urn' — Mask Stone, with faint ‘urn’

The sun was still out and shining across the smooth rock surface, which tends to mean that you’re not seeing any carving on the stone quite as good as it actually is. Thankfully however, the sun was beginning to get lower and, when this happens, if we wet the rock, any carvings that might be there stand out much better. And this little fella just seemed to get better and more curious the more attention Paul gave it!

The first thing that became obvious were a series of faint carved lines above the single cup-mark. Initially these didn’t seem to merit much attention (straight lines on rock are usually more the product of geophysical action than that of humans), but as the rock got wetter, Paul saw something very distinct indeed.

“There’s a face on it!” he exclaimed. And indeed there was. A Rorschach response no doubt, but it was still very much like a face. This looked for all the world akin to the stylised olde English gentry sort of countenance, as in old cartoons. It was quite ‘distinct’, as such characters themselves insist on being! Yet around this initial face, more lines seemed to be emerging as the stone gave up more and more of its hidden story.

Standing back from an initial investigation, the carving was seen to consist of a triple-ring, but without the traditional ‘cup’ in its centre. Instead, the centre was marked simply by a small ‘dot’—perhaps, originally, being a small conglomerate hole formed as a result of another tiny harder fragment of stone falling away from its larger mass. But a ‘dot’ it was. The other carved ‘lines’ however, immediately below and attached to the triple-ring, gave us something almost unique—and another strong Rorschach response. As the photos clearly show, we have a distinct second ‘face’ made up of the same lines but in a quite different form. This ‘face’ has all the attributes we usually associate with pictures of mythical spirits, demons, or a mask—hence the name!

Paul took a series of fine photos, hoping that he could catch the image that our eyes could clearly see. And thankfully, his digital camera brought the image to life even better than our eyes did! The ‘mask’ is comprised of carved lozenge forms, akin to the more decorative ones we find at Kilmartin, and more especially around Newgrange, Ireland. We sat and talked about this: wondering and working out routes that we’d take over mountains and moors, from Ireland, to Kilmartin, then onto Ballochraggan, etching the same designs onto the rocks hereby and attaching similar mythic notions to them: of shamanism and kingship; underworlds and journeys—paradigms lost and certainly misunderstood in the non-polysemia of many modern academics.

…The stone here was still slightly covered over and, beneath the loose grasses, another feature emerged of another petroglyphic rarity. At the topmost western side of the rock a straight line ran across the surface, seemingly marked by the hand of man, with a curious little line almost doubling back on itself for just an inch or so, and then feeling to run down the stone, towards the concentric rings and the face below. When we stood back and took the photos, this line and its tracer took on a form that I’ve only seen echoed in one of the Netherlargie tombs at Kilmartin, Argyll, 44.4 miles (73km) to the west. It is very distinct.

Mask Stone04 — The beaker, rings & ‘face’

Spuriously ascribed as being ‘axe’ carvings (oh how archaeologists love this Rorschach projection), the Netherlargie North tomb cover-stone in Kilmartin has a series of burial ‘urns’ or beakers carved onto the rock, amidst a scattered collection of cup markings. (Beckensall 2005:73-4; Bradley 1983:92-3; Royal Commission 1971:68-70; Twohig 1972, etc) Here too at Ballochraggan we find another such symbol, but just a singular example, much larger and more clearly a beaker or urn, as are traditionally found within many old neolithic and Bronze Age tombs; although no tomb is immediately apparent at this Ballochraggan carving.

The entire carving is very faint indeed (you can’t even see it when you’re looking directly at it unless conditions are good) showing that it remained open to the elements for thousands of years. Other adjacent carvings lack the erosion that we find on this one, even on those which, as archaeologist Lisa Samson said, is “softer sandstone rock than this one”—implying that it’s one of the older carvings in this incredible cluster.

The carving was covered over when we finished examining it, to ensure that Nature’s erosion keeps it alive for just a few more centuries at least, hopefully…..

References:

Beckensall, Stan, The Prehistoric Rock Art of Kilmartin, Kilmartin Trust: Kilmartin 2005.
Bradley, Richard, Altering the Earth, Society of Antiquaries Scotland: Edinburgh 1993.
Royal Commission on the Ancient & Historical Monuments of Scotland, Argyll – volume 6: Mid-Argyll and Cowal, HMSO: Edinburgh 1971.
Twohig, Elizabeth Shee, The Megalithic Art of Western Europe, Clarendon: Oxford 1981.

Acknowledgments: Huge thanks again to Mr Paul Hornby for his considerable help with this site, and for use of his photos.

Ballochraggan 05, Port of Menteith, Perthshire

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Cup-Marked Stone: OS Grid Reference – NN 56044 01549

Also Known as:

Ballochraggan 42 (Brouwer)
Canmore ID 78355
Menteith 5 (van Hoek)

Getting Here

Take the same directions as if you’re visiting the Ballochraggan 12 carving, or nearby standing stone. Literally 10 yards above the leaning monolith, you’ll see what looks like a glacial rock drop ahead of you (though it’s actually volcanic). That’s the stone you want!

Archaeology & History

A site that was first described in Maarten von Hoek’s (1989) survey of the area, where he told this carving to be “a loose boulder (that) bears 14 cups, some possibly natural.” There is very little doubt about it—many of the ‘cups’ on this stone are indeed natural, caused directly by the erosion and subsequent falling of conglomerate rock nodules coming away from the larger rock mass, leaving holes in it that look like cup-marks, but are blatantly natural in origin.

Close-up of the cups - natural or man-made? — Close-up of the cups – natural or man-made?

When Paul Hornby and I visited the site on August 28, 2014, we looked briefly at the stone and then walked on by—but we took some photos, “just in case the archaeo’s have this listed as a monument, ” I said. And they do! Several of the ‘cups’ shown in the images here might be man-made. Might…. It’s difficult to say for sure (are there any geologists in the house?) Of course, if the faint half-ring below one of these large ‘cups’ turns out to be legitimate, we’ve got a definite here. But even that looks a bit dodgy!

Despite these marks possibly being geophysical, we must not forget, nor rule out, that this rock had some importance to the neolithic or Bronze Age people who frequented this region. Natural marks on rock would be emulated by humans sometimes, or seen as elements of spirit in the stone itself—as found all over the world. A standing stone is only yards away, and we have highly impressive multiple cup-and-ring stones very close by. The natural ‘cups’ on this and other adjacent rocks may have catalysed the petroglyphs themselves.

Check it out when you visit the other, much more impressive multiple-ringed carvings hereby; but also watch out for the many conglomerate rocks still scattering this hill—some with the softer rounded nodules of rock fallen, leaving cups, and others still in place in quite a few of the stones, awaiting their own geological timing to leave more cup-marks ready for some folk to misread. (I did it misself in younger years!)

References:

Brouwer, Jan & van Veen, Gus, Rock Art in the Menteith Hills, BRAC 2009.
van Hoek, M.A.M.,”Prehistoric Rock Art of Menteith, Central Scotland,” in Forth Naturalist & Historian, volume 15, 1992.

Ballochraggan, Port of Menteith, Perthshire

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Standing Stone: OS Grid Reference – NN 5605 0154

Getting Here

Take the same directions as if you’re visiting any of the upper Ballochraggan petroglyphs, but 100 yards before the carvings, out in the open on the grasslands, below the reach of the forest, you’ll see the leaning stone if you wander about. You can’t really miss it!

Archaeology & History

Not included in any of the Canmore, Royal Commission or Ordnance Survey records, this standing stone appears to have eluded official records until now. Found close to the petroglyph-rich arena of the Ballochraggan complex, with attendant tombs to the east, there is the possibility that this large leaning stone was itself, once, a part of a long-gone cairn, as Paul Hornby suggested. The small cluster of stones around its base certainly adds to that idea (similar to the incredible Dunruchan cluster, more than 17 miles (28km) northeast).

The stone leans at a considerable angle from a previously upright position. When standing it would have been nearly five-feet tall and measures nearly as wide. The stone is roughly triangular in shape, above ground. What appear to be two faint cup marks on its topmost surface are very probably due to conglomerate rock erosion and not the handiwork of humans.

…