Cup-Marked Stone (lost): OS Grid Reference – NO 3975 3340
Also Known as:
Magdalen’s Kirkton Stone
Archaeology & History
In the mid-1890s, workmen ploughing one of the fields near the steading at Magdalen’s Kirkton farm hit a large stone beneath the soil. It turned out to be the covering stone of a prehistoric burial, or cist, that was aligned east-west. Whilst the remains in the cist had all but turned to dust, the covering stone had a number of cupmarks on it. It was described only briefly by R.N. Kerr (1896), who told that,
“The stone forming the lid of the cist is cup-marked. It weighs 5 cwt., 1 qr., 21½ lbs., and its thickness varies from 9 to 12 inches. There are 40 or more cup-markings on it, varying from 1 to 3 inches in diameter.”
It would seem that no sketches were made of this carving and I’ve been unable to find any more details about it. Help!
Take the A822 road to the northeast of Crieff and head 4-5 miles along until you enter the Sma’ Glen. You go past Ossian’s Stone and after crossing the river the road starts to go uphill. Nearly 2 miles up, the road levels out and at the left-side of the road is a small thin car-parking spot. Keep your eyes truly peeled for that! Go through the gate and turn right (north), up the grassy slope. Follow this footpath (known as General Wade’s road) straight past Corrymuckloch Farm until, about 250 yards on, the track splits. Take the left track and nearly 500 yards along walk up the embankment on your left and look around (if you reach the gate you’ve gone too far).
Archaeology & History
Corrymuckloch (14) stone
This stone was rediscovered in July 2023 during a cursory survey of other carvings in the Corrymuckloch cluster (17 and counting!). Most of the stone was covered in vegetation when first found, with just a single cupmark near its crown ensuring it got more attention. Altogether there are 10 or 11 cup-marks of varying levels of erosion across the length and breadth of the rock. The most notable one is on the northwest side of the stone, it being twice the size of the others and of much greater depth. It may originally have been a natural depression that was enhanced when the stone was carved. This larger cup has a smaller one attached just above it.
An intriguing find was noted all along the western edge of the rock, where upwards of a hundred small pieces of quartz—the majority of it crystal clear—were scattered between the stone edge and the soil. This is an ingredient that’s been noted at a number of petroglyphs in Scotland.
Take the A822 road to the northeast of Crieff and head 4-5 miles along until you enter the Sma’ Glen. You go past Ossian’s Stone and after crossing the river the road starts to go uphill. Nearly 2 miles up, the road levels out and at the left-side of the road is a small thin car-parking spot. Keep your eyes truly peeled for that! Walk through the gate and along the track (west) for 300 yards until you reach the fence. Once here, walk right (north) and go through the gate less than 50 yards away. Less than 300 yards ahead of you you’ll see a small rock outcrop. Get to it!
Archaeology & History
Rediscovered in July 2023, on this small rock outcrop it seems that only the lower east section has been carved, and it can be pretty difficult to see beneath the old layers of lichen that’s been painted across its surface. Comprising of just four cup-marks close to each other on the top of the stone, there’s a possible fifth cup to be seen on its northeast length. It’s nowt special to look at to be honest, but it’s worth checking out when you’re looking at the others in this cluster. In truth, this is another that’s only gonna be of interest to the real geeks amongst you!
Cup-and-Ring Stone (lost): OS Grid Reference – SE 0965 4797
Archaeology & History
In Ronald Morris’ (1989) gazetteer of British petroglyphs, he included this curious entry but gave no real details regarding its appearance or history. Listed by the Royal Commission lads, it would seem to have been located immediately south of the dismantled railway where it used to cross the Addingham-Ilkley road, but no one seems to have seen it either before or since Morris’ description. Any help regarding its whereabouts would be appreciated.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Morris, Ronald W.B., “The Prehistoric Rock Art of Great Britain: A Survey of All Sites Bearing Motifs more Complex than Simple Cup-marks,” in Proceedings of the Prehistoric Society, volume 55, 1989.
Cup-Marked Stone (lost): OS Grid Reference – NO 074 458
Archaeology & History
In J. Romilly Allen’s (1882) lengthy essay on rock art in Scotland, he mentions a singular boulder that was “found by Dr Rattray” at Laighwood, near Butterstone—but, unlike him, he gave no further details regarding its appearance or exact whereabouts. It was included in the Royal Commission (1990) survey of the area, with no additional details. It remains lost. In the event that you manage to rediscover it, grab some good photos of it and stick ’em on our Facebook group. (the grid-reference to this site is an approximation)
Royal Commission on the Ancient & Historical Monuments of Scotland, North-East Perth: An Archaeological Landscape, HMSO: Edinburgh 1990.
Acknowledgements:Huge thanks for use of the Ordnance Survey map in this site profile, reproduced with the kind permission of the National Library of Scotland.
Cup-Marked Stone (lost): OS Grid Reference – NO 0617 2328
Archaeology & History
Site shown on 1933 map
First highlighted on the 1933 OS-map of the area, it was located alongside the old fence-line hereby, but no subsequent description of the carving has been made since then. A small boulder and a number of other stones can be found along the line of fencing, but none seem to be possessed of petroglyphs and apart from it being shown on the old maps, I can find no reference or description of it. It may have been destroyed. Some researchers have wondered if the carving was mistakenly marked at this spot by surveyors who confused it with another one more than 500 yards to the southeast (and described by Fred Coles in 1903), but this would seem an unlikely error to have been made. Whilst this was described as a simple “cup-marked stone”, its neighbour at West Lamberkine (2) was a distinct and more complex cup-and-ring design.
References:
Coles, Fred, “Notices of …(4) of Some Hitherto Undescribed Cup-and-ring-marked Stones…” in Proceedings Society Antiquaries Scotland, volume 37, 1903.
Acknowledgements:Many thanks for use of the Ordnance Survey map in this site profile, reproduced with the kind permission of the National Library of Scotland.
The best/easiest way to approach this and the Rivock carvings as a whole is to reach the Silsden Road that curves round the southern edge of Rombalds Moor (whether it’s via East Morton, Riddlesden, Keighley or Silsden) and keep your eyes peeled for the singular large windmill. About 200 yards east of this is a small parking spot, big enough for a half-dozen vehicles. From here walk 450 yards east along the road till you hit the dirt-track/footpath up towards the moor. Follow the track up for about 400 yards and you’ll see the crags a half-mile ahead of you. Get up there to the Wondjina Stone and follow the walling east for about 175 yards where you’ll see a track-cum-clearing in the woods. Walk along and the first large stone on your left is what you’re after.
Archaeology & History
I first visited this carving in my teenage years in the 1970s, before the intrusive so-called “private” forest covered this landscape and when its petroglyphic compatriots were easier to find. Thankfully this one’s still pretty accessible and possesses a damn good clear design. It was rediscovered in the 1960s by Stuart Feather and his gang, zigzagging their way across the open moors, pulling back the heather to see what they might find. His description of it told how the stone,
“has two roughly level areas, one 18ins and the other 2 feet above ground level. Both (levels) have several well-preserved cup-and-ring markings on them. There are eight single cup-and-rings and 18 cups, two of the latter being joined by a clear channel seven inches long and 1½ inches wide. Nearly all the markings are unusually well preserved and the pocking marks are very clear.”
Note the line running down
He also had “the impression that all the markings on this stone and possibly one other similar stone in the Rivock area have been carved by the same hand, as all the symbols are nearly identical in in type, size and execution.” (this other carving he’s referring to seems to be one about 170 yards to the north, where occasionally “offerings” have been found)
The design from E-W
When John Hedges (1986) and his team checked the stone out he could only make out “seven cups with single rings, twenty two other cups”; whilst the ever descriptive Boughey & Vickerman (2003) saw “twenty-nine cups, eight with single rings.” Eight cup-and-rings is what most people see when the light’s right. There’s also a long, bent carved line on the lower level of the rock, running from near the middle of the stone out to the very edge. It seems to be man-made (although I may be wrong) – and I draw attention to it as this same feature exists on at least three of the other large and very ornamental cup-and-rings hereby within 300 yards of each other – and on these other carvings the long “line” is definitely artificial. Tis an intriguing characteristic…
Stuart Feather’s old sketch
When visiting this petroglyph you’ll notice how some of the carved elements on top of the stone are more eroded than those on the lower section. This is due to the fact that the lower section was only revealed by Feather and his team in the mid-20th century, after it had been covered in soil for countless centuries. As a result you can still see the peck-marks left by the implements that were used to make the carving, perhaps 5000 years ago!
The name of the stone was inspired by a local lady who saw an astronomical function in the design (I quite like it as well). Examples of petroglyphs representing myths of heavenly bodies have been described first-hand in some tribal cultures and, nowadays, even a number of archaeologists are making allusions about potential celestial features in some carvings in the British Isles. That doesn’t mean to say that it’s correct, but the idea’s far from unreasonable…
Anyhow – check this one out when you’re next up here. You’ll like it!
References:
Bennett, Paul, “The Prehistoric Rock Art and Megalithic Remains of Rivock & District (parts 1 & 2),” in Earth, 3-4, 1986.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Deacon, Vivien, The Rock Art Landscapes of Rombalds Moor, West Yorkshire, ArchaeoPress: Oxford 2020.
Feather, Stuart, “Mid-Wharfedale Cup-and-Ring Markings – no.16 – Rivock,” in Cartwright Hall Archaeology Group Bulletin, volume 8, no.10, 1963.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Morris, Ronald W.B., “The Prehistoric Rock Art of Great Britain: A Survey of All Sites Bearing Motifs more Complex than Simple Cup-marks,” in Proceedings of the Prehistoric Society, volume 55, 1989.
Acknowledgments: Huge thanks to Collette Walsh for use of her photos.
Cup-Marked Stone: OS Grid Reference – SE 1194 5810
Getting Here
The Raven stone setting
Take the A59 road from Harrogate and Skipton and at the very top of the moors keep your eyes peeled for the small Kex Ghyll Road on your left(it’s easy to miss, so be diligent!). It goes past some disused disused quarry and after a mile or so where you hit a junction, turn left, past the Outdoor Centre of West End and straight along Whit Moor Road. About a mile past the Outdoor Centre go left down to Brays Croft Farm and over the ford, then keeping to the footpath up to the right (west) and note the clump of trees on the moors above you to the west. That’s where you need to be.
Archaeology & History
Several of the cupmarks
Several natural basins that might have been worked in prehistoric times are accompanied by several distinct cup-marks near the middle-edge of the stone, in a rough triangular formation, with two others slightly more eroded a little further down the same side. Boughey and Vickerman (2003) noted several other cupmarks on the rock, some distinct, some not so.
Adjacent to this carved stone is another naturally worn stone of some size, with incredibly curvaceous ripples over the top of the rock which, in all probability, possessed some animistic property to the people who carved this and other nearby carvings. Check the place out. It’s a gorgeous setting!
References:
Armstrong, Edward A., The Folklore of Birds, Collins: London 1958.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Cup-Marked Stone (lost): OS Grid Reference – NT 3202 3347
Archaeology & History
In 1974, Ordnance Survey reported the existence of “a large piece of sandstone containing two depressions resembling cup marks” in the churchyard wall which, tradition told, originally came from the ruined 12th century parish church (long gone) more than 300 yards to the southwest (at NT 3185 3328). However, in recent years the cup-marks seem to have disappeared and may be hiding behind the overgrowth of ivy in the boundary wall. It needs to be recovered.
Halfway between the location of the original church and the present one, waters from the heathen St Bryde’s Well used to flow, but it had already been drained by 1856.
Follow the same directions to reach either the Craig Hill cluster (3), no.4 or no.5 carvings. Once here, looking at the sloping moorland ahead of you, the elongated stone that’s closest to where the moorland slopes downhill is the one you’re after. Y’ can’t really miss it!
Archaeology & History
The sixth carving in this small close-knit cluster and, design-wise, the least impressive of the bunch. There are three distinct cup-marks on the rock: two on its more southern side and one near the middle of the stone. There may be another two cups, but these may have been part of the curious long, naturally-eroded line running along the length of the stone. Other man-made elements may have been cut into the stone, but it needs to be seen in perfect low light to tell us one way or the other.
