cup-and-rings – Page 23

Over Glenny (05), Port of Menteith, Stirlingshire

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Cup-and-Ring Stone: OS Grid — NN 56993 02835

Along the A81 road from Port of Menteith to Aberfoyle, watch out for the small road in the trees running at an angle sharply uphill, nearly opposite Portend, up to Coldon and higher. Keep going, bearing right past Mondowie and stopping at the dirt-track 100 yards or so further up on the left. Walk up this dirt-track for ⅔ mile, and just before reaching the planted forestry, turn right along another dirt-track. Less than 200 yards along there’s a large sycamore tree, and about 20 yards below it (south) is the carving you’re looking for.

Archaeology & History

It’s difficult keeping up with the carvings in this region to the north of the Lake of Menteith, as we find new unrecorded ones on every visit, maintaining the tradition of fellow rock art students Maarten van Hoek, Kaledon Naddair, George Currie, Jan Broewer and the rest—and we know that there’s more of them hidden away. This one doesn’t seem to be in the Canmore listings, but I put that down to the fact that they’ve got a grid-references wrong somewhere, as it’s pretty plain to see. Although, to be honest, in the rather vague descriptions of the adjacent carvings (Over Glenny 4 and 6), this carving is in-between them, so you’d expect it to be listed. Anyway, that aside…

This long flat exposed rock surface has two primary cup-and-rings upon it: one cup with a double-ring, and the other standard cup-and-ring; there are also two single cup-markings on the stone: one near the middle of the rock and the other on its lower-right side. The main element is the double-cup-and-ring, which appears to be incomplete—not only in terms of its design, but also, as you can see in the photos, seems unfinished. From the central double-ring, a faint carved line runs out from the centre and into the other faint, incomplete, single cup-and-ring.

At the bottom of the stone (as with several others hereby) a curious set of deep scars have been cut into the edge of the rock. They’re unmistakable when you see them. They have probably been created by metal artifacts being sharpened along the bottom of the rock—many many times by the look of it. These deep cuts reminded me of the more famous Polisher Stone, down Avebury-way. They may be explained by the fact that, several centuries ago, a battle occurred here and some of the men gathered in the area before the attack. It would seem as if this and the other cup-and-ring stones were used to sharpen their blades before going into battle. Whether this was done because of some local lore which imbued these stones with some sort of magick, we do not know. Folklore here seems curiously scarce (english incomers destroyed local traditions, as writers were telling us in the 19th century), apart from the well-known one of the area being rife with fairies: Robert Kirk’s famous The Secret Commonwealth of Elves, Fauns and Faeries (1691) was written three miles west of here, at Aberfoyle.

References:

Brouwer, Jan & van Veen, Gus, Rock Art in the Menteith Hills, BRAC 2009.

Acknowledgements: Massive thanks to the rest of the crew: Paul Hornby, Lisa Samson & Fraser Harrick.

Snowden Carr carving (610), Askwith, North Yorkshire

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Cup-Marked Stone: OS Grid Reference – SE 18105 51210

Getting Here

From Otley, take the road north across the River Wharfe up and up, heading towards Askwith Moor. As the moorland opens up ahead of you, at the crossroads turn right along Snowden Carr Road and literally ¾-mile along (1.25km) where a track on your right goes to Carr Farm, on the left-side of the road is a gate. Go through here to the Naked Jogger Stone and walk up the rocky ridge ahead of you, alongside the walling (as if you’re going to the Sunrise Stone), and about 20-30 yards up you’ll reach this carving.

Archaeology & History

Best visited on a clear day, this is one carving amidst a small cluster of cup-marked petroglyphs found along the small geological ridge between the Sunrise Stone and Naked Jogger carving (none of which are as impressive as those two!). This particular design consists of a number of faint cup-marks— between 17 and 25 of them—reaching along the horizontal surface, with no distinct formal pattern, as usual. The carving continues beneath the encroaching soil.

It seems to have been described for the first time by Stuart Feather (1973); then subsequently in Boughey & Vickerman’s (2003) survey, in which they attach a single cup-marking on an adjacent rock into the matrix of this design—but the two rock surfaces are distinctly separate. This apart, their description tells, briefly as always: “Large long rock which may be outcrop, with hill falling away steeply below. Seventeen worn cups.”

References:

Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Feather, Stuart, “Askwith, W.Yorkshire,” in ‘Yorkshire Archaeological Register’, Yorkshire Archaeology Journal, volume 45, 1973.

Leachd Nam Braoileag, Dull, Perthshire

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Cup-Marked Stone: OS Grid Reference – NN 7526 5531

Also Known as:

Canmore ID 25049

Archaeology & History

Leachd Nam Braoileag (photo by Michelle Allan)

If you take the path up to Schiehallion (the great hill of the faeries) from the car park near the Braes of Foss, just a hundred yards or so past the first set of trees onto the moorland, keep your eyes peeled for the long stone on your right, a few yards off the path. Upon its upper elongated surface you’ll notice a series of cup-markings etched onto it, oh so long ago now…

Close-up of cups (photo by Michelle Allan)

Located below the legendary Schiehallion, or Mountain of the Faeries, this carving is best visited over the winter and spring months (before the bracken encroaches). On its upper surface there are about 25 cup-marks, many of them pecked to about an inch deep, with one of them being more than 6 inches across and 2 inches deep. Weathering over the ages has effected them. It seems to have been rediscovered in the early 1970s and is, officially speaking, an isolated carving; this is most unlikely—and needs the keen eyes of fellow antiquarians to find others in this beautiful neighbourhood.

Acknowledgements: Massive thanks to Michelle Allan for allowing us to use her photos of the Leachd Nam Braoileag carving in this site profile.

Kinloch Lodge, Tongue, Sutherland

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Cup-Marked Stone: OS Grid Reference – NC 56201 52713

Also Known as:

Canmore ID 5356
Lochan Hakel A (Gourlay 1996)

Getting Here

Whether you take the A836 or A838 into Tongue (through truly beautiful wilderness), make sure you go into the village itself—and then keep going, south, along the tiny country road for 3 miles. Hereby, keep your eyes peeled for Lochan na Cuilce on your right; keep going past here, into and through the old trees where you’ll then see Lochan Hakel on your left. Keep going past here until your reach the next small copse on your right. Stop here. A small pool is yards into the trees and here you’ll see a single stone between that and the roadside. You can’t really miss it!

Archaeology & History

An apparently isolated cup-marked stone, some 3 feet by 5 feet, that was first described in Morrison’s (1883) meanderings amidst Sutherland’s awesome wilderness. It’s quite plain compared to Lochan Hakel 2 and many other carvings, simply consisting of 18 cups of various sizes, mainly on the eastern side of the rock. Sarah MacLean pointed out that a line running along the length of the stone seemed, in parts, to have been artificially enhanced by the hand of man, or woman. I have to agree with her.

The Royal Commission (1911) lads included this petroglyph in their superb survey of Sutherland, telling:

“On the W. side of the road to Kinloch, about ½ m. N of the bridge over the Kinloch River (Amhainn Ceann Locha), and on the N edge of a gravel pit close to the road, is a large earthfast boulder, 5′ in length as far as exposed, and 3′ 10″ in breadth, showing on its upper surface eighteen cup-marks of various depths, of which the most distinct is towards the N end of the stone, measuring about 3″ in diameter and 1″ in depth. The whole length of the stone is not visible, but the markings do not seem to extend to the portion covered…”

Simulacra lovers will love the form of this stone in relation to the background of the mountains, as its shape is echoed in that of the rising hills several miles to the south. …Of course, the depersonalizing ones amongst you lacking an understanding of animism would reject any such association due to your projection of disbelief. However—and equally—as we lack any ethnographic data on the carving we must also assume some caution…

A fascinating site – and one which is likely to have neighbours hidden in the surrounding moorlands…

References:

Gourlay, Robert, Sutherland: An Archaeological Guide, Birlinn: Edinburgh 1996.
Michell, John, Simulacra, Thames & Hudson: London 1979.
Morrison, Hew, Tourist’s Guide to Sutherland and Caithness, D.H. Edwards: Brechin 1883.
Royal Commission on Ancient & Historical Monuments, Scotland, Second report and inventory of monuments and constructions in the county of Sutherland, HMSO: Edinburgh 1911.

Acknowledgments: Huge thanks to Donna Murray for use of her photos in this site profile (aswell as for putting up with me whilst in the area); and also to Sarah MacLean for taking us to the carving in the first place. Many many thanks indeed. See y’ again soon, hopefully!

Ringstone Carving, Torrisdale Bay, Farr, Sutherland

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Cup-and-Ring Stone: OS Grid Reference – NC 691 616

Getting Here

Take the A836 road between Tongue and Bettyhill, turning down at Borgie Bridge for 1.8 miles (2.87km) until you reach the little information sign at the roadside. Walk downhill and cross the little bridge and wander onto the west side of the beach. You’re likely to end up daydreaming… so once you’ve re-focussed, head into the middle of the beach and walk up the steep-ish sand-banks to your right (south). Once at the top, you’ll see a gigantic rock—the Ringstone—bigger than a house. Walk up the hill above this until your reach the rocky plateau where things roughly level out. Look around!

Archaeology & History

This previously unrecognised carving on the edge of the rocky promontory that drops down to the stunning Torrisdale Bay—above the gigantic and legendary Ringstone boulder—is very much like the curious ‘C’-shaped motif on the Fyfield Down petroglyph, a couple of miles east of Avebury, literally 499 miles (803km) to the south. Indeed, that’s all I kept thinking about when I found it!

The carving’s nowt special—apart from the fact that it’s seemingly isolated and has no apparent companions nearby. It’s an incomplete circle, perhaps more like a bell-shape than a circle, about six inches across and seems to have no inner cup-mark. Its general appearance on the rock surface seems to indicate it was carved by a metal tool, instead of being ‘pecked’—but it’s still very old. Initially, I wondered whether it was an ichnological fossil or stromatolite—but it isn’t.

(Note that the OS-grid-ref is just a 6-figure one. I was ambling about and didn’t make an exact note of the place, but it won’t take much finding on the rocky levels above the giant Ringstone if you zigzag about. Apologies for the poor photos too, but She was cloudy most of the day.)

Acknowledgments: Huge thanks to Donna Murray, for putting me up in this part of Paradise. Cheers Donna.

Lochan Hakel (01), Tongue, Sutherland

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Cup-and-Ring Stone: OS Grid Reference – NC 56988 52656

Getting Here

Lochan Hakel’s cup & ring (photo by Sarah MacLean)

Whether you take the A836 or A838 into Tongue (through truly beautiful wilderness), make sure you go into the village itself—and then keep going, south, along the tiny country road. Nearly 2½ miles along, note the small loch of Lochan na Cuilce on your right. A few hundred yards past this, on the other side of the road (barely visible at first) is Lochan Hakel. Walk around to the south-side of the loch and, across from where the small island of Grianan lives, you’ll see this large rounded boulder by the loch-side.

Archaeology & History

Stuck in a veritably stunning middle-o’-nowhere below the outstretched northern moors beneath Ben Loyal & co, there is no previous literary account of this faded petroglyph, rediscovered in early April 2017 when Sarah MacLean took us on a visit to the more renowned multiple cup-and-ringer of Lochan Hakel 2, just yards away above the moorland rise (which is unmissable from here). It’s not too special in comparison with its neighbour and many others—but try telling Sarah that!

Cup & ring atop of stone (photo by Sarah MacLean)

This large rounded lichen-covered boulder has, at its height, a carved ring around a natural rise—known as a ‘boss’—at the very top of the rock. On its southern side, Sarah found a single cup-mark, along with a couple of others on the more northeasterly sloping face. At the bottom of this face is another seemingly isolated small cup-marking. There may well be other carved elements beneath the mass of ancient lichens, but we thought it best to leave them for the time being. It’s also quite likely that other unrecorded carvings exist in the area.

Acknowledgments: Huge thanks to Sarah MacLean, not only for helping to locate this carving, but for use of her photos in this site profile. Cheers Sarah! And to Donna Murray, for putting up with me whilst in the area! …Now, let’s find some more of them!

Barton Cross Stone, Barton, Lancashire

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Cup Marked Stone: OS Grid Reference – SD 53500 37332 — NEW FIND

In this view, the carving is right of the Cross surround

Getting Here

At the roadside, on the south side of Barton Lane, where it crosses the minor road joining Cross House Farm and Barton House, you’ll see the Barton Cross standing upright. You can’t miss it!.

Archaeology & History

Apparently never before described, this stone has very likely been removed from another locality and cut to shape to form part of the surrounding platform base to Barton Cross, where it is at the southwest corner. It has ten cup marks.

Until or unless more such stones are located, it is a unique example of rock art in this part of Lancashire.

Henry Taylor, in his 1906 work The Ancient Crosses and Holy Wells of Lancashire writes inter alia about the Barton Cross that it had been demolished sometime after 1848, and that the base and part of of the Cross shaft had been ‘lately restored to the old site‘. Thus the cup-marked stone may or not be in its original position as part of the Cross surround, and may have just been a conveniently available slab of stone that was used, rather than a deliberate use of a pre-existing sacred stone.

References:

Taylor, Henry, The Ancient Crosses and Holy Wells of Lancashire, Sherratt & Hughes, Manchester, 1906.

Croft Moraig Carving (02), Kenmore, Perthshire

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Cup-Marked Stone: OS Grid Reference – NN 79744 47263

Also Known as:

Croft Moraig – Stone D

Getting Here

Follow the same directions for the Croft Moraig stone Circle. Then check out the largest of the fallen or elongated stones on the northwest side of the ring, with a smoothed sloping surface, just at the side of the overgrown stone platform on which it rests. Y’ can’t really miss it.

Archaeology & History

When William Gillies (1938) wrote about the carvings at the Croft Moraig stone circle, he told how, previously, Fred Coles,

“noticed that several of the upright stones…show cup-markings on their perpendicular surfaces. Some of these are quite distinct, but others are so worn through weathering that they can only be traced with the fingers.”

Stone D, with cupmarks — Stone D, with faint cups

This is one of them. Barely visible at the best of times, the cup-markings are faded and very hard to see unless daylight conditions are just right. As you can see in the photos, several distinct cup-like impressions are visible, but it only appears that two of them are cup-marks. The others seem to be more geophysical in nature – but I’d love to be wrong!

At the SSW edge of the circle, 13 yards (11.75m) away, is the Croft Moraig cup-and-ring stone.

Folklore

Stone D on Fred Coles' plan — Stone D on Coles’ plan

The great northern Antiquarian Fred Coles (1910) noted that this particular stone (stone D in his ground-plan of the circle) had “been polished by the sliding of generations of children”. This playful action on stones elsewhere in the UK and around the world sometimes relates to fertility rites (i.e., the spirit of the stone could imbue increased fertility upon the practitioner), but Mr Coles made no mention of such rituals here.

References:

Coles, Fred, “Report on Stone Circles Surveyed in Perthshire,” in Proceedings of the Society of Antiquaries, Scotland, volume 44, 1910.
Gillies, William A., In Famed Breadalbane, Munro Press: Perth 1938.
Yellowlees, Sonia, Cupmarked Stones in Strathtay, Scotland Magazine: Edinburgh 2004.

Acknowledgements: Many thanks to hardcore crew for our various visits here: to Paul Hornby, Lisa Samson, Fraser Harrick, James Elkington, Penny & Thea Sinclair.

Leckie Broch Carving (02), Gargunnock, Stirlingshire

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Cup-and-Ring Stone: OS Grid Reference – NS 6926 9399

Getting Here

Ornate face of Leckie-2 carving — Ornate face of Leckie-2 stone

Take the A811 road between Stirling and Kippen and go up into Gargunnock, From the village centre, go along the Leckie Road (not the Main Street!) for half-a-mile, then turn left up the tiny road. ¾-mile (1.15km) along, a small bridge crosses the Leckie Burn (a.k.a. St Colm’s Burn). From here, walk up the footpath into the woods for 100 yards or so and cross the waters. When you see the large overgrown rocky rise of the Leckie Broch covered in pesky rhododendrons, walk up its left-side where (presently) a clearing has been made and the carved rocks stand out.

Archaeology & History

A very curious design here! Possibly carved at the same time as the Leckie broch to which it is attached—possibly not—we have here a curious amalgam of Nature’s incisions and human design, culminating in cup-and-rings and cups-and-squares no less! When we came to visit it a few days ago, Lisa Samsonowicz found the stone hiding away, buried beneath a thin layer of natural cover. The rest of the team thereafter enabled a much clearer pictures of the carving.

Allison McLaren sitting on the new find — Young Allison on the new find (photo courtesy John McLaren)

We’re not quite sure who first rediscovered the carving. In an early photo of the site taken in the late ’70s or early ’80s, a young Allison McLaren sits highlighting the design. But she wasn’t the fortunate lass who discovered it! One account describes a local woman, Lady Younger of Leckie House, who was out walking her dog, accidentally dislodging some of the rocky debris of the Iron Age broch and unearthing the petroglyphs, thereafter taking Allison along to see it. The other account tells of it being noticed for the first time during an excavation of the broch by Euan MacKie and his team. Whichever it was, Prof Mackie (1970) was certainly the first person to write about it. He told:

“Part of the sandstone face of the northern end of the promontory on which stands the Leckie dun is covered with well preserved cup-marks, presumably much older than the dun. They were discovered when rubble and soil fallen from the dun was removed. Some of the cup-marks stand alone and some are surrounded by what appear to be incised rectangles in a ladder pattern. There are other, less clear markings.”

Ron Morris' 1981 sketch — Ron Morris’ 1981 sketch

There then followed a series of written accounts, small and large, about the Leckie broch—but little else was said of the carvings. It wasn’t until Ronald Morris (1981) came to see them a few years later that they gained a slightly lengthier description. He described how the petroglyph was,

“carved over about 3m (yds) at heights of 1-2m (yds) on faces now sloping mostly 0-90º NW, with 3 cups-and-one-near-hexagonal-ring up to 12cm (4½in) diameter, a ‘sun-burst’ and other grooves, and at least 40 cups up to 12cm (4½in) diameter and up to 8cm (3in) deep. On a vertical E-facing slab there are also many grooves, some of which connect lines of cups. Some grooves resemble a ‘sea-horse’, an ‘axe’, etc. All except the cups are probably incised, but some may be natural.”

The entire design in fact covers two separate sections of rock. On the vertical face of one stone is a curious conjoined cup-and-rectangle, attached to a cup-and-square, attached to a traditional cup-and-ring. A cluster of other cups, large and small, are immediately left of this odd geometric pattern. The ‘cups’ within this section of the petroglyph are quite deep and, it would seem, were geological in nature but have been touched-up by human hands. Immediately below this rectangle-square-circle sequence, faint carved lines run a little further down the face of the rock. They were difficult to see clearly and require subsequent visits to enable a more complete picture. Along the top of this section of rock are several cups, one or two of them seeming to have faint rings around them. (at the very bottom of this vertical carved face, at ground level, a small section of man-made walling is visible, which was no doubt a section of the huge broch)

Above the top of this vertical carved face is a gap between this and a second, larger earthfast stone. This has a series of cups, some with faint rings around them, but most of them are just cups, both shallow and deep, running down the slope of the rock. A notable ‘star’ of five cups surrounding a single-cup stands out on this section. Some of them seem to have been geophysical in nature, but again have been touched-up and added to.

Slightly higher still, on another third section of rock, a curious cluster of weird ‘pecks’, almost in a square pattern, with a possible cup-mark close to the edge of the stone is clearly visible. The edge of this rock seems to have been quarried and the markings here may just be mason marks preceding the breaking of the stone in the Iron Age.

Walk around to the south-side of the broch and there, in the walling, on a vertical stone face, is the small cup-marked Leckie 1 carving.

One final note of concern: the carving (and the broch) have become overrun with rhododendrons, to the point where they are severely damaging the monuments here. They need to be curtailed before further archaeological destruction occurs. Help!

References:

MacKie, Euan, “Leckie, Cup-Marked Rock,” in Discovery & Excavation Scotland, 1980.
MacKie, Euan, “The Leckie Broch, Stirlingshire,”, in Glasgow Archaeological Journal, volume 9, 1982.
McLaren, John, Personal Communications, 7.2.17 & 16.2.17.
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.

Links:

Gargunnock Village History

Acknowledgements: Immense thanks to Lisa Samsonowicz, Fraser Harrick, Nina Harris, Frank Mercer and Paul Hornby for all their work, enabling a clear picture of the site. And a huge thanks to John McLaren of the Gargunnock Village History site for allowing us to include the early photo of the carving here – thanks John! 🙂

Leckie Broch Carving (01), Gargunnock, Stirlingshire

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Cup-Marked Stone: OS Grid Reference – NS 69259 93985 — NEW FIND

Getting Here

Take the A811 road between Stirling and Kippen and go up into Gargunnock, From the village centre, go along the Leckie Road (not the Main Street!) for half-a-mile, then turn left up the tiny road. ¾-mile (1.15km) along, a small bridge crosses the Leckie Burn (a.k.a. St Colm’s Burn). Walk up the footpath into the woods for 100 yards or so and cross the waters. When you see the large overgrown rocky rise of the Leckie Broch covered in pesky rhododendrons, walk up its left-side and, as it levels out, note the walling on your left. It’s just a few yards along.

Archaeology & History

This cup-marked stone is only for the mad petroglyphic puritans amongst you! Rediscovered by Nina Harris on February 5, 2017, it can be seen when you look at the main southern wall of this rhododendron-infested broch, near the middle of one of the large cut-and-squared stones built into the upright face. The carving has at least two cup-markings on its vertical face—which are clearly visible on the photo. One is quite deep, whilst the other is quite faint. At either end of the stone are what may have been two other cups that were started but never finished, or just natural-occurring holes in the stone (I’m more of the opinion that they’re just natural, but would love to be wrong!). A possible third cup-mark can be seen along the top-edge of the stone.

There is no mention of this carving in Dr Mackie’s various writings on the Leckie Broch, which he excavated in the 1970s; only the recognised cup-and-ring stone (Leckie 02) on its northeast edge. The intriguing element (which can also be applied to the Leckie-2 carving) is that the Leckie Broch was constructed in the 1st century AD—and these cup-markings were probably carved around that time, much later than many others. It is likely that other unrecorded carvings will be hiding away nearby.

References:

MacKie, Euan, “The Leckie Broch, Stirlingshire,”, in Glasgow Archaeological Journal, volume 9, 1982.