Machar Stones, Fintry, Stirlingshire

Standing Stones:  OS Grid Reference – NS 65705 83932

Also Known as:

  1. Canmore ID 45311
  2. Waterhead Stones

Getting Here

The Machar Stones

The Machar Stones

Of the 2 ways to reach here: one via the Crow Road, up to Waterhead Farm and then meandering through the forest—we took the other one!  From the car park at the western end of Carron Reservoir, take the track into the forest. Stick to the track closest to the loch until, after crossing the small river bridge, veer right at the next junction 200 yards on.  Another 600 yards (0.5km) along, take the right turn and walk all along this track to the very end.  From here, take your feet down into the opening along the small burn and stick to this gap in the trees for 100 yards or so, where the gap in the trees veers left.  Keep walking for another 200 yards.

Archaeology & History

These stones might take some finding, but they’re worth the effort if you like your megaliths.  When Nina, Paul and I visited them yesterday, the meander turned into what have become known as Barmy Bennett Bimbles as we ventured off-path and into the forest, wading through marshland and getting our eyes poked out in the dense trees!  And then the snow came. Twas gorgeous to be honest…

Machar Stones, looking SE

Machar Stones, looking SE

Machar Stones, looking west

Machar Stones, looking west

Probably neolithic in origin, the Machar Stones are set upon an elevated rise above the confluence of the Bin Burn and the River Carron on what seems to be an enhanced artificial platform, akin to those which some stone circles and ring cairns are mounted upon. Around the edges of the stones themselves, the earth has been dug into at some point in the past, as evidenced by the distinct oval dip in the ground surrounding the stones; although I can find no antiquarian accounts describing such a dig.  There is the possibility that these stones may once have marked the site of a prehistoric tomb.

Once you walk ten yards away from the stones in any direction, you begin to walk downhill.  Sadly the trees presently obscure any view from the stones, completely silencing the panorama that quite intentionally awoke from here in centuries gone by, disabling any immediate visual landscape analysis or geomancy.  The proximity of the two rivers was probably relevant in the construction of the stones; as may be the ridge between the Little and Meikle Bin to the southeast.

First described in Nimmo’s Stirlingshire (1817) as “a druidical remain…in the parish of Fintry, about the middle of the moor towards Campsie and northwest of the Meikle Bin”, another early account of these megaliths was in H.G. Smith’s (1896) work on the parish of Strathendrick, before the imposition of the modern ‘forest’ occurred and the views from the stones were unrestricted.  After describing their geographical position, he told:

“On a comparatively level part of the muirland between the two rivers and under Meikle Bin, there are two old standing stones known locally as the Machar Stones, this name being derived from the Gaelic magh, a plain.  The more northerly stones measures 8 feet in height, and the other is 5 feet 7 inches high.  Little…is known of the origin of these standing stones… They were apparently in some way connected with the religious worship of the prehistoric inhabitants of the land.  The general uniform direction in which they point, which is to the north of east, looking as nearly as possible to the quarter of sunrise at the summer solstice, seems to point to their having been erected by a race of sun worshippers.”

Machar Stones, looking NW

Machar Stones, looking NW

Around the same time, A.F. Hutchison (1893) gave a lecture on these and other Stirlingshire megaliths, giving slight variants on the heights of the monoliths, adding that “the two stones are standing in a line pointing to 220°.”  Sadly, even the great authorities of Aubrey Burl (1993) and Alexander Thom (1990), in their respective tomes on the subject, were unable to define any astronomical alignments here.  Hutchison puzzled about the seeming artificiality of the platform upon which the stones appear to have been set, though wrote how “geological authority pronounces it to be a quite natural formation.”

As to the name of the site, William Grant (1963) ascribes the word ‘Machar’ and its variants to mean “a stretch of low-lying land adjacent to the sand” or “low-lying fertile plain”—which doesn’t seem relevant here, unless it was so named by people living on the higher grounds.  It seems odd… As does the alignment of the stones.  When Nina Harris stood between the stones with a compass to work out the cardinal points, the stone that was leaning was due north of the upright stone.  When she walked several yards away from them, the compass deviated and we were given a more northeast-southwest alignment from stone to stone.  This isn’t too unusual as we find similar magnetic anomalies at other megalithic sites in Britain (see Devereux 1989), due to a variety of geophysical ingredients.

Royal Commission 1954 photo

Royal Commission 1954 photo

Not that your bog standard archaeo-tomes ever mention magnetic anomalies, as basic physics is too complex a subject for your standard archaeo-types!  Instead however, we just get the usual measurements and data-sets, much as the Royal Commission (1963) lads gave us after their visit here in 1954—but at least there was no forest when they came here!  They were fortunate.  “These two stones,” they told us,

“stand on a slight eminence in open moorland, half a mile ENE of Waterhead farmhouse and at an elevation of 850ft… Described by Nimmo’s editor as “a Druidical remain”, they have also been nown as the Machar Stones.  The more northerly stone, a four-sided pillar of irregular section, has fallen almost prostrate and its whole length, 7ft 6in, is revealed.  At the centre it measures 3ft in width by 2ft 6in in breadth.  The other stone stands 4ft 6in further S.  It is a slab…standing to a height of 5ft and measuring about 2ft in thickness.  Its width is 2ft 8in at ground level, 3ft 8in at a point 2ft above this, and 2ft at the top.”

They posit the idea that the reason the taller stone is leaning at such an angle was due to there being a prehistoric cist nearby which had been ‘excavated’ by peoples unknown, who then took it upon themselves to explore the Machar Stones with similar venture.

The 'cup-marked' stone

The ‘cup-marked’ stone

In recent years it has been said that there are cup-markings on the leaning stone, seven of them apparently.  When we visited yesterday they were difficult to make out.  There were a number of ‘cups’ on the stone, but these were debatable and seemed more the result of conglomerate disintegration than man-made.  A couple of them were perhaps ‘possibles’.  However, the light was poor and I’d prefer another visit before making my mind up!

The Machar Stones are quite evocative megaliths, despite their lack of grandeur.  Maybe it was the snow.  Maybe it was the trees.  Maybe it was me.  Or probably a mix of all three and more; but this had a real feel to the place.  Well hidden, miles from human touch or visits, awaiting just the occasional visitor—and in this weather (of floods, downpours, cold and snow) saturated humans would be the only sorts of crazy people whose spirits would risk getting completely lost to find them.  And my god were they worth the effort!  Paul, Nina and I thought so anyway!

References:

  1. Burl, Aubrey, From Carnac to Callanish, Yale University Press 1993.
  2. Devereux, Paul, Places of Power, Blandford: London 1990.
  3. Feachem, Richard, Guide to Prehistoric Scotland, Batsford: London 1977.
  4. Grant, William (ed.), Scottish National Dictionary – volume 6, SNDA: Edinburgh 1963.
  5. Hutchison, A.F., “The Standing Stones of Stirling District,” in The Stirling Antiquary, volume 1, 1893.
  6. Nimmo. William, History of Stirlingshire, Andrew Bean: Stirling 1817.
  7. Royal Commission on the Ancient & Historical Monuments Scotland, Stirlingshire – volume 1, HMSO: Edinburgh 1963.
  8. Royal Commission on the Ancient & Historical Monuments of Scotland, Archaeological Sites and Monuments of Stirling District, Central Region, Society of Antiquaries of Scotland 1979.
  9. Smith, H. Guthrie, Strathendrick and its Inhabitants from Early Times, James Maclehose: Glasgow 1896.
  10. Thom, A., Thom, A.S. & Burl, Aubrey, Stone Rows and Standing Stones – 2 volumes, BAR: Oxford 1990.

Acknowledgements:  Huge thanks to Nina Harris and Paul Hornby for their endurance and endeavor in locating these great old stones, in attendance with the great rain, snow and deep muddy bogs!

© Paul BennettThe Northern Antiquarian


Loch Ardinning, Mugdock, Stirlingshire

Cup-and-Ring Stone (lost):  OS Grid Reference – NS 56 77

Archaeology & History

The hidden Loch Ardinning stone

The hidden Loch Ardinning stone

This site-profile is one for the explorers amongst you.  It was last reported by the rock art author Ronald Morris (1981) who himself looked several times for this multiple-ringed carving, but never managed to find it.  The carving was rediscovered and described by the Glasgow archaeologist J. Harrison Maxwell, who took the only known photograph of the carving (reproduced here).  Sadly, he only left a short note about the site which read simply: “cups-and-rings to the west of Loch Ardinning.”

It seems probable that the carving would be in the area between the loch and the A81 road (between Strathblane and Bearsden) and not on the western side of the road—but we cannot be certain.  It may be hidden in the trees somewhere between the road and the lochside—which means that it’s probably completely overgrown by vegetation.  Morris (1981) described the carving as:

“a cup-and-four-rings, 2 cups-and-two-rings, and at least 4 cups-and-one-ring. Some rings are complete without radial groove and some are gapped with groove from the cup.”

If any explorers out there manage to unearth this lost carving, please give us a shout!

References:

  1. Morris, Ronald W.B., “The Cup-and-Ring and Similar Early Sculptures of Scotland; Part 2 – The Rest of Scotland except Kintyre,” in Transactions of the Ancient Monuments Society, volume 16, 1969.
  2. Morris, Ronald W.B., “The cup-and-ring marks and similar sculptures of Scotland: a survey of the southern Counties – part 2,” in Proceedings of the Society of Antiquaries, Scotland, volume 100, 1969.
  3. Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.

© Paul BennettThe Northern Antiquarian


Knockraich, Fintry, Stirlingshire

Standing Stone:  OS Grid Reference – NS 60889 87739

Also Known as:

  1. Canmore ID 45305
  2. Knockcraich

Getting Here

Knockraich standing stone

Knockraich standing stone

From Fintry village take the B822 road towards Kippen.  Only half-a-mile (0.8km) along, take the track on your left to Knockraich Farm and cafe.  Go all the way through the farm along the track and out the other side then follow the fence downhill across the field. At the bottom, go through the gate towards the stone which you’ll already be able to see ahead of you, in the next field. Y’ can’t miss it!

Archaeology & History

This little-known four-foot tall monolith standing alone in the fields northwest of Fintry, just above the River Endrick, is a fascinating little fella!  It stands at the western end of an elongated rise in the land, almost as if mimicking an ancient long barrow.  But more intriguingly (for me at least) are the cup-markings that adorn each of its four sides.

Cup-mark at base of the north side

Cup-mark at base of the north side

Cup-mark near top of west face

Cup-mark near top of west face

Upon first glance it seems that there are a number of such cup marks on the stone, but further inspection shows that only one occurs on each of the four faces.  Near the very bottom of the stone on its north and south sides a single large cup-mark has been etched; and on its east and western faces, the cup-mark has been carved further up towards the middle of the stone, with the east-facing side having a groove running from near the top and stopping at the cup-mark.  On top of the stone is a large ‘bowl’ (possibly natural, possibly man-made—it is difficult to say with any certainty) and a single cup-mark next to it.  When Nina, Paul and I visited here a few days ago, a palm-sized smooth stone was resting in the large bowl on top, akin to the healing and divination stones found placed in bullauns in Ireland and other parts of the world.

The first description of any length was cited in A.F. Hutchinson’s (1893) paper on the standing stones of Stirlingshire in which he wrote:

“This stone…is placed on the bank rising up from the river.  In shape it is approximately square—the two sides facing nearly east and west, measuring each 1ft 7in, the north face 1ft 6in, and the south 1ft 3in.  These dimensions are uniform from top to bottom.  The total girth is therefore 5ft 11in, while the height is 3ft 8 in.  Orientation 225º.  There are a number of cupmarks both on the top and side, as well as having several incised lines and other markings, some of which, however, give evidence of recent sculpture.”

Knockraich stone, looking south at Dunmore hillfort

Knockraich stone, looking south at Dunmore hillfort

Cupmark, hollow & stone on top

Cupmark, hollow & stone on top

The more modern or “recent sculpture” was that of a human figure, now very faint, etched onto the most western face of the stone, beneath a large solitary cup-mark.  When the site was visited and described by the Royal Commission (1963) lads, they gave a lengthier description of the carved elements on the stone, telling us that:

“On the top, which has been brought to an irregularly rounded point, there is an almost circular hollow measuring 5½in to 6in across and 2½in in depth; it is difficult to suppose that this is other than artificial, although its bottom shows differential weathering.  The SE side of the stone shows several natural cavities, and a deep and wide vertical groove which is also presumably natural.  The NW face seems to have been flattened to a certain extent, a slight ridge which is visible along part of either margin probably representing a survival of the original surface.  On this face, 12in above the ground, a human figure has been outlined in pocked technique.  It is in full-face, the features being indicated by pocked marks; the arms are extended jut below the level of the shoulders and the legs are widely spread with the feet turned outwards.  The lower edge of a tunic or short kilt seems to be indicated by a single line between the legs.  The figure is 8in heigh and measures 7in in breadth between the hands and 7½in between the feet.  This face of the stone also shows a number of small natural cavities, together with a shallow cup which has a somewhat artificial appearance; this cup is in the centre of the face and 2ft 4½in above ground level, apparently at the upper margin of the flattened area.  The figure lacks any distinctive characteristics which might afford evidence of date, but it may be relatively modern…”

Folklore

Mr Hutchinson (1893) told that,

“The stone seems to have brought down through the ages a tradition of sanctity in connection with it, as there is a legend to the effect that any attempt to move it is attended by convulsions of Nature and evil consequences to the rash disturber.”

Whether the position of the water-worn smooth rock found in the bowl on top of this standing stone has any ancient tradition, records seem silent on the matter.

References:

  1. Hutchinson, A.F., “The Standing Stones of Stirling District,” in The Stirling Antiquary, volume 1, 1893.
  2. Royal Commission on the Ancient & Historical Monuments Scotland, Stirling – 2 volumes, HMSO: Edinburgh 1963.
  3. Royal Commission on the Ancient & Historical Monuments of Scotland, Archaeological Sites and Monuments of Stirling District, Central Region, Society of Antiquaries of Scotland 1979.
  4. Smith, H. Guthrie, Strathendrick and its Inhabitants from Early Times, James Maclehose: Glasgow 1896.

Acknowledgements:  Many thanks to Nina Harris and Paul Hornby for their help and attendance at this old stone.

© Paul BennettThe Northern Antiquarian

Ardjachie Farm, Tain, Ross & Cromarty

Cup-Marked Stone:  OS Grid Reference – NH 746 845

Also Known as:

  1. Canmore ID 14736
  2. Tain Museum Stone

Getting Here

Ardjachie Stone, Tain

Ardjachie Stone, Tain

No longer in its original position; the stone can now be found if you visit the Tain & District Museum, just off Tower Street, in towards St Duthus’ Church.  The stone is upright around the side of the buildings adjacent, probably more accessible if you walk down Castle Brae, keeping your eyes peeled to your left. Otherwise, just ask the helpful people at the Museum.

Archaeology & History

Ardjachie CR Taylor 2004001

Ardjachie Carving (after Mark Taylor 2004)

An intriguing stone with what may be a long and fascinating history behind it…. It was only rediscovered in the 1960s, when the farmer at Ardjachie (2½ miles northwest of Tain town centre) came across it in one of his fields.  It’s not large or notable in any way, other than it possessing a couple of really peculiar symbols etched amongst a mass of otherwise standard neolithic and Bronze Age cup-marks.  These other symbols are (as seen in Mark Taylor’s drawing, right) a very distinct ‘spoked wheel’ and what looks like a right-angled ‘tool’ or set-square of some sort.  These symbols have brought with them notions from academics who are claim it has Pictish provenance.  However, we must be very cautious of this idea….

The first written account of the stone was by Ellis Macnamara (1971) who gave a detailed description of the carving:

“Boulder found on Ardjachie Farm, now in Tain Museum.  The boulder, of probably local old red sandstone, is uncut and very irregular in shape but has two principal faces; the maximum length is 1.7m; maximum width is 0.65m and on the maximum thickness is some 0.35m.  The carvings are all on one face, which is much weathered; the opposing face is conspicuously less smooth so that it is possible that this stone was never set upright.  The weathered face is covered with at least 30 ill-defined cup markings scattered over nearly the whole surface, though grouped towards one end; the average diameter of these cup markings is about 3 to 4cm, depth about 1.5cm.  There are several indistinct lines among the cup markings and there is among the thickest cluster of cup markings a symbol like a ‘wheel’, with the outer ‘rim’ drawn as a fairly perfect circle, with a diameter at the outer edge of some 17cm.  The ‘wheel’ has twelve ‘spokes’ and a single inner circle, or ‘hub’, with a diameter at the outer edges of about 4 or 5cm.”

Subsequent to Macnamara’s description, it’s been suggested that there are cup markings on both sides of the stone; but the ones on the other side are a little less certain.  The stone itself almost typifies the cup-marked cist covers we find scattered all over the country—yet no burial or other structure was noted upon its discovery in the fields.  It’s an oddity on various levels…

Close-up of spoked-wheel

Close-up of spoked-wheel

Close-up of spoked-wheel

Close-up of spoked-wheel

The spoked-wheel symbol and, moreso, the right-angled element, have led some to speculate that the symbol was carved in Pictish times; but there are problems with this on two levels at least.  The cup-marks we know are neolithic or Bronze Age in origin, and their design always inclines to abstract non-linear forms, screwing egocentric analysis. But the ‘spoked wheel’ is more linear in nature. But as acclaimed petroglyph researchers from George Coffey (1912) to Martin Brennan (1983) show, this spoked wheel occurs in neolithic Ireland; and the identical symbol occurs in prehistoric carvings at Petit Mont in France (Twohig 1981), at Cairnbaan in Argyll (Royal Commission 2008) and there’s even a partial spoked-ring on the Badger Stone on Ilkley Moor!  We have no need to jump into Pictish times to account for its origin and unless we have direct archaeological evidence to prove this, the academic Pictish association must be treated with a pinch of salt. It is nevertheless scarce amongst neolithic and Bronze Age carvings in Britain.   Maarten van Hoek (1990) suggested it to be a variant on the ‘rosette’ design, also neolithic in origin.  On the whole the symbol is interpreted as being the sun—which it may well be.

If you look carefully at the images above you can see, to the right of the ‘wheel’, a cup-marking surrounded by a ring of six-cups.  It is possible that this may be an older variant of the spiked-wheel solar symbol.  All speculation of course.  The other peculiar element here is the curious right-angled design, below the ‘sun’.  This symbol in particular is quite different from the early cup-marks and may have been carved at a much later date.  In which case, this raises the potential for a continuity of tradition here… which mightjust bring in the Picts!

A closer look at the carving

A closer look at the stone

But the general problem with a Pictish assignment is that of the Picts themselves.  If we ascribe the current anglocentric belief that the Picts only existed between the 3rd and 9th centuries (because we only have written records of them during that period), we are assuming the rather naive philosophy that anything before written history did not exist: a sort of blind-man’s Schrodinger’s Cat ideology, only really accepted by pseudo-historians.  But if the Picts didhave something to do with this carving, we may indeed be talking about a continuity of tradition from the ancient past into the written period.  Such an idea would be no problem in developed tribal cultures with an animistic cosmology—and that’s assuming that this stone was deemed as ‘special’ in some form or another to the local people. But all these are uncertainty principles in themselves and we may never know for sure…

There are no adjacent monuments to where Ardjachie’s stone came from, and apart from a scatter of flints found a hundred yards or so closer to the beach, other archaeological remains are down to a minimal.  Its isolation is peculiar.  There are however, a number of springs of water a few hundred yards away, just across the main A9 road, two of which have left their old names with us as the Cambuscurrie Well and the Fuaran nan Slainte, or fountain/spring of Healing (the modern Glenmorangie whisky gets it waters hereby!).  Although we must be careful not to assign every example of prehistoric rock art with the material, the mythic association between petroglyphs and water cannot be understated, and although such an association at Ardjachie is conjectural, it cannot go unnoticed.

References:

  1. Brennan, Martin, The Stars and the Stones: Ancient Art and Astronomy in Ireland, Thames & Hudson: London 1983.
  2. Coffey, George, New Grange and other Incised Tumuli in Ireland, Hodges Figgis: Dublin 1912.
  3. McHardy, Stuart, A New History of the Picts, Luath: Edinburgh 2012.
  4. Mack, Alastair, Symbols and Pictures: The Pictish Legacy in Stone, Pinkfoot Press: Brechin 2007.
  5. Macnamara, Ellen, “Tain, Ardjachie Farm: Cup Markings and Incised Symbol”, inDiscovery & Excavation Scotland, 1971.
  6. Macnamara, Ellen, The Pictish Stones of Easter Ross, Tain & District Museum 2010.
  7. Royal Commission on the Ancient & Historical Monuments of Scotland, Pictish Symbol Stones: A Gazetteer, Edinburgh 1999.
  8. Royal Commission on the Ancient & Historical Monuments of Scotland, Kilmartin – Prehistoric and Early Monuments, HMSO: Edinburgh 2008.
  9. Scott, Douglas, The Stones of the Pictish Peninsulas of Easter Ross and the Black Isle, Historic Hilton Trust 2004.
  10. Twohig, Elizabeth Shee, The Megalithic Art of Western Europe, Clarendon: Oxford 1981.
  11. van Hoek, M.A.M., “The Rosette in British and Irish Rock Art,” in Glasgow Archaeological Journal, volume 16, 1990.

Acknowledgements:  Huge thanks to Mark Taylor for use of his fine drawing in this site profile; copies of his work with Ellen Macnamara being available for sale from the Tain Museum.  Many thanks to the staff at Tain Museum for their help; and many thanks again to Prof Paul Hornby in the venture to this curious old petroglyph.

© Paul BennettThe Northern Antiquarian


Larkfield Moor, Inverkip, Renfrewshire

Cup-and-Ring Stone (destroyed):  OS Grid Reference – NS 2295 7591

Also Known as:

  1. Canmore ID 41327

Archaeology & History

When the moorland here was still free from the dodgy factory workings of Texas Instruments (UK) Ltd, a Mr F. Newall (1960) came across this curious example of ancient rock art—now long gone.  He described the find as,

“A series of cup marks and one ring, worked in laminated sandstone (that) has been located on Larkfield Moor by Mr H.M. Sinclair. In several cases the outer edge of the cup has been deeply incised through yellow sandstone to leave a slightly raised boss of red sandstone at the centre.  From the side of the outcrop bearing the cups was recovered a chert scraper, doubly notched on one edge.”

Morris’ 1981 sketch

The “chert scraper” is marked on the adjacent diagram with an “X”.

Although this carving is described on the latest Canmore survey as being “possibly a freak geological formation”, we are best erring on the side of caution regarding their note.  The cup-marks on this stone were—as the illustration (right) shows—quite large, which is the reason for the geophysical suggestion.  However, the site was deemed to be authentic by the rock art authority R.W.B. Morris. (1981)  In his account of this petroglyph, Morris told of there being,

“6 rings up to 20cm (8in) diameters, cut so that they penetrated the next lower yellow sandstone layer; but in 4 cases having a ‘boss’ of red sandstone slightly raised in the middle, and also 3 cups. Greatest carving depth 1cm (½ in).”

References:

  1. Morris, Ronald W.B., “The Cup-and-Ring Marks and Similar Sculptures of South-West Scotland,” in Transactions of the Ancient Monuments Society, volume 14, 1967.
  2. Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.
  3. Morris, Ronald W.B. & Bailey, Douglas C., “The Cup-and-Ring Marks and Similar Sculptures of Southwestern Scotland: A Survey,” in Proceedings of the Society of Antiquaries, Scotland, volume 98, 1966.
  4. Newall, F., “Larkfield Moor,” in Discovery & Excavation, Scotland, 1960.

© Paul BennettThe Northern Antiquarian


Tombreck (10), Kenmore, Perthshire

Cup-Marked Stone:  OS Grid Reference – NN 65042 37559

Getting Here

Tombreck's cup-marked stone

Tombreck’s cup-marked stone

Along the A827 north road around Loch Tay, between Killin and Kenmore, a few hundred yards east of Carie—and on the same side of the road—there’s a dirt-track down to the Tombreck community.  Go into it and just past The Big Shed you’ll see the small caravan where the helpful and friendly Gabriela lives.  The stone just in front of her caravan is the one you’re looking for!

Archaeology & History

Close-up of the cups

Close-up of the cups

Although this cup-marked rock has been known about for sometime by local people, it is one of many that are not in the archaeological record.  It’s nothing like as impressive as some of its petroglyphic neighbours on the slopes of Ben Lawers, as this simple carving comprises of two well-defined simple cup-marks, and another two that appear to have been worked slightly into natural cracks in the rock.  These two remain incomplete.  It’s nothing too special to look at and is, once again, only gonna be of interest to the petroglyphic purists amongst you.

© Paul BennettThe Northern Antiquarian


Tombreck (08), Kenmore, Perthshire

Cup-Marked Stone:  OS Grid Reference – NN 64795 38648

Getting Here

Tombreck (8) on its mound

Along the A827 road between Killin and Kenmore, park at the entrance to the Tombreck track and cross the road, walking up the track heading up Ben Lawers.  Pass the sheep pens, through the gate and keep going for a few hundred yards until you hit the old straight line of walling which runs off east into the pine trees a few hundred yards away. Walk along here, keeping to the south side, for less than 100 yards, watching out for a small stone on a small rise on a small hillock – and make sure your eyes are in good condition!

Archaeology & History

The stone in question

This is a seemingly unrecorded cup-marked stone, with very faint petroglyphic evidences just visible on the surface.  Set within the wider surrounds of more recent enclosure walling, this is a small slightly raised female (rounded, smooth) stone, roughly three feet in diameter, which has at least five cup-markings on its surface—mainly near the middle of the stone.  The rock itself is next to the western edge of a raised man-made feature, reminiscent of a collapsed denuded cairn or hut circle, which itself has not been archaeologically assessed.  It is one of a number of petroglyphs in relative proximity to each other on the geological ridge above Loch Tay (not visible from here).

Close-up of faint cups
Closer-up of faint cups

As you can see in the photos left and right, the cups are only truly visible when the stone has been wet.  Initially I thought that this carving may have been one that was mentioned briefly in George Currie’s (2009) notes—at NN 64736 38647, 62 (57m) yards to the east—but it doesn’t seem to be the case as the grid reference he cited differs from this.  There are going to be a number of other unrecorded carvings scattered about beneath the great shadow of Ben Lawers…

References:

  1. Currie, George, “Cup-and-Ring Marked Rocks,” in Discovery & Excavation, Scotland, volume 10, 2009.

Acknowledgements:  Huge thanks to Paul Hornby for the use of his photos in this site profile; and to Lisa Samson, for her landscape detective work at the site.

© Paul BennettThe Northern Antiquarian


Tombreck (07), Ben Lawers, Kenmore, Perthshire

Cup-Marked Stone:  OS Grid Reference – NN 65022 38285

Also Known as:

  1. Canmore ID 238573

Getting Here

Tombreck 7 carving, beneath Ben Lawers

Tombreck 7 carving, beneath Ben Lawers

Take the A827 road that runs alongside Loch Tay between Killin and Kenmore, and about 6 miles from Killin watch out for the signposts for The Big Shed.  Stop and walk NW up the track across the road from there, up toward Ben Lawers.  Several hundred yards up, past the sheep-fold on the left-side of the track, a line of ruinous walling runs straight over the grasslands. Walk along here until it meets with the next walling that runs uphill.  Look down into where the wall has collapsed.  It’s under your nose!

Archaeology & History

This is a fascinating and pretty impressive example of a simple cup-marked stone.  It’s the design that does it I suppose – similar in some ways to the well-known Idol Stone carving on my old playground of Ilkley Moor (that’s what this one reminded me of when I first clapped eyes on it)—but much better!

Lines of cups from above

Lines of cups from above

The carving from the east

The carving from the east

Its similarity lies in the series of parallel rows of cup-marks running very close together along the line of the low-lying rock, found at the base of some ancient walling that runs up the mountain for several hundred yards.  Not only that, but the line of walling itself also has a parallel line of walling running adjacent for the same distance up the mountainside — more than half-a-mile from start to finish.  This “parallel” feature of walling and cup-markings is a curious coincidence, perhaps.  But certainly the linearity of the cup-marks was itself a very deliberate feature by the person who carved it, representing something ‘structural’, in whatever mythic form that may have been!

The carving in its walling

The carving in its walling

Of the rows of cups constituting this petroglyph, four of them run completely from one side of the stone to the other, rough north to south; with four other shorter rows running only halfway across the rock surface.  Altogether there are perhaps seventy cups etched onto the rock.  No rings or semi-circles of any form were visible in our visit here—although the skies were grey and overcast, making any decent visual analysis more difficult.

A damn good carving and well worth checking out by anyone into prehistoric rock art!

© Paul BennettThe Northern Antiquarian


Nether Glenny (42), Port of Menteith, Perthshire

Cup-Marked Stone:  OS Grid Reference – NN 5643 0229

Also Known as:

  1. Canmore ID 87397

Getting Here

Archaeology & History

The stone in situ

The easiest way to see this is to reach the Nether Glenny 2 Cairn, looking north to the slope a coupla hundred yards away, where you can see a long rock halfway up.  If you can’t see it from here, walk to the impressive Nether Glenny 35 Carving, where the large long slab is much more obvious on the hillside. Walk through the gates to the Nether Glenny 37 carving and then diagonally up to the rock itself.  You can’t really miss it.

This 15-foot long stone halfway up the slope was said by the Royal Commission lads to have “four possible cup-marks” on it, whereas there are at least nine of them and maybe as many as eleven!  Most of them are dead certs as prehistoric etchings, not just ‘possibles’.

Small faint cluster of cups
Some of the faint cups

The more visible cup-marks here are found on the more western end of the stone, just below the grass-line.  The cups here are quite distinct, measuring some two-inches across and nearly half-an-inch deep in two of them.  The others in this section are a little smaller and further down the slope of the rock.  Seemingly not noticed for a long long time however is a small cluster of very faded cups, gathered like a very faint 4-star Pleiades cluster more than halfway along out in the photo here (I hope!).

The biggest of the cups

This entire area is covered with cup-and-ring stones, possessing one of the greatest densities of carvings anywhere in Scotland.When we visited the place last week, Nature was pouring with rain, so we weren’t able to sketch the design.  Something that we’ll hopefully amend in the near future!

References:

  1. Brouwer, Jan & van Veen, Gus, Rock Art in the Menteith Hills, BRAC 2009.

© Paul BennettThe Northern Antiquarian


Nether Glenny (37), Port of Menteith, Perthshire

Cup-and-Ring Stone:  OS Grid Reference – NN 56322 02162

Getting Here

Another Netherglenny carving

About 1 mile west of where the B8034 meets the A81, between the Port of Menteith and Aberfoyle, a small road on the right (north) at Portend takes you up the single-track road to Upper Glenny.  Go 2-300 yards up past Mondowie Farm and take the next track, left.  Walk up through the gate for nearly 300 yards, going through the gate on your left and onto the fields.  Follow the fence for 300 yards then go through the gate into the next field—past one of the Nether Glenny cairns—and walk across it until you reach an open gate at the far side, just where the hillside goes up.  It’s nearly under your feet!

Archaeology & History

Close-up of the cup&ring

This single cup-and-ring carving, found amidst the massive cluster of both simple and highly complex petroglyphs between Ballochraggan and Upper Glenny, doesn’t seem to have been included in any previous surveys.  It was located during the incredible rains yesterday on Sunday 7 February, wetting this and other rocks, enabling better visibility of otherwise invisible symbols faintly remaining here and on other stones.  The carving appears to have been etched into naturally occurring notches and fissures.  Certainly worth looking at when exploring the other incredible carvings on this hillside.

References:

  1. Brouwer, Jan & van Veen, Gus, Rock Art in the Menteith Hills, BRAC 2009.

© Paul BennettThe Northern Antiquarian