Tag: carved stones

Monzie Carving, Crieff, Perthshire

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Cup-and-Ring Stone:  OS Grid Reference – NN 88161 24176

Getting Here

Andy Finlayson’s original piece

From Gilmerton village, take the A822 Dunkeld road north.  Go for about 200 yards and take the little road to Monzie; watching carefully another 200 yards on for the dirt-track on the left taking you across the fields.  Go along the track, watching out for the small stones in the field on your right less than 200 yards along.  You can’t really miss ’em!  This small ring of stones is the Monzie Cairn Circle.  The carving is just in front of it!

Archaeology & History

Although we know this brilliant carved stone has some relationship with the Monzie cairn circle only five yards away (it was linked via a man-made stone causeway, running between the circle and the carving), the stone itself is very much deserving of its own entry here — and at the same time I can give Andrew Finlayson’s (2010) excellent book a decent plug aswell! (the superb drawings of the stone, top & bottom, are from Andy’s work)

Allen’s 1882 drawing
Carving & proximity of circle

First mentioned (I think) in Simpson’s (1867) early survey, the carving was described soon after by J. Romilly Allen (1882), who gave us an early drawing of the stone.  Thought by some to have originally stood upright, the carving was described by Aubrey Burl (2000) as being, “decorated with forty-six cupmarks, cup-and-rings, nine double, one triple, there are grooves and a pair of joined cups.”  It’s certainly an impressive carving!

Although the carving has been posited by some archaeologists as an outlier to the Monzie circle, it’s probable that the circle emerged from the carving — a concept that some may find difficult to understand.  I’m not aware of any modern excavations here (the last, I think, was in 1938), but my guess would be that the stone causeway laid between the cup-and-ring stone and the circle ran towards the circle from the carving, and not the other way round.  The carving is probably older than the stone ring — though of course, without excavation, my idea could be utter bullshit! (there are also some cup-marked stones in the circle aswell – though none as impressive as this)

The carving in shadow (© Andrew Finlayson)

One of my truly favourite megalith fanatics (despite some of his alignments being out), Alexander Thom, came here and thought this old carving “coincided with a rough stellar alignment from the centre-point of the cairn” (Hadingham 1974); though his notes in Megalithic Rings (1980) tell that,

“from the cupmarked stone beside the circle, the midsummer sun sets above an outlier some 800ft distant.”

The “outlier” that Thom mentions is known as the Witches’ Stone of Monzie; which Simpson (1867) appears to have mistakenly thought was the name of this very carving.

References:

  1. Allen, J. Romilly, “Notes on some Undescribed Stones with Cup Markings in Scotland,” in Proceedings of the Society of Antiquaries Scotland, volume 16, 1882.
  2. Burl, Aubrey, The Stone Circles of Britain, Ireland and Brittany, Yale University Press 2000.
  3. Finlayson, Andrew, The Stones of Strathearn, One Tree Island: Comrie 2010.
  4. Hadingham, Evan, Ancient Carvings in Britain, Garnstone: London 1974.
  5. Simpson, James, Archaic Sculpturings of Cups, Circles, etc., Upon Stones and Rocks in Scotland, England and other Countries, Edmonston & Douglas: Edinburgh 1867.
  6. Thom, Alexander, “Megalithic Astronomy: Indications in Standing Stones,” in Vistas in Astronomy, volume 7, 1966.
  7. Thom, A., Thom, A.S. & Burl, H.A.W., Megalithic Rings, BAR: Oxford 1980.

© Paul Bennett, The Northern Antiquarian


Foldys Cross, Towneley, Burnley, Lancashire

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Cross:  OS Grid Reference – SD 8523 3066

Also Known as:

  1. Foldy’s Cross

Getting Here

To get to Towneley Park head to the south side of the town close to a junction of two roads heading towards Todmorden and Bacup, from here the park and hall are signposted. The old cross stands 300 metres south-west of Townley Hall in the centre of some pathways leading in the direction of Todmorden road (the A671).

Archaeology & History

Foldys Cross, Burnley (Taylor, 1906)

Foldy’s Cross is a tall slender monument on a carved circular pedestal which sits upon a set of seven square-shaped steps. It dates from 1520 when it stood at the south side of St Peter’s parish church, Burnley. It was set up to commemorate a chaplain of St Peter’s church by the name of John Foldy or Foldys, and was then the town’s market cross or St Peter’s churchyard cross. In 1780 it was badly damaged by a Puritan mob, but the Towneley family rescued it and had it brought to their estate where it was repaired in a haphazard way and placed at the north-eastern side of the hall on the Avenue. In 1911 Burnley Borough Council had the cross completely restored for its Jubilee Year celebrations with various sandstone pieces added to replace sections of the cross including the plinth and set of seven steps – which are thought to be an exact copy of the original ones. The cross was then placed in its current position 300 metres to the south-east of Towneley Hall at an intersection of footpaths leading towards Todmorden road.

The original design of Foldy’s Cross was of the Gothic style which can be seen in the cross-head. It is made of sandstone and has an octagonal shaft with a moulded plinth with sunken panels. These panels contain lettering in the Gothic script. The cross-head is very nice with its decorated four arms, one of which is sunk into the shaft to support the head itself; this appears to be the original moulded head or cap with nicely carved emblems and fleurons on the collar – all typically Gothic in style. In the middle of the cross-head is a rather crude crucifix scene and on the other side the letters “IHS”. On the plinth the inscription reads in Latin:

‘Orate pro anima Johannes Foldys, capellani qui istam crucem fieri fecit Anno Domini MCCCCCXX’

— which when translated reads as, “Pray for the soul of John Foldys, chaplain who caused this cross to be made in the year of Our Lord 1520”.

The cross is now grade II listed and the English Heritage Building identity number is 467232.

References:

  1. Peace, Richard, The Curiosities of England – Lancashire Curiosities, The Dovecot Press Ltd 1997.
  2. Taylor, Henry, The Ancient Crosses and Holy Wells of Lancashire, Sherratt & Hughes: Manchester 1906.

© Ray Spencer, 2011


St. Peter’s Cross, Stoke-on-Trent, Staffordshire

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Cross:  OS Grid Reference – SJ 8792 4521

Getting Here

Drawing of carved cross shaft (© Ray Spencer)

From the centre of Stoke head west onto Glebe Street and just a couple of hundred yards or so south of the town hall is the minster church of St Peter Ad Vincula (St. Peter in Chains). Go into the large graveyard and there the ancient Saxon cross-shaft stands behind some modern iron railings. There are many other things of interest to see in the churchyard, including some old arches and monuments / gravestones in memory of some famous potters that made Stoke famous during the industrial revolution.

Archaeology & History

The Mercian cross-shaft stands 4 feet high on a 19th century square, socketed lump of stone. It is said to date from about AD 1000 when it was in use as a preaching cross, but could in fact be from earlier than that according to some local historians – perhaps it was originally a Christianized stone. The first Saxon settlement at Stoke (Stoiche) was said to date from c 800 AD. The cylindrical shaped shaft was discovered in 1876 by a gravedigger who spotted it being used as a door lintel inside the old church which was being demolished to make way for a newer church building. During its recovery the shaft broke in two so it was placed in storage, but in 1935 it was formally identified by Mr Charles Lynam who had it restored and re-erected in the churchyard.

Sadly the shaft is quite badly eroded with the carvings on one side being difficult to make out, but the front face has interlacing and scroll-work; there is some key-patterning on the sides and reverse side along with a series or section of small holes – these perhaps done in more recent times. The break across the middle of the shaft can still be seen today, but that does not detract from its great antiquity, the ancient monument being carefully restored. On the base there is an inscription that reads:

‘This fragment of a pre-Norman cross identified by Chas Lynam F.S.A. was re-erected near to its original position in the 25th year of the reign of H.M. King George V by P.W.L.Adams F.S.A.’

The cross-shaft is a Grade II listed monument.

References:

  1. Pickford, Doug., Staffordshire – Its Magic & Mystery, Sigma Press Wilmslow, Cheshire 1994.

© Ray Spencer, 2011


Grimeford Cross, Adlington, Lancashire

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Cross:  OS Grid Reference – SD 6200 1284

Also Known as:

  1. Headless Cross

Archaeology & History

Within the Harris Museum, Preston can be found the Upper section of a pre-Conquest stone ‘cross’. Though much damaged on three of its sides the main face displays the upper section of a horned-helmeted figure holding a sword before it. The spreading horns suggest an important figure from the Viking period in Lancashire (c.900). This large and important piece of sculpture was found during the construction of Rivington reservoir on the River Yarrow near the village of Grimeford, Anderton in the 19th century.

Also found at that time during the reservoir construction was the lower section of a ‘cross’ shaft. This shaft is decorated on all four sides with carvings which include: the figure of a man from the waist down; a trellis filled with geometrical ornamentation of horizontal and vertical straight lines repeated to form a band known as a fret; a modified version of T-fret; and a combination of vine scroll and frets. The top of the shaft serves as the base for what is possibly a post medieval sundial base which has been adapted for use as a direction stone with directions to “Preston, Wiggan, Boulton, and Blagburn” (spelled as on the stone) being carved on the sides.  I would suggest that the two fragments are parts of the same monolith and may even depict the Viking Gunnolf (the latter being my own fancy).  This headless ‘cross’ is sited at the junction on the old road near the Millstone pub in Anderton and Grimeford Lane on the way to Rivington (SD 618 130). The stone is known as the ‘Grimeford Headless Cross’ or more locally as the ‘Headless Boggart’.

Folklore

Legend has it that there used to be a chapel near the junction and a tunnel running to a nearby farm on a hill. In the 16th century shortly before troops came to destroy the chapel, a priest hid in the tunnel and became trapped underground. His body was never found. Many people are said to have seen a ghost at the Headless Cross.

Addenda

To complement John’s entry, here are Mr Taylor’s notes written more than a hundred years ago in his Ancient Crosses and Holy Wells (1906), where he told:

“The HEADLESS CROSS — These words appear on the ordnance maps at a hilly spot in the extreme south-eastern corner of the hundred, five hundred feet above sea level, and distant one mile from the village of Adlington and about the same distance north from Blackrod.  Both villages have histories going back into the far past… A ‘Windy Harbour’, near the cross, sufficiently indicates the breezy nature of the situation.  The well and the ancient stocks are shown in close proximity to the cross.  The remains of the stocks are still in existence.

“Respecting the Headless Cross and others in this locality, Mr J.W. Crompton of Rivington Hall, writes (February, 1899):

“‘In reply to your note, I never heard of any cross, ancient or modern, in Rivington proper.  There was a tenement known as Butter Cross. Possibly some ancient cross may have existed there, but I know of no record to it.  There used to be a Headless Cross in Anderton, but old Mr Ridgeway, of Ridgemont, removed it many years ago, when he had sporting rights rented in that township, and I believe and old road surveyor broke up a cross in Anglezark to repair his roads early in this century: his name was Gerrard.  Crosses seem to have been specially erected to warn people of dangerous moors they were about to cross, and as a call to prayer in this part of the country, they were frequent.’

“…The subjoined deed is printed in the Chartulary of Cockersand Abbey, circa 1184-1190:

‘Grant in frankalmoign from Ranulf Gogard and his heirs to God [and the canons of Cockersand] for the health of the souls of his mother and his wife Edith, of all the land from Fulford to the path which crosses Rascahay Brook, between Heath Charnock and Adlington, as it was marked out by the crosses and marks of the said canons; with comon right of Charnock, in wood and plain, feeding grounds and mast in all other liberties.'”

References:

  1. Taylor, Henry, The Ancient Crosses and Holy Wells of Lancashire, Sherratt & Hughes: Manchester 1906.

© John Dixon, 2010


Dean Church, Cumbria

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Cup-and-Ring Stone:  OS Grid Reference – NY 0708 2536

Getting Here

Photo & drawing of Dean’s cup-and-ring (after Beckensall, 1992)

St Oswald’s church stands at the western edge of the village of Dean beside the road to Branthwaite. The village is located some 5 miles due south-west of Cockermouth and about 6 miles to the south-east of Workington.

Archaeology & History

In the nave of St Oswald’s church there is now housed a small sandstone boulder that has a well-defined central cup-mark around which are two large concentric rings, a third ring being left open – perhaps indicating a portal (gateway), and three other well defined cup-marks at the side of that, one of which has become almost adjoined to the other through erosion.

The boulder was ploughed up in a field at nearby Park Hill to the south-west of the village in 1918. It was then placed in the churchyard but, in recent times it was brought into the church for safety reasons.

References:

  1. Beckensall, Stan, Cumbrian Prehistoric Rock Art, Abbey Press: Hexham 1992.
  2. Beckensall, Stan, British Prehistoric Rock Art,Tempus: Stroud 1999.
  3. Beckensall, Stan, Prehistoric Rock Art in Cumbria, Tempus: Stroud 2002.

© Ray Spencer, 2011


Whalley Crosses, Whalley, Lancashire

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Crosses:  OS Grid Reference – SD 7326 3616

Also Known as:

  1. Paulinus Crosses

Getting Here

Site of church & crosses

Dead easy to find.  Get to the centre of Whalley and walk into the churchyard.  Don’t confuse it with the ruins of the old abbey, or you won’t find the place!

Archaeology & History

I here wish to draw your attention to the three standing crosses in the churchyard (the crosses do not stand in their original positions having being ‘thrown down’ during the Commonwealth and used amongst other things as farm gate-posts):

1) THE EASTERMOST CROSS (Taylor ‘C’):  Standing opposite the chancel door (Priest’s Door, early 13th century retaining the original ironwork and bronze head knocker) is a much-worn cross shaft that only under certain lighting conditions that can any decoration is made out. It has scrollwork as pat of its ornament and a pelleted border. Two figures, heads surrounded by halos, can be made out just above the shaft centre. The head of the cross is not original but of the late 14th century. The cross originally stood over 11ft in height (see drawing reconstruction). Fragments of this cross are built into the fabric of the church, the top section of the shaft and parts of the cross head are held in Blackburn Museum. One fragment can be made out in the outside Chancel wall displaying the pelleted border and some scrollwork. Another fragment is built into the back wall of the Sedilia and is in good condition. A further fragment is built into the back wall of the Bishops Throne, last stall, south side, east adjacent the Sanctuary.

The shaft is set in a broken oblong base that one may have held two or more shafts in the form of a ‘Calvary’.

Cross no.2 in 1904 (after Taylor, 1906)

2) THE WESTERMOST CROSS (Taylor ‘A’):  Originally panelled crosses of this type were brightly painted in red, yellow, green, blue and white. All four sides are decorated but only the east face survives clearly enough to be made out. The shaft was divided into seven panels with roll-mouldings running along each of the panels, of which only six now exist (part of the upper panel, displaying the hallowed head of a figure and cross arm are held by Blackburn Museum). The two lowest panels and the top panel contain geometric and interlace patterns. Halfway is a sculptured panel containing a hallowed human figure, arms akimbo (raised as if giving a blessing). Either side of the figure are two serpents with open mouths. This design is repeated on the side face of the shaft along with two interlace panels. Above the figure panel is one depicting the figure of a bird (an eagle or pelican in her piety?). The lower panel shows that of a beast (a dog or a lion?).

Crosses 1  and 2 clearly show Hiberno-Norse influences, so named after the second and third generation Irish Norwegians who settled Lancashire in the 10th century whose artistic culture became dominant.

Cross no.3 in 1904 (after Taylor, 1906)

3) THE CROSS OPPOSITE THE PORCH (Taylor ‘B’):  This magnificent cross is in a fair state of preservation, although a portion of the upper shaft and three arms of the head are missing. Originally it would have stood at around 10ft in height and is the oldest of the crosses being no later than the late 10th century. The central cross shaft measures approximately 2.2m high and is socketed into a square base stone carved with dog-tooth decoration. It is rectangular in cross section and tapers towards the top where it has been broken. A piece of the shaft about 0.75m in length is missing. All four sides of the shaft depict well-preserved late 10th century decoration comprising foliated scrollwork. The principal ornamentation is on the east and west faces and consists of a central rounded shaft or pole rising from the apex of a gable. At the top of the shaft are the mutilated remains of the carved central boss of the cross head.

Whalley’s Cross 3

The central rounded column forms the axis mundi (cosmic axis, world pillar), being a ubiquitous symbol that crosses human cultures. The image expresses a point of connection between the heavens and earth where the four compass directions meet. At this point travel and correspondence is made between higher and lower realms. Communication from lower realms may ascend to higher ones and blessings from higher realms may descend to lower ones and be disseminated to all. The spot functions as the omphalos (navel), the world’s point of beginning.

The axis mundi image appears in every region of the world and takes many forms: a hill or mountain (Pendle), a tree (Tree of Life, World Ash Tree, etc), a vine, a ladder (Jacob’s Ladder), a stone monolith, a maypole, Sufi whirling, etc. The foliated swirls represent interactive movement along the axis – transmission, unity within multiplicity.

The axis mundi concept has its origins in Indo-European shamanism, and a universally told story is that of the healer traversing the axis mundi to bring back knowledge (benefits/blessings, etc) from the ‘other world’. The Sufi concept of baraka and the Hindu mystical concept of akasha are akin to this.

All three crosses had cross heads of four arms of equal length, each widening at the outer end in an axe shape so that their rims nearly form a circle.

Editor’s Note:  Henry Taylor (1904) described the “remains of other pre-Norman crosses” at the point marked ‘D’ on his map of the church, adding:

“The Bishop of Bristol thus describes the fragments of other crosses at Whalley: ‘A pretty and delicate fragment forms part of the back of the sedilia; there is at least one piece in the south wall of the chancel, outside, and there are fragments lying on the ground.  One of these, showing a system of oval buckles, as it were, with straps through them, closely resembles a stone found — but now lost — at Prestbury…”

Folklore

Taylor mentions how the Whalley crosses were long known as the Paulinus Crosses, “who is said to have been made Archbishop of York in the year 627, and who, it is alleged, preached and baptised in the wild districts far removed from that capital, even in such remote places as Whalley… His name is also attached to an ancient cross…on Longridge Fell.”

References:

  1. Taylor, Henry, The Ancient Crosses and Holy Wells of Lancashire, Sherratt & Hughes: Manchester 1906.
  2. Whitaker, Thomas Dunham, An History of the Original Parish of Whalley and Honor of Clitheroe, Nichols, Son & Bentley: London 1818.

© John Dixon, 2010


Swinden Cross, Colne, Lancashire

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Cross:  OS Grid Reference – SD 878 409

Archaeology & History

Carved cross design

In the 19th century a fragment of an Anglo-Saxon cross was dug up in the grounds of Alkincoats Hall between Colne and Foulridge — this area was probably once an early Medieval settlement that was taken over by Knights Hospitallers in the 12th and 13th centuries.  However, the carved cross-head was lost for a long period of time but was thought to have come to light again in more recent times when the sewerage works were being built at Swinden on the boundary between Colne and Nelson. If the cross had stood at Swinden then it almost certainly marked the boundaries between Colne and Marsden (Merclesden).

This fragment was thought to be almost certainly the same as that found at Alkincoats Hall.  The piece of cross-head would have adorned the top of a late Saxon or early Medieval cross-shaft dating from the 10th-11th century. The carvings of knotwork interlacing on the arms and central boss were thought reminiscent of Anglo-Norse work — similar to the crosses at Whalley and Burnley.

I believe that the cross fragment was housed in St Bartholomew’s parish church at Colne, but I don’t know whether it still resides there. What a shame that the shaft has long gone – because almost certainly it would have looked resplendent.

References:

  1. Byrne, Clifford H., “A Survey of the Ancient Wayside Crosses in North East Lancashire,” unpublished manuscript, 1974.
  2. Taylor, Henry, The Ancient Crosses and Holy Wells of Lancashire, Sherratt & Hughes: Manchester 1906.

© Ray Spencer, 2011


Duncroisk Burn, Glen Lochay, Killin, Perthshire

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Cup-and-Ring Stone:  OS Grid Reference – NN 5281 3635

Also Known as:

  1. Canmore ID 24177
  2. CEN 19 (Morris)
  3. Duncroisk 2 Carving (Canmore)
  4. Tirai Wall Carving
  5. Tullich (Morris)

Getting Here

A ring of cups, encircling cups

Go thru Killin and, just past the Bridge of Lochay hotel, take the tiny road on your left.  Go down here for 3 miles till you pass the gorgeous Stag Cottage (with its superb cup-and-rings in the field across the road) for another 300 yards, past Duncroisk Farmhouse set back on your right, then over the small river bridge.  Just over the bridge there’s a gate on your left.  Go thru this and up the track until you get to another large gate.  Go thru this, then walk immediately left where you’ll notice a large-ish boulder sat on the nearby slope ahead of you in a part of some very old walling.  That’s your target!

Archaeology & History

The title of this carving is slightly misleading, as the stone concerned is about 50 yards west of the fast-running burn.  But it’s pretty easy to locate.  When we visited the stone recently, as the photos show, the rock was all-but covered in a beautiful patchwork of lichen and moss, inhibiting the visibility of a quite impressive carving.  But we have to let this be.

The carving’s on the big rock by tree, in the walling
Line of walling clearly evident

The carved rock plays an important part in a line of ancient prehistoric walling, which looks Iron Age in nature, but without an excavation we’ll not know for certain.  The walling is quite extensive and is an integral part of the extended derelict village of Tirai, with its standing stones and other monuments.  This begs the questions: was the carving executed before or after the walling was created?  Was the stone carved in traditional neolithic/Bronze Age periods and later accommodated into the walling?

Even in the grey overcast light of a winter’s day when we first visited here, many cups were clearly visible on the rock’s surface, but they were difficult to contextualize in terms of artificial and natural aspects of the stone.  Later visits here at the end of Spring enabled a much better assessment — though capturing the surrounding “rings” proved difficult.  The carving is shown highlighted on Ron Morris’ (1981) map of the cluster of Duncroisk carvings, and described as a:

“domed schist boulder, 2½m by 2m, 1¼m high (8ft x 6ft x 4ft).  On its top, mostly where sloping…are: 2, and possibly 3, cups-and-one-ring, much weathered and only visible when wet in very low sun, probably un-gapped, and at least 32 cups.  Diameters up to 17cm (6½in) and depths up to 1cm.”

But this is only half the story.  Despite what Mr Morris and the more recent Canmore records tell us about this carving, there are in fact at least 52 cups on the surface of the rock, at least two of which have definite ring-like forms around them.  The largest of the cups has linear features around a large section of it, but to ascribe these elements as ‘rings’ is also stretching it a bit — as one of the photos here clearly shows.  The ‘ring’ consists more of two separate straight lines with curvaceous ends: more like a right-angled carving with a swerve than any traditional ring.  It’s a quite unique feature by the look of things.

Faint cup-and-ring and cups…and…
Cups & right-angled lines

The majority of the carved cups and lines occur on the eastern side of the boulder, with only a few singular cups almost fading their way onto its western sloping sides.  And of primary visual interest are the swirl of cups that surround two small cups at the ESE corner of the rock.  These give the impression of running into another swirl of cups that hedge their ways around the edges of the largest cup-and-right-angled-lines, until bending back up and along the southern-side of the stone.  This possibly deliberate sequence of cups then continues in roughly the same form back upwards to near the top-middle of the rock and onto a complete cup-and-ring.  Just above the top of this runs a short pecked line just detached from the cup-and-ring, but of obvious mythic relevance in the story which this carving once told.

RWB Morris’ sketch of the design

It’s an absolutely fascinating carving which gives the distinct impression of narrating a myth of journeying, by either a person, tribes or ancestral beings.  Of course we’ll probably never know for sure what story it once told; but its tale may have been known by the people of the once proud village of Tirai which was only destroyed a couple of centuries ago, along whose fallen walls this great stone still rests within…

And finally, for those students exploring the potential relationship that cup-and-rings may have with water: please note that in wet conditions, a spring of water emerges right underneath the very base of this large rock.

…to be continued…

References:

  1. Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR 86: Oxford 1981.
  2. Royal Commission on the Ancient & Historical Monuments of Scotland, Archaeological Sites and Monuments of Stirling District, Central Region, Society of Antiquaries of Scotland 1979.

© Paul Bennett, The Northern Antiquarian


Duncroisk 3, Glen Lochay, Killin, Perthshire

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Cup-and-Ring Stone:  OS Grid Reference – NN 53447 35669

Also Known as:

  1. Canmore ID 24181
  2. Duncroisk 5 (Canmore)

Getting Here

Duncroisk 3 Carving
Duncroisk 3 Carving

Two real ways to get here. Either (i) follow the directions to get to the Stag Cottage carvings of Duncroisk 1, then walk down to the fence by the riverside and walk along to the left for a coupla hundred yards till you reach a second metal fence-post sticking out of a rock on the other side of the deer-fencing; or (ii) from the roadside burn a coupla hundred yards along the road before you reach Stag Cottage, follow it down to the riverside, then head along the footpath behind the fencing, parallel with the river’s edge.  It aint far.  Within 100 yards you’ll reach the stone with the metal pole sticking out of it and the carvings are on this!

Archaeology & History

Confusingly redesignated as Duncroisk 5 carving by the usually efficient Canmore people, we’re sticking with this stone’s original name given by Ronald Morris (1981) in his British Archaeological Report of this and nearby carvings — and a quite fascinating carving this is as well!

C.G. Cash’s drawing
Duncroisk 3 stone

As with many cup-and-rings, erosion and lighting has a powerful effect on seeing the design correctly.  On my visit here in recent months there were quite distinct additional elements in the carving which haven’t been noted by previous archaeologists.  But in saying that, there were also some elements that were reported by the earliest antiquarians that proved difficult to see in the grey light of day when I was here.  The earliest report of the carving by C.G. Cash (1912) told there to be five rings, whereas today only 3 or 4 are visible (though this will probably change when viewed in other lighting conditions).

When Mr Cash told of this stone in his essay on the antiquities of Killin it sounded as if it was lucky to have survived, as it had previously been dug out and left by the roadside, before then being reused by a local to fix a fence-post in!  Mr Cash told us that the local,

“had used it as the foundation stone of the stretching post at the south end of the easternmost fence on the farm, and there I found it, near the brink of the river, buried in sand and turf.  I cleared it and then in pouring rain crouched over it to make a hasty sketch.  It bears eighteen cups, of which five are surrounded by rings.  The largest cups are 2½ inches and the rings 6 inches in diameter.”

Ron Morris’ images

When I visited the place the weather was much the same as Mr Cash described: lovely teeming rain, typical of the mountains, with the surrounding trees breathing moisture onto the slopes as ever.

Years later when Ronald Morris (1981) came here he saw “4 cups-and-one-ring…probably complete rings, up to 12cm (5 in) in diameters and 10 cups up to 2cm deep.”

If you stand and face the stone, the cup-marking on its lower right side (see Morris’ old photo, above) has a pecked line running from it further to the right and down to the edge of the rock.  You can clearly make it out on the top photo.  This carved line also seemed to touch another carved line which can be seen running along the outer edge of the stone — although the poor light didn’t allow me to view this with absolute confidence.  I’ll have another look at it again when I’m up in the area in May and hopefully confirm or deny it with greater confidence (and if anyone else gets here in the meantime, have a look and see what y’ think).

References:

  1. Cash, C.G., “Archaeological Gleanings from Killin,” in Proceedings of the Society of Antiquaries of Scotland, volume 46, 1911-12.
  2. Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR 86: Oxford 1981.

© Paul Bennett, The Northern Antiquarian


Ratten Clough Cross, Emmott Moor, Lancashire

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Cross Base:  OS Grid Reference – SD 93997 39746

Getting Here

Ratten Clough Cross stone

Follow the directions to reach the Herder’s Cross, not far away.  Standing on the Herder’s Cross stone, look across the fields to the north (away from the farmhouse on the hill below) and you’ll see a nice-looking stream a coupla hundred yards ahead of you.  Crossing this stream you see the large boulder, which you can see clearly if you’re stood on the Herder’s Cross.  That’s where you’re heading!

Archaeology & History

A curious entry inasmuch as I’ve found no other references to the place.  It’s an obvious cross-base, albeit very worn, cut onto the top of this large boulder, as you can see in the photo.  What may be a singular cup-marking (if you’re a New-ager, or work for English Heritage that is!) is on the western side of the rock — but without additional markings on the rock, this has gotta be questionable.

Dodgy cup-marking on top!
Shallow cross-base

The cut ‘square’ measures eight-inches both sides, but it seems that the cutting on the north-eastern sides of the base was never finished.  The depth of the cross-base is also very shallow, only an inch deep.  There seems to be a distinct possibility that this particular stone was initially chosen as a wayside cross marker, then for some reason perhaps moved to the position of the Herder’s Cross in the fields 420 yards (383m) to the south of here.

Clifford Byrne (1974) suggested that the pathway hereby was an ancient routeway that led towards the Emmot Holy Well, three-quarters of a half-mile down the hillside from here.  Any further info or thoughts on this side would be most welcome.

References:

  1. Byrne, Clifford, A Survey of the Wayside Crosses in North East Lancashire, unpublished manuscript, 1974.

© Paul Bennett, The Northern Antiquarian