This is another of the many unrecorded cup-and-ring carvings in the region—and one in a small cluster hereby. It was rediscovered several years ago on a Northern Antiquarian outing and, thankfully, remains in good condition. Encrusted by layers of gorgeous lichens, deep into the rock, it has hence proven difficult to explore the entirety of the exact design without tearing off the old lichen covering—which I’ve no intention of doing.
Lichen Stone, from above
There are at least a dozen cup-markings etched onto the upper surface of this curved stone, with the majority of them clustering around its eastern side. It seems there’s only one cup-marking on the western section of the rock, with the majority of them carved near the middle of the rock and then moving to its eastern section. But the curious features are the interlinking carved lines which you can see have been highlighted on the top and sides of the stone. Initially you get the impression that they’re natural, but it becomes obvious the more you look at them that they’re an integral part of the carving. Some of the lines typically link-up with other cups, whilst a number of them have been carved along and down the vertical faces of the rock, primarily on the east and north-east edges. At least seven of them have been done and they all reach down to ground-level.
Cups & carved linesCarved lines highlighted
It seemed obvious that an even larger design was apparent on the rock, but the stone had been covered in an age of lichen (hence the name) which I didn’t want to disturb; and although no distinct cup-and-ring can be seen here, it looked as if one such motif might have been hiding beneath the lichen cover. But let’s leave the rock and lichen to their own quiet life and move on our way…. to the other carvings nearby, like the impressive Fraggle Rock, or the more basic Snake Stone. Then follow your nose and seek out the other carvings in these fields…
On the A81 road from Aberfoyle to Strathblane, about a mile south of Aberfoyle take the tiny right turn (keep your eyes peeled!) to Gartmore. At the end of the village, turn right at the T-junction. Just over a mile along the tiny road, just over the tiny road-bridge, turn right again up up the dead straight road to Drymen for nearly a mile and park up. A dirt-track is on your right: walk along here for ¾-mile (1.2km) and in a large field on your left a huge rock sits (no carvings on it). Keep walking on the track and where the field ends, a path to your left runs above a small burn. Naathen, 150 yards along here, look down at the waters and there’s a clump of large rocks. Check ’em out!
Archaeology & History
Morris’ old photo (from PSAS 1967)
This stone and others were mentioned in MacNair’s (1973) essay in the popular history guide to the region, after it had seemingly been rediscovered a few years earlier by Ron Morris (1967; 1969), who listed it in his petroglyph catalogues. It was originally located at the top of the slope above the burn, but was rolled down here shortly after Morris discovered the cup-and-rings on it. The farmer at the time had made a bore-hole into the rock with the intention of blowing it up, but Morris found it just in time and the stone managed to survive!
Faint CnR’s just visible
It’s a large rock with a decent ornate design that was clearly visible when Morris surveyed it (see photo, right). It comprises of, “a cup-and-two-rings, 18cm (7in) diameter, 6 cups-and-one-ring (2 of which are tangential) and at least 8 cups. All rings are complete. Greatest carving depth 2cm (¾in).” There also appears to be a line of four or five small cup-marks running in a short line by one of the lower cup-and-rings, but these are very faint indeed. The double cup-and-ring mentioned by Morris is the one at the top-centre in my photo, but the next cup-and-ring down may also be a double-ring. At the top-right of the photo is where two cup-and-rings are conjoined.
Since being rolled down the slope to the side of the burn, the carving’s much more in the shadows and is more difficult to work out. Sadly on the day when I visited here, Nature bestowed on me a wet and cloudy day, so the design was even more difficult to see, as my photos illustrate.
Morris (1981) told that “other stones in the immediate vicinity bear possible cup-marks,” and one of these may exist just a couple of stones away (Corrie 2), leaning up into the grasses: this is another rock that has been pushed down the slope and has curious natural cup-markings on it, with one or two that could be man-made, but we need a geomorphologist to have a look at it and tell us one way or the other.
References:
Edlin, Herbert L. (ed.), Queen Elizabeth Forest Park, HMSO Edinburgh 1973.
MacNair, A.S., “History,” in Edlin’s Queen Elizabeth Forest Park, HMSO 1973.
Morris, Ronald W.B., “The Cup-and-Ring and Similar Early Sculptures of Scotland; Part 2 – The Rest of Scotland except Kintyre,” in Transactions of the Ancient Monuments Society, volume 16, 1969.
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.
Cup-and-Ring Stone: OS Grid Reference – SK 231 691
Archaeology & History
Ball Cross 2 Carving (after Beckensall)
One of three carvings that were located inside the walling of the Ball Cross hillfort during excavations here in the early 1950s by J. Stanley. (1954) Each carving is distinctly unlike the other in design (see Ball Cross 1 and Ball Cross 3) and it’s highly probable that they were incorporated into the Iron Age structure with their original mythic functions—of neolithic or Bronze Age origin—disused. It is not unlikely that this and its compatriots were originally found in association with the nearby prehistoric tombs.
Ball Cross 2 Carving (photo by Dean Thom)
The broken piece of rock consists of a broken section of an almost archetypal ‘cup-and-ring’—although with this design, no central ‘cup’ occurs: a pattern found at several other multiple-ring stones, like the Grey Stone near Leeds. Although Stan Beckensall (1999) described this to have “8 concentric rings”, his drawing and the photo here by Dean Thom, clearly show only seven such ‘rings’. The carving presently lives in a protective box in Sheffield Museum (though beware the listing they give of the designs, as some are incorrect).
References:
Barnatt, John & Reeder, Phil, “Prehistoric Rock Art in the Peak District,” in Derbyshire Archaeological Journal, 102, 1982.
Beckensall, Stan, British Prehistoric Rock Art, Tempus: Stroud 1999.
Beckensall, Stan, Circles in Stone: A British Prehistoric Mystery, Tempus: Stroud 2006.
Cooper, Ali, Archaeology Walks in the Peak District, Sigma: Wilmslow 2010.
Morgan, Victorian & Paul, Rock Around the Peak, Sigma: Wilmslow 2001.
Stanley, J., “An Iron Age fort at Ball Cross Farm, Bakewell,” in Derbyshire Archaeological Journal, volume 74, 1954.
Acknowledgements: HUGE thanks to Dean Thom for the use of his photo, plus helpful references on this site.
This is another carving (one of three here) that was removed from its landscape setting when found during excavations of the Iron Age hillfort of Ball Cross in the 1950s, and then placed into a box in Sheffield Museum, decontextualizing it and leaving future researchers slightly in the dark as to its possible nature. In removing the carving from its site, the stone was left with additional scratches and grooves slightly damaging the stone. Not good!
Ball Cross Carving (after Beckensall)Ball Cross Carving (after A. Cooper)
Although unlike the Ball Cross 2 and 3 carvings, the design here is structurally very similar to that found east of Gardoms Edge, with this one comprising of a large unbroken carved oval, with at least twelve cup-marks inside. Or as Beckensall (1999) described, it “has 12 cups inside a flattened ring.” Again, like the Gardoms Edge carving, a single cup-mark was etched outside of the enclosed ring. It was found with its companion carvings built into the main walled structure of the hillfort. It’s unlikely that the stones date from the same age as the hillfort: more probable that they were re-used in the structure, with their mythic nature perhaps already long forgotten…
References:
Barnatt, John & Reeder, Phil, “Prehistoric Rock Art in the Peak District,” in Derbyshire Archaeological Journal, 102, 1982.
Beckensall, Stan, British Prehistoric Rock Art, Tempus: Stroud 1999.
Beckensall, Stan, Circles in Stone: A British Prehistoric Mystery, Tempus: Stroud 2006.
Cooper, Ali, Archaeology Walks in the Peak District, Sigma: Wilmslow 2010.
Morgan, Victorian & Paul, Rock Around the Peak, Sigma: Wilmslow 2001.
Stanley, J., “An Iron Age fort at Ball Cross Farm, Bakewell,” in Derbyshire Archaeological Journal, volume 74, 1954.
Acknowledgements: HUGE thanks to Dean Thom for the use of his photo, plus helpful data on this site.
Cup-and-Ring Stone: OS Grid Reference – SK 2752 7328
Archaeology & History
Gardoms Edge 2 carving, in Sheffield Museum (photo – Dean Thom)
This carving is one of two cup-and-ring stones that were removed from this area and transported to Sheffield Museum, decontextualizing them from their landscape presence (this should not be done unless very severe damage is happening, or their destruction is imminent). It’s quite an intriguing carving, similar in design to one found not far away at Great Hucklow, the Middleton Moor 479 carving, etc. Like many Pennine cup-and-ring stones, it was located in a prehistoric cairn field (or necropolis), with hut circles not far away too, and really should have remained in situ for the benefit of future researchers.
Gardoms Edge carving (after Beckensall 1999)
The carving was cut into one end of a small rock and comprises of a singular unbroken, large oval, within which are enclosed thirteen or fourteen cups, plus a single cup on the outside of the ring. Lunar associations may be invoked by the 13 cups, enclosed within one cycle of the year. But I’m speculating of course. It’s probable that other carvings in the area remained undiscovered.
References:
Barnatt, John & Reeder, Phil, “Prehistoric Rock Art in the Peak District,” in Derbyshire Archaeological Journal, 102, 1982.
Barnatt, John & Robinson, F., “Prehistoric Rock Art in Ashover School and Further New Discoveries Elsewhere in the Peak District,” in Derbyshire Archaeological Journal, 123, 2003.
Beckensall, Stan, British Prehistoric Rock Art, Tempus: Stroud 1999.
Beckensall, Stan, Circles in Stone: A British Prehistoric Mystery, Tempus: Stroud 2006.
Acknowledgements: HUGE thanks to Dean Thom for the use of his photo here.
Cup-Marked Stone near centre (courtesy Mike Short)
Mike Short tells: Walk ENE along Thornhill Drive (no vehicular access) to gate across road at the last house on the Drive and continue on for approx 475m where road starts to narrow slightly, becomes a little steeper and gently turns to E. Thornhill Drive is now cut into the hillside at this point with an upwards sloping bank on the S side of the path. After approx 25m further on at approx SE 20375 37950 look out on the S side of the path for a pile of boulders sitting on bedrock on top of the bank and a large rectangular tabular rock on the side of the bank. Ascend the bank and from the boulder pile the panel is approx 22m 200º(T) in the middle of an ephemeral E-W path more defined to W.
Archaeology & History
The profile (and ‘How to Get There’) for this recently discovered cup-marked stone was forwarded to me by fellow rock art explorer, Mike Short. The carving is another basic design found in Calverley Woods, between Leeds and Bradford, nearly halfway between the missing petroglyphs of West Woods 2 and Sidney Jackson’s Calverley Woods Stone. Rediscovered by Lisa Volichenko some time ago, Mike described the new carving here as follows:
Looking down on the 3-4 cups (courtesy Mike Short)Sketch of the carving (courtesy Mike Short)
“Panel is carved on W sloping face of a sub-triangular earthfast coarse-grained sandstone boulder 0.81m X 0.50m X 0.38m, the longest axis lying almost exactly N-S. Carving consists of 3 cups, the most N of which is elliptical approx 65mm X 55mm; the central cup is elliptical approx 50mm X 40mm and the most S is circular diameter approx 40mm. On the N edge of the W face is a shallow elliptical depression thought to be of natural origin. There is an area of damage along the ‘crest’ of the boulder close to its S end.
“Carved rock is the most E of five rocks, measuring between 0.70m and 1.15m in length, in very close proximity forming an arc, 3 of which are in the footpath and one of which is resting on a large slab of rock almost completely covered by soil and vegetation.”
And so the small number of cup-marked stones in this woodland slowly grows. One wonders how many more are hidden beneath the roots of the trees—and are all of the lines and cups atop of the great Hanging Stone, a short distant away, all Nature’s handiwork…?
Acknowledgements: Huge thanks for Mike Short for the data, photos and sketch of this carving.
Take the A59 road from Harrogate and Skipton and at the very top of the moors near the Gill Head Enclosures, take the small Kex Ghyll road up past the disused quarry works north for a mile or so. At the junction go left, past the Outdoor Centre, thru West End up Whit Moor Road, then go left down to Brays Cross Farm and over the ford. Note the clump of trees on the moors to the west and take the path there. Once here, a large outcrop of rocks will be seen about 150 yards on the moor to the west. That’s the spot! Otherwise, follow the directions of the legendary wandering Teddy!
Archaeology & History
This dramatic looking outcrop of rocks rising out of the ground a half-mile due west of Bray farmhouse has long been known as the rocks of the ravens: oracular birds of ill-omen in all peasant traditions, yet carrier birds of shamans in their Underworld ventures, from accounts in Russia and Scandinavia, through the Scottish highlands and into Yorkshire’s northern hills, as folklore records show. Whether such mythical figures used the Raven Stones here for such magick, we have no firm accounts; but the existence of the many cup-markings on this particular rock (and others in the outcrop) show that animistic traditions of some form or another occurred here in prehistoric times at the very least.
Looking across the stoneLooking down on the cups (after QDanT)
Records of this place as an archaeological spot are scant indeed. It is passed with barely a mention by those Victorian antiquarian giants, Bogg, Grainge and Speight. The rock art students Boughey & Vickerman (2003) give the wrong grid reference here, but added the site to their inventory, saying only that it is “long, low, exposed bedrock. 22-25 cups; some very weathered and smooth.” A series of channels runs down the slope of the stone, but there are probably natural. However, a cup-and-line does occur on the eastern side of the carving.
References:
Armstrong, Edward A., The Folklore of Birds, Collins: London 1958.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
From Ilkley, take the directions up to the Panorama Woods 232 carving. From here you can step from this rock over the stride onto the cup-marked carving 231b, and then go onto the next adjoining rock surface a little lower down. From here, you’ll see another mossy rock surface in front of you by a yard or two. That’s the one!
Archaeology & History
The three cup-markings
Here’s another simple cup-marked stone, probably only for the purists amongst you—although in visiting here please take into account the primary carving’s association with other more prominent designs that once existed only a few yards to the west where the houses now stand. There is also the cluster of other carvings right next to this stone. A prehistoric settlement was also in evidence adjacent to this carving which was destroyed in the latter half of the 19th century.
Close-up of the cupsJohn Hedges 1986 drawing
Described simply in John Hedge’s (1986) fine survey as a small “piece of rock with three clear cups and one depression.” Boughey & Vickerman’s (2003) survey added nothing more and merely copied the same words. For some reason or other (mebbe cos I’m simple!) I really like this otherwise innocuous design and its close simplistic relatives. It’s probably due to the trees amidst which the stones are found and the bright mosses on the rocks, giving the site a slightly extra sense of more living genius loci than others on the top of these moors, where the winds move the subtle spirits with greater ease.
19th century addition
If you step down and look at the vertical side of this stone, you’ll notice a more modern stylistic carving etched onto the surface. Not as deep as the prehistoric cups on the top, it seems probable that a local artist by the name of Ambrose Collins carved this on here (and other similar designs on other rocks nearby) in the late 19th century.
References:
Bennett, Paul, The Panorama Stones, Ilkley, TNA: Yorkshire 2012.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Although now seemingly lost, it’s location is damn close to this: Along the A657 between Greengates and Bradford, where the New Line meets Carr Road, the dirt-track takes you into Calverley Woods, down Eleanor Drive. About 250 yards along (just before you get to the field on the left), take the footpath down the embankment towards the stream where it bends to the left and where the land levels out (don’t cross the stream). It’s somewhere round there!
Archaeology & History
This was one of two previously unrecognised carvings we came across sometime in 1985 (see West Woods 1 stone), when we were seeking out another missing carving in the same woods. It was clear and well-defined as the faded photo here shows; but having been back to try find it twice in the last two years in the hope of getting better photos, I’ve been unable to locate it. The carving was described in an article I did in an old earth mysteries magazine. It comprises simply of a large ring surrounding and enclosing two deep cups, which were linked to each other by a connecting carved line. Parts of the stone had been chipped in parts—including a section of the large ring— due to some industrial workings that had happened here in the past. Thankfully I managed to find the old photo and hopefully, perhaps, some local explorer could try and seek out where it’s hiding beneath the trees and other vegetation.
References:
Bennett, Paul, “The Undiscovered Old Stones of Calverley Woods,” in Earth no.2, 1986.
Take the minor road that runs from the small town of Newtyle (in Angus) westwards to Kettins (in Perthshire). Less than a mile on, go up the first turn-off on your left to Kinpurnie Castle and continue (past the castle) for less than a mile. Keep your eyes peeled on the right-hand side of the road, opposite the drive to High Keillor – and you can’t really miss it!
Archaeology & History
Another feel of Keillor’s Stone
A fascinating site in an excellent setting. Here we have a 6-7 foot tall standing stone living upon a what is most probably a Bronze Age tumulus (possibly neolithic, but we aint sure), on whose south-face were carved a series of Pictish symbols many many centuries ago. In the surrounding district there is a vast wealth of similar sites (and many destroyed, like the lost Hill of Ballunie stone circle only a few hundred yards along the road), highlighting that this region was very important indeed to the prehistoric peoples of Strathmore and the Sidlaw Hills.
W.J. Skene’s 1832 drawing
The Keillor stone was described and illustrated by several of the giant Scottish antiquarians. When James Skene visited the site in the 1830s, the tumulus upon which the stone stands was still pretty complete, as his old drawing from 1832 clearly shows. Since then the track beside the monument has widened and the road took away half of the burial mound. But the place has lost little of its majesty.
Another 19th century historian, William Oliphant (1875), when describing the beauty and history of the Sidlaw Hills, below whose edges the old hamlet of Keillor stands, told of this,
“old and striking monument, making the spot on which it stands historical, though no syllable of the history has come down to us. It is, one writer says, “one of those remarkable sculptured monuments of the ancient inhabitants of Scotland, embellished, in this instance, with the rude outline of the boar.” Another writer says, “at Baldowrie there is an erect Danish monument six feet high. It contains some figures, but they are almost entirely defaced.”
In John Stuart’s (1856) superb magnum opus he told that this carved pillar with “a boar” on it, standing on an ancient “tumulus of earth and stones” was found to have evidence of several burials inside when a dig at the site occurred which, he told, “I was present (at) in the autumn of 1854.” He described the site as follows:
Stone with carved symbols (after RCAHMS 1994)Stuart’s 1854 drawing of the carved stone
“The Stone at Keillor is placed on a tumulus on the north slope of the Hill of Keillor, in the Parish of Newtyle, and Shire of Forfar. It is a rough stone, formed of gneiss, convex in front, and rugged behind. The tumulus on which it is placed is formed of earth and stones, and several cists containing bones have been found in it. Ancient sepulchral remains have also been dug up in various parts of the adjoining field.
“The stone was broken across some years ago about a foot above the ground, but the parts have recently been clasped together, and the stone replaced in its original site by orders of Lord Wharncliffe. The present drawing was made with much care by Dr. Wise, and is more perfect than the copy in Mr. Chalmers’ volume. The surface of the stone is so rough, that it is sometimes with difficulty that the incised lines can be satisfactorily distinguished from natural fissures, but having examined the stone in a variety of lights, and compared Dr. Wise’s sketch with the original, I am inclined to think that the drawing is as satisfactory as can now be obtained. There is a rough sketch of the stone among Dr. Hibbcrt’s papers, with a supposed Gaelic inscription at the top, meaning “the burying place of the slain,” furnished to Dr. Hibbert by the late Mr. Donald Gregory. Of such inscription 1 could see no trace.”
The old stone himselfFaint carvings just visible
And as far as I am aware, this Gaelic inscription has not subsequently been recorded. But considering the position of the stone in the landscape, it’s understandable if some of the carvings have eroded away by simple weathering. Indeed, when Paul Hornby and I visited here only a couple of weeks ago, despite the weather conditions being excellent, the carvings were difficult to make out. Modern interpretations differ between the topmost animal carving being either a wolf or a boar. Below this we see the more common Pictish symbol described as a double disc and Z-rod symbol, for which academia still struggles to afford cogent explanations.
Keillor stone on 1865 map
Whilst the prehistoric age of the tumulus on which this stone stands is not in doubt, we don’t know exactly when this stone was first erected here. Whilst some of the early accounts—including the Ordnance Survey team who first visited here in 1860—describe it in an upright position, when A.J. Warden (1880) wrote about it in his massive survey of the region, he noted that wasn’t always the case:
“On the north slope of the Hill of Keillor, in the parish of Newtyle, there is a rough stone composed of gneiss, somewhat convex in front but rugged behind. It is placed on a tumulus formed of earth and stones, and several cists containing bones were found in it; while, in the adjoining field, ancient sepulchral remains have also been found. The stone was broken across about a foot from the ground, but the parts have been again united and the stone replaced on its original site. On the stone there is the figure of an animal, below which are the spectacle and other symbols, all incised.”
The stone presently stands on a modern plinth to protect it from the elements and such things. It was erroneously described in the Royal Commission’s 1999 survey of Pictish monuments as being just “1.4m in height”, whereas it is in fact some 6½ feet tall, or around 1.98m.
The Great Pyramid to the northwest
The view from here, east, north and west is superb. The high rolling hills of Angus stretch into the north and eastern skies; whilst more westerly are the grand olde mountain ridges into deepest Perthshire. And looking northwestwards from our old standing stone, one shapely mountain in particular is notable, standing out upon the ridge of distant hills: a great pyramid which I initially thought may have been Ben Vorlich. But thanks to the help of several local people, have found that it is in fact Schiehallion – the great Mountains of the Fairy Folk, about 50 miles away! Some folk think that it may have had relevance in the animistic formula with this monument—and I’ll hazard that it did too…
…to be continued…
References:
Allen, J. Romilly, Early Christian Monuments of Scotland, 1903.
Coutts, Herbert, Ancient Monuments of Tayside, Dundee Museum 1970.
Guthrie, James C., The Vale of Strathmore – Its Scenes and Legends, William Peterson: Edinburgh 1875.
Jervise, Andrew, Epitaphs and Inscriptions from Burial Grounds and Old Buildings in the North-East of Scotland – volume 1, Edmonston & Douglas: Edinburgh 1875.
Mack, Alastair L., Field guide to the Pictish symbol stones, Pinkfoot Press 1997.
MacPherson, J.G., Strathmore: Past and Present, S. Cowan: Perth 1885.
Marshall, William, Historic Scenes of Forfarshire, William Oliphant: Edinburgh 1875.
Royal Commission on the Ancient & Historical Monuments of Scotland, South-East Perth: An Archaeological Landscape, HMSO: Edinburgh 1994.
Royal Commission on the Ancient & Historical Monuments of Scotland, Pictish Symbol Stones: A Gazetteer, Edinburgh 1999.
