cup-and-ring

Mauns Stone, New Deer, Aberdeenshire

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Legendary Rock (destroyed): OS Grid Reference – NJ 89397 49502

Also Known as:

Crawey Stone
Crawford Putting Stone
Crawstane
Devils Putting Stone

Archaeology & History

A site whose main claim to fame is its legendary nature. Seemingly buried or destroyed around the end of the 19th century, there have been suspicions that the stone might have had cup-marks on it (see Folklore below), but we’re not sure. Modern lore tells that when roadworks were done here in the 1950, a large stone was uncovered. A local man who was passing by told that he’d seen the Crawey Stone in his youth and that the stone they’d uncovered was one and the same.

Folklore

The story that used to be told amongst local people was thankfully preserved in an article by the pseudonymous “Mormond” (1889) in Scottish Notes & Queries. He told that:

“In the parish of New Deer, and in a field near the Old Castle of Fedderat, there is a large boulder of ten or twelve tons known as the Crawey Stone. I am unable to say if it still occupies its old site, or if it has been broken up for building purposes. The legend connected with this stone used to be well known in the parish, and a version of it appeared in The Aberdeen Magazine some 70 or 80 years ago. This version is substantially the same as the legend known in the district, and relates how a Crawford, the lord of the castle and lands, one day “as he looked o’er his castle wa’ ” — a phrase which often occurs in old ballads — observed a crunkled carl (old woman or witch, PB) inspecting the stone and afterwards successfully lifting up one end clear of the ground. Not to be conquered by such a shabby looking stranger, the laird, who was famed for his athletic powers, went out and challenged the carl; but on attempting to lift the boulder, burst a blood vessel; and the carl, who stood by watching him, suddenly disappeared in a flash of fire taking the remains of the laird along with her. The tradition is that the laird was not mourned for in the district, and the moral drawn was “He couldna hae expected ony ither en’.” When passing the boulder going to school, the legend was often referred to, and some indentations on it pointed out as the marks of the ill man’s fingers made at the time the superhuman feat was accomplished.”

These finger marks have been taken as possible cup-markings. They might have been, but we simply don’t know; they may just have been curious natural markings that gave rise to this animistic creation myth. Another tale told that the markings were due to an old giant in the neighbourhood who used the rock as a putting stone and rolled it to the spot where it used to stand. Giants are always attached to indigenous creation myths, some of which go back thousands of years.

In the OS Name Book for Aberdeenshire written in the late 1860s, they told how the Maun Stone is,

“a large Stone of a roundish shape, built on an old fence, forming a side of the Public road leading from New Deer to Brocklay. Tradition asserts that it has been the putting Stone of a Giant in ancient times. There are Several holes in the Stone said to be the finger marks of the Giant.”

References:

Mormond, A., “Legends and Rhymes Connected with Travelled Boulders“, in Scottish Notes & Queries, volume 2, 1889.

Baildon Moor Carving (130), West Yorkshire

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Cup-Marked Stone: OS Grid Reference – SE 13077 40097

Also Known as:

Carving no.11 (Hedges)
Central Design Stone

Getting Here

Baildon Moor carving

Take the directions to find the Glovershaw Quarry carving,or the Baildon Moor 126 carving and the newly-found Toad Stones circle, and zigzag about in the bracken when it’s down at the end of Winter (forget it from summertime onwards!). You’re damn close.

Archaeology & History

A carving that I first visited when I was a child – but one which, curiously, caught my attention. The small arc of four cup-marks that you can see on the stone was an integral feature of other carvings in this particular region—though not all, of course. It seemed to me at the time that it had symbolic significance, as the arc occurred in a number of other Baildon petroglyphs. Astronomy was my fetish at that time and so I saw the arc as solar or stellar movements across the sky, represented by the cup-markings. It was one of many fascinating Rorschach’s that I encountered, just as rock art students across the world do when looking at these ancient carvings. However, the simple symbolism of this and similar nearby carvings has stuck and plays under my skin somewhat: one of those curious non-egoic tickles, constantly nudging away, as if there’s something in it, but being looked at from the wrong angle…

John Hedges 1986 sketch

Looking down at the cups

Anyway… All we have here is a primary design of four cup-marks reaching across a small earthfast stone. Other simple carvings are found close by and there are the remains of several prehistoric cairns circles within a few hundred yards. Beneath the deep bracken-mass, it is highly probable that other ancient remains remain hidden.

The carving was first recognised in one of Sidney Jackson’s (1958) archaeology bimbles in the 1950s with his bunch of northern antiquarians from Cartwright Hall, Bradford. It later found its way into the survey of John Hedges (1986) where he described it, simply:

“Small, lozenge-shaped, smooth grit rock, sloping NW-SE into grass and bracken, four symmetrical cups in slight curve.”

References:

Baildon, W. Paley, Baildon and the Baildons – parts 1-15, Adelphi: London 1913-1926.
Bennett, Paul, Of Cups and Rings and Things, unpublished: Shipley 1981.
Bennett, Paul, Megalithic Ramblings between Ilkley and Baildon, unpublished: Shipley 1982.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Hedges, John, The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Jackson, Sidney, “Cup-Marked Boulders, Baildon Moor,” in Cartwright Hall Archaeology Group Bulletin, 3:2, 1958.

Crutch Well, Baildon, West Yorkshire

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Healing Well: OS Grid Reference – SE 14678 38688

Getting Here

Crutch Well02 — Crutch Well pool (Goat Stone carving to rear)

Whether you’re coming here from either Baildon, or Shipley, head for the Cricketer’s Arms on Green Road (ask a local). About 50 yards uphill from the pub, on the other side of the road, notice the small pool on the green surrounded by large rocks. That’s y’ spot!

Archaeology & History

First illustrated on the 1851 6-inch to the mile Ordnance Survey map of the region, this little known medicinal spring of water appears to get its name from the northern dialect word, crutch, meaning a plough, a plough-handle, a spade and variants thereof. (Wright 1898) There is another possibility of it deriving from “an ash or hazel pole” that were given as payment to workers each day in bygone times—a curious custom in itself! But we actually don’t know for sure and could even assume that people came here on crutches to be cured, or something along those lines.

The place has clear running water and had a chapel built near it in the early 19^th century. The old public house across the road (Cricketer’s Arms) has spring water from this well running underneath it, which was said to never run dry and also keeps the drinks forever cool in warm weather! A few yards above the source of the spring, on the grass to the north is a small cup-marked stone. Another cupmarked rock listed by archaeologists as a prehistoric carved stone nearby on the same grass verge is probably of more recent industrial origin.

References:

Baildon, W. Paley, Baildon and the Baildons – parts 1-15, Adelphi: London 1913-1926.
Wright, Joseph, English Dialect Dictionary – volume 1, Henry Frowde: Oxford 1898.

Goat Stone Carving, Baildon, West Yorkshire

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Cup-Marked Stone: OS Grid Reference – SE 14690 38699

Also Known as:

Carving no.193 (Boughey & Vickerman)

Getting Here

Goat Stone07 — The goat on its cup-marked stone!

Whether you’re coming here from either Baildon, or Shipley, head for the Cricketer’s Arms pub on Green Road (ask a local). About 50 yards uphill from the pub, on the other side of the road, notice the small pool on the green surrounded by large rocks: it’s the small stone about 15 yards behind the source of the spring. The goats living there usually give the game away!

Archaeology & History

This small stone, found amidst a cluster of others surrounding the medicinal Crutch Well, has its name from the friendly goats who live hereby and, when I came here for the first time in a while the other day, had trouble getting one of the little fellas to shift from his stone! We first found this when we did a lotta venturing around the area when we lived nearby as kids. This particular stone was noted during one of our many exploratory rambles round here, albeit briefly, when I wrote:

“Before going up the slope to Robin Hood’s House we looked at the stones around Crutch Well and found one with some cup-marks on it, on the grass behind the waters.”

I can’t say for sure, but think this carving was later added in the Boughey & Vickerman (2003) survey as stone no.193. They described the stone as:

“Creamish coloured rock about 1m N-S and less than 0.5m high carries two possible shallow cups to centre of surface and a possible third cup (doubtful) to N.”

This would seem to be the stone, though there is another faded fourth cup, between the ‘doubtful’ cup and the two distinct ones, with a faded carved line running from it. Their grid-reference isn’t accurate for this and a companion single cup-marked rock (which I’d say was dodgy!), so I’m not 100% sure that we’re dealing with the same carving. There are a lot of small rocks here and in the fields opposite, many with industrial marks on them which, over the years, have faded and give the appearance of cup-markings — which most are not!

References:

Bennett, Paul, Of Cups and Rings and Things, unpublished: Shipley 1981.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.

Caspar Stone, Middleton Moor, North Yorkshire

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Cup-Marked Stone: OS Grid Reference – SE 10879 51405

Archaeology & History

Caspar Stone01 — Caspar Stone drawing © M.Short & R.Stroud

Caspar Stone02 — Caspar Stone unearthed © M.Short & R. Stroud

This carving was discovered very recently following an exploration of recognised sites on Middleton Moor by rock art student Mike Short on March 28, 2010. Found amidst a cluster of other carved rocks, it was located after he noticed a small piece of stone poking out of the peat and — as happens to those folk obsessed by these ‘ere carvings — he decided to dig round the stone and cut the turf back to see if there was anything carved on the rock, as there are other cup-and-rings are close by. Thankfully, after a bit of effort digging round the stone, Mike found the carving we see in the images here! (courtesy of Mike and Richard Stroud). With a distinctly ‘facial’ appearance (hence the name), the following notes were written describing the new find:

“Small roughly oval dome-shaped medium grit rock approx. 49cm X 36cm, at and below soil level. Two cups, one of which is conical and deep (55mm deep and 65-75mm diameter) and of similar profile to one of the cups on No. 458; small shallow bowl-like depression with possible peck marks; curving groove on northern edge.”

When Mike finished with their drawings and measurements, the stone was covered back over and left in situ. Although I aint seen the carving ‘in the flesh’ misself yet (we’re gonna have a look next week) it gives me the impression it had some association with burials.

References:

Short, Mike & Stroud, Richard, “Report of New Carved Rock (‘Caspar’) on Middleton Moor,” April 2010.

Baildon Moor (126), West Yorkshire

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Cup-Marked Stone: OS Grid Reference – SE 13066 40095

Also Known as:

Carving no.9 (Hedges)
Central Design Stone

Getting Here

From the old Glen House pub, walk up the road onto ‘Shipley Glen’ as all locals call the place. Go up the Glen Road for about half a mile, watching out for the small dirt-track turning going the slope on your left-hand side just near where the road starting swerving uphill to the right. At this point where the track heads down and into the trees, there’s a footpath going into the bracken along to the right, heading onto level ground. Walk up and along here. After 100 yards or so you’ll notice the disused quarry on your left. Keep walking along the footpath (two end up running parallel to each other) and you’ll see this carving right beneath your feet!

Archaeology & History

CR126a — Baildon Moor carving no.126, near Glovershaw Quarry

This was one of the very first examples of “cup and ring stones” that I ever saw, when I was a mere 10 or 11 years old! I’m not quite sure what I expected to find, but something about this stone with its deeply set cup-markings obviously had an effect on me – as I’m still foraging about looking at them more than 35 years later! About 20 yards away from the Glovershaw quarry carving (Baildon Moor 122), this central design stone — as I used to call it — was first recorded in W. Paley Baildon’s (1913) magnum opus and was then all-but-forgotten until the Bradford Archaeology Group mentioned it again more than forty years later. Although you can only see three distinct cups on this small rock, another 2 or 3 seem in evidence under better lighting conditions, and a small line runs below the cups in the photo here, which you can just make out above the central cup.

This carving and others close by give the distinct impression that they were once part of some seemingly lost cairn-field, awaiting rediscovery…

References:

Baildon, W. Paley, Baildon and the Baildons – parts 1-15, Adelphi: London 1913-1926.
Bennett, Paul, Of Cups and Rings and Things, unpublished: Shipley 1981.
Bennett, Paul, Megalithic Ramblings between Ilkley and Baildon, unpublished: Shipley 1982.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Hedges, John, The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.

Middleton Moor 001, North Yorkshire

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Cup-and-Ring Stone: OS Grid Reference – SE 11545 52017

Photo by Richard Stroud

Getting Here

Go up the long winding Ilkley-Langbar country moorland road. A coupla miles along there’s a sharp bend in the road, left, with a dirt-track here that takes you onto the moors. Walk up here to the shooting house just east of Black Hill in the Middleton Moor enclosure and, once there, walk up the steepish slope to the left (west). Once on the level, head to the wall and about halfway along, look around. If the heather’s long and deep you’ll be lucky to find it. Good luck!

Archaeology & History

The carving was first discovered by Richard Stroud and I in April, 2005, amidst one of several exploratory outings to records known sites and, aswell, to keep our eyes peeled in the hope that we might find some new ones! This was the first we came across; but when we found it, just one faint cup seemed noticeable on the southern edge of the small rounded stone; but after fifteen minutes of carefully rolling back the vegetation, this very well-preserved carving was eventually unveiled before us. It’s in quite excellent condition! The most notable part of the design are the two deep cup-markings, with the topmost cup looking half-surrounded by smaller cups on its southern edge.

There is also a well-preserved, though overgrown burial cairn (probably for one person) just a few yards west of this stone. This is just about impossible to see unless the heather’s been burnt back.

Baildon Moor Cup-Marking 146, West Yorkshire

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Cup-Marked Stone: OS Grid Reference – SE 13666 39756

Also Known as:

Carving no.19 (Hedges)
Carving no.146 (Boughey & Vickerman)

Getting Here

South of Dobrudden caravan park, heading towards the wall, you’ll stumble across this old carving in the tribbly grass. Zigzag about and keep your eyes peeled!

Archaeology & History

First described by W. Paley Baildon in his monumental 15-part study (1913) of the region, this carving was then later included in John Hedges (1986) survey as ‘Baildon stone 19.’ It was then catalogued as stone 146 in Boughey & Vickerman’s (2003) updated and expanded survey.

Baildon Moor CR146 (Hedges) — Modern drawing (after Hedges 1986)

This carving was one of several in the Baildon Moor complex that was thought by local astronomer Gordon Holmes (1997) to possibly represent heavenly constellations, with Pleiades and Cassiopeia being primary contenders amidst the scattering of carved cups on this stone. This was something I explored in my own research on the possible nature of these carvings in the 1980s, but found that although it seemed a good idea, it was pretty unlikely (unfortunately!). The nature of this and other stones related to the other prehistoric remains where, in bygone days, many prehistoric cairns scattered this grassy moorland plain. The carving was more related to the cosmology of death and the psychogeography of spirit worlds: a factor understood at many other cup-and-rings across the country.

References:

Baildon, W. Paley, Baildon and the Baildons – parts 1-15, Adelphi: London 1913-1926.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Hedges, John, The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Holmes, Gordon, 2000 BC – A Neolithic Odyssey, SASRG: Baildon 1997.